Chords for Pat Metheny: Rainy Days & Mondays (The Carpenters)

Tempo:
110.3 bpm
Chords used:

C

G

F

Am

D

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Pat Metheny: Rainy Days & Mondays (The Carpenters) chords
Start Jamming...
[C] [G] [F]
[E]
[A] [E] [G]
[C]
[D#] [C]
[Am] [C]
[F]
[Gm] [C] [E] [F]
[Am]
[G] [C]
Well, there's about six Carpenters tunes I could have done, I think, because I [G] love so
many of those [B] songs.
And it really [F] kind of came [E] up to a toss-up between [A#] For All We Know and [C] Rainy Days and Mondays.
Both are just [Em] great [C] sort of descending, bass-line kind of tunes, which I love.
[G] But Rainy Days and Mondays [C] in particular, it turned out that kind of got the edge a
little bit because it was [Dm] so fun to solo on.
There were lots of things to do [A] with that.
I [C] just always thought that was a [F] great song.
It lends itself to some very simple kinds of [C] reharmonization stuff that is in there, too.
[G] [Am] [F]
[Am] [G] [C] [G]
[C] [F]
[G]
[C] [A]
[G] [Am] [C]
[G] When I think about the Carpenters, for [C] instance, and the level of [Dm] musicianship that's represented
there and [F] the [G] depth of soulfulness that's kind of represented [C] in Karen [G] Carpenter's voice
and the kind of skills that went into [C] making a lot of those tracks [G] do what they do musically.
I [C] embrace all that completely.
[G] I always [F#] have.
I never felt [Dm] like I needed to [C] create any kind of distance between that and anything else.
To me, it really speaks and lives on its own [Dm] terms and has a sort [C] of timeless resonance
[F#] to [F] music itself.
[C] I'm taking now music out of [G] the [C#m] cultural [A#] context.
I'm just living [F] entirely in the world of good notes and good sound and [C] really skillful [Cm] deployment
of musical knowledge and so [C] forth, which is kind of the [C#] bedrock thing for me.
That's what [Cm] I kind of live for, in a way.
[D]
[C] [F] [D] [Bm]
[Cm] [F] [G]
[D] [Gm] [Am]
[F] [C]
[Dm]
[F] [Gm] [C]
[G] [F] [Am]
[G] [F] [G] [F#m] [C#m]
[F#m] [E] [F] [G]
[C] [F] [C] [A]
[C] [D]
[B] [Dm]
[Am] [C] [D#]
[G] [C] [F] [Am]
[Dm] [A#] [F] [Am]
[A] [A#]
[Fm] [C]
[A#m] [C] [F] [Bm]
[Gm] [F]
[C] [Dm] [C]
[F] [C]
[D] [C] [A#]
[Gm] [F] [C]
[F] [Dm]
[Gm] [C]
[G] [A]
[D] [D#]
[A]
[Am]
[A]
[D] [A]
[F#] [C]
[B] [F#m]
[E] [D]
[A] [D] [A] [Em]
[Bm]
[G] [Am]
[F#] [Bm]
[C] [D] [G]
[Am]
[E]
[Am] [G#m] [Am]
[D] [Bm] [Am] [D]
[Am] [C] [D]
[C]
[D]
[A] [B]
[Am]
[D]
[A]
[Dm]
Key:  
C
3211
G
2131
F
134211111
Am
2311
D
1321
C
3211
G
2131
F
134211111
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[C] _ _ [G] _ _ _ _ _ [F] _
_ [E] _ _ _ _ _ _ _
_ [A] _ _ _ [E] _ [G] _ _ _
_ _ [C] _ _ _ _ _ _
_ _ _ _ _ _ [D#] _ [C] _
_ _ [Am] _ _ [C] _ _ _ _
_ _ _ _ [F] _ _ _ _
[Gm] _ [C] _ _ [E] _ _ _ _ [F] _
_ _ _ _ _ [Am] _ _ _
[G] _ _ [C] _ _ _ _ _ _
_ _ Well, there's about six Carpenters tunes I could have done, I think, because I [G] love so
many of those [B] songs.
And it really [F] kind of came [E] up to a toss-up between [A#] For All We Know and [C] Rainy Days and Mondays.
Both are just [Em] great [C] sort of descending, bass-line kind of tunes, which I love.
[G] But Rainy Days and Mondays [C] in particular, it turned out that kind of got the edge a
little bit because it was [Dm] so fun to solo on.
There were lots of things to do [A] with that.
I [C] just always thought that was a [F] great song.
It lends itself to some very simple kinds of [C] reharmonization stuff that is in there, too.
[G] _ _ [Am] _ _ _ _ [F] _
_ [Am] _ _ [G] _ _ _ [C] _ [G] _
_ _ _ [C] _ _ _ _ [F] _
_ _ _ _ _ [G] _ _ _
_ _ _ [C] _ _ _ [A] _ _
_ _ _ [G] _ _ [Am] _ [C] _
[G] When I think about the Carpenters, for [C] instance, and the level of [Dm] musicianship that's represented
there and [F] the [G] depth of soulfulness that's kind of represented [C] in Karen [G] Carpenter's voice
and the kind of skills that went into [C] making a lot of those tracks [G] do what they do musically.
I [C] embrace all that completely.
[G] I always [F#] have.
I never felt [Dm] like I needed to [C] create any kind of distance between that and anything else.
To me, it really speaks and lives on its own [Dm] terms and has a sort [C] of timeless resonance
[F#] to [F] music itself.
[C] I'm taking now music out of [G] the [C#m] cultural [A#] context.
I'm just living [F] entirely in the world of good notes and good sound and [C] really _ skillful [Cm] deployment
of musical knowledge and so [C] forth, which is kind of the [C#] bedrock thing for me.
That's what [Cm] I kind of live for, in a way.
_ _ _ _ _ _ _ [D] _
_ _ [C] _ [F] _ _ _ [D] _ [Bm] _
_ _ [Cm] _ _ _ [F] _ [G] _ _
[D] _ _ _ [Gm] _ _ _ _ [Am] _
_ [F] _ _ _ _ _ _ [C] _
_ _ _ [Dm] _ _ _ _ _
_ [F] _ _ [Gm] _ _ _ _ [C] _
_ _ [G] _ _ [F] _ _ [Am] _ _
[G] _ [F] _ _ _ [G] _ [F#m] _ [C#m] _ _
[F#m] _ [E] _ _ [F] _ _ _ [G] _ _
[C] _ _ _ [F] _ [C] _ _ _ [A] _
_ _ _ [C] _ _ _ [D] _ _
_ _ _ [B] _ _ _ _ [Dm] _
_ _ _ _ _ _ _ _
_ _ [Am] _ [C] _ _ [D#] _ _ _
_ [G] _ _ [C] _ _ [F] _ _ [Am] _
_ _ [Dm] _ [A#] _ _ _ [F] _ [Am] _
[A] _ _ _ [A#] _ _ _ _ _
_ _ [Fm] _ [C] _ _ _ _ _
[A#m] _ _ _ [C] _ [F] _ _ [Bm] _ _
_ _ _ [Gm] _ _ _ [F] _ _
_ [C] _ [Dm] _ _ _ _ _ [C] _
[F] _ _ _ [C] _ _ _ _ _
_ _ [D] _ [C] _ _ [A#] _ _ _
_ [Gm] _ _ [F] _ _ _ [C] _ _
_ _ _ [F] _ [Dm] _ _ _ _
_ _ [Gm] _ [C] _ _ _ _ _
_ _ [G] _ _ _ [A] _ _ _
_ _ [D] _ _ _ [D#] _ _ _
_ _ [A] _ _ _ _ _ _
_ _ _ _ _ _ [Am] _ _
_ _ _ [A] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [D] _ _ _ _ _ [A] _
_ _ _ [F#] _ _ [C] _ _ _
[B] _ _ _ _ _ _ [F#m] _ _
_ _ _ _ [E] _ _ _ [D] _
_ _ [A] _ _ [D] _ _ [A] _ [Em] _
_ _ [Bm] _ _ _ _ _ _
_ _ _ _ _ _ [G] _ [Am] _
[F#] _ _ [Bm] _ _ _ _ _ _
_ [C] _ _ _ [D] _ _ _ [G] _
_ [Am] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [E] _
[Am] _ _ _ _ [G#m] _ _ [Am] _ _
[D] _ _ _ [Bm] _ [Am] _ _ [D] _ _
[Am] _ _ _ [C] _ _ [D] _ _ _
_ _ _ _ _ _ _ [C] _
_ _ _ _ _ _ _ [D] _
_ _ _ _ _ _ [A] _ [B] _
[Am] _ _ _ _ _ _ _ _
_ _ _ _ [D] _ _ _ _
[A] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [Dm] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _

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