Chords for Pat Martino - Open Road - A Documentary

Tempo:
134.4 bpm
Chords used:

Ab

Gb

Eb

E

Db

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Pat Martino - Open Road - A Documentary chords
Start Jamming...
[C]
When he woke, he looked around, he didn't know anybody.
So he looked at me, he says, who are you?
[N] I said, my name's Mickey, I'm your father.
Oh, he says, yeah, yeah, I remember now.
He looked around the house, started
to remember little things around the house.
He looked at his guitar.
He said, what's that?
You used to play, and you were good.
You were the best.
And now, he says, I know you're going to get better.
And you're going to be better than you ever were.
[Gbm] I [Gb]
[Ab] [D] [F]
[Ab] [Gbm]
[E] haven't [Gbm] heard a guitar player of any [Ab] real note that
has not copied some of his [A] stuff and been [Db] influenced
by him in the last 20 years.
[G]
[Am] As unknown as he might [Ab] be among the [Am] general public,
[D]
among [E] guitar giants, he's a name you reckon [Eb] with.
One that once you hear him play, you'll never forget it.
[N]
Pat couldn't have been, I think he would be maybe
around 19 years old.
And it was hard to believe that he was that young,
because his playing ability was so much more advanced.
And he was just unbelievable.
His execution, he had speed.
Usually, you find a lot of jazz guitarists,
they're full of technique and no bottom [Db] to it.
Pat could get funky, [Eb] he could get classical.
[Abm] He [Gb] backed down from nothing.
We tackled [Fm] some dynamite [D] hard tunes.
And if it [Db] hadn't been for Pat, [F] Don and I
wouldn't have been [Ab] able to play these tunes.
[E]
[B] [Gm] [Db]
The first [Ebm] time I heard him play [Ab]
was actually
at a small [N] jazz club in Boston called Connelly's,
which no longer exists.
And he was playing with Brother Jack McDuff and the organ
groups at the time.
And I was a student at Berkeley School, a green young kid.
I remember seeing this guy walk out, a very thin,
frail-looking guy.
And it was a Les Paul guitar sitting in the bandstand.
And I knew how heavy those were.
I said, Jesus, that guy, boy, he's so small and light.
I bet he can't even pick up the guitar.
And within about a chorus or so, all my thoughts
were dispelled that this guy could play.
I mean, he blew me away completely.
What Pat would teach you, he would show you the things
that he was [F] developing at the time.
OK, I can think this way.
[Gb] [Gm] [Ab] [Bb]
[Ab] [C]
[F]
[Am]
[G] I can go on [N] forever like that.
It wasn't a guitar lesson.
My whole concept of the way he taught
was a master and an apprentice.
And that's the way Pat approached everything.
He says, Papa, I got some bad news to tell you.
I said, what is it?
He said, they found a tumor on my brain.
What's involved in the operation is
to make a trapdoor in the skull, find
the group of abnormal blood vessels,
and then with a microscope actually close them
[Eb] off with a current.
And then when they're all closed off,
the actual malformation itself can be removed.
When he woke, he looked around.
He didn't know anybody.
So he looked at me and says, who are you?
I said, my name's Mickey.
I'm your father.
Oh, he says, yeah, yeah, I remember now.
But he didn't recognize his mother.
Didn't recognize nobody else, just me.
I was [Bbm] extremely depressed [Eb] at the end [Bbm] of my surgery.
I was bald of head and [Eb] bald of mind.
And I needed a place to hide.
[Ebm]
When he came home, [Eb]
his memory was very, [Ebm] very bad.
He didn't remember dancing, [Db] no [Eb] friends, nobody.
He didn't know [Am] that he ever played guitar.
He really didn't know what he was doing.
He didn't know nothing about the guitar.
But every time he would pass the living room,
he'd look at the guitar.
He'd stop at that doorway and look back at the guitar
and wouldn't say nothing.
I wouldn't say, Pat, pick it up.
I wouldn't say nothing.
I'd wait for the time when he wanted to do it.
Ladies and gentlemen, the bottom line is proud.
And welcome back to [Gbm] New York.
[Am] Happy Martino's.
[G]
[D] [A] [Em]
[A]
[D] [Gbm] [E]
Cheers.
[Gb] Cheers.
Cheers.
Cheers. Cheers.
[E] [Gb]
[E] [Gb] [Db]
[Ab] [Gb] [Ab]
[Gb] [Ab] [Ebm] [Gb]
[Gb]
[C] [G]
[A] [Dm] [G]
[Bb] [A]
[N]
Key:  
Ab
134211114
Gb
134211112
Eb
12341116
E
2311
Db
12341114
Ab
134211114
Gb
134211112
Eb
12341116
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[C] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _
When he woke, he looked around, he didn't know anybody. _
_ _ _ _ So he looked at me, he says, who are you?
_ _ [N] I said, my name's Mickey, I'm your father.
_ _ Oh, he says, yeah, yeah, I remember now.
He looked around the house, started
to remember little things around the house.
He looked at his guitar. _
_ He said, what's that? _ _ _
You used to play, _ _ and you were good.
You were the best.
_ _ _ And now, he says, I know you're going to get better.
_ And you're going to be better than you ever were. _ _ _ _
[Gbm] _ _ _ I _ [Gb] _ _
[Ab] _ _ _ _ _ [D] _ _ [F] _
_ [Ab] _ _ _ [Gbm] _ _ _ _
[E] _ _ _ _ _ haven't [Gbm] heard a guitar player of any [Ab] real note that
has not copied some of his [A] stuff and been [Db] influenced
by him in the last 20 years.
[G]
[Am] As unknown as he might [Ab] be among the [Am] general public,
[D]
among [E] guitar giants, _ he's a name you reckon [Eb] with.
One that once you hear him play, you'll never forget it.
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [N] _
_ Pat couldn't have been, I think he would be maybe
around 19 years old.
_ _ And it was hard to believe that he was that young,
because his playing ability was so much more advanced.
_ _ And he was just unbelievable.
His execution, he had speed.
Usually, you find a lot of jazz guitarists,
they're full of technique and no bottom [Db] to it.
Pat could get funky, [Eb] he could get classical.
[Abm] _ He [Gb] backed down from nothing.
We tackled [Fm] some dynamite [D] hard tunes.
And if it [Db] hadn't been for Pat, [F] Don and I
wouldn't have been [Ab] able to play these tunes.
_ [E] _
[B] _ _ _ [Gm] _ _ _ _ [Db] _
_ _ The first [Ebm] time I heard him play [Ab]
was actually
at a small [N] jazz club in Boston called Connelly's,
which no longer exists.
And he was playing with Brother Jack McDuff and the organ
groups at the time.
And I was a student at Berkeley School, a green young kid.
I remember seeing this guy walk out, _ a very _ thin,
frail-looking guy.
And it was a Les Paul guitar sitting in the bandstand.
And I knew how heavy those were.
I said, Jesus, that guy, boy, he's so small and light.
I bet he can't even pick up the guitar.
And within about _ a chorus or so, all my _ thoughts
were dispelled that this guy could play.
I mean, he blew me away completely.
What Pat would _ teach you, he would show you the things
that he was [F] developing at the time. _ _ _ _
OK, I can think this way. _ _ _
_ [Gb] _ _ _ [Gm] _ [Ab] _ _ [Bb] _
[Ab] _ [C] _ _ _ _ _ _ _
_ _ _ [F] _ _ _ _ _
_ _ _ [Am] _ _ _ _ _
_ _ [G] I can go on [N] forever _ _ like that.
It wasn't a guitar lesson.
_ My whole concept of the way he taught
was _ _ _ _ a master and an apprentice.
And that's the way Pat approached everything.
He says, Papa, I got some bad news to tell you.
I said, what is it? _ _
_ _ He said, they found a tumor on my brain.
What's involved in the operation is
to make a trapdoor in the skull, find
the group of abnormal blood vessels,
and then with a microscope actually close them
[Eb] off with a current.
And then when they're all closed off,
the actual malformation itself can be removed.
When he woke, _ _ _ _ he looked around.
He didn't know anybody.
_ _ _ _ _ So he looked at me and says, who are you?
_ _ I said, my name's Mickey.
I'm your father.
_ _ Oh, he says, yeah, yeah, I remember now.
_ But he didn't recognize his mother. _ _
Didn't recognize nobody else, just me.
I was [Bbm] extremely depressed [Eb] at the end [Bbm] of my surgery. _
I was bald of head and [Eb] bald of mind. _
And I needed a place to hide.
[Ebm] _
_ _ When he came home, _ [Eb]
his memory was very, [Ebm] very bad.
He didn't remember dancing, [Db] no [Eb] friends, nobody. _ _ _
He didn't know [Am] that he ever played guitar.
He really didn't know what he was doing.
He didn't know nothing about the guitar. _ _ _
_ But every time he would pass _ the living room,
he'd look at the guitar.
He'd stop at that doorway and look back at the guitar
and wouldn't say nothing.
I wouldn't say, Pat, pick it up.
I wouldn't say nothing.
I'd wait for the time when he wanted to do it.
Ladies and gentlemen, the bottom line is proud.
And welcome back to [Gbm] New York.
[Am] Happy Martino's.
_ _ _ [G] _ _ _ _
_ _ _ [D] _ _ _ [A] _ [Em] _
_ _ _ _ _ [A] _ _ _
_ _ _ _ [D] _ [Gbm] _ _ [E] _
_ Cheers.
_ _ [Gb] _ Cheers.
Cheers.
Cheers. Cheers.
_ _ _ _ [E] _ _ [Gb] _ _ _ _ _ _ _
_ _ _ [E] _ _ _ [Gb] _ [Db] _
_ [Ab] _ _ [Gb] _ [Ab] _ _ _ _
_ _ _ [Gb] _ [Ab] _ _ [Ebm] _ [Gb] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Gb] _
_ [C] _ _ _ [G] _ _ _ _
_ [A] _ _ _ [Dm] _ _ [G] _ _
_ [Bb] _ [A] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [N] _

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