Chords for Overview of Martin guitars: 15 & 15M series

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G

C

E

F

F#

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Overview of Martin guitars: 15 & 15M series chords
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Hi, it's Jeff down at the Music Shop today, another one of these little videos on a bunch of different guitars.
And today I want to demystify this whole question of [G] the 15 Series from Martin,
and the history of it a little [C#] bit, and the [C] 15 and the 15M Series,
and which one's got the solid top, which [D] one's got the, specifically the mahogany top, which [N] has sapolet.
It seems to be quite complicated.
So I have actually read through all of the sounding board magazines of Martin going back until 1997,
and up to 2011, and I have kind of figured out here exactly what it is.
So I'm going to explain this to you with a few examples.
So today I've got a [G] 00, or 00, but I'm going to say 00, okay, for simplifying, but they're the same thing.
[E] 0015M, I have a 00015M, [F] and I have a J15, [N] okay?
So, quick history here to kind of set it up.
So back in the 1930s, after the 1920s depression, Martin wanted to start up a series of guitars, all solid mahogany,
that would go ahead and be something that would be simple, not many decorations, not many appointments that people would buy.
So they did the 15 and the 17 Series.
Then, and it was pretty simple, it would be all solid wood, and then it would [A] be [E] mahogany.
[D] Then in the 1997, okay, and this goes [Fm] back to, I'm just going to go [G] through the series of the sounding board magazines, 1997,
[C] they just reintroduced the 15 Series, [F#] but they decided to make a D, [G] a dreadnought version.
I don't have the [G] D15 here, but they decided to do that.
But [D] that one was going to go ahead and be, that would be an [F#] all solid wood guitar, but just the top [G] was a mahogany,
and the back and sides were sapling.
[D#] Then, six months later, they decided to expand [A#] that out, and they did the [G] [F]
0015, the 00015, and [F#] the [D] DC15E, okay, the DC15E.
The next year, 1998, they [D#] decided to spread it out a little again, [A] and they went to a 000C15E,
and then the next year, they introduced the Jumbo Series, with the [Em] Jumbo 15, [D#] which we've got an example right here, okay.
But that was the only [G] mahogany top, okay.
So the D15 was a mahogany top, and the J15, the Jumbo, was a mahogany top, okay, and the back and sides are sapling.
Then the next year, in 2000, they went to the 12-string 15, and [C] then they went to an all [F#] solid wood, all mahogany.
And [C] then, again, the next year, in 2001, [G] they had the 15, JC15E, and then they [Dm] grew out the [A] OM15 as well, which was the all solid mahogany.
So that was [B] up until 2001, okay, so 1997 to 2001.
Then we have about a 10-year [G] period of time, they brought in the 2010 period of time, they brought up, in 2010 exactly,
[G#] they brought up the [A] 15M Series, and then they introduced [E] the D15M, okay, [F] and the 00015M, which I've got right here.
The next, about [G] six months later, they brought up the 0015M, okay, and there's no Jumbo.
So that's a quick [E] kind of history to [F] explain [G] that there were certain guitars [F#] of that 15 Series that had, they were all solid wood,
but only some had the solid top mahogany, and the rest [G] was sapling, okay, and then other ones were all solid mahogany, okay.
So what happened is in [Em] 2010, when they went and made that split [A#] for the [F#] DRS-1, would be the all sapling version,
then these other [G] guitars were all solid mahogany, which means the M, okay, for the 15.
So that should pretty much simplify [D#] the reason of all that.
So let's look at a [D] couple of the differences of the sound, [C#] and we can see here that [C] the [F] 0015M, [C#] the 00015M, and the Jumbo 15,
you can see that they're slightly different, I'm going to just [F#] let you take a look at it here.
They slightly get bigger, slightly get bigger, and then the [N] Jumbo is definitely a much wider guitar,
and I don't have a dreadnought here, the D15, that would be good to have that, but I don't have it here in the shop,
but this hopefully lets me see the differences.
So what are the sound differences?
The smaller [F#] guitars, the small bodies, are really nice [C] for kind of finger picking,
[G] [Am]
that's what's really got [Em] the volume projected out, okay?
[Bm] So we can strum [C] it, but you can see
[G] it's [F] not as clear when you [Dm] do that, okay?
Now, let's go ahead and go to [G] the 15, [D#] the 0000, this one's just slightly a bit [F#m] bigger, it's going to get a little more [C] volume, [G]
[Am] okay?
[F] These strings [C] don't need to change, well, [G] a little bit more bass, [A] a little bit more volume,
and we get here to a, come to the Jumbo size, let's go to that one, [C] this one is just, you can [Am] hear it,
it's got, it's just ringing, and ringing, okay?
And this one [F] you can, [A] [G] alright?
So it's going to continue to have that ringing sound.
So, those [N] smaller guitars are going to be great for finger style playing,
they're going to be really nice for the size of the body, they're a little thinner, not as thick,
but this Jumbo is a little bit thicker, got a bigger [E] body, and it's going to [G] be good for strumming as [N] well, okay?
So, hopefully this little explanation will, like I said, demystify all these questions about the 15 series and the [E] 15M series,
and that you'll see in the, I've done specific product reviews of the [G#] guitars.
Just [A] a last point on the 15 [G#] series, and from the [G] 1997 up to 2009, [N] they did have, and this is one of those,
[D] it did have this long pattern here, you can see, long pattern on all the decorations,
it had the, it had the, specifically, these [E] enclosed [E] tuners, and it had [D] plastic, plastic pins,
had a Tusk [E] saddle, and had a white Corian nut.
When we come to the 15M [G#] series, all that changed, because [F] we've got standard, [D#] we've got ebony [A] pins,
we've got both, both the nut and the saddle are both bone, and we come up to the Waverly type vintage go-to tuners, okay?
So that's the difference in it, and it came with, and it comes down to a short pattern, [G] it's a short pattern up to the 9th fret.
So, those are the things, there are a [E] few other changes to it here, the rosette, [N] the rosette and things,
but those are kind of some minor details, some of the bracing slightly, the [F] hybrid bracing on the [G#] 15Ms as well.
But hopefully [F#] that will explain [Am] the overall differences, and to [B] know when you go and choose a guitar,
what you're looking
Key:  
G
2131
C
3211
E
2311
F
134211111
F#
134211112
G
2131
C
3211
E
2311
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_ Hi, it's Jeff down at the Music Shop today, another one of these little videos on a bunch of different guitars.
And today I want to demystify this whole question of [G] the 15 Series from Martin,
and the history of it a little [C#] bit, and the [C] 15 and the 15M Series,
and which one's got the solid top, which [D] one's got the, specifically the mahogany top, which [N] has sapolet.
It seems to be quite complicated.
So I have actually read through all of the sounding board magazines of Martin going back until 1997,
and up to 2011, and I have kind of figured out here exactly what it is.
So I'm going to explain this to you with a few examples.
So today I've got a [G] 00, or 00, but I'm going to say 00, okay, for simplifying, but they're the same thing.
[E] _ 0015M, I have a _ 00015M, [F] and I have a J15, [N] okay? _
So, quick history here to kind of set it up.
So back in the 1930s, after the 1920s depression, Martin wanted to start up a series of guitars, all solid mahogany,
that would go ahead and be something that would be simple, _ not many decorations, not many appointments that people would buy.
So they did the 15 and the 17 Series.
_ Then, and it was pretty simple, it would be all solid wood, and then it would _ [A] be [E] mahogany.
_ [D] Then in the 1997, okay, and this goes [Fm] back to, I'm just going to go [G] through the series of the sounding board magazines, 1997,
[C] they just reintroduced the 15 Series, [F#] but they decided to make a D, [G] a dreadnought version.
I don't have the [G] D15 here, but they decided to do that.
But [D] that one was going to go ahead and be, that would be an [F#] all solid wood guitar, but just the top [G] was a mahogany,
and the back and sides were sapling.
_ [D#] Then, six months later, they decided to expand [A#] that out, and they did the [G] _ _ [F]
0015, the 00015, and [F#] the _ [D] DC15E, okay, the DC15E.
The next year, 1998, they [D#] decided to spread it out a little again, [A] and they went to a _ _ 000C15E,
_ and then the next year, they introduced the Jumbo Series, with the [Em] Jumbo 15, [D#] which we've got an example right here, okay.
_ But that was the only [G] mahogany top, okay.
So the D15 was a mahogany top, and the J15, the Jumbo, was a mahogany top, okay, and the back and sides are sapling.
_ Then the next year, in 2000, they went to the 12-string 15, and [C] then they went to an all [F#] solid wood, all mahogany.
And [C] then, again, the next year, in 2001, [G] they had the 15, JC15E, and then they [Dm] grew out the [A] OM15 as well, which was the all solid mahogany.
_ So that was [B] up until 2001, okay, so 1997 to 2001.
Then we have about a 10-year [G] period of time, they brought in the 2010 period of time, they brought up, in 2010 exactly,
[G#] they brought up the [A] 15M Series, and then they introduced [E] the _ D15M, okay, [F] and the _ 00015M, which I've got right here.
The next, about [G] six months later, they brought up the 0015M, okay, and there's no Jumbo.
So that's a quick [E] kind of history to [F] explain [G] that there were certain guitars [F#] of that 15 Series that had, they were all solid wood,
but only some had the solid top mahogany, and the rest [G] was sapling, okay, and then other ones were all solid mahogany, okay.
So what happened is in [Em] 2010, when they went and made that split [A#] for the [F#] DRS-1, would be the all sapling version,
then these other [G] guitars were all solid mahogany, which means the M, okay, for the 15.
So that should pretty much simplify [D#] the reason of all that.
So let's look at a [D] couple of the differences of the sound, [C#] and we can see here that [C] the [F] _ 0015M, [C#] the 00015M, and the Jumbo 15,
you can see that they're slightly different, I'm going to just [F#] let you take a look at it here.
They slightly get bigger, slightly get bigger, and then the [N] Jumbo is definitely a much wider guitar,
and I don't have a dreadnought here, the D15, that would be good to have that, but I don't have it here in the shop,
but this hopefully lets me see the differences.
So what are the sound differences?
The smaller [F#] guitars, the small bodies, are really nice [C] for kind of finger picking, _
_ [G] _ _ _ _ [Am] _ _ _
_ that's what's really got [Em] the volume projected out, okay?
[Bm] So we can strum [C] it, but you can see _
[G] it's _ [F] _ _ not as clear when you [Dm] do that, okay?
Now, let's go ahead and go to [G] the 15, _ _ [D#] the 0000, this one's just slightly a bit [F#m] bigger, it's going to get a little more [C] volume, _ [G] _ _ _
[Am] _ okay?
[F] These strings [C] don't need to change, well, [G] _ _ _ a little bit more bass, [A] a little bit more volume,
and we get here to a, _ come to the Jumbo size, _ let's go to that one, [C] this one is just, you _ can [Am] hear it,
it's got, it's just ringing, and ringing, okay?
And this one [F] you can, _ [A] _ [G] alright? _ _
_ _ So it's going to continue to have that ringing sound.
So, those [N] smaller guitars are going to be great for finger style playing,
they're going to be really nice for the size of the body, they're a little thinner, not as thick,
but this Jumbo is a little bit thicker, got a bigger [E] body, and it's going to [G] be good for strumming as [N] well, okay?
So, hopefully this little explanation will, like I said, demystify all these questions about the 15 series and the [E] 15M series,
and that you'll see in the, I've done specific product reviews of the [G#] guitars.
Just [A] a last point on the 15 [G#] series, and from the [G] 1997 up to 2009, [N] _ they did have, and this is one of those,
[D] it did have this long pattern here, you can see, long pattern on all the decorations,
it had the, it had the, specifically, these _ [E] enclosed [E] tuners, and it had _ [D] plastic, plastic pins,
had a Tusk [E] saddle, and had a white Corian nut.
When we come to the 15M [G#] series, all that changed, because [F] we've got standard, [D#] we've got ebony [A] pins,
we've got both, both the nut and the saddle are both bone, and we come up to the Waverly type vintage go-to _ tuners, okay?
So that's the difference in it, and it came with, and it comes down to a short pattern, [G] it's a short pattern up to the 9th fret.
So, those are the things, there are a [E] few other changes to it here, the rosette, [N] the rosette and things,
but those are kind of some minor details, some of the bracing slightly, the [F] hybrid bracing on the [G#] 15Ms as well.
But hopefully [F#] that will explain [Am] the overall differences, and to [B] know when you go and choose a guitar,
what you're looking