Chords for Notes of ragam Mayamalava Gowla
Tempo:
60.35 bpm
Chords used:
C
Ab
B
F
D
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Hello, welcome again.
Today let us take a look at a Carnatic ragam called Maya Malava Gowda.
This is a very important ragam in Carnatic music.
All the basic music lessons are taught using this ragam.
So anyone starting to learn Carnatic music, first six months or so they will be spending time on either Maya Malava Gowda
or ragas which are derived from Maya Malava Gowda such as Malahari, Saaveri etc.
This is 15th Melakarta ragam which is also a Poorna ragam.
Melakarta ragas are complete ragas which have all the seven notes in them.
So let us look at the note names first in Carnatic then I will explain the notes in Hindustani and then in Western terms.
Very first note in key of C is Shajjamam or Sa.
Second note is Suddha [Dbm] Rishabam.
Third note is Antara Gandharam.
[B] Fourth note is Suddha [F] Majjamam.
Fifth note is [Cm] Panchamam.
Sixth note is [Ab] Suddha Dayavatam.
Seventh [B] note is Kakal Nishadam.
[C] And that completes the octave.
We covered all the seven notes.
Sarigamapadani.
When you come to Sa, the sequence repeats again.
[D] [Gb] So let me play the scale once [C] ascending and descending.
It has the same ascending and descending.
Arohan, [A] Avarohar, Arohan and Avarohan.
Now
[Ab] [Dbm] [C]
[A] let us look at [C] Hindustani note names.
Shajjamam.
[Db] Komal Ri.
Hindustani [D] music Rishabam [G] is called Re.
[E] This is Suddha Gandharam or Suddha Gandhar.
[F] Suddha Majjamam.
[C] Panchamam.
Panchamam is same in Carnatic music and Hindustani music.
[Ab] This is Komal Dayavat or Komal Da.
[B] Suddha Nishad or Suddha [C] Ni.
And Shajjamam.
So these are the [N] Hindustani notes.
Now the western note names.
Then we will play the scale in three speeds.
And I will show you how to use metronome.
So that you get an idea of rhythm.
[C]
C natural obviously and [Db] D flat, [E] E natural, [F] F natural, G, [Ab] A flat, [Em] B natural [C] and C.
Those [Fm] are the western note names.
Let us see [N] how to use the metronome.
Basically it produces a constant rhythm.
You can set however many beats per minute you want.
So I am basically setting it to 60 beats per minute.
So it produces sticks like this basically.
1, 2, 3, 4.
1, 2, 3, 4.
Basically what it is doing is every 4 beats it gives you a different sound.
To signify that rhythmic cycle started.
So first I will play one note per beat.
And then I am going to play two notes per beat.
And then I am going to play four notes per beat.
Those are the three speeds.
So I will first count for four.
And then I will play ascending and descending in three different speeds.
2, 3, [C] 4.
[Ab] [C] [G]
[C]
[Fm] [C] [Fm] [C]
So [Eb] those are the three speeds.
So basically practice [D] like this if you have a metronome.
You don't have to have an inbuilt metronome.
You can also buy separate metronome.
Start with 50 beats per minute and then slowly you can increase the tempo.
[N]
Today let us take a look at a Carnatic ragam called Maya Malava Gowda.
This is a very important ragam in Carnatic music.
All the basic music lessons are taught using this ragam.
So anyone starting to learn Carnatic music, first six months or so they will be spending time on either Maya Malava Gowda
or ragas which are derived from Maya Malava Gowda such as Malahari, Saaveri etc.
This is 15th Melakarta ragam which is also a Poorna ragam.
Melakarta ragas are complete ragas which have all the seven notes in them.
So let us look at the note names first in Carnatic then I will explain the notes in Hindustani and then in Western terms.
Very first note in key of C is Shajjamam or Sa.
Second note is Suddha [Dbm] Rishabam.
Third note is Antara Gandharam.
[B] Fourth note is Suddha [F] Majjamam.
Fifth note is [Cm] Panchamam.
Sixth note is [Ab] Suddha Dayavatam.
Seventh [B] note is Kakal Nishadam.
[C] And that completes the octave.
We covered all the seven notes.
Sarigamapadani.
When you come to Sa, the sequence repeats again.
[D] [Gb] So let me play the scale once [C] ascending and descending.
It has the same ascending and descending.
Arohan, [A] Avarohar, Arohan and Avarohan.
Now
[Ab] [Dbm] [C]
[A] let us look at [C] Hindustani note names.
Shajjamam.
[Db] Komal Ri.
Hindustani [D] music Rishabam [G] is called Re.
[E] This is Suddha Gandharam or Suddha Gandhar.
[F] Suddha Majjamam.
[C] Panchamam.
Panchamam is same in Carnatic music and Hindustani music.
[Ab] This is Komal Dayavat or Komal Da.
[B] Suddha Nishad or Suddha [C] Ni.
And Shajjamam.
So these are the [N] Hindustani notes.
Now the western note names.
Then we will play the scale in three speeds.
And I will show you how to use metronome.
So that you get an idea of rhythm.
[C]
C natural obviously and [Db] D flat, [E] E natural, [F] F natural, G, [Ab] A flat, [Em] B natural [C] and C.
Those [Fm] are the western note names.
Let us see [N] how to use the metronome.
Basically it produces a constant rhythm.
You can set however many beats per minute you want.
So I am basically setting it to 60 beats per minute.
So it produces sticks like this basically.
1, 2, 3, 4.
1, 2, 3, 4.
Basically what it is doing is every 4 beats it gives you a different sound.
To signify that rhythmic cycle started.
So first I will play one note per beat.
And then I am going to play two notes per beat.
And then I am going to play four notes per beat.
Those are the three speeds.
So I will first count for four.
And then I will play ascending and descending in three different speeds.
2, 3, [C] 4.
[Ab] [C] [G]
[C]
[Fm] [C] [Fm] [C]
So [Eb] those are the three speeds.
So basically practice [D] like this if you have a metronome.
You don't have to have an inbuilt metronome.
You can also buy separate metronome.
Start with 50 beats per minute and then slowly you can increase the tempo.
[N]
Key:
C
Ab
B
F
D
C
Ab
B
_ Hello, welcome again.
Today let us take a look at a Carnatic ragam called Maya Malava Gowda.
This is a very important ragam in Carnatic music.
All the basic music lessons are taught using this ragam.
So anyone starting to learn Carnatic music, first six months or so they will be spending time on either Maya Malava Gowda
or ragas which are derived from Maya Malava Gowda such as Malahari, Saaveri etc.
This is 15th Melakarta ragam which is also a Poorna ragam.
Melakarta ragas are complete ragas which have all the seven notes in them.
So let us look at the note names first in Carnatic then I will explain the notes in Hindustani and then in Western terms.
Very first note in key of C is Shajjamam or Sa.
Second note is Suddha [Dbm] Rishabam.
Third note is Antara Gandharam.
[B] Fourth note is Suddha [F] Majjamam.
Fifth note is [Cm] Panchamam.
Sixth note is [Ab] Suddha Dayavatam.
Seventh [B] note is Kakal Nishadam.
[C] And that completes the octave.
We covered all the seven notes.
Sarigamapadani.
When you come to Sa, the sequence repeats again.
[D] _ _ [Gb] So let me play the scale once [C] ascending and descending.
It has the same ascending and descending.
Arohan, [A] Avarohar, Arohan and Avarohan.
Now
_ _ _ _ _ _ _ _
[Ab] _ _ _ [Dbm] _ _ [C] _ _ _
_ [A] let us look at [C] Hindustani note names.
Shajjamam.
[Db] _ Komal Ri.
Hindustani [D] music Rishabam [G] is called Re.
_ _ [E] This is Suddha Gandharam or Suddha Gandhar.
[F] Suddha Majjamam.
[C] Panchamam.
Panchamam is same in Carnatic music and Hindustani music.
[Ab] This is Komal Dayavat or Komal Da.
[B] Suddha Nishad or Suddha [C] Ni.
And Shajjamam.
So these are the [N] Hindustani notes.
Now the western note names.
Then we will play the scale in three speeds.
And I will show you how to use metronome.
So that you get an idea of rhythm.
_ _ _ [C]
C natural obviously and [Db] D flat, [E] E natural, [F] F natural, G, [Ab] A flat, [Em] B natural [C] and C.
Those [Fm] are the western note names.
_ Let us see [N] how to use the metronome.
Basically it produces a constant rhythm.
You can set however many beats per minute you want.
So I am basically setting it to 60 beats per minute.
So it produces sticks like this basically.
1, 2, 3, 4.
1, 2, _ _ _ _ _ _ _ _
3, 4.
Basically what it is doing is every 4 beats it gives you a different sound.
To signify that rhythmic cycle started.
So first I will play one note per beat.
And then I am going to play two notes per beat.
And then I am going to play four notes per beat.
Those are the three speeds.
So I will first count for four.
And then I will play ascending and descending in three different speeds. _ _ _ _ _
2, 3, [C] 4. _ _ _ _
[Ab] _ [C] _ _ _ _ [G] _ _ _
_ _ [C] _ _ _ _ _ _
[Fm] _ _ _ [C] _ _ [Fm] _ _ [C] _
_ _ _ _ _ _ So [Eb] those are the three speeds.
So basically practice [D] like this if you have a metronome.
You don't have to have an inbuilt metronome.
You can also buy separate metronome.
Start with 50 beats per minute and then slowly you can increase the tempo.
[N] _ _ _ _ _ _ _
Today let us take a look at a Carnatic ragam called Maya Malava Gowda.
This is a very important ragam in Carnatic music.
All the basic music lessons are taught using this ragam.
So anyone starting to learn Carnatic music, first six months or so they will be spending time on either Maya Malava Gowda
or ragas which are derived from Maya Malava Gowda such as Malahari, Saaveri etc.
This is 15th Melakarta ragam which is also a Poorna ragam.
Melakarta ragas are complete ragas which have all the seven notes in them.
So let us look at the note names first in Carnatic then I will explain the notes in Hindustani and then in Western terms.
Very first note in key of C is Shajjamam or Sa.
Second note is Suddha [Dbm] Rishabam.
Third note is Antara Gandharam.
[B] Fourth note is Suddha [F] Majjamam.
Fifth note is [Cm] Panchamam.
Sixth note is [Ab] Suddha Dayavatam.
Seventh [B] note is Kakal Nishadam.
[C] And that completes the octave.
We covered all the seven notes.
Sarigamapadani.
When you come to Sa, the sequence repeats again.
[D] _ _ [Gb] So let me play the scale once [C] ascending and descending.
It has the same ascending and descending.
Arohan, [A] Avarohar, Arohan and Avarohan.
Now
_ _ _ _ _ _ _ _
[Ab] _ _ _ [Dbm] _ _ [C] _ _ _
_ [A] let us look at [C] Hindustani note names.
Shajjamam.
[Db] _ Komal Ri.
Hindustani [D] music Rishabam [G] is called Re.
_ _ [E] This is Suddha Gandharam or Suddha Gandhar.
[F] Suddha Majjamam.
[C] Panchamam.
Panchamam is same in Carnatic music and Hindustani music.
[Ab] This is Komal Dayavat or Komal Da.
[B] Suddha Nishad or Suddha [C] Ni.
And Shajjamam.
So these are the [N] Hindustani notes.
Now the western note names.
Then we will play the scale in three speeds.
And I will show you how to use metronome.
So that you get an idea of rhythm.
_ _ _ [C]
C natural obviously and [Db] D flat, [E] E natural, [F] F natural, G, [Ab] A flat, [Em] B natural [C] and C.
Those [Fm] are the western note names.
_ Let us see [N] how to use the metronome.
Basically it produces a constant rhythm.
You can set however many beats per minute you want.
So I am basically setting it to 60 beats per minute.
So it produces sticks like this basically.
1, 2, 3, 4.
1, 2, _ _ _ _ _ _ _ _
3, 4.
Basically what it is doing is every 4 beats it gives you a different sound.
To signify that rhythmic cycle started.
So first I will play one note per beat.
And then I am going to play two notes per beat.
And then I am going to play four notes per beat.
Those are the three speeds.
So I will first count for four.
And then I will play ascending and descending in three different speeds. _ _ _ _ _
2, 3, [C] 4. _ _ _ _
[Ab] _ [C] _ _ _ _ [G] _ _ _
_ _ [C] _ _ _ _ _ _
[Fm] _ _ _ [C] _ _ [Fm] _ _ [C] _
_ _ _ _ _ _ So [Eb] those are the three speeds.
So basically practice [D] like this if you have a metronome.
You don't have to have an inbuilt metronome.
You can also buy separate metronome.
Start with 50 beats per minute and then slowly you can increase the tempo.
[N] _ _ _ _ _ _ _