Chords for Nikki Yanofsky - Something New - 47th Montreux Jazz Festival
Tempo:
133.85 bpm
Chords used:
D
C
G
Gm
Bb
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
I'd like you to give it up for the lady that opened up Air Mail Special.
I don't know how she did it, but she took a song I wrote in 1962 and one that Herbie wrote five years before that, turned it upside down, and I think made a hit record out of it.
I'd like you to give up some more love for this lady, Nikki Janoski.
Nikki Janoski.
Thank you.
Thank you so much.
Now Quincy, this one is definitely for you.
As he said, I took one of my favorite songs that he ever wrote and added a little something new.
[D]
[Gm]
[D] [Dm] [C]
[Gm]
[D] [C] [D]
[C] [G]
[D] I'm coming to you.
I know you [Gm] want it.
[D] You know it's true.
The [G] beat is bopping.
[D] It's moving you.
[Bb] Your [C] toes are tapping.
Down in your shoes.
I [G] feel you dropping.
Nothing free.
Let [D]
me show [C] you what I want to go [Bb] through.
If you can't get old, [Gbm] so I can [Ab] be something [G] new.
[D] [Gb] [G]
[D] I got a treat for you.
Something to [G] make you smile.
[Bb] It needs a little [C] bit of heaven.
Better to sit [G] for a [D] while.
[C] Oh [D] yeah.
Oh, have you heard [C] that I'm sweeping the nation?
Extra, extra.
[D] I'm coming to you.
I [Gm] know you want it.
You know it's [F] true.
The [Gm] beat is bopping.
It's [Am] moving you.
[Bb] Your [C] toes are tapping.
[Gm] Down [C] in your shoes.
I [G] feel you dropping.
Nothing free.
Hey, [D]
let me show [C] you what I want to go [Bb] through.
If you can't get old, [Gbm] so I can [Ab] be something [G] new. [D] Something [Gm] new.
[C] [Gm] [C]
[D]
[G] [Bb]
[C] [Bb]
[C] [Bb]
[A] [Ab] Extra, extra.
[D] I'm coming to you.
I [G] know you want it.
You know it's true.
The beat is bopping.
It's [Gm] moving you.
[C] Your toes are tapping.
Down in your shoes.
I [Gm] feel you dropping.
[A] Nothing free.
Hey, [D] let me show [C] you what I want to go [D] through.
Cause I know [C] you're rich enough to go [Bb] to.
If you can't get old, so [Gb] I can [Ab] be something [D] new.
I can be something [G] new.
[D] I can be something new.
Yeah.
I can be something [N] new.
Thank you.
Merci.
Merci.
Merci.
Thank you, Janoski.
I'm going to let you in on a little secret.
Her nickname is Wabaloni.
We call her Wabaloni.
And you might [F] not know it, but she might be sitting up [Gb] right next to the man out there that gave her that name.
Here's the man that wrote Thriller, Gimme the Night, Rock with You, all of those songs.
Off the wall, Mr.
Rod Temperton and his wife.
[N] Rod, where are you?
Rod Temperton.
That's the man that wrote Thriller.
Off the wall.
Rock with You.
Serious, serious, serious.
It's a beautiful family.
I'm so happy to be here.
Rod Temperton from Grimsby.
Hi.
Hi.
What a talented man.
What a talented man.
And Nadia Boulanger told me in Paris once, she said,
your music can never be more or less than you are as a human being.
And that's so true with all of these
I don't know how she did it, but she took a song I wrote in 1962 and one that Herbie wrote five years before that, turned it upside down, and I think made a hit record out of it.
I'd like you to give up some more love for this lady, Nikki Janoski.
Nikki Janoski.
Thank you.
Thank you so much.
Now Quincy, this one is definitely for you.
As he said, I took one of my favorite songs that he ever wrote and added a little something new.
[D]
[Gm]
[D] [Dm] [C]
[Gm]
[D] [C] [D]
[C] [G]
[D] I'm coming to you.
I know you [Gm] want it.
[D] You know it's true.
The [G] beat is bopping.
[D] It's moving you.
[Bb] Your [C] toes are tapping.
Down in your shoes.
I [G] feel you dropping.
Nothing free.
Let [D]
me show [C] you what I want to go [Bb] through.
If you can't get old, [Gbm] so I can [Ab] be something [G] new.
[D] [Gb] [G]
[D] I got a treat for you.
Something to [G] make you smile.
[Bb] It needs a little [C] bit of heaven.
Better to sit [G] for a [D] while.
[C] Oh [D] yeah.
Oh, have you heard [C] that I'm sweeping the nation?
Extra, extra.
[D] I'm coming to you.
I [Gm] know you want it.
You know it's [F] true.
The [Gm] beat is bopping.
It's [Am] moving you.
[Bb] Your [C] toes are tapping.
[Gm] Down [C] in your shoes.
I [G] feel you dropping.
Nothing free.
Hey, [D]
let me show [C] you what I want to go [Bb] through.
If you can't get old, [Gbm] so I can [Ab] be something [G] new. [D] Something [Gm] new.
[C] [Gm] [C]
[D]
[G] [Bb]
[C] [Bb]
[C] [Bb]
[A] [Ab] Extra, extra.
[D] I'm coming to you.
I [G] know you want it.
You know it's true.
The beat is bopping.
It's [Gm] moving you.
[C] Your toes are tapping.
Down in your shoes.
I [Gm] feel you dropping.
[A] Nothing free.
Hey, [D] let me show [C] you what I want to go [D] through.
Cause I know [C] you're rich enough to go [Bb] to.
If you can't get old, so [Gb] I can [Ab] be something [D] new.
I can be something [G] new.
[D] I can be something new.
Yeah.
I can be something [N] new.
Thank you.
Merci.
Merci.
Merci.
Thank you, Janoski.
I'm going to let you in on a little secret.
Her nickname is Wabaloni.
We call her Wabaloni.
And you might [F] not know it, but she might be sitting up [Gb] right next to the man out there that gave her that name.
Here's the man that wrote Thriller, Gimme the Night, Rock with You, all of those songs.
Off the wall, Mr.
Rod Temperton and his wife.
[N] Rod, where are you?
Rod Temperton.
That's the man that wrote Thriller.
Off the wall.
Rock with You.
Serious, serious, serious.
It's a beautiful family.
I'm so happy to be here.
Rod Temperton from Grimsby.
Hi.
Hi.
What a talented man.
What a talented man.
And Nadia Boulanger told me in Paris once, she said,
your music can never be more or less than you are as a human being.
And that's so true with all of these
Key:
D
C
G
Gm
Bb
D
C
G
I'd like you to give it up for the lady that opened up _ Air Mail Special.
_ I don't know how she did it, but she took a song I wrote in 1962 and one that Herbie wrote five years before that, turned it upside down, and I think made a hit record out of it.
I'd like you to give up some more love for this lady, _ Nikki Janoski.
Nikki Janoski. _ _ _ _ _ _ _
_ _ Thank you. _ _ _ _
Thank you so much.
_ _ Now Quincy, this one is definitely for you.
As he said, I took one of my favorite songs that he ever wrote _ and added a little something new. _ _ _ _ _ _ _
_ _ [D] _ _ _ _ _ _
_ _ _ _ _ _ [Gm] _ _
_ [D] _ _ [Dm] _ _ _ [C] _ _
_ _ _ _ _ _ [Gm] _ _
_ [D] _ _ [C] _ _ _ [D] _ _
_ _ [C] _ _ _ _ _ [G] _
_ [D] I'm coming to you.
I know you [Gm] want it.
[D] You know it's true.
The [G] beat is bopping.
[D] It's moving you.
[Bb] Your [C] toes are tapping.
Down in your shoes.
I [G] feel you dropping.
Nothing free.
_ Let [D] _
me show [C] you what I want to go [Bb] through.
If you can't get old, [Gbm] so I can [Ab] be something [G] new.
_ [D] _ _ _ _ _ [Gb] _ [G] _
_ _ [D] _ I got a treat for you.
Something to [G] make you smile.
_ _ [Bb] It needs a little [C] bit of heaven.
_ _ Better to sit [G] for a [D] while.
_ _ _ [C] Oh [D] yeah.
Oh, have you heard [C] that I'm sweeping the nation?
Extra, extra.
[D] I'm coming to you.
I [Gm] know you want it.
You know it's [F] true.
The [Gm] beat is bopping.
It's [Am] moving you.
[Bb] Your [C] toes are tapping.
[Gm] Down [C] in your shoes.
I [G] feel you dropping.
_ Nothing free.
Hey, _ [D] _
let me show [C] you what I want to go [Bb] through.
If you can't get old, [Gbm] so I can [Ab] be something [G] new. _ [D] _ _ _ Something [Gm] new.
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [C] _ _ [Gm] _ _ _ [C] _ _
_ _ [D] _ _ _ _ _ _
_ _ _ [G] _ _ _ [Bb] _ _
_ _ [C] _ _ _ _ [Bb] _ _
_ _ [C] _ _ _ _ [Bb] _ _
_ _ [A] _ _ [Ab] _ _ Extra, extra.
[D] I'm coming to you.
I [G] know you want it.
You know it's true.
The beat is bopping.
It's [Gm] moving you.
[C] Your toes are tapping.
Down in your shoes.
I [Gm] feel you dropping.
[A] Nothing free.
Hey, _ [D] let me show [C] you what I want to go [D] through.
Cause I know [C] you're rich enough to go [Bb] to.
If you can't get old, so [Gb] I can [Ab] be something [D] new.
_ I can be something [G] new. _
[D] _ _ I can be something new.
Yeah.
_ _ I can be something [N] new.
_ _ _ _ Thank you. _
Merci.
_ _ Merci. _ _
_ _ Merci.
Thank you, Janoski. _ _
_ _ _ _ _ _ _ _
_ I'm going to let you in on a little secret.
Her nickname is Wabaloni.
We call her Wabaloni.
And you might [F] not know it, but she might be sitting up [Gb] right next to the man out there that gave her that name.
Here's the man that wrote Thriller, _ Gimme the Night, Rock with You, all of those songs.
Off the wall, Mr.
Rod Temperton and his wife.
[N] _ _ _ Rod, where are you?
_ _ _ Rod Temperton.
That's the man that wrote Thriller.
_ _ Off the wall.
_ Rock with You.
Serious, serious, serious.
_ It's a beautiful family.
I'm so happy to be here.
Rod Temperton _ _ from _ _ _ _ Grimsby. _
_ Hi.
_ _ Hi. _
_ _ _ What a talented man.
What a talented man.
And _ Nadia Boulanger told me in Paris once, she said,
your music can never be more or less than you are as a human being.
And that's so true with all of these
_ I don't know how she did it, but she took a song I wrote in 1962 and one that Herbie wrote five years before that, turned it upside down, and I think made a hit record out of it.
I'd like you to give up some more love for this lady, _ Nikki Janoski.
Nikki Janoski. _ _ _ _ _ _ _
_ _ Thank you. _ _ _ _
Thank you so much.
_ _ Now Quincy, this one is definitely for you.
As he said, I took one of my favorite songs that he ever wrote _ and added a little something new. _ _ _ _ _ _ _
_ _ [D] _ _ _ _ _ _
_ _ _ _ _ _ [Gm] _ _
_ [D] _ _ [Dm] _ _ _ [C] _ _
_ _ _ _ _ _ [Gm] _ _
_ [D] _ _ [C] _ _ _ [D] _ _
_ _ [C] _ _ _ _ _ [G] _
_ [D] I'm coming to you.
I know you [Gm] want it.
[D] You know it's true.
The [G] beat is bopping.
[D] It's moving you.
[Bb] Your [C] toes are tapping.
Down in your shoes.
I [G] feel you dropping.
Nothing free.
_ Let [D] _
me show [C] you what I want to go [Bb] through.
If you can't get old, [Gbm] so I can [Ab] be something [G] new.
_ [D] _ _ _ _ _ [Gb] _ [G] _
_ _ [D] _ I got a treat for you.
Something to [G] make you smile.
_ _ [Bb] It needs a little [C] bit of heaven.
_ _ Better to sit [G] for a [D] while.
_ _ _ [C] Oh [D] yeah.
Oh, have you heard [C] that I'm sweeping the nation?
Extra, extra.
[D] I'm coming to you.
I [Gm] know you want it.
You know it's [F] true.
The [Gm] beat is bopping.
It's [Am] moving you.
[Bb] Your [C] toes are tapping.
[Gm] Down [C] in your shoes.
I [G] feel you dropping.
_ Nothing free.
Hey, _ [D] _
let me show [C] you what I want to go [Bb] through.
If you can't get old, [Gbm] so I can [Ab] be something [G] new. _ [D] _ _ _ Something [Gm] new.
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [C] _ _ [Gm] _ _ _ [C] _ _
_ _ [D] _ _ _ _ _ _
_ _ _ [G] _ _ _ [Bb] _ _
_ _ [C] _ _ _ _ [Bb] _ _
_ _ [C] _ _ _ _ [Bb] _ _
_ _ [A] _ _ [Ab] _ _ Extra, extra.
[D] I'm coming to you.
I [G] know you want it.
You know it's true.
The beat is bopping.
It's [Gm] moving you.
[C] Your toes are tapping.
Down in your shoes.
I [Gm] feel you dropping.
[A] Nothing free.
Hey, _ [D] let me show [C] you what I want to go [D] through.
Cause I know [C] you're rich enough to go [Bb] to.
If you can't get old, so [Gb] I can [Ab] be something [D] new.
_ I can be something [G] new. _
[D] _ _ I can be something new.
Yeah.
_ _ I can be something [N] new.
_ _ _ _ Thank you. _
Merci.
_ _ Merci. _ _
_ _ Merci.
Thank you, Janoski. _ _
_ _ _ _ _ _ _ _
_ I'm going to let you in on a little secret.
Her nickname is Wabaloni.
We call her Wabaloni.
And you might [F] not know it, but she might be sitting up [Gb] right next to the man out there that gave her that name.
Here's the man that wrote Thriller, _ Gimme the Night, Rock with You, all of those songs.
Off the wall, Mr.
Rod Temperton and his wife.
[N] _ _ _ Rod, where are you?
_ _ _ Rod Temperton.
That's the man that wrote Thriller.
_ _ Off the wall.
_ Rock with You.
Serious, serious, serious.
_ It's a beautiful family.
I'm so happy to be here.
Rod Temperton _ _ from _ _ _ _ Grimsby. _
_ Hi.
_ _ Hi. _
_ _ _ What a talented man.
What a talented man.
And _ Nadia Boulanger told me in Paris once, she said,
your music can never be more or less than you are as a human being.
And that's so true with all of these