Chords for Nico Interview + Femme Fatale

I find it's almost an [Abm] extension, like the 1980s are an [C] extension of the 1960s.
I have to admit that.
_ [N] As if the 70s didn't exist.
_ [Ab] As if it went straight from the 60s to the [N] 80s.
Somehow.
[Cm] _ _ _ _ _ _
_ _ [D] _ _ _ _ Here _ she comes. _ _
You better watch your step. _ _ _
_ She's going to break your heart in [Gm] two.
_ It's true.
[Dm] _ _
_ [F] It's not hard to realize.
[C] _ _
Just look into her false [D] colored eyes. _
[C] _ _ _ She'll build you [D] up to just put you down.
_ What a [G] clown.
Cause everybody [D] _ knows.
[G] _ [D] _
The things she does to please. _ _
She's [C] just a little [Fm] tease. _ _
_ See the way she [Dm] walks. _ _
[C] _ _ The way [Gm] she [Dm] talks. _
[Gm] _ _ [Bbm] _ [C] Well, I've been living in New York since 1959, [N] modeling.
_ [Ab] Doing modeling for Ford's _ _ _ _ until I took [F] up acting lessons [B] with Lee [A] Strasberg. _
Marilyn Monroe was in my class.
_ Very exciting.
_ _ [Ab] _ _ Andy said I should join him in New York.
[C] And it was _ [Ab] Bob Dylan that introduced me.
And he also [Abm] told _ [A] Andy that he should make movies with me.
[N] _ _ _ _ _ _
I guess he wanted to look at me through a magnifying glass.
[Ab] _ And, you know, just wherever he went he had this_
To me it seemed that way, you know, when [D]
[A] you [C] always have [Bb] a camera [Gb] with you [B] at all times.
_ _ [Ab] His sense of surveillance _ was very [N] acute. _ _ _
Acurate?
_ Acute.
An accurate clown. _
You know, he was _ a spy.
He spied on everybody. _
Un voyeur.
_ _ I mean, he just put disparate elements together.
Which is what I've always appreciated him for.
Because I thought that's the approach that I had towards music.
There was Nika, there was Lou, there was Sterling.
And you put four or five different