Chords for Neal Schon - Exotica (Official / New Album / Feat. D. Castronovo, M. Mendoza)
Tempo:
121.05 bpm
Chords used:
B
F#m
G
Bm
Em
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Bm]
[F#m]
[B]
[Em]
[F#]
[Bm]
[B] [F#m]
[B]
[E] [Bm]
[B] [Bm]
[D]
[Em] [G]
[A]
[B]
[Em] [G]
[A]
[F#m]
[G]
[Bm]
[B]
[Em] Exotica, it's a bit more Latin fusion.
I had this chord [F#m] keyboard.
I found this cool loop in it and I sort of just turned off [D] the drums that were in [G] it
and left the rest [G] of the loop going [Am] and Marco and Dean went out and played and I kind of
just moved [Em] chord changes around.
[F#]
[Bm]
[D] [G]
[E]
[Bm]
[F#m] [D] [E]
[G] [Bm]
[B]
[Bm] The cool thing is everything [F#m] that we've done on that record [F#] is really collective.
Everything is [B] different and it changes and we went through a lot of different [Bm] places
and [G] that's what made it fun.
Because Neil's [F#] just like, it's the [F#m] prodigy thing.
He'll just come up or something and you're flocked.
[B]
[Em]
[F#m]
[F#m]
[G] [D]
[E]
[Bm]
[F#m]
[B] [G]
[E]
[B] [F#m] This is an album that just goes everywhere.
A lot of [B] surprises, a lot of colors, a lot of different [G] energies.
And then Neil, he's a monster [G] guitar player [E] so it's like, wow.
We're [A] like a bunch of kids in [Bm] the candy store going, let's try this one, let's try [Em] that
one, let's keep this one, let's put that one [G] back.
And the end product is just a lot [A] of surprises.
[E]
[B]
[F#m] [B]
[Em]
[F#m]
[E]
[G]
[A]
[B]
[Em] [G]
[F#m] [A] I just play all over the map, all different types of music.
[E] I just like to jam and open it up and see what's there.
And then you go back and listen and maybe [F#m] extract five little ideas out of [B] five hours.
[Em]
[F#m]
[D] [B]
[F#] I wanted to sort of round out the record and put a lot of different elements in it musically.
Try to be a little bit diverse so it's not all in one little box.
Because everybody's so musical here that there's no reason to be like that.
[F#m]
[B]
[Em]
[F#]
[Bm]
[B] [F#m]
[B]
[E] [Bm]
[B] [Bm]
[D]
[Em] [G]
[A]
[B]
[Em] [G]
[A]
[F#m]
[G]
[Bm]
[B]
[Em] Exotica, it's a bit more Latin fusion.
I had this chord [F#m] keyboard.
I found this cool loop in it and I sort of just turned off [D] the drums that were in [G] it
and left the rest [G] of the loop going [Am] and Marco and Dean went out and played and I kind of
just moved [Em] chord changes around.
[F#]
[Bm]
[D] [G]
[E]
[Bm]
[F#m] [D] [E]
[G] [Bm]
[B]
[Bm] The cool thing is everything [F#m] that we've done on that record [F#] is really collective.
Everything is [B] different and it changes and we went through a lot of different [Bm] places
and [G] that's what made it fun.
Because Neil's [F#] just like, it's the [F#m] prodigy thing.
He'll just come up or something and you're flocked.
[B]
[Em]
[F#m]
[F#m]
[G] [D]
[E]
[Bm]
[F#m]
[B] [G]
[E]
[B] [F#m] This is an album that just goes everywhere.
A lot of [B] surprises, a lot of colors, a lot of different [G] energies.
And then Neil, he's a monster [G] guitar player [E] so it's like, wow.
We're [A] like a bunch of kids in [Bm] the candy store going, let's try this one, let's try [Em] that
one, let's keep this one, let's put that one [G] back.
And the end product is just a lot [A] of surprises.
[E]
[B]
[F#m] [B]
[Em]
[F#m]
[E]
[G]
[A]
[B]
[Em] [G]
[F#m] [A] I just play all over the map, all different types of music.
[E] I just like to jam and open it up and see what's there.
And then you go back and listen and maybe [F#m] extract five little ideas out of [B] five hours.
[Em]
[F#m]
[D] [B]
[F#] I wanted to sort of round out the record and put a lot of different elements in it musically.
Try to be a little bit diverse so it's not all in one little box.
Because everybody's so musical here that there's no reason to be like that.
Key:
B
F#m
G
Bm
Em
B
F#m
G
_ _ _ _ _ _ _ _
_ _ _ _ [Bm] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [F#m] _ _ _ _
_ _ _ _ _ _ [B] _ _
[Em] _ _ _ _ _ _ _ _
_ _ [F#] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [Bm] _ _ _ _ _ _ _
[B] _ _ _ _ [F#m] _ _ _ _
_ [B] _ _ _ _ _ _ _
[E] _ _ _ _ [Bm] _ _ _ _
_ _ [B] _ _ _ [Bm] _ _ _
[D] _ _ _ _ _ _ _ _
[Em] _ _ _ _ _ _ [G] _ _
_ _ _ _ [A] _ _ _ _
_ [B] _ _ _ _ _ _ _
_ _ _ _ [Em] _ _ _ [G] _
_ _ _ _ _ [A] _ _ _
_ _ _ [F#m] _ _ _ _ _
_ [G] _ _ _ _ _ _ _
_ _ _ _ [Bm] _ _ _ _
_ _ _ _ _ _ _ [B] _
_ _ _ [Em] Exotica, it's a bit more Latin fusion.
I had this chord [F#m] keyboard.
I found this cool loop in it and I sort of just turned off [D] the drums that were in [G] it
and left the rest [G] of the loop going [Am] and Marco and Dean went out and played and I kind of
just moved [Em] chord changes around. _
_ _ _ _ _ _ _ [F#] _
_ _ [Bm] _ _ _ _ _ _
_ _ _ _ [D] _ _ _ [G] _
_ _ _ _ [E] _ _ _ _
_ _ [Bm] _ _ _ _ _ _
[F#m] _ _ [D] _ _ _ _ _ [E] _
_ _ _ _ _ _ _ _
_ [G] _ _ [Bm] _ _ _ _ _
[B] _ _ _ _ _ _ _ _
[Bm] _ _ _ _ The cool thing is _ everything [F#m] that we've done on that record [F#] is really collective.
Everything is [B] different and it changes and we went through a lot of different _ [Bm] places
and [G] that's what made it fun.
Because Neil's [F#] just like, it's the [F#m] prodigy thing.
He'll just come up or something and you're flocked.
_ [B] _ _
_ _ _ _ [Em] _ _ _ _
_ _ _ _ [F#m] _ _ _ _
[F#m] _ _ _ _ _ _ _ _
[G] _ _ _ _ _ [D] _ _ _
_ _ _ _ [E] _ _ _ _
_ _ _ _ _ _ _ [Bm] _
_ _ _ _ _ _ [F#m] _ _
_ [B] _ _ _ [G] _ _ _ _
_ _ _ [E] _ _ _ _ _
[B] _ [F#m] _ _ _ This is an album that just goes everywhere.
A lot of [B] surprises, a lot of colors, a lot of different [G] energies.
And then Neil, he's a monster [G] guitar player [E] so it's like, wow.
We're [A] like a bunch of kids in [Bm] the candy store going, let's try this one, let's try [Em] that
one, let's keep this one, let's put that one [G] back.
And the end product is just a lot [A] of surprises. _ _ _ _ _ _
_ _ _ _ _ _ [E] _ _
_ _ [B] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [F#m] _ _ _ _ [B] _ _
_ [Em] _ _ _ _ _ _ _
_ [F#m] _ _ _ _ _ _ _
_ _ _ _ _ _ _ [E] _
_ _ _ _ [G] _ _ _ _
_ _ _ [A] _ _ _ _ _
_ _ [B] _ _ _ _ _ _
[Em] _ _ _ _ [G] _ _ _ _
_ _ [F#m] _ _ [A] I just play all over the map, all different types of music.
[E] I just like to jam and open it up and see what's there.
And then you go back and listen and maybe _ _ _ [F#m] extract _ _ five little ideas out of [B] five hours. _ _ _ _ _
[Em] _ _ _ _ _ _ _ _
_ _ _ [F#m] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [D] _ _ _ _ [B] _ _
_ [F#] _ _ I wanted to sort of round out the record and put a lot of different elements in it musically.
Try to be a little bit diverse so it's not all in one little box.
Because everybody's so musical here that there's no reason to be like that. _ _ _
_ _ _ _ [Bm] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [F#m] _ _ _ _
_ _ _ _ _ _ [B] _ _
[Em] _ _ _ _ _ _ _ _
_ _ [F#] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [Bm] _ _ _ _ _ _ _
[B] _ _ _ _ [F#m] _ _ _ _
_ [B] _ _ _ _ _ _ _
[E] _ _ _ _ [Bm] _ _ _ _
_ _ [B] _ _ _ [Bm] _ _ _
[D] _ _ _ _ _ _ _ _
[Em] _ _ _ _ _ _ [G] _ _
_ _ _ _ [A] _ _ _ _
_ [B] _ _ _ _ _ _ _
_ _ _ _ [Em] _ _ _ [G] _
_ _ _ _ _ [A] _ _ _
_ _ _ [F#m] _ _ _ _ _
_ [G] _ _ _ _ _ _ _
_ _ _ _ [Bm] _ _ _ _
_ _ _ _ _ _ _ [B] _
_ _ _ [Em] Exotica, it's a bit more Latin fusion.
I had this chord [F#m] keyboard.
I found this cool loop in it and I sort of just turned off [D] the drums that were in [G] it
and left the rest [G] of the loop going [Am] and Marco and Dean went out and played and I kind of
just moved [Em] chord changes around. _
_ _ _ _ _ _ _ [F#] _
_ _ [Bm] _ _ _ _ _ _
_ _ _ _ [D] _ _ _ [G] _
_ _ _ _ [E] _ _ _ _
_ _ [Bm] _ _ _ _ _ _
[F#m] _ _ [D] _ _ _ _ _ [E] _
_ _ _ _ _ _ _ _
_ [G] _ _ [Bm] _ _ _ _ _
[B] _ _ _ _ _ _ _ _
[Bm] _ _ _ _ The cool thing is _ everything [F#m] that we've done on that record [F#] is really collective.
Everything is [B] different and it changes and we went through a lot of different _ [Bm] places
and [G] that's what made it fun.
Because Neil's [F#] just like, it's the [F#m] prodigy thing.
He'll just come up or something and you're flocked.
_ [B] _ _
_ _ _ _ [Em] _ _ _ _
_ _ _ _ [F#m] _ _ _ _
[F#m] _ _ _ _ _ _ _ _
[G] _ _ _ _ _ [D] _ _ _
_ _ _ _ [E] _ _ _ _
_ _ _ _ _ _ _ [Bm] _
_ _ _ _ _ _ [F#m] _ _
_ [B] _ _ _ [G] _ _ _ _
_ _ _ [E] _ _ _ _ _
[B] _ [F#m] _ _ _ This is an album that just goes everywhere.
A lot of [B] surprises, a lot of colors, a lot of different [G] energies.
And then Neil, he's a monster [G] guitar player [E] so it's like, wow.
We're [A] like a bunch of kids in [Bm] the candy store going, let's try this one, let's try [Em] that
one, let's keep this one, let's put that one [G] back.
And the end product is just a lot [A] of surprises. _ _ _ _ _ _
_ _ _ _ _ _ [E] _ _
_ _ [B] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [F#m] _ _ _ _ [B] _ _
_ [Em] _ _ _ _ _ _ _
_ [F#m] _ _ _ _ _ _ _
_ _ _ _ _ _ _ [E] _
_ _ _ _ [G] _ _ _ _
_ _ _ [A] _ _ _ _ _
_ _ [B] _ _ _ _ _ _
[Em] _ _ _ _ [G] _ _ _ _
_ _ [F#m] _ _ [A] I just play all over the map, all different types of music.
[E] I just like to jam and open it up and see what's there.
And then you go back and listen and maybe _ _ _ [F#m] extract _ _ five little ideas out of [B] five hours. _ _ _ _ _
[Em] _ _ _ _ _ _ _ _
_ _ _ [F#m] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [D] _ _ _ _ [B] _ _
_ [F#] _ _ I wanted to sort of round out the record and put a lot of different elements in it musically.
Try to be a little bit diverse so it's not all in one little box.
Because everybody's so musical here that there's no reason to be like that. _ _ _