Chords for Naughty By Nature - Wickedest Man Alive (feat. Queen Latifah)
Tempo:
95.75 bpm
Chords used:
C
F
A
Bb
Am
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Bb] [C] Massively, massively, [A] massively, [C] massacred, naughty by this [A] chap.
[C] Fool every time we [A] come in at the dance, [C] sir.
Man, [A] man treacherous [C] inside.
Go and [A] let the saxophone [C] man play a little.
[A] [C] Make it lovely.
[Am]
[C] [G]
[C] [Am] [C] [F] You [C] got beef with what we talk [F] to the bunny, sonny.
[C] He's the mayor, Boggs, the thug [F] with the money.
Funny that you [C] should mention, as my [F] family, they're covered.
What's up to [C] my cousins and my sisters [F] and my Warner brothers?
Birth of [C] a fest, the flop and follow [Bb] beat together.
No matter [C] what your whatever, if Della [A] find who's better, you meet.
[C] He, she, them, him, [Am] those, or others.
Let's get to [C] talk to one, pluck, initiate [A] the trouble.
For those [C] who disagree or maybe feel [F] the need to front it.
Show me [C] your whole entire crew through shoes [F] and I'ma run it.
Do you want it?
[C] Maybe so, but just know [F] we're rolling spreads.
You claim [Db] you want it, but you need it.
This [F] is about as much as a hole in [C] your head.
This is a [Am] flower show, a product flowed a while [C] ago.
We're the new swing [A] of things, so bring it, sing it, cause you [C] know.
And if it's [Bb] you who bother, time to show [C] is done.
Queen Latifah, the sire, give him some call.
Every time we come [Am] in at the dance, well, you know [C] what's up, it's Jama.
[F] Yeah, man.
[C] Every time we come [Am] in at the dance, well, you know [C] what's up, it's Jama.
[F] You know.
[C] Every time we come [Am] in, you know we come without a [C] flop.
So, we are going to show [Am] you how the quickest are the [C] drop.
Look at this man, look at [F] this man, he dance well, you know [C] what's up, it's Rama.
[F] Come on [C] in and 18th Street, [F] he's production.
[C] Conjunction, junction, nothing.
What's your function?
I don't mean to be blunt or front, true or rude.
How can you ditch [F] your honey dip, looks like a honey [C] dude.
So, keep it to [F] yourself, greet it when you're eager [Db] to help.
So, before you [F] come and try to trench, try [C] yourself.
Cause I ain't [F] having it, remember, act like [C] you know.
And if you [F] can't act jack, you're best farmed [C] to dough.
I hate a finger [Bb] trader, saba naba, see [C] you gator.
I still may y'all [Bb] the beast, as-salamu [C] alaykum later.
Yeah, you don't [A] have a chance, boss, see [C] you next.
This track is Kee [A] Gees, baby, and he named [C] it Jeff.
I'm smoking [F] enemies like chimneys, I [C] ain't friendly.
F*** your [F] fendi, I'm swaying for your [C] black kidney.
Pimples are [G] simple to pop, I want tekbozak.
[C] That slap your [F] optimal flopping in a [C] wopple spot.
The wickedest man [A] alive, I am what I am [C] and I'm
damn good [A] to be in no good hood [C] and bop.
The wiggle [Bb] in the middle, simple to party [C] thumps.
They call me the wickedest man alive, make them jump.
Every time I [Am] come in, I dance well, you know [C] what's up, it's Rama.
[F] Yeah, man.
[C] Every time I come [Am] in, I dance well, you know [C] what's up, it's Jama.
[F]
[C] Every time I come in, I dance well, you know what's up, [Db] it's [F]
[C] Rama.
The wickedest man, the wickedest man, I dance well, you know what's up, it's Rama.
[F] Getting and hitting, winning old-fashioned, when you're slipping, I got [C] time.
Try to stay [F] in and get rare like a [C] stepson.
The baddest [G] guy works within one [C] verse, put the sheet verse [F] in reverse and his fellas [C] first.
Wrecking is [A] second, so back with your wack [C] diss.
We're candle after [A] candle and you still couldn't whack [C] this.
I be the [A] wickedest while you're still the [C] wackest.
I need wallpaper to list what the track missed.
This is a [F] double-decker from the head, rack, [C] neck, and head.
Checking, [F] checking, checking who's deaf, who's [C] deaf.
You're standing back, [F] carrying in your plan to stay back.
[C] I'm down with K-Tracks, clap, [F] this is the payback, lay back, jack.
I have that [Bb] A-B which way, but loose, [C] bro, and you sound proof.
This is [A] an immediate space for giving a [C] noose.
This comes [A] naturally all day and night.
[C] I make a party of all [A] Lazy Z screaming out, all [C] right.
Talking about [A] needing a lot more work [C] than you had 12 years, [Bb] 112 inches and [C] so on.
Who's getting [A] done, who's swept, and who's [C] battered?
You wouldn't be able to get [A] down with some help in a step [C] ladder.
This is [A] another song, we'll check out the [C] style that I've picked and ripped.
I be the wickedest man alive.
Now, [G] rude boy, come test [C] the sound of Treacherous [A] MC.
[C] Massical, native [Bb] by nature.
[C] Crooked, [Bb] flamed, and [C] easy.
[Am] [C] [Am]
[C] [A] [C]
[F] Shh.
[C] [Bb] [C] [A]
[C] [Bb] [C] [Bb]
[C]
[C] Fool every time we [A] come in at the dance, [C] sir.
Man, [A] man treacherous [C] inside.
Go and [A] let the saxophone [C] man play a little.
[A] [C] Make it lovely.
[Am]
[C] [G]
[C] [Am] [C] [F] You [C] got beef with what we talk [F] to the bunny, sonny.
[C] He's the mayor, Boggs, the thug [F] with the money.
Funny that you [C] should mention, as my [F] family, they're covered.
What's up to [C] my cousins and my sisters [F] and my Warner brothers?
Birth of [C] a fest, the flop and follow [Bb] beat together.
No matter [C] what your whatever, if Della [A] find who's better, you meet.
[C] He, she, them, him, [Am] those, or others.
Let's get to [C] talk to one, pluck, initiate [A] the trouble.
For those [C] who disagree or maybe feel [F] the need to front it.
Show me [C] your whole entire crew through shoes [F] and I'ma run it.
Do you want it?
[C] Maybe so, but just know [F] we're rolling spreads.
You claim [Db] you want it, but you need it.
This [F] is about as much as a hole in [C] your head.
This is a [Am] flower show, a product flowed a while [C] ago.
We're the new swing [A] of things, so bring it, sing it, cause you [C] know.
And if it's [Bb] you who bother, time to show [C] is done.
Queen Latifah, the sire, give him some call.
Every time we come [Am] in at the dance, well, you know [C] what's up, it's Jama.
[F] Yeah, man.
[C] Every time we come [Am] in at the dance, well, you know [C] what's up, it's Jama.
[F] You know.
[C] Every time we come [Am] in, you know we come without a [C] flop.
So, we are going to show [Am] you how the quickest are the [C] drop.
Look at this man, look at [F] this man, he dance well, you know [C] what's up, it's Rama.
[F] Come on [C] in and 18th Street, [F] he's production.
[C] Conjunction, junction, nothing.
What's your function?
I don't mean to be blunt or front, true or rude.
How can you ditch [F] your honey dip, looks like a honey [C] dude.
So, keep it to [F] yourself, greet it when you're eager [Db] to help.
So, before you [F] come and try to trench, try [C] yourself.
Cause I ain't [F] having it, remember, act like [C] you know.
And if you [F] can't act jack, you're best farmed [C] to dough.
I hate a finger [Bb] trader, saba naba, see [C] you gator.
I still may y'all [Bb] the beast, as-salamu [C] alaykum later.
Yeah, you don't [A] have a chance, boss, see [C] you next.
This track is Kee [A] Gees, baby, and he named [C] it Jeff.
I'm smoking [F] enemies like chimneys, I [C] ain't friendly.
F*** your [F] fendi, I'm swaying for your [C] black kidney.
Pimples are [G] simple to pop, I want tekbozak.
[C] That slap your [F] optimal flopping in a [C] wopple spot.
The wickedest man [A] alive, I am what I am [C] and I'm
damn good [A] to be in no good hood [C] and bop.
The wiggle [Bb] in the middle, simple to party [C] thumps.
They call me the wickedest man alive, make them jump.
Every time I [Am] come in, I dance well, you know [C] what's up, it's Rama.
[F] Yeah, man.
[C] Every time I come [Am] in, I dance well, you know [C] what's up, it's Jama.
[F]
[C] Every time I come in, I dance well, you know what's up, [Db] it's [F]
[C] Rama.
The wickedest man, the wickedest man, I dance well, you know what's up, it's Rama.
[F] Getting and hitting, winning old-fashioned, when you're slipping, I got [C] time.
Try to stay [F] in and get rare like a [C] stepson.
The baddest [G] guy works within one [C] verse, put the sheet verse [F] in reverse and his fellas [C] first.
Wrecking is [A] second, so back with your wack [C] diss.
We're candle after [A] candle and you still couldn't whack [C] this.
I be the [A] wickedest while you're still the [C] wackest.
I need wallpaper to list what the track missed.
This is a [F] double-decker from the head, rack, [C] neck, and head.
Checking, [F] checking, checking who's deaf, who's [C] deaf.
You're standing back, [F] carrying in your plan to stay back.
[C] I'm down with K-Tracks, clap, [F] this is the payback, lay back, jack.
I have that [Bb] A-B which way, but loose, [C] bro, and you sound proof.
This is [A] an immediate space for giving a [C] noose.
This comes [A] naturally all day and night.
[C] I make a party of all [A] Lazy Z screaming out, all [C] right.
Talking about [A] needing a lot more work [C] than you had 12 years, [Bb] 112 inches and [C] so on.
Who's getting [A] done, who's swept, and who's [C] battered?
You wouldn't be able to get [A] down with some help in a step [C] ladder.
This is [A] another song, we'll check out the [C] style that I've picked and ripped.
I be the wickedest man alive.
Now, [G] rude boy, come test [C] the sound of Treacherous [A] MC.
[C] Massical, native [Bb] by nature.
[C] Crooked, [Bb] flamed, and [C] easy.
[Am] [C] [Am]
[C] [A] [C]
[F] Shh.
[C] [Bb] [C] [A]
[C] [Bb] [C] [Bb]
[C]
Key:
C
F
A
Bb
Am
C
F
A
_ _ [Bb] _ [C] Massively, massively, [A] massively, [C] massacred, naughty by this [A] chap.
[C] Fool every time we [A] come in at the dance, [C] sir.
Man, [A] man treacherous [C] inside.
Go and [A] let the saxophone [C] man play a little.
[A] _ [C] Make it lovely.
[Am] _ _
[C] _ _ _ _ _ _ [G] _ _
[C] _ _ [Am] _ _ [C] _ _ [F] You [C] got beef with what we talk [F] to the bunny, sonny.
[C] He's the mayor, Boggs, the thug [F] with the money.
Funny that you [C] should mention, as my [F] family, they're covered.
What's up to [C] my cousins and my sisters [F] and my Warner brothers?
Birth of [C] a fest, the flop and follow [Bb] beat together.
No matter [C] what your whatever, if Della [A] find who's better, you meet.
[C] He, she, them, him, [Am] those, or others.
Let's get to [C] talk to one, pluck, initiate [A] the trouble.
For those [C] who disagree or maybe feel [F] the need to front it.
Show me [C] your whole entire crew through shoes [F] and I'ma run it.
Do you want it?
[C] Maybe so, but just know [F] we're rolling spreads.
You claim [Db] you want it, but you need it.
This [F] is about as much as a hole in [C] your head.
This is a [Am] flower show, a product flowed a while [C] ago.
We're the new swing [A] of things, so bring it, sing it, cause you [C] know.
And if it's [Bb] you who bother, time to show [C] is done.
Queen Latifah, the sire, give him some call.
Every time we come [Am] in at the dance, well, you know [C] what's up, it's Jama.
[F] Yeah, man.
[C] Every time we come [Am] in at the dance, well, you know [C] what's up, it's Jama.
[F] You know.
[C] Every time we come [Am] in, you know we come without a [C] flop.
So, we are going to show [Am] you how the quickest are the [C] drop.
Look at this man, look at [F] this man, he dance well, you know [C] what's up, it's Rama.
[F] Come on [C] in and 18th Street, [F] he's production.
[C] Conjunction, junction, nothing.
What's your function?
I don't mean to be blunt or front, true or rude.
How can you ditch [F] your honey dip, looks like a honey [C] dude.
So, keep it to [F] yourself, greet it when you're eager [Db] to help.
So, before you [F] come and try to trench, try [C] yourself.
Cause I ain't [F] having it, remember, act like [C] you know.
And if you [F] can't act jack, you're best farmed [C] to dough.
I hate a finger [Bb] trader, saba naba, see [C] you gator.
I still may y'all [Bb] the beast, as-salamu [C] alaykum later.
Yeah, you don't [A] have a chance, boss, see [C] you next.
This track is Kee [A] Gees, baby, and he named [C] it Jeff.
I'm smoking [F] enemies like chimneys, I [C] ain't friendly.
F*** your [F] fendi, I'm swaying for your [C] black kidney.
Pimples are [G] simple to pop, I want tekbozak.
[C] That slap your [F] optimal flopping in a [C] wopple spot.
The wickedest man [A] alive, I am what I am [C] and I'm
damn good [A] to be in no good hood [C] and bop.
The wiggle [Bb] in the middle, simple to party [C] thumps.
They call me the wickedest man alive, make them jump.
Every time I [Am] come in, I dance well, you know [C] what's up, it's Rama.
[F] Yeah, man.
[C] Every time I come [Am] in, I dance well, you know [C] what's up, it's Jama.
[F] _
[C] Every time I come in, I dance well, you know what's up, [Db] it's _ [F] _
[C] Rama.
The wickedest man, the wickedest man, I dance well, you know what's up, it's Rama.
[F] Getting and hitting, winning old-fashioned, when you're slipping, I got [C] time.
Try to stay [F] in and get rare like a [C] stepson.
The baddest [G] guy works within one [C] verse, put the sheet verse [F] in reverse and his fellas [C] first.
Wrecking is [A] second, so back with your wack [C] diss.
We're candle after [A] candle and you still couldn't whack [C] this.
I be the [A] wickedest while you're still the [C] wackest.
I need wallpaper to list what the track missed.
This is a [F] double-decker from the head, rack, [C] neck, and head.
Checking, [F] checking, checking who's deaf, who's [C] deaf.
You're standing back, [F] carrying in your plan to stay back.
[C] I'm down with K-Tracks, clap, [F] this is the payback, lay back, jack.
I have that [Bb] A-B which way, but loose, [C] bro, and you sound proof.
This is [A] an immediate space for giving a [C] noose.
This comes [A] naturally all day and night.
[C] I make a party of all [A] Lazy Z screaming out, all [C] right.
Talking about [A] needing a lot more work [C] than you had 12 years, [Bb] 112 inches and [C] so on.
Who's getting [A] done, who's swept, and who's [C] battered?
You wouldn't be able to get [A] down with some help in a step [C] ladder.
This is [A] another song, we'll check out the [C] style that I've picked and ripped.
I be the wickedest man alive.
Now, [G] rude boy, come test [C] the sound of Treacherous [A] MC. _
[C] Massical, native [Bb] by nature.
[C] Crooked, [Bb] flamed, and [C] easy. _ _ _ _ _ _ _
_ _ [Am] _ _ [C] _ _ [Am] _ _
[C] _ _ [A] _ _ [C] _ _ _ _
_ _ _ _ _ _ [F] Shh.
[C] _ _ [Bb] _ _ [C] _ _ [A] _ _
[C] _ _ [Bb] _ _ [C] _ _ [Bb] _ _
[C] _ _ _ _ _ _ _ _
[C] Fool every time we [A] come in at the dance, [C] sir.
Man, [A] man treacherous [C] inside.
Go and [A] let the saxophone [C] man play a little.
[A] _ [C] Make it lovely.
[Am] _ _
[C] _ _ _ _ _ _ [G] _ _
[C] _ _ [Am] _ _ [C] _ _ [F] You [C] got beef with what we talk [F] to the bunny, sonny.
[C] He's the mayor, Boggs, the thug [F] with the money.
Funny that you [C] should mention, as my [F] family, they're covered.
What's up to [C] my cousins and my sisters [F] and my Warner brothers?
Birth of [C] a fest, the flop and follow [Bb] beat together.
No matter [C] what your whatever, if Della [A] find who's better, you meet.
[C] He, she, them, him, [Am] those, or others.
Let's get to [C] talk to one, pluck, initiate [A] the trouble.
For those [C] who disagree or maybe feel [F] the need to front it.
Show me [C] your whole entire crew through shoes [F] and I'ma run it.
Do you want it?
[C] Maybe so, but just know [F] we're rolling spreads.
You claim [Db] you want it, but you need it.
This [F] is about as much as a hole in [C] your head.
This is a [Am] flower show, a product flowed a while [C] ago.
We're the new swing [A] of things, so bring it, sing it, cause you [C] know.
And if it's [Bb] you who bother, time to show [C] is done.
Queen Latifah, the sire, give him some call.
Every time we come [Am] in at the dance, well, you know [C] what's up, it's Jama.
[F] Yeah, man.
[C] Every time we come [Am] in at the dance, well, you know [C] what's up, it's Jama.
[F] You know.
[C] Every time we come [Am] in, you know we come without a [C] flop.
So, we are going to show [Am] you how the quickest are the [C] drop.
Look at this man, look at [F] this man, he dance well, you know [C] what's up, it's Rama.
[F] Come on [C] in and 18th Street, [F] he's production.
[C] Conjunction, junction, nothing.
What's your function?
I don't mean to be blunt or front, true or rude.
How can you ditch [F] your honey dip, looks like a honey [C] dude.
So, keep it to [F] yourself, greet it when you're eager [Db] to help.
So, before you [F] come and try to trench, try [C] yourself.
Cause I ain't [F] having it, remember, act like [C] you know.
And if you [F] can't act jack, you're best farmed [C] to dough.
I hate a finger [Bb] trader, saba naba, see [C] you gator.
I still may y'all [Bb] the beast, as-salamu [C] alaykum later.
Yeah, you don't [A] have a chance, boss, see [C] you next.
This track is Kee [A] Gees, baby, and he named [C] it Jeff.
I'm smoking [F] enemies like chimneys, I [C] ain't friendly.
F*** your [F] fendi, I'm swaying for your [C] black kidney.
Pimples are [G] simple to pop, I want tekbozak.
[C] That slap your [F] optimal flopping in a [C] wopple spot.
The wickedest man [A] alive, I am what I am [C] and I'm
damn good [A] to be in no good hood [C] and bop.
The wiggle [Bb] in the middle, simple to party [C] thumps.
They call me the wickedest man alive, make them jump.
Every time I [Am] come in, I dance well, you know [C] what's up, it's Rama.
[F] Yeah, man.
[C] Every time I come [Am] in, I dance well, you know [C] what's up, it's Jama.
[F] _
[C] Every time I come in, I dance well, you know what's up, [Db] it's _ [F] _
[C] Rama.
The wickedest man, the wickedest man, I dance well, you know what's up, it's Rama.
[F] Getting and hitting, winning old-fashioned, when you're slipping, I got [C] time.
Try to stay [F] in and get rare like a [C] stepson.
The baddest [G] guy works within one [C] verse, put the sheet verse [F] in reverse and his fellas [C] first.
Wrecking is [A] second, so back with your wack [C] diss.
We're candle after [A] candle and you still couldn't whack [C] this.
I be the [A] wickedest while you're still the [C] wackest.
I need wallpaper to list what the track missed.
This is a [F] double-decker from the head, rack, [C] neck, and head.
Checking, [F] checking, checking who's deaf, who's [C] deaf.
You're standing back, [F] carrying in your plan to stay back.
[C] I'm down with K-Tracks, clap, [F] this is the payback, lay back, jack.
I have that [Bb] A-B which way, but loose, [C] bro, and you sound proof.
This is [A] an immediate space for giving a [C] noose.
This comes [A] naturally all day and night.
[C] I make a party of all [A] Lazy Z screaming out, all [C] right.
Talking about [A] needing a lot more work [C] than you had 12 years, [Bb] 112 inches and [C] so on.
Who's getting [A] done, who's swept, and who's [C] battered?
You wouldn't be able to get [A] down with some help in a step [C] ladder.
This is [A] another song, we'll check out the [C] style that I've picked and ripped.
I be the wickedest man alive.
Now, [G] rude boy, come test [C] the sound of Treacherous [A] MC. _
[C] Massical, native [Bb] by nature.
[C] Crooked, [Bb] flamed, and [C] easy. _ _ _ _ _ _ _
_ _ [Am] _ _ [C] _ _ [Am] _ _
[C] _ _ [A] _ _ [C] _ _ _ _
_ _ _ _ _ _ [F] Shh.
[C] _ _ [Bb] _ _ [C] _ _ [A] _ _
[C] _ _ [Bb] _ _ [C] _ _ [Bb] _ _
[C] _ _ _ _ _ _ _ _