Chords for Nailah Blackman - SOKAH (Official Video)(ft. Len “Boogsie” Sharpe & Mungal Patasar) "2018 Soca" [HD]
Tempo:
128.1 bpm
Chords used:
F#
C#
A#m
G#
A#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
![Nailah Blackman - SOKAH (Official Video)(ft. Len “Boogsie” Sharpe & Mungal Patasar) "2018 Soca" [HD] chords](https://i.ytimg.com/vi/xw7TpFMRD5s/mqdefault.jpg)
Start Jamming...
Soka is a combination of East Indian and African rhythm.
The purpose of Soka in
the 70s, as a matter of fact, is about anywhere around 69 to 70, but the purpose
was to bring the East Indian and the Africans in Trinidad together.
So there
was a combination of the two main rhythmic structures in Trinidad to create
a song that would be totally Trinidadian.
Let us call it a Dugla rhythm, so to speak.
[N]
[F#]
[C#]
[G#] [A#m] [F#] [C#]
[G#] [A#m] [F#] [C#]
[G#] [A#m] [F#] [C#]
[G#] [A#m] [F#] [C#]
[G#] [A#m] [F#] [C#]
[G#] [A#m] [F#] [C#]
[G#] [A#] [F#] [C#]
[G#] I'm gonna leave you [A#] for nothing [F#] all day [G#] long.
I'm gonna play it for [A#m] you, bing bong [F#] bong bong bong.
[C#] Bing bong [G#] bong bong bong.
[F] [D#]
[F#] [C#]
[G#] [A#m] [F#] [C#]
[Fm] [A#m] [F#] [C#]
[A#m] [F#] [C#]
[G#] [A#m] [C#]
[G#] [A#m] [C#]
[A#m] [F#] [C#]
Bing [A#m] bong bong bong bong bong.
[F#] [C#]
[A#] [F#] [C#]
[G#] [D#m] [C#]
[G#] [A#] [F#] [A#m]
[G#] [A#m] [F#] [A#m]
[G#] [A#] [F#] [C#]
[G#] [A#m] [F#] [C#]
[G#] [A#m] [F#] Soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, [C#] soka, soka, [G#] so
[A#m] so
[F#] [G#]
[A#m] [F#] [C#]
[G#] [A#m] [F#] [C#]
[A#m] [F#] [C#]
[A#m] [F#] [C#]
[G#] [A#m] [F#] [C#]
[G#] [F#] [C#]
[G#] [F#] keep it
[C#]
[G#] [A#m] [F#] [C#]
[A#m] feel [F#] [C#]
[A#m] [F#] [C#]
[A#] the [F#] [C#]
[F#] unity
[A#] [F#] [C#]
[A#m] [F#]
[C#]
[G#] somebody
[A#m] keep [F#] [C#] it flying
[G#] we [A#m] need [F#] anything
[C#] so
[A#m] [F#] [C#]
so
[A#m] [C#] so
so [Fm] [A#m] so [F#] so [C#] so so so so
[A#m] [F#] [C#]
[A#m] [C#]
[Fm] [A#m] so
[F#] [C#]
[G#] [F#] so
[C#] [Fm] so so so [A#m] so so [F#] so [C#] so [G#] so
[G#m] [D#]
The purpose of Soka in
the 70s, as a matter of fact, is about anywhere around 69 to 70, but the purpose
was to bring the East Indian and the Africans in Trinidad together.
So there
was a combination of the two main rhythmic structures in Trinidad to create
a song that would be totally Trinidadian.
Let us call it a Dugla rhythm, so to speak.
[N]
[F#]
[C#]
[G#] [A#m] [F#] [C#]
[G#] [A#m] [F#] [C#]
[G#] [A#m] [F#] [C#]
[G#] [A#m] [F#] [C#]
[G#] [A#m] [F#] [C#]
[G#] [A#m] [F#] [C#]
[G#] [A#] [F#] [C#]
[G#] I'm gonna leave you [A#] for nothing [F#] all day [G#] long.
I'm gonna play it for [A#m] you, bing bong [F#] bong bong bong.
[C#] Bing bong [G#] bong bong bong.
[F] [D#]
[F#] [C#]
[G#] [A#m] [F#] [C#]
[Fm] [A#m] [F#] [C#]
[A#m] [F#] [C#]
[G#] [A#m] [C#]
[G#] [A#m] [C#]
[A#m] [F#] [C#]
Bing [A#m] bong bong bong bong bong.
[F#] [C#]
[A#] [F#] [C#]
[G#] [D#m] [C#]
[G#] [A#] [F#] [A#m]
[G#] [A#m] [F#] [A#m]
[G#] [A#] [F#] [C#]
[G#] [A#m] [F#] [C#]
[G#] [A#m] [F#] Soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, [C#] soka, soka, [G#] so
[A#m] so
[F#] [G#]
[A#m] [F#] [C#]
[G#] [A#m] [F#] [C#]
[A#m] [F#] [C#]
[A#m] [F#] [C#]
[G#] [A#m] [F#] [C#]
[G#] [F#] [C#]
[G#] [F#] keep it
[C#]
[G#] [A#m] [F#] [C#]
[A#m] feel [F#] [C#]
[A#m] [F#] [C#]
[A#] the [F#] [C#]
[F#] unity
[A#] [F#] [C#]
[A#m] [F#]
[C#]
[G#] somebody
[A#m] keep [F#] [C#] it flying
[G#] we [A#m] need [F#] anything
[C#] so
[A#m] [F#] [C#]
so
[A#m] [C#] so
so [Fm] [A#m] so [F#] so [C#] so so so so
[A#m] [F#] [C#]
[A#m] [C#]
[Fm] [A#m] so
[F#] [C#]
[G#] [F#] so
[C#] [Fm] so so so [A#m] so so [F#] so [C#] so [G#] so
[G#m] [D#]
Key:
F#
C#
A#m
G#
A#
F#
C#
A#m
Soka is a combination of East Indian and African rhythm.
The purpose of Soka in
the 70s, as a matter of fact, is about anywhere around 69 to 70, but the purpose
was to bring the East Indian and the Africans in Trinidad together.
So there
was a combination of the two main rhythmic structures in Trinidad to create
a song that would be totally Trinidadian.
Let us call it a Dugla rhythm, so to speak.
_ [N] _ _ _ _ _ _ _
_ _ _ _ _ [F#] _ _ _
_ _ _ _ _ _ [C#] _ _
[G#] _ _ [A#m] _ [F#] _ _ _ [C#] _ _
[G#] _ _ [A#m] _ _ [F#] _ _ [C#] _ _
[G#] _ _ [A#m] _ _ [F#] _ _ [C#] _ _
[G#] _ _ [A#m] _ _ [F#] _ _ [C#] _ _
[G#] _ _ [A#m] _ _ [F#] _ _ [C#] _ _
[G#] _ _ [A#m] _ _ [F#] _ _ [C#] _ _
[G#] _ _ [A#] _ _ [F#] _ _ [C#] _
[G#] I'm gonna leave you [A#] for nothing [F#] all day [G#] long.
I'm gonna play it for [A#m] you, bing bong [F#] bong bong bong.
[C#] Bing bong [G#] bong bong bong.
_ _ [F] _ _ _ [D#] _
_ _ [F#] _ _ _ _ [C#] _ _
[G#] _ _ [A#m] _ _ [F#] _ _ [C#] _ _
[Fm] _ _ [A#m] _ _ [F#] _ _ [C#] _ _
_ _ [A#m] _ _ [F#] _ _ [C#] _ _
[G#] _ _ [A#m] _ _ [C#] _ _ _ _
[G#] _ _ [A#m] _ _ [C#] _ _ _ _
_ _ [A#m] _ _ [F#] _ _ [C#] _
Bing [A#m] bong bong bong bong bong.
_ [F#] _ [C#] _ _ _
_ _ [A#] _ _ [F#] _ _ [C#] _ _
[G#] _ _ [D#m] _ _ _ _ [C#] _ _
[G#] _ _ [A#] _ _ [F#] _ _ [A#m] _ _
[G#] _ _ [A#m] _ _ [F#] _ _ [A#m] _ _
[G#] _ _ [A#] _ _ [F#] _ _ [C#] _ _
[G#] _ _ [A#m] _ _ [F#] _ _ [C#] _ _
[G#] _ _ [A#m] _ [F#] Soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, [C#] soka, soka, [G#] _ so
[A#m] _ _ _ _ _ _ _ so
[F#] _ _ [G#] _ _
_ _ [A#m] _ _ [F#] _ _ [C#] _ _
[G#] _ _ [A#m] _ _ [F#] _ _ [C#] _ _
_ _ [A#m] _ _ [F#] _ _ [C#] _ _
_ _ [A#m] _ _ [F#] _ _ [C#] _ _
[G#] _ _ [A#m] _ [F#] _ _ _ [C#] _ _
[G#] _ _ [F#] _ _ _ _ [C#] _ _
[G#] _ [F#] keep it
_ _ _ [C#] _ _
[G#] _ _ [A#m] _ _ [F#] _ _ [C#] _ _
_ [A#m] feel _ [F#] _ _ [C#] _ _
_ _ [A#m] _ _ [F#] _ _ [C#] _ _
_ _ [A#] the [F#] _ _ [C#] _ _
_ _ [F#] unity _ _ _ _
[A#] _ _ _ _ [F#] _ _ [C#] _ _
_ _ [A#m] _ _ [F#] _ _ _ _
_ _ _ _ _ _ [C#] _ _
[G#] somebody
[A#m] keep [F#] _ [C#] it flying
[G#] we [A#m] need _ [F#] anything
[C#] _ _ so
[A#m] _ _ [F#] _ _ _ [C#]
so
_ [A#m] _ [C#] so
_ so [Fm] _ [A#m] so [F#] so [C#] so so so so
_ [A#m] _ _ [F#] _ _ [C#] _ _
_ _ [A#m] _ _ [C#] _ _ _ _
[Fm] _ _ [A#m] so
[F#] _ _ [C#] _ _
[G#] _ _ [F#] _ _ so
[C#] _ [Fm] so so so [A#m] so so [F#] so [C#] so [G#] so _ _ _ _ _ _ _
[G#m] _ _ [D#] _ _ _ _ _ _
The purpose of Soka in
the 70s, as a matter of fact, is about anywhere around 69 to 70, but the purpose
was to bring the East Indian and the Africans in Trinidad together.
So there
was a combination of the two main rhythmic structures in Trinidad to create
a song that would be totally Trinidadian.
Let us call it a Dugla rhythm, so to speak.
_ [N] _ _ _ _ _ _ _
_ _ _ _ _ [F#] _ _ _
_ _ _ _ _ _ [C#] _ _
[G#] _ _ [A#m] _ [F#] _ _ _ [C#] _ _
[G#] _ _ [A#m] _ _ [F#] _ _ [C#] _ _
[G#] _ _ [A#m] _ _ [F#] _ _ [C#] _ _
[G#] _ _ [A#m] _ _ [F#] _ _ [C#] _ _
[G#] _ _ [A#m] _ _ [F#] _ _ [C#] _ _
[G#] _ _ [A#m] _ _ [F#] _ _ [C#] _ _
[G#] _ _ [A#] _ _ [F#] _ _ [C#] _
[G#] I'm gonna leave you [A#] for nothing [F#] all day [G#] long.
I'm gonna play it for [A#m] you, bing bong [F#] bong bong bong.
[C#] Bing bong [G#] bong bong bong.
_ _ [F] _ _ _ [D#] _
_ _ [F#] _ _ _ _ [C#] _ _
[G#] _ _ [A#m] _ _ [F#] _ _ [C#] _ _
[Fm] _ _ [A#m] _ _ [F#] _ _ [C#] _ _
_ _ [A#m] _ _ [F#] _ _ [C#] _ _
[G#] _ _ [A#m] _ _ [C#] _ _ _ _
[G#] _ _ [A#m] _ _ [C#] _ _ _ _
_ _ [A#m] _ _ [F#] _ _ [C#] _
Bing [A#m] bong bong bong bong bong.
_ [F#] _ [C#] _ _ _
_ _ [A#] _ _ [F#] _ _ [C#] _ _
[G#] _ _ [D#m] _ _ _ _ [C#] _ _
[G#] _ _ [A#] _ _ [F#] _ _ [A#m] _ _
[G#] _ _ [A#m] _ _ [F#] _ _ [A#m] _ _
[G#] _ _ [A#] _ _ [F#] _ _ [C#] _ _
[G#] _ _ [A#m] _ _ [F#] _ _ [C#] _ _
[G#] _ _ [A#m] _ [F#] Soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, soka, [C#] soka, soka, [G#] _ so
[A#m] _ _ _ _ _ _ _ so
[F#] _ _ [G#] _ _
_ _ [A#m] _ _ [F#] _ _ [C#] _ _
[G#] _ _ [A#m] _ _ [F#] _ _ [C#] _ _
_ _ [A#m] _ _ [F#] _ _ [C#] _ _
_ _ [A#m] _ _ [F#] _ _ [C#] _ _
[G#] _ _ [A#m] _ [F#] _ _ _ [C#] _ _
[G#] _ _ [F#] _ _ _ _ [C#] _ _
[G#] _ [F#] keep it
_ _ _ [C#] _ _
[G#] _ _ [A#m] _ _ [F#] _ _ [C#] _ _
_ [A#m] feel _ [F#] _ _ [C#] _ _
_ _ [A#m] _ _ [F#] _ _ [C#] _ _
_ _ [A#] the [F#] _ _ [C#] _ _
_ _ [F#] unity _ _ _ _
[A#] _ _ _ _ [F#] _ _ [C#] _ _
_ _ [A#m] _ _ [F#] _ _ _ _
_ _ _ _ _ _ [C#] _ _
[G#] somebody
[A#m] keep [F#] _ [C#] it flying
[G#] we [A#m] need _ [F#] anything
[C#] _ _ so
[A#m] _ _ [F#] _ _ _ [C#]
so
_ [A#m] _ [C#] so
_ so [Fm] _ [A#m] so [F#] so [C#] so so so so
_ [A#m] _ _ [F#] _ _ [C#] _ _
_ _ [A#m] _ _ [C#] _ _ _ _
[Fm] _ _ [A#m] so
[F#] _ _ [C#] _ _
[G#] _ _ [F#] _ _ so
[C#] _ [Fm] so so so [A#m] so so [F#] so [C#] so [G#] so _ _ _ _ _ _ _
[G#m] _ _ [D#] _ _ _ _ _ _