Chords for Move It On Over - George Thorogood & The Destroyers
Tempo:
73.55 bpm
Chords used:
G
D
C
A
Dm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[D] I'll have another slide tune in open.
[G]
[C] [G]
[D] [C]
[D] [G]
[D]
[C] [G]
[D] [A]
[G]
[C] [G]
[A]
[G]
[C] [G]
[D] [C]
[G] [D] [G]
[G]
[D] [C]
[G] [D] [G]
[C] [G]
[D] [G]
[D]
[Dm]
[C] [Dm]
[D] [C]
[G] [D] [Gm]
[A]
[C] [G]
[D] [C]
[G] [D] [G]
[C] I'll have another [G]
[D] [C]
[G] [D] [G]
[C] slide [G]
[D] [C] [G]
[D] [G]
[A]
[C] [A] [G]
[D] [C]
[G] tune in open.
[Gm] [A]
[C] [G]
[D] [G]
[D] [G]
[A]
[C] [G]
[D]
Hey, one thing to note on that, and this is true of a lot of George Thurgood slide
playing, which makes it, I think in some ways easier than some other slide players, but
he tends to, like on this one and Madison Shoes, Madison Blues, whatever that one's
called, a lot of his slide ones, if you watch and listen, he tends to just stay in the frets
that it's in.
So if he's in G, like this, he uses G a lot, pretend it's in tune, they're
new strings.
If he's in [A] G, he'll play up here at 12.
[N]
[Dm] [A]
Back up to G again, then to D.
[D] [C]
[A] [D]
So he does that [D] a lot.
So whatever [Db] chord it's going up to, [A] he'll just go into that fret
and do some licks in that fret.
Whereas, he does the same thing in Madison [Ab] Blues, which
I think is in open D, I think it is.
He does the same thing in that one if you listen to
that and watch him play, because there's live clips.
Whereas, someone like Dwayne [D] Allman would play this one very differently, probably.
For starters, he probably wouldn't use G.
But anyway, if Dwayne was doing it in G, Dwayne
would sort of park at the 12th fret to play in G, and his thumb wouldn't move from that
spot for probably the whole tune.
[F] Like on Statesboro [Fm] Blues, he would tune to, it's [Abm] in
D, so he'd tune to E, open E.
[E] Park at 10th fret.
He could do almost all the [Eb] soloing there.
The only thing he would really do different is, for parts of it he'd go an octave up.
So it's [D] the same, he'd do the same [Am] licks, [D] 10, he'd do them there, an octave up.
But
he wouldn't be switching around like George would do.
[A] He wouldn't be switching around
from fret to fret, [C] going with the chord changes.
He'd just sort of park in one spot.
So a lot of slide players play things very differently.
Jimmy Page is a totally different
[Ab] slide player.
Not very sophisticated in slide playing, but he tends more toward the George
Thorep side than the Dwayne Allman [Gb] side.
And Joe Walsh would sort of be more like Dwayne
Allman.
Don Felder would be more like Dwayne Allman.
So there's different ways to play
it, different ways to approach the whole slide
[G]
[C] [G]
[D] [C]
[D] [G]
[D]
[C] [G]
[D] [A]
[G]
[C] [G]
[A]
[G]
[C] [G]
[D] [C]
[G] [D] [G]
[G]
[D] [C]
[G] [D] [G]
[C] [G]
[D] [G]
[D]
[Dm]
[C] [Dm]
[D] [C]
[G] [D] [Gm]
[A]
[C] [G]
[D] [C]
[G] [D] [G]
[C] I'll have another [G]
[D] [C]
[G] [D] [G]
[C] slide [G]
[D] [C] [G]
[D] [G]
[A]
[C] [A] [G]
[D] [C]
[G] tune in open.
[Gm] [A]
[C] [G]
[D] [G]
[D] [G]
[A]
[C] [G]
[D]
Hey, one thing to note on that, and this is true of a lot of George Thurgood slide
playing, which makes it, I think in some ways easier than some other slide players, but
he tends to, like on this one and Madison Shoes, Madison Blues, whatever that one's
called, a lot of his slide ones, if you watch and listen, he tends to just stay in the frets
that it's in.
So if he's in G, like this, he uses G a lot, pretend it's in tune, they're
new strings.
If he's in [A] G, he'll play up here at 12.
[N]
[Dm] [A]
Back up to G again, then to D.
[D] [C]
[A] [D]
So he does that [D] a lot.
So whatever [Db] chord it's going up to, [A] he'll just go into that fret
and do some licks in that fret.
Whereas, he does the same thing in Madison [Ab] Blues, which
I think is in open D, I think it is.
He does the same thing in that one if you listen to
that and watch him play, because there's live clips.
Whereas, someone like Dwayne [D] Allman would play this one very differently, probably.
For starters, he probably wouldn't use G.
But anyway, if Dwayne was doing it in G, Dwayne
would sort of park at the 12th fret to play in G, and his thumb wouldn't move from that
spot for probably the whole tune.
[F] Like on Statesboro [Fm] Blues, he would tune to, it's [Abm] in
D, so he'd tune to E, open E.
[E] Park at 10th fret.
He could do almost all the [Eb] soloing there.
The only thing he would really do different is, for parts of it he'd go an octave up.
So it's [D] the same, he'd do the same [Am] licks, [D] 10, he'd do them there, an octave up.
But
he wouldn't be switching around like George would do.
[A] He wouldn't be switching around
from fret to fret, [C] going with the chord changes.
He'd just sort of park in one spot.
So a lot of slide players play things very differently.
Jimmy Page is a totally different
[Ab] slide player.
Not very sophisticated in slide playing, but he tends more toward the George
Thorep side than the Dwayne Allman [Gb] side.
And Joe Walsh would sort of be more like Dwayne
Allman.
Don Felder would be more like Dwayne Allman.
So there's different ways to play
it, different ways to approach the whole slide
Key:
G
D
C
A
Dm
G
D
C
_ _ _ [D] _ I'll have another slide tune in open.
[G] _ _ _ _
_ _ _ _ _ _
_ _ [C] _ _ [G] _ _
_ _ [D] _ _ [C] _ _
[D] _ [G] _ _ _ _ _
_ _ _ [D] _ _ _
[C] _ _ _ _ [G] _ _
_ _ [D] _ _ [A] _ _
_ _ _ _ [G] _ _
_ _ _ _ _ _
[C] _ _ _ _ [G] _ _
_ _ [A] _ _ _ _
_ _ _ _ [G] _ _
_ _ _ _ _ _
[C] _ _ [G] _ _ _ _
_ _ [D] _ _ [C] _ _
[G] _ _ [D] _ _ _ [G] _
_ [G] _ _ _ _ _
_ _ _ _ _ _
_ _ [D] _ _ [C] _ _
[G] _ _ [D] _ _ [G] _ _
_ _ _ _ _ _
[C] _ _ _ _ [G] _ _
_ _ [D] _ _ [G] _ _
_ _ [D] _ _ _ _
_ _ _ [Dm] _ _ _
[C] _ _ _ _ [Dm] _ _
_ _ [D] _ _ [C] _ _
[G] _ _ [D] _ _ [Gm] _ _
_ _ _ [A] _ _ _
[C] _ _ _ _ [G] _ _
_ _ [D] _ _ [C] _ _
[G] _ _ [D] _ _ [G] _ _
_ _ _ _ _ _
[C] I'll have another _ _ [G] _ _
_ _ [D] _ _ [C] _ _
[G] _ _ [D] _ _ [G] _ _
_ _ _ _ _ _
[C] _ _ slide [G] _ _
_ _ [D] _ _ [C] _ [G] _
_ _ [D] _ _ [G] _ _
_ _ _ _ [A] _ _
[C] _ _ [A] _ _ _ [G] _
_ _ [D] _ _ [C] _ _
[G] _ tune in open. _ _ _
_ _ _ _ [Gm] _ [A] _
_ [C] _ _ _ [G] _ _
_ _ [D] _ _ [G] _ _
_ _ [D] _ _ [G] _ _
_ _ _ _ _ [A] _
_ _ [C] _ _ [G] _ _
_ _ _ _ _ _
_ _ _ _ _ [D] _
_ _ _ _ Hey, one thing to note on that, and this is true of a lot of _ George Thurgood slide
playing, which makes it, I think in some ways easier than some other slide players, but
he tends to, like on this one and Madison Shoes, Madison Blues, whatever that one's
called, a lot of his slide ones, if you watch and listen, he tends to just stay in the frets
that it's in.
So if he's in G, like this, he uses G a lot, _ _ _ _ _ _ pretend it's in tune, they're
new strings.
If he's in [A] G, he'll play up here at 12. _ _ _
_ _ _ _ [N] _ _
[Dm] _ _ _ [A] _ _ _
_ Back up to G again, then to D.
[D] _ [C] _
_ [A] _ _ _ [D] _
So he does that [D] a lot.
So whatever [Db] chord it's going up to, [A] he'll just go into that fret
and do some licks in that fret.
Whereas, he does the same thing in Madison [Ab] Blues, which
I think is in open D, I think it is.
He does the same thing in that one if you listen to
that and watch him play, because there's live clips.
Whereas, someone like Dwayne [D] Allman would play this one very differently, probably.
For starters, he probably wouldn't use G.
But anyway, if Dwayne was doing it in G, Dwayne
would sort of park at the 12th fret to play in G, and his thumb wouldn't move from that
spot for probably the whole tune. _
[F] Like on Statesboro [Fm] Blues, he would tune to, it's [Abm] in
D, so he'd tune to E, open E.
[E] Park at 10th fret.
He could do almost all the [Eb] soloing there.
The only thing he would really do different is, for parts of it he'd go an octave up.
So it's [D] the same, he'd do the same [Am] licks, [D] 10, he'd do them there, an octave up.
But
he wouldn't be switching around like George would do.
[A] He wouldn't be switching around
from fret to fret, [C] going with the chord changes.
He'd just sort of park in one spot.
So a lot of slide players play things very differently.
Jimmy Page is a totally different
[Ab] slide player.
Not very sophisticated in slide playing, but he tends more toward the George
Thorep side than the Dwayne Allman [Gb] side.
And Joe Walsh would sort of be more like Dwayne
Allman.
Don Felder would be more like Dwayne Allman.
So there's different ways to play
it, different ways to approach the whole slide
[G] _ _ _ _
_ _ _ _ _ _
_ _ [C] _ _ [G] _ _
_ _ [D] _ _ [C] _ _
[D] _ [G] _ _ _ _ _
_ _ _ [D] _ _ _
[C] _ _ _ _ [G] _ _
_ _ [D] _ _ [A] _ _
_ _ _ _ [G] _ _
_ _ _ _ _ _
[C] _ _ _ _ [G] _ _
_ _ [A] _ _ _ _
_ _ _ _ [G] _ _
_ _ _ _ _ _
[C] _ _ [G] _ _ _ _
_ _ [D] _ _ [C] _ _
[G] _ _ [D] _ _ _ [G] _
_ [G] _ _ _ _ _
_ _ _ _ _ _
_ _ [D] _ _ [C] _ _
[G] _ _ [D] _ _ [G] _ _
_ _ _ _ _ _
[C] _ _ _ _ [G] _ _
_ _ [D] _ _ [G] _ _
_ _ [D] _ _ _ _
_ _ _ [Dm] _ _ _
[C] _ _ _ _ [Dm] _ _
_ _ [D] _ _ [C] _ _
[G] _ _ [D] _ _ [Gm] _ _
_ _ _ [A] _ _ _
[C] _ _ _ _ [G] _ _
_ _ [D] _ _ [C] _ _
[G] _ _ [D] _ _ [G] _ _
_ _ _ _ _ _
[C] I'll have another _ _ [G] _ _
_ _ [D] _ _ [C] _ _
[G] _ _ [D] _ _ [G] _ _
_ _ _ _ _ _
[C] _ _ slide [G] _ _
_ _ [D] _ _ [C] _ [G] _
_ _ [D] _ _ [G] _ _
_ _ _ _ [A] _ _
[C] _ _ [A] _ _ _ [G] _
_ _ [D] _ _ [C] _ _
[G] _ tune in open. _ _ _
_ _ _ _ [Gm] _ [A] _
_ [C] _ _ _ [G] _ _
_ _ [D] _ _ [G] _ _
_ _ [D] _ _ [G] _ _
_ _ _ _ _ [A] _
_ _ [C] _ _ [G] _ _
_ _ _ _ _ _
_ _ _ _ _ [D] _
_ _ _ _ Hey, one thing to note on that, and this is true of a lot of _ George Thurgood slide
playing, which makes it, I think in some ways easier than some other slide players, but
he tends to, like on this one and Madison Shoes, Madison Blues, whatever that one's
called, a lot of his slide ones, if you watch and listen, he tends to just stay in the frets
that it's in.
So if he's in G, like this, he uses G a lot, _ _ _ _ _ _ pretend it's in tune, they're
new strings.
If he's in [A] G, he'll play up here at 12. _ _ _
_ _ _ _ [N] _ _
[Dm] _ _ _ [A] _ _ _
_ Back up to G again, then to D.
[D] _ [C] _
_ [A] _ _ _ [D] _
So he does that [D] a lot.
So whatever [Db] chord it's going up to, [A] he'll just go into that fret
and do some licks in that fret.
Whereas, he does the same thing in Madison [Ab] Blues, which
I think is in open D, I think it is.
He does the same thing in that one if you listen to
that and watch him play, because there's live clips.
Whereas, someone like Dwayne [D] Allman would play this one very differently, probably.
For starters, he probably wouldn't use G.
But anyway, if Dwayne was doing it in G, Dwayne
would sort of park at the 12th fret to play in G, and his thumb wouldn't move from that
spot for probably the whole tune. _
[F] Like on Statesboro [Fm] Blues, he would tune to, it's [Abm] in
D, so he'd tune to E, open E.
[E] Park at 10th fret.
He could do almost all the [Eb] soloing there.
The only thing he would really do different is, for parts of it he'd go an octave up.
So it's [D] the same, he'd do the same [Am] licks, [D] 10, he'd do them there, an octave up.
But
he wouldn't be switching around like George would do.
[A] He wouldn't be switching around
from fret to fret, [C] going with the chord changes.
He'd just sort of park in one spot.
So a lot of slide players play things very differently.
Jimmy Page is a totally different
[Ab] slide player.
Not very sophisticated in slide playing, but he tends more toward the George
Thorep side than the Dwayne Allman [Gb] side.
And Joe Walsh would sort of be more like Dwayne
Allman.
Don Felder would be more like Dwayne Allman.
So there's different ways to play
it, different ways to approach the whole slide