Chords for Molly Johnson - Meaning To Tell Ya: EPK
Tempo:
72.8 bpm
Chords used:
C
Am
Bb
F
A
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[A]
[Am] Molly has a voice [Eb] that is who [Am] she is as a person.
Molly's voice has the kind of character [A] that when you hear it, you hear who [E] she is and you hear her [C] history,
you hear [A] what she's done, where she's [Am] been, and that's what I'm drawn to in her voice.
Rockets, moonshots, [D] [Am] spend it all, the half nights, Monday, we make it, for we see it, you take it, [D] oh.
When I heard her voice, I immediately said, oh, this is Molly.
I haven't really had a producer-producer [Am] in about four albums.
The records [G] have been produced in [Gb]-house, so to speak, by [B] band members, by us, really.
[C] The world still spins around and around, spinning like a clock, [Bb] still waiting for the clock,
all the confusion still burning bright, old house standing, the [Ab] kids are all out.
The first thing for me always is [Abm] to find out where the artists I'm working [D] with, where their life [F] is at, what they're going through.
With [G] Molly, it was the same thing.
One of the first things Larry [Cm] Klein said to me when he met me was, where [F] have you been?
I've heard about you, but where have you been?
[G] Change, change, and [C] that ain't easy.
We need [Cm] to talk about love, [Gm] love, let's talk [F] about real love, love,
cause everybody [G] needs love, love, [C] sweet, sweet, L-O-V [N]-E, love.
[Bb] [E]
[Bb] [C] She writes the perfect kind of lyrics for [Em] herself to [C] sing.
So when these things come through her voice, it works, and it sounds genuine and true and honest.
Living all your days in darkness, let the sun shine through.
[Am] [F] Ever feel that somehow, somewhere, you lost your way?
[Bb] And if you don't get help quick, you won't [C] make it through the day.
We talked about making a record [Gm] that's sort of [Fm] an odd [Ab]
dream of a [Gm] solo record.
You should call on the trunk, old train now, cause they'll, [Fm] they'll watch your troubles, your trouble, [Eb] your troubles.
What I'm trying to tell you is, [A] reminding you [Bb] that you're strong enough and you're brave enough,
and you don't [C] have to wait out in the [Bb] cold, and you just step into the room and own it.
Plastic people with plastic minds.
And you know you got it.
You see Larry's face light up.
[C] We got it.
It's in the bag.
All good.
And just on and on and on and on and [F] on, it's all because they're so afraid to say
[Am] Molly has a voice [Eb] that is who [Am] she is as a person.
Molly's voice has the kind of character [A] that when you hear it, you hear who [E] she is and you hear her [C] history,
you hear [A] what she's done, where she's [Am] been, and that's what I'm drawn to in her voice.
Rockets, moonshots, [D] [Am] spend it all, the half nights, Monday, we make it, for we see it, you take it, [D] oh.
When I heard her voice, I immediately said, oh, this is Molly.
I haven't really had a producer-producer [Am] in about four albums.
The records [G] have been produced in [Gb]-house, so to speak, by [B] band members, by us, really.
[C] The world still spins around and around, spinning like a clock, [Bb] still waiting for the clock,
all the confusion still burning bright, old house standing, the [Ab] kids are all out.
The first thing for me always is [Abm] to find out where the artists I'm working [D] with, where their life [F] is at, what they're going through.
With [G] Molly, it was the same thing.
One of the first things Larry [Cm] Klein said to me when he met me was, where [F] have you been?
I've heard about you, but where have you been?
[G] Change, change, and [C] that ain't easy.
We need [Cm] to talk about love, [Gm] love, let's talk [F] about real love, love,
cause everybody [G] needs love, love, [C] sweet, sweet, L-O-V [N]-E, love.
[Bb] [E]
[Bb] [C] She writes the perfect kind of lyrics for [Em] herself to [C] sing.
So when these things come through her voice, it works, and it sounds genuine and true and honest.
Living all your days in darkness, let the sun shine through.
[Am] [F] Ever feel that somehow, somewhere, you lost your way?
[Bb] And if you don't get help quick, you won't [C] make it through the day.
We talked about making a record [Gm] that's sort of [Fm] an odd [Ab]
dream of a [Gm] solo record.
You should call on the trunk, old train now, cause they'll, [Fm] they'll watch your troubles, your trouble, [Eb] your troubles.
What I'm trying to tell you is, [A] reminding you [Bb] that you're strong enough and you're brave enough,
and you don't [C] have to wait out in the [Bb] cold, and you just step into the room and own it.
Plastic people with plastic minds.
And you know you got it.
You see Larry's face light up.
[C] We got it.
It's in the bag.
All good.
And just on and on and on and on and [F] on, it's all because they're so afraid to say
Key:
C
Am
Bb
F
A
C
Am
Bb
_ _ _ _ [A] _ _ _ _
_ _ [Am] _ Molly has a voice [Eb] that is who [Am] she is as a person.
Molly's voice has the kind of character [A] that when you hear it, you hear who [E] she is and you hear her [C] history,
you hear [A] what she's done, where she's [Am] been, and that's what I'm drawn to in her voice.
Rockets, moonshots, [D] _ [Am] spend it all, the half nights, _ Monday, we make it, for we see it, you take it, [D] oh.
When I heard her voice, I immediately said, oh, this is Molly.
_ I haven't really had a producer-producer [Am] in about four albums.
The records [G] have been produced in [Gb]-house, so to speak, by [B] band members, by us, really.
[C] The world still spins around and around, spinning like a clock, [Bb] still waiting for the clock,
all the confusion still burning bright, old house standing, the [Ab] kids are all out.
The first thing for me always is [Abm] to find out where the artists I'm working [D] with, where their life [F] is at, what they're going through.
With [G] Molly, it was the same thing.
One of the first things Larry [Cm] Klein said to me when he met me was, where [F] have you been?
I've heard about you, but where have you been?
[G] Change, change, and [C] that ain't easy.
We need [Cm] to talk about love, [Gm] love, let's talk [F] about real love, love,
cause everybody [G] needs love, love, [C] sweet, sweet, L-O-V [N]-E, love.
[Bb] _ _ [E] _
_ [Bb] _ _ _ [C] _ She writes the perfect kind of lyrics for [Em] herself to [C] sing.
So when these things come through her voice, it works, and it sounds genuine and true and honest.
Living all your days in darkness, let the sun shine through.
[Am] _ [F] Ever feel that somehow, somewhere, you lost your way?
_ [Bb] And if you don't get help quick, you won't [C] make it through the day.
We talked about making a record [Gm] that's sort of _ [Fm] an odd [Ab]
dream of a [Gm] solo record.
You should call on the trunk, old train now, cause they'll, [Fm] they'll watch your troubles, your trouble, [Eb] your troubles.
What I'm trying to tell you is, [A] reminding you [Bb] that you're strong enough and you're brave enough,
and you don't [C] have to wait out in the [Bb] cold, and you just step into the room and own it.
Plastic people with plastic minds.
And you know you got it.
You see Larry's face light up.
[C] We got it.
It's in the bag.
All good.
And just on and on and on and on and [F] on, it's all because they're so afraid to say
_ _ [Am] _ Molly has a voice [Eb] that is who [Am] she is as a person.
Molly's voice has the kind of character [A] that when you hear it, you hear who [E] she is and you hear her [C] history,
you hear [A] what she's done, where she's [Am] been, and that's what I'm drawn to in her voice.
Rockets, moonshots, [D] _ [Am] spend it all, the half nights, _ Monday, we make it, for we see it, you take it, [D] oh.
When I heard her voice, I immediately said, oh, this is Molly.
_ I haven't really had a producer-producer [Am] in about four albums.
The records [G] have been produced in [Gb]-house, so to speak, by [B] band members, by us, really.
[C] The world still spins around and around, spinning like a clock, [Bb] still waiting for the clock,
all the confusion still burning bright, old house standing, the [Ab] kids are all out.
The first thing for me always is [Abm] to find out where the artists I'm working [D] with, where their life [F] is at, what they're going through.
With [G] Molly, it was the same thing.
One of the first things Larry [Cm] Klein said to me when he met me was, where [F] have you been?
I've heard about you, but where have you been?
[G] Change, change, and [C] that ain't easy.
We need [Cm] to talk about love, [Gm] love, let's talk [F] about real love, love,
cause everybody [G] needs love, love, [C] sweet, sweet, L-O-V [N]-E, love.
[Bb] _ _ [E] _
_ [Bb] _ _ _ [C] _ She writes the perfect kind of lyrics for [Em] herself to [C] sing.
So when these things come through her voice, it works, and it sounds genuine and true and honest.
Living all your days in darkness, let the sun shine through.
[Am] _ [F] Ever feel that somehow, somewhere, you lost your way?
_ [Bb] And if you don't get help quick, you won't [C] make it through the day.
We talked about making a record [Gm] that's sort of _ [Fm] an odd [Ab]
dream of a [Gm] solo record.
You should call on the trunk, old train now, cause they'll, [Fm] they'll watch your troubles, your trouble, [Eb] your troubles.
What I'm trying to tell you is, [A] reminding you [Bb] that you're strong enough and you're brave enough,
and you don't [C] have to wait out in the [Bb] cold, and you just step into the room and own it.
Plastic people with plastic minds.
And you know you got it.
You see Larry's face light up.
[C] We got it.
It's in the bag.
All good.
And just on and on and on and on and [F] on, it's all because they're so afraid to say