Chords for MK Tour '08 Documentary - Mr. Saggers in Kettering

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_ [G] _ _ [D] _ _ [A] _ [Em] _ [D] _
_ [F] _ _ [G] _ [A] So [C#] Glen, why are we under [F#m] a tent today?
[F] We can take a look at the floor.
_ [D] _ And then we'll go and have a look at the rooms.
Don't look up too high. _ _ _ _ _
[B] Is _ _ [N] it bats? _ _
_ _ Midgets?
Flying midgets.
As [D] you can see, we've got [G] the Reinhardt.
[A] This is the new one.
Oh [G] yeah.
So, [A] you know, in theory it's meant to help [D]
buzzes and stuff.
These are [G] the Broadhurst Guard.
Three amps?
Three amps, yeah.
It's mainly because we run these line level effects.
[C] _ [Dm] So we have to come in at high [G] input, which is straight from the guitar.
_ [C] And then [D] take the level up to go through these.
[A] Come [D] out there and [G] into the amps at normal guitar level.
[D] And you've [C#] got_
[G] It's an overall gain.
_ Insert and mute.
Insert one, insert [Dm] two, three, four.
[Cm] And the basic [G] delays and a few couple of reverbs.
But we don't use the reverbs now.
No.
[C] [D] Because it's better [G] to use the [E] reverb [Am] out front.
Dave does a great job.
_ [E] I have to say that, [A#] don't you?
I like Dave.
_ [C] _ _ _ _ _ [Dm] _ _
_ [A#] _ _ _ _ _ _ _
_ [N] _ _ _ [C] _ _ _ _
_ _ _ _ _ _ [D] The Tone King, we [G] use this effect on and also a regular pedal,
[F] depending on what kind of [D] sound we want [G] to get.
It has more [A] jangle to it.
[Am] This one adds _ [G#] [D] a bit more top end to [G] everything.
[N] Right, Glenn, so tell us about these guitars.
[Em] What's the one on the end?
That's marvelous.
[A] Schecter Telecaster.
_ _ _ [D] I use that [C] for Cannibals _ _ [Cm] and_
[A] No, yeah, the Boyd UK.
Oh, Walk of [Em] Life.
Walk of Life, there you go.
[E] [N] That's Walk of Life and_ Okay.
_ That one there, the next one in.
It's the red_
It's the first one.
Yeah, that's [C#] the first one.
It's not the prototype, it's the first one.
What's the serial number on that one?
Five zeros.
[D] That's the first one, basically.
_ [D#] _ That's it. _ _
It's [C#] what it is in Philadelphia.
[A] And then we've got_
What have we got there, 58?
That's the 59.
So that's 59, [Bm] and [A] it's used for_
Sonny Liston _ [D] and_
Y.O.A. Man, Mon.
_ [B] Okay, and then we've got the 58 in the zero bit.
The 58, which is for Speedway,
the _ Fathers_ _ [A] Brothers.
[D] The new national.
[A] Stonewash National.
Yeah, the new one.
Sounds completely different to the old one.
_ It's a lot heavier.
_ _ Okay.
Doesn't quite have the character of that one.
That's the old baby.
That's the old girl.
_ [E] Then_ [A] Acoustics?
Well, the Rakepicker, this one_ _
We use for Marble Town.
[G] Next we have_
Another signature strat?
This _ one's_
[D] _ _
Hans_
[D#] Oh, [A] that's the last one.
Yeah, that's the [Gm] one.
We use this one, mainly because [C] we had a_
If you remember, we had a huge [Dm] problem in Germany
with RF pickup [G] and stuff like that.
So has that got different pickups in it?
No, it's got [C] the same pickups in it as this one.
[D] But we had the [E] 54 in Germany,
and [A] you can't split the [G] coils,
you can't go in between the pickups.
You see?
[C] _ So it's only a three-way switch.
[D] _ And so we were picking up tons of [C#m] RF,
whereas, [D] if you remember,
we had [G] to re [C]-do this from a fixed town
[D] to a floating trem with high-gauge strings on it
in about an hour and a [G] half, or an hour.
Oh, yeah, I remember that.
And that's why [C] that's like that,
and that's our second guitar.
So that's [D] been like that ever since you did it?
Since that day in [G] Berlin.
Berlin, OK.
Obviously that [C] comes with that same one.
This is the 54?
Yeah, [D] that's the 54th strat.
54?
[G] We use So Far Away and Shangri-La when we do it.
So Far Away [C] and Shangri-La?
And this [D] one is_
Third signature strat?
Yeah, but this is Glenn Wolf's.
[G] OK, that's Glenn's.
Glenn's length is this one.
I don't know if the [C] colour's slightly different.
Yeah, it is.
_ [D] That's right.
But this is Glenn's one, because it's, [G] again,
it's a different gauge string on.
OK, what does Mike use that [C] on?
That's Sultan's [D] and the end of Brothers.
So [G] has that got nines on?
That's got nines on, yeah.
That's [C] Sultan's and the [D] back half of Romeo.
_ OK, that's with the nines.
Yeah, we [G] have_ The tensor?
Yeah, telegraph.
That's telegraph only?
Yeah.
I don't know if you can still see it there, [D#m] 96.
[G] _ _ [Em] So that was his first [D] solo tour.
[F] _ [Gm] And _ [Am] then we have [D] Guy's Loner.
[Dm] Oh, this is mine, [G] yeah.
See?
With the high string?
Yeah, [A] the high [G] string.
Is that a 66?
Low D66, yeah.
[A] 66? _
It's a great guitar.
That's you for Y.I., man.
[Am] And there you have a quick walkthrough.
Thank you, Glenn.
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