Chords for MILLWORKER by Bruce Springsteen
Tempo:
78.675 bpm
Chords used:
E
A
D
F#m
C#m
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
I guess I'm not going to be announced because I think I'm supposed to be a surprise.
I personally am surprised.
I thought this was going to be a very small dinner and I was the only [A] one playing.
[E] I tend to be a bit on the reclusive side.
[A] But the [E] night is kind of filled with resonance.
I'm glad to be here with James.
Also, the first gig I ever had after I made an album was opening in Pennsylvania for Cheech and Chong.
[A] [E] I'm glad to be here tonight for James.
James to me was always an authentic Southern voice.
[A] I guess [E] you grew up in Massachusetts but you were born in Carolina, [A] am I right?
[D] The other way around?
[A] Thank God that makes sense [E] with my story here because there was always something deeply
Southern in James' voice.
One night we played in New York and he sang The River and he just did such a beautiful
thing with it.
Besides being an incredible songwriter and musician, he's also the star of one of my
all-time favorite films, Tulane Blacktop.
Was that the only one?
There was never another one?
That was it?
That was a good one though.
That was a good one to choose.
[A] If you haven't seen [E] Tulane Blacktop, see Tulane Blacktop.
He's fabulous.
All right.
This is Millworker.
My
[A] [E]
grandfather was a sailor.
He blew [A] in out the water.
[E] My father was a farmer [C#m] and I his [D] only daughter.
[E] I took up with no good [A] millworkin'.
A man from Massachusetts [E] who dies from too much whiskey [A] and leaves me [D] these three faces [E] to feed.
Millworkin' ain't [A] easy.
Millworkin' ain't hard.
[E] Millworkin' ain't nothin' [A] but a boredin' fuckin' [D] job.
[A] [E] I'm waitin' on my [D] daydream to take me [A] through the morning [E] and put me in my coffee [C#m] break
where I can [D] eat my sandwich [A] [E] and remember that it's me and my [A] machine for the rest of the
morning [Am] and the rest of the [E] afternoon and the rest of my life.
[A]
[E] Now my mind begins to wander of the days back [A] on the farm.
[E] I can see my daddy smilin'.
I can [A] feel myself swingin' [D] on his arm.
[E] I hear my grandpop's stories of the [A] storms out on Lake Erie [E] where vessels and cargos
and fortunes and the lives of young sailors were lost.
Yeah, but it's me.
My life's been wasted and I have been the fool to let this manufacturer [A] use my body
[D] for a tool.
[C#m] [E] I'll ride home in the evening [A] starin' at my hands
[E] swearin' to my sorrow [A] [F#m] that a young [E] girl [D] oughta [G#] stand [D] a [E] better chance.
[F#m]
[D] [F#m]
[D] So [E]
I may work your mills just [A] as long as I am able.
[E] Though I'll never [F#m] meet the man whose name is [D] on the label.
[A] [E]
[A] Still it's me and my machine for the rest of the morning, [Am] for the rest of the [E] afternoon
and on and on for the rest of my life.
[A] [E] [Em] [N]
I personally am surprised.
I thought this was going to be a very small dinner and I was the only [A] one playing.
[E] I tend to be a bit on the reclusive side.
[A] But the [E] night is kind of filled with resonance.
I'm glad to be here with James.
Also, the first gig I ever had after I made an album was opening in Pennsylvania for Cheech and Chong.
[A] [E] I'm glad to be here tonight for James.
James to me was always an authentic Southern voice.
[A] I guess [E] you grew up in Massachusetts but you were born in Carolina, [A] am I right?
[D] The other way around?
[A] Thank God that makes sense [E] with my story here because there was always something deeply
Southern in James' voice.
One night we played in New York and he sang The River and he just did such a beautiful
thing with it.
Besides being an incredible songwriter and musician, he's also the star of one of my
all-time favorite films, Tulane Blacktop.
Was that the only one?
There was never another one?
That was it?
That was a good one though.
That was a good one to choose.
[A] If you haven't seen [E] Tulane Blacktop, see Tulane Blacktop.
He's fabulous.
All right.
This is Millworker.
My
[A] [E]
grandfather was a sailor.
He blew [A] in out the water.
[E] My father was a farmer [C#m] and I his [D] only daughter.
[E] I took up with no good [A] millworkin'.
A man from Massachusetts [E] who dies from too much whiskey [A] and leaves me [D] these three faces [E] to feed.
Millworkin' ain't [A] easy.
Millworkin' ain't hard.
[E] Millworkin' ain't nothin' [A] but a boredin' fuckin' [D] job.
[A] [E] I'm waitin' on my [D] daydream to take me [A] through the morning [E] and put me in my coffee [C#m] break
where I can [D] eat my sandwich [A] [E] and remember that it's me and my [A] machine for the rest of the
morning [Am] and the rest of the [E] afternoon and the rest of my life.
[A]
[E] Now my mind begins to wander of the days back [A] on the farm.
[E] I can see my daddy smilin'.
I can [A] feel myself swingin' [D] on his arm.
[E] I hear my grandpop's stories of the [A] storms out on Lake Erie [E] where vessels and cargos
and fortunes and the lives of young sailors were lost.
Yeah, but it's me.
My life's been wasted and I have been the fool to let this manufacturer [A] use my body
[D] for a tool.
[C#m] [E] I'll ride home in the evening [A] starin' at my hands
[E] swearin' to my sorrow [A] [F#m] that a young [E] girl [D] oughta [G#] stand [D] a [E] better chance.
[F#m]
[D] [F#m]
[D] So [E]
I may work your mills just [A] as long as I am able.
[E] Though I'll never [F#m] meet the man whose name is [D] on the label.
[A] [E]
[A] Still it's me and my machine for the rest of the morning, [Am] for the rest of the [E] afternoon
and on and on for the rest of my life.
[A] [E] [Em] [N]
Key:
E
A
D
F#m
C#m
E
A
D
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ I guess I'm not going to be announced because I think I'm supposed to be a surprise.
I _ personally am surprised.
I thought this was going to be a very small dinner and I was the only [A] one playing.
[E] _ _ I tend to be a bit on the reclusive side.
_ [A] But the [E] night is kind of filled with resonance.
I'm glad to be here with James.
Also, the first gig I ever had after I made an album was opening in Pennsylvania for Cheech and Chong.
_ [A] _ _ [E] I'm glad to be here tonight for James.
James to me was always an authentic Southern voice.
[A] I guess [E] you grew up in Massachusetts but you were born in Carolina, [A] am I right?
[D] The other way around?
[A] Thank God that makes sense [E] with my story here because there was always something deeply
Southern in James' voice.
One night we played in New York and he sang The River and _ he just did such a beautiful
thing with it.
Besides being an incredible songwriter and musician, he's also the star of one of my
all-time favorite films, Tulane Blacktop. _ _ _
Was that the only one?
There was never another one?
That was it?
That was a good one though.
That was a good one to choose.
_ [A] If you haven't seen [E] Tulane Blacktop, see Tulane Blacktop.
He's fabulous.
All _ right.
This is Millworker.
_ _ _ My _
_ _ [A] _ _ _ _ [E] _ _
_ _ _ _ _ _ _ _
_ _ _ grandfather was a sailor.
He blew [A] in out the water.
[E] My father was a farmer [C#m] and I his [D] only daughter.
_ _ [E] I took up with no good [A] millworkin'.
A man from Massachusetts [E] who dies from too much whiskey [A] and leaves me [D] these three faces [E] to feed.
_ _ _ Millworkin' ain't [A] easy.
Millworkin' ain't hard.
[E] _ Millworkin' ain't nothin' [A] but a boredin' fuckin' [D] job.
[A] [E] I'm waitin' on my [D] daydream to take me [A] through the morning [E] and put me in my coffee [C#m] break
where I can [D] eat my sandwich _ [A] [E] and remember that _ it's me and my [A] machine for the rest of the
morning [Am] and the rest of the [E] afternoon and the rest of my life.
_ _ _ _ _ [A] _ _
[E] _ _ _ Now my mind begins to wander of the days back [A] on the farm.
[E] I can see my daddy _ smilin'.
I can [A] feel myself swingin' [D] on his arm.
[E] I hear my grandpop's stories of the [A] storms out on Lake Erie [E] where vessels and cargos
and fortunes and the lives of young sailors were lost. _
_ _ Yeah, but it's me.
My life's been wasted and I have been the fool to let this manufacturer [A] use my body
[D] for a tool.
[C#m] [E] I'll ride home in the evening _ [A] starin' at my hands
[E] swearin' to my sorrow [A] [F#m] that a young [E] girl [D] oughta [G#] stand [D] a [E] better _ _ _ chance.
[F#m] _ _ _
_ _ [D] _ _ _ [F#m] _ _ _
_ _ _ _ _ _ _ _
_ _ _ [D] So _ [E] _ _
_ _ _ _ _ _ _
I may work your mills just [A] as long as I am able.
_ [E] Though I'll never [F#m] meet the man whose name is [D] on the label.
[A] _ _ [E] _ _ _ _
_ _ _ [A] Still it's me and my machine for the rest of the morning, [Am] for the rest of the [E] afternoon
_ and on and on for the rest of my life.
_ _ [A] _ _ _ [E] _ _ _ _ _ _ _ _ _ _
_ _ [Em] _ _ [N] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ I guess I'm not going to be announced because I think I'm supposed to be a surprise.
I _ personally am surprised.
I thought this was going to be a very small dinner and I was the only [A] one playing.
[E] _ _ I tend to be a bit on the reclusive side.
_ [A] But the [E] night is kind of filled with resonance.
I'm glad to be here with James.
Also, the first gig I ever had after I made an album was opening in Pennsylvania for Cheech and Chong.
_ [A] _ _ [E] I'm glad to be here tonight for James.
James to me was always an authentic Southern voice.
[A] I guess [E] you grew up in Massachusetts but you were born in Carolina, [A] am I right?
[D] The other way around?
[A] Thank God that makes sense [E] with my story here because there was always something deeply
Southern in James' voice.
One night we played in New York and he sang The River and _ he just did such a beautiful
thing with it.
Besides being an incredible songwriter and musician, he's also the star of one of my
all-time favorite films, Tulane Blacktop. _ _ _
Was that the only one?
There was never another one?
That was it?
That was a good one though.
That was a good one to choose.
_ [A] If you haven't seen [E] Tulane Blacktop, see Tulane Blacktop.
He's fabulous.
All _ right.
This is Millworker.
_ _ _ My _
_ _ [A] _ _ _ _ [E] _ _
_ _ _ _ _ _ _ _
_ _ _ grandfather was a sailor.
He blew [A] in out the water.
[E] My father was a farmer [C#m] and I his [D] only daughter.
_ _ [E] I took up with no good [A] millworkin'.
A man from Massachusetts [E] who dies from too much whiskey [A] and leaves me [D] these three faces [E] to feed.
_ _ _ Millworkin' ain't [A] easy.
Millworkin' ain't hard.
[E] _ Millworkin' ain't nothin' [A] but a boredin' fuckin' [D] job.
[A] [E] I'm waitin' on my [D] daydream to take me [A] through the morning [E] and put me in my coffee [C#m] break
where I can [D] eat my sandwich _ [A] [E] and remember that _ it's me and my [A] machine for the rest of the
morning [Am] and the rest of the [E] afternoon and the rest of my life.
_ _ _ _ _ [A] _ _
[E] _ _ _ Now my mind begins to wander of the days back [A] on the farm.
[E] I can see my daddy _ smilin'.
I can [A] feel myself swingin' [D] on his arm.
[E] I hear my grandpop's stories of the [A] storms out on Lake Erie [E] where vessels and cargos
and fortunes and the lives of young sailors were lost. _
_ _ Yeah, but it's me.
My life's been wasted and I have been the fool to let this manufacturer [A] use my body
[D] for a tool.
[C#m] [E] I'll ride home in the evening _ [A] starin' at my hands
[E] swearin' to my sorrow [A] [F#m] that a young [E] girl [D] oughta [G#] stand [D] a [E] better _ _ _ chance.
[F#m] _ _ _
_ _ [D] _ _ _ [F#m] _ _ _
_ _ _ _ _ _ _ _
_ _ _ [D] So _ [E] _ _
_ _ _ _ _ _ _
I may work your mills just [A] as long as I am able.
_ [E] Though I'll never [F#m] meet the man whose name is [D] on the label.
[A] _ _ [E] _ _ _ _
_ _ _ [A] Still it's me and my machine for the rest of the morning, [Am] for the rest of the [E] afternoon
_ and on and on for the rest of my life.
_ _ [A] _ _ _ [E] _ _ _ _ _ _ _ _ _ _
_ _ [Em] _ _ [N] _ _ _ _
_ _ _ _ _ _ _ _