Chords for Millie Jackson Nobody Sings A Love Song Live 1990
Tempo:
75.65 bpm
Chords used:
D
E
A
B
Bb
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Shit, you don't need no stamina for that, you know.
Don't give the motherfucker nothing to know.
[D] If he didn't come [Bb] to partay, send him away.
No partay, no pushback.
[E]
[Bm] for
that kind of shit, you know.
[Bb]
But see, Tina had it.
[D]
That bitch ran all the way to Europe.
[B] [D]
Wait, wait, don't start no shit now, you understand?
Let me explain.
Wait, yo, hey.
I understand this is the Apollo Theater,
y'all want blood out of this motherfucker, that's fine.
Cardiac arrest, you will not get here.
I'd rather give you blood.
But see, when you go in, I can record this shit,
I'm being honest, you know, you can record it.
Because when you go in the studio and record, you know,
you can punch this shit.
Latoya's an example of that.
I said I wasn't going to say nothing about my cousin.
[Eb] [Em] Anyway, when you record, you know, you go in [G] the studio
and you sing a line, you know,
if you mess it up, [Bb] they have you sing it 125 times,
you punch [D] it again.
Or, you know, if you need some stamina,
you can sing one verse and go to lunch.
And you come back and do the other one.
But see, I was afraid, because I can do this shit so good,
that it would be a hit.
And then I'd come in Apollo, you'd say,
sing that rock and roll song!
And then I'd have to sing it, you know,
and then here come the paramedics and shit.
It would definitely be the last song I did.
But just to show you,
that I could do the motherfucker on [Bb] wax.
One verse.
[A] One, two, three!
You can go to the doctor.
[D]
[A] [D] You keep your kids [A] by their table.
[D] [A]
Take your eyelids off the floor.
That's the way you used to do, do, do, do.
Whoa!
Whoa!
[D]
[B]
[Bb]
[Gb] [D]
Bitch, you do it again!
[E] [D]
[E] Bitch, you try it, goddammit, you overweight lover!
[D] [Bb] You do some of that shit, goddammit,
I bet you'll be about 20 pounds lighter tomorrow.
I hate fat [D] bitches, they want to insinuate it, you know what I mean?
If y'all want to record this shit I'm getting ready to do,
now it's on you.
But it's not on the list.
I'm going to do the motherfucker because it's slow.
Lin-Manuel, hit it, baby.
[E]
You're a song, sweet music man.
But I won't let it hold your hand [A] like I used to.
[E] I'm through with you.
[B] You're a hell of a singer and a powerful man.
But you surround yourself with people who demand [E] so little of you.
You touch my soul with your beautiful song.
And you even had me singing [A] along right with you.
You [E] said I need you.
[B] Then you changed the words and added harmony.
You sang a song you wrote [E] to someone new.
Yes, you did.
[A] But nobody [B] sings a love song [E] quite like you.
[A]
Nobody [B] else could ever make [E] me sing along.
[A]
Nobody [B] else could make me [E] feel things was right when I know they're wrong.
Don't give the motherfucker nothing to know.
[D] If he didn't come [Bb] to partay, send him away.
No partay, no pushback.
[E]
[Bm] for
that kind of shit, you know.
[Bb]
But see, Tina had it.
[D]
That bitch ran all the way to Europe.
[B] [D]
Wait, wait, don't start no shit now, you understand?
Let me explain.
Wait, yo, hey.
I understand this is the Apollo Theater,
y'all want blood out of this motherfucker, that's fine.
Cardiac arrest, you will not get here.
I'd rather give you blood.
But see, when you go in, I can record this shit,
I'm being honest, you know, you can record it.
Because when you go in the studio and record, you know,
you can punch this shit.
Latoya's an example of that.
I said I wasn't going to say nothing about my cousin.
[Eb] [Em] Anyway, when you record, you know, you go in [G] the studio
and you sing a line, you know,
if you mess it up, [Bb] they have you sing it 125 times,
you punch [D] it again.
Or, you know, if you need some stamina,
you can sing one verse and go to lunch.
And you come back and do the other one.
But see, I was afraid, because I can do this shit so good,
that it would be a hit.
And then I'd come in Apollo, you'd say,
sing that rock and roll song!
And then I'd have to sing it, you know,
and then here come the paramedics and shit.
It would definitely be the last song I did.
But just to show you,
that I could do the motherfucker on [Bb] wax.
One verse.
[A] One, two, three!
You can go to the doctor.
[D]
[A] [D] You keep your kids [A] by their table.
[D] [A]
Take your eyelids off the floor.
That's the way you used to do, do, do, do.
Whoa!
Whoa!
[D]
[B]
[Bb]
[Gb] [D]
Bitch, you do it again!
[E] [D]
[E] Bitch, you try it, goddammit, you overweight lover!
[D] [Bb] You do some of that shit, goddammit,
I bet you'll be about 20 pounds lighter tomorrow.
I hate fat [D] bitches, they want to insinuate it, you know what I mean?
If y'all want to record this shit I'm getting ready to do,
now it's on you.
But it's not on the list.
I'm going to do the motherfucker because it's slow.
Lin-Manuel, hit it, baby.
[E]
You're a song, sweet music man.
But I won't let it hold your hand [A] like I used to.
[E] I'm through with you.
[B] You're a hell of a singer and a powerful man.
But you surround yourself with people who demand [E] so little of you.
You touch my soul with your beautiful song.
And you even had me singing [A] along right with you.
You [E] said I need you.
[B] Then you changed the words and added harmony.
You sang a song you wrote [E] to someone new.
Yes, you did.
[A] But nobody [B] sings a love song [E] quite like you.
[A]
Nobody [B] else could ever make [E] me sing along.
[A]
Nobody [B] else could make me [E] feel things was right when I know they're wrong.
Key:
D
E
A
B
Bb
D
E
A
Shit, you don't need no stamina for that, you know. _ _ _ _ _
_ _ _ Don't give the motherfucker nothing to know.
_ _ [D] If he didn't come [Bb] to partay, send him away. _ _ _ _
No partay, no pushback.
[E] _ _ _
_ _ _ _ [Bm] _for
that kind of shit, you know.
[Bb]
But see, Tina had it.
_ _ [D] _ _ _ _
_ _ _ That bitch ran all the way to Europe. _
_ _ _ _ _ _ _ _
_ [B] _ _ [D] _ _ _ _
Wait, wait, don't start no shit now, you understand? _ _ _ _ _
Let me explain.
Wait, yo, hey.
I understand this is the Apollo Theater,
y'all want blood out of this motherfucker, that's fine.
_ _ _ Cardiac arrest, you will not get here.
_ _ _ I'd rather give you blood. _
But see, _ when you go in, I can record this shit,
I'm being honest, you know, you can record it.
Because when you go in the studio and record, you know,
you can punch this shit.
Latoya's an example of that.
_ _ I said I wasn't going to say nothing about my cousin.
_ _ _ [Eb] _ [Em] Anyway, when you record, you know, you go in [G] the studio
and you sing a line, you know,
if you mess it up, [Bb] they have you sing it 125 times,
you punch [D] it again.
Or, you know, if you need some stamina,
you can sing one verse and go to lunch.
And you come back and do the other one.
But see, I was afraid, because I can do this shit so good,
that it would be a hit.
And then I'd come in Apollo, you'd say,
sing that rock and roll song!
And then I'd have to sing it, you know,
and then here come the paramedics and shit.
It would definitely be the last song I did.
But just to show you,
that I could do the motherfucker on [Bb] wax. _ _ _ _
One verse.
_ _ _ [A] One, two, _ three! _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ You can go to the doctor.
_ [D] _
[A] _ _ [D] You keep your kids [A] by their table.
[D] _ [A] _
_ Take your eyelids off the floor. _ _ _
That's the way you used to do, do, do, do. _ _ _
Whoa! _ _ _ _ _ _
Whoa! _ _ _ _ _ _
_ [D] _ _ _ _ _ _ _
_ _ _ _ [B] _ _ _ _
_ _ _ [Bb] _ _ _ _ _
_ _ _ [Gb] _ _ [D] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ Bitch, you do it again!
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [E] _ _ _ _ [D] _
_ _ _ _ _ _ _ _
_ _ _ [E] _ _ Bitch, you try it, goddammit, you overweight lover!
_ _ _ _ [D] [Bb] You do some of that shit, goddammit,
I bet you'll be about 20 pounds lighter tomorrow. _ _
_ I hate fat [D] bitches, they want to insinuate it, you know what I mean? _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _
If y'all want to record this shit I'm getting ready to do,
now it's on you. _
But it's not on the list.
_ I'm going to do the motherfucker because it's slow.
_ _ Lin-Manuel, _ hit it, baby.
_ [E] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ You're a song, sweet music man.
_ _ _ _ _ But I won't let it hold your hand [A] like I used to. _
[E] I'm through with you. _ _ _ _
[B] You're a hell of a singer and a powerful man.
But you surround yourself with people who demand [E] so little of you. _ _ _
_ You touch my soul with your beautiful song. _ _
_ _ _ _ And you even had me singing [A] along right with you.
You [E] said I need you.
_ _ _ _ [B] Then you changed the words and added harmony.
You sang a song you wrote [E] to someone new.
_ Yes, you did.
_ [A] But nobody [B] sings a love song [E] quite like you.
_ _ [A]
Nobody [B] else could ever make [E] me sing along.
_ [A] _
Nobody [B] else could make me [E] feel things was right when I know they're wrong.
_ _ _ Don't give the motherfucker nothing to know.
_ _ [D] If he didn't come [Bb] to partay, send him away. _ _ _ _
No partay, no pushback.
[E] _ _ _
_ _ _ _ [Bm] _for
that kind of shit, you know.
[Bb]
But see, Tina had it.
_ _ [D] _ _ _ _
_ _ _ That bitch ran all the way to Europe. _
_ _ _ _ _ _ _ _
_ [B] _ _ [D] _ _ _ _
Wait, wait, don't start no shit now, you understand? _ _ _ _ _
Let me explain.
Wait, yo, hey.
I understand this is the Apollo Theater,
y'all want blood out of this motherfucker, that's fine.
_ _ _ Cardiac arrest, you will not get here.
_ _ _ I'd rather give you blood. _
But see, _ when you go in, I can record this shit,
I'm being honest, you know, you can record it.
Because when you go in the studio and record, you know,
you can punch this shit.
Latoya's an example of that.
_ _ I said I wasn't going to say nothing about my cousin.
_ _ _ [Eb] _ [Em] Anyway, when you record, you know, you go in [G] the studio
and you sing a line, you know,
if you mess it up, [Bb] they have you sing it 125 times,
you punch [D] it again.
Or, you know, if you need some stamina,
you can sing one verse and go to lunch.
And you come back and do the other one.
But see, I was afraid, because I can do this shit so good,
that it would be a hit.
And then I'd come in Apollo, you'd say,
sing that rock and roll song!
And then I'd have to sing it, you know,
and then here come the paramedics and shit.
It would definitely be the last song I did.
But just to show you,
that I could do the motherfucker on [Bb] wax. _ _ _ _
One verse.
_ _ _ [A] One, two, _ three! _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ You can go to the doctor.
_ [D] _
[A] _ _ [D] You keep your kids [A] by their table.
[D] _ [A] _
_ Take your eyelids off the floor. _ _ _
That's the way you used to do, do, do, do. _ _ _
Whoa! _ _ _ _ _ _
Whoa! _ _ _ _ _ _
_ [D] _ _ _ _ _ _ _
_ _ _ _ [B] _ _ _ _
_ _ _ [Bb] _ _ _ _ _
_ _ _ [Gb] _ _ [D] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ Bitch, you do it again!
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [E] _ _ _ _ [D] _
_ _ _ _ _ _ _ _
_ _ _ [E] _ _ Bitch, you try it, goddammit, you overweight lover!
_ _ _ _ [D] [Bb] You do some of that shit, goddammit,
I bet you'll be about 20 pounds lighter tomorrow. _ _
_ I hate fat [D] bitches, they want to insinuate it, you know what I mean? _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _
If y'all want to record this shit I'm getting ready to do,
now it's on you. _
But it's not on the list.
_ I'm going to do the motherfucker because it's slow.
_ _ Lin-Manuel, _ hit it, baby.
_ [E] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ You're a song, sweet music man.
_ _ _ _ _ But I won't let it hold your hand [A] like I used to. _
[E] I'm through with you. _ _ _ _
[B] You're a hell of a singer and a powerful man.
But you surround yourself with people who demand [E] so little of you. _ _ _
_ You touch my soul with your beautiful song. _ _
_ _ _ _ And you even had me singing [A] along right with you.
You [E] said I need you.
_ _ _ _ [B] Then you changed the words and added harmony.
You sang a song you wrote [E] to someone new.
_ Yes, you did.
_ [A] But nobody [B] sings a love song [E] quite like you.
_ _ [A]
Nobody [B] else could ever make [E] me sing along.
_ [A] _
Nobody [B] else could make me [E] feel things was right when I know they're wrong.