Chords for mike finnigan on hammond

Tempo:
115.6 bpm
Chords used:

D

G

Dm

A

C

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
mike finnigan on hammond chords
Start Jamming...
You can [A] see, rainy day, dream away.
[C] Oh wow.
[D]
[D]
Ha ha ha!
[G] [D]
When you hear the beginning of rainy [G] day, you can hear some changes being played.
And [B] that's basically just us [Ab] talking about [D] different sections of the tune.
[A] [Cm]
[G] And [D] there's not a whole lot of changes to it.
A lot of it is just in D.
It's just comping in D.
[Dm] [G]
Later [E] on, on a cue, I remember we talked about doing this.
[A] [Em] [D]
That kind of thing.
There's a [C] section in there, [G] you know.
I think.
[F] [D] And it goes
Da da da da da da da da da da.
[Gm]
[G] [C]
[Am] [D]
Freddie Lee Smith [D] on sax.
Freddie Lee Smith on sax.
He's not with us, unfortunately.
Right.
And [Dm] then I was playing drums.
And this tune itself was one of the highlights of my whole career.
Most definitely.
Do you remember who was on bass?
There was no bass.
Mike Svanegin was playing, as we know it, shamming.
The first thing I did as far as [G] a bass line was that kind of feel.
So that was cool, you know.
I think a couple of times I did some walking lines, [E] you know.
And he said, [Gb] no, no, don't be walking, just keep pumping, you know.
[G] Rainy day, [D] dream away.
Let [C] the sun take [G] on a holiday.
[D] [G] Flowers bloom, then see the [Gb] children.
[A] Let the [C] love run [G] away.
[G] You know, [Gb] just check out [F] the words, rainy day, rain all day.
No [Gb] use to getting uptight, just let it groove its own way.
Let it train, worry the worries of the day.
[F] Lay back and groove on a rainy day.
And that's just the [Gb] thing that you do on a rainy day.
If he had a lyric, I didn't know about it.
If he had a form, he kept it to himself.
Because as I said, it was like a very loose construction.
The first half was like mellow, and the second half was insane.
[Db]
[Dm]
[D]
[D] As I told you, since there's no bass player, at the end of the tune,
we get into a little [Dm] clime thing.
[G] [Bb] And then he's going to go down, down, down, down.
Down, down, down.
[Dm]
[Eb] And then
[D] Doing those things that, it was all head cues and hand signals and eyebrows.
It was real easy [E] for me because one of my specialties is playing a shuffle,
which they call gut bucket, [A] to where you can really flirt with time.
[G] And I was like, I'm going to do that.
And [D] you kind of get that imaginative.
In other words, when you're flirting with time, you're back like this.
[Dm]
It wasn't like this wild party scene that a lot of people might have associated
with [Dm] Jimi Hendrix.
[Fm] All this [Ebm] mad, mad moving, lots of [D] women, people getting [Eb] high.
Nothing like that.
It was real kind of quiet and thoughtful.
[D] What's he saying in the back?
The harmony.
[Eb] [Cm]
Something
[G]
[D] like that.
I think we were [F] playing like
The ugliest thing we could find.
[A] [C]
[G] I didn't know that was [D] going to be on his album, [G] for sure.
[Dm] Hell, I never got paid for the session, man.
If you're out there listening, [Eb] I want my money.
[Ebm]
[Eb]
[E] [D]
[G] I am proud of him.
I'm proud of the fact that I was able to be on a record with him.
Because of the fact that he's so important.
It has more to do with [D] being in the right place at the right time
than it does with my ability.
I'm glad I was able to be there.
I'm glad I was good enough to hold up my end.
But it wasn't something where, hey, I'm going to do this.
Get Finnegan.
Key:  
D
1321
G
2131
Dm
2311
A
1231
C
3211
D
1321
G
2131
Dm
2311
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_ _ _ _ _ _ _
You can [A] see, rainy day, dream away.
_ _ [C] Oh wow.
[D] _ _ _
_ [D] _ _ _ _ _ _
Ha ha ha!
_ [G] _ _ _ _ [D] _
_ _ _ _ _ _ _ _
When you hear the beginning of rainy [G] day, you can hear some changes being played.
And [B] that's basically just us [Ab] talking about [D] different sections of the tune.
_ _ [A] _ _ [Cm] _ _ _
[G] And [D] there's not a whole lot of changes to it.
A lot of it is just in D.
It's just comping in D.
_ _ _ _ _ _ _ _
[Dm] _ _ _ _ _ [G] _ _ _
_ Later [E] on, on a cue, I remember we talked about doing this.
_ _ [A] _ _ _ [Em] _ _ [D]
That kind of thing.
There's a [C] section in there, [G] you know.
I think.
[F] _ _ [D] And it goes_
Da da da da da da da da da da.
_ [Gm] _ _ _ _ _
_ _ _ _ [G] _ _ _ [C] _
_ _ _ [Am] _ _ _ [D] _ _
Freddie Lee Smith [D] on sax.
Freddie Lee Smith on sax.
He's not with us, unfortunately.
Right.
And [Dm] then I was playing _ _ drums.
And this _ tune itself was one of _ the highlights of my whole career.
Most definitely.
Do you remember who was on bass?
_ _ _ There was no bass. _
_ Mike Svanegin was playing, as we know it, shamming.
The first thing I did as far as [G] a bass line was _ that kind of feel.
So that was cool, you know.
I think a couple of times I did some walking lines, [E] you know.
And he said, [Gb] no, no, don't be walking, just keep pumping, you know.
[G] _ Rainy day, _ [D] dream away.
_ Let [C] the sun take [G] on a holiday.
[D] _ _ [G] Flowers bloom, then see the [Gb] children.
_ [A] Let the [C] love run [G] away.
[G] You know, [Gb] just check out [F] the words, rainy day, rain all day.
No [Gb] use to getting uptight, just let it groove its own way.
Let it train, worry the worries of the day.
[F] Lay back and groove on a rainy day.
And that's just the [Gb] thing that you do on a rainy day.
If he had a lyric, I didn't know about it.
If he had a form, he kept it to himself.
Because as I said, it was like a very loose construction.
The first half was like mellow, and the second half was insane.
_ _ [Db] _ _ _
_ _ _ _ [Dm] _ _ _ _
_ _ [D] _ _ _ _ _ _
_ [D] As I told you, since there's no bass player, at the end of the tune,
we get into a little [Dm] clime thing. _ _ _
[G] _ _ _ _ _ [Bb] _ And then he's going to go down, down, down, down.
Down, down, down.
_ [Dm] _ _ _ _ _ _
[Eb] And then_
[D] _ Doing those things that, it was all head cues and hand signals and eyebrows. _ _
It was real easy [E] for me because one of my specialties is playing a shuffle,
which they call gut bucket, [A] to where you can really flirt with time.
[G] And I was like, I'm going to do that.
And [D] you kind of get that imaginative.
In other words, _ when you're flirting with time, you're back like this.
[Dm] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ It wasn't like this wild party scene that a lot of people might have associated
_ _ with [Dm] Jimi Hendrix.
[Fm] All _ this [Ebm] mad, mad moving, lots of [D] women, people getting [Eb] high.
_ Nothing like that.
It was real kind of quiet and thoughtful. _ _
_ _ [D] _ What's he saying in the back? _ _
The harmony. _ _ _ _ _
_ _ _ _ [Eb] _ _ _ [Cm] _
_ _ _ Something _ _ _
_ _ _ [G] _ _ _ _ _
[D] _ _ _ _ like that. _
I think we were [F] playing _ like_
The ugliest thing we could find.
_ _ _ [A] _ _ [C] _
_ _ _ _ _ _ [G] I didn't know that was [D] going to be on his album, [G] for sure.
[Dm] Hell, I never got paid for the session, man.
_ _ _ _ If you're out there listening, [Eb] I want my money.
_ _ [Ebm] _ _ _
_ _ _ _ _ [Eb] _ _ _
_ _ [E] _ _ _ [D] _ _ _
_ [G] _ I am proud of him.
I'm proud of the fact that I was able to be _ on a record with him.
_ _ Because of the fact that he's so important.
_ It has more to do with [D] being in the right place at the right time
than it does with my ability. _ _ _
I'm glad I was able to be there.
I'm glad I was good enough to hold up my end.
But it wasn't something where, hey, I'm going to do this.
Get Finnegan. _ _ _ _

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