Chords for Midland - Midland At Winston House - The House Show Series (Behind The Scenes)
Tempo:
101.8 bpm
Chords used:
E
Bm
A
F#m
B
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[E] [E]
One [Bm] more night, one [E] more down, one [A] more, one [F#m] more round.
First [Bm] one in, last one out.
The first [E] time I ever met Mark, I found myself [A] playing music at a party, [F#m] in a house in Hollywood,
and [Bm] the song I was playing on piano called [E] for a musical measure of no pain.
Thus I dropped trou, did a little [A] thing, I turned around and there was Mark.
Very close [B] to me by the way.
I'm going to do an impression of Mark's face.
Honest to [B] God, that was the first time I ever met Mark.
[E]
He has a broken [D] heart and drank and got blue.
So pullin' my life [C#m] along.
We all know [Bm] the answer to this I think.
[E] I'd be the mastermind.
What?
Yeah. You're kidding.
Mark's the driver and you're the robber.
[F#m] You're fucking kidding.
I have that connection.
I can see it.
[B] You're the driver, you're the best driver.
Whoa, what?
What are you talking about he's [A] the best driver?
I'm the mastermind because I have [F#m] organizational skills, and Mark is the thief [F#] because he goes
in and he's the least likely [E] to steal your diamonds, and that is why you [Bm] are the thief, dude.
That's how it goes, [E] Jess, that's the answer.
You're the best driver.
I'm in [A] here so I don't have [F#m] to care.
Zane.
[Bm] I grew up watching my dad [E] fight, so I guess my best bar [A] fight is a [B] story of my dad.
Well, I grew up [F#] in a bar in southern Arizona, a little live country music honkytonk called The [Cm] Stakeout.
One particular Saturday night, it was rowdy, it was rodeo [Fm] weekend.
We're sitting in the booth [D#] with the whole family, my mom and all of my five other siblings.
There's six of us.
My brother and I are six years old at this point.
He goes, boys, come here, I want to show you something.
My [G] dad pulls us outside, drunk cowboys, Mexican drug dealers, the whole deal, man.
[C] It's crazy.
My dad is taking off his jewelry and his watch as he's talking to three dudes, local bad
guys, it's like a circle [C#m] fight.
Get him!
Okay, [C#m] first rule is never take your eye off your opponent.
[Bm] Second rule is, and the first guy [Em] goes for my dad, my dad comes through and just [B] knocks
the guy out, teeth, everything.
And then he goes, [F#] the third rule is he goes, always follow [Bm] through.
And then he took the other two guys out.
That was it, we went [F#] back down and had dinner, it was like [A] a normal night.
We are very sorry to those two [F#m] boys, they were 13 years old.
[Bm] [E]
[Bm] I changed my position because I am the mastermind of this robbery.
We [A] need a better vantage point of what's going on in this room.
There is no rhyme or [Bm] reason to Cameron Dunn.
If you try to understand him, it will perplex you [B] and it'll drive you [E] straight into very
dangerous dead ends.
[F] Thank you for coming.
Thank you to Julia Desheriff for coming all the way out here from Harvard.
This is [C#] amazing.
This is what music should be.
This is what every Thursday night should be all around the world.
If people just got together like this, the world would be a better place.
Thank you guys so much.
We hope we get to come back.
Probably not, we'll probably never be invited back, but [E] thank you guys.
Drinking it [A] up, they keep on talking.
[F#m] Me, Jess and Cameron all [B] had a rehearsal space back in the day.
A little place next to a strip [E] club, there's a hole in the wall.
All of our [F#m] mutual bands practice there and that's where we put our 10 [B],000 hours in.
[E] [E] If [Bm] you're an artist and you want to pursue the arts or anything [A] really in your life that you care about,
be very specific [C#] about what you want to do.
There are millions and billions of people in the world [D] trying to do the same thing as you.
You have to be your own person and find your own niche.
[C#m] And when you find it, you have to work harder than anybody else.
Whether it be a [B] computer programmer, a bass player, [E]
or a [G] physical [A] therapist for a sports team,
you have to be [F#m] the best at what you do.
So do with [B] passion, do with love.
[E]
It should be [A] a good recipe.
[F#m]
[Bm] Call it a [E] problem or call it a solution.
You gotta love it and you gotta have the soul for it.
One [Bm] more night, one [E] more down, one [A] more, one [F#m] more round.
First [Bm] one in, last one out.
The first [E] time I ever met Mark, I found myself [A] playing music at a party, [F#m] in a house in Hollywood,
and [Bm] the song I was playing on piano called [E] for a musical measure of no pain.
Thus I dropped trou, did a little [A] thing, I turned around and there was Mark.
Very close [B] to me by the way.
I'm going to do an impression of Mark's face.
Honest to [B] God, that was the first time I ever met Mark.
[E]
He has a broken [D] heart and drank and got blue.
So pullin' my life [C#m] along.
We all know [Bm] the answer to this I think.
[E] I'd be the mastermind.
What?
Yeah. You're kidding.
Mark's the driver and you're the robber.
[F#m] You're fucking kidding.
I have that connection.
I can see it.
[B] You're the driver, you're the best driver.
Whoa, what?
What are you talking about he's [A] the best driver?
I'm the mastermind because I have [F#m] organizational skills, and Mark is the thief [F#] because he goes
in and he's the least likely [E] to steal your diamonds, and that is why you [Bm] are the thief, dude.
That's how it goes, [E] Jess, that's the answer.
You're the best driver.
I'm in [A] here so I don't have [F#m] to care.
Zane.
[Bm] I grew up watching my dad [E] fight, so I guess my best bar [A] fight is a [B] story of my dad.
Well, I grew up [F#] in a bar in southern Arizona, a little live country music honkytonk called The [Cm] Stakeout.
One particular Saturday night, it was rowdy, it was rodeo [Fm] weekend.
We're sitting in the booth [D#] with the whole family, my mom and all of my five other siblings.
There's six of us.
My brother and I are six years old at this point.
He goes, boys, come here, I want to show you something.
My [G] dad pulls us outside, drunk cowboys, Mexican drug dealers, the whole deal, man.
[C] It's crazy.
My dad is taking off his jewelry and his watch as he's talking to three dudes, local bad
guys, it's like a circle [C#m] fight.
Get him!
Okay, [C#m] first rule is never take your eye off your opponent.
[Bm] Second rule is, and the first guy [Em] goes for my dad, my dad comes through and just [B] knocks
the guy out, teeth, everything.
And then he goes, [F#] the third rule is he goes, always follow [Bm] through.
And then he took the other two guys out.
That was it, we went [F#] back down and had dinner, it was like [A] a normal night.
We are very sorry to those two [F#m] boys, they were 13 years old.
[Bm] [E]
[Bm] I changed my position because I am the mastermind of this robbery.
We [A] need a better vantage point of what's going on in this room.
There is no rhyme or [Bm] reason to Cameron Dunn.
If you try to understand him, it will perplex you [B] and it'll drive you [E] straight into very
dangerous dead ends.
[F] Thank you for coming.
Thank you to Julia Desheriff for coming all the way out here from Harvard.
This is [C#] amazing.
This is what music should be.
This is what every Thursday night should be all around the world.
If people just got together like this, the world would be a better place.
Thank you guys so much.
We hope we get to come back.
Probably not, we'll probably never be invited back, but [E] thank you guys.
Drinking it [A] up, they keep on talking.
[F#m] Me, Jess and Cameron all [B] had a rehearsal space back in the day.
A little place next to a strip [E] club, there's a hole in the wall.
All of our [F#m] mutual bands practice there and that's where we put our 10 [B],000 hours in.
[E] [E] If [Bm] you're an artist and you want to pursue the arts or anything [A] really in your life that you care about,
be very specific [C#] about what you want to do.
There are millions and billions of people in the world [D] trying to do the same thing as you.
You have to be your own person and find your own niche.
[C#m] And when you find it, you have to work harder than anybody else.
Whether it be a [B] computer programmer, a bass player, [E]
or a [G] physical [A] therapist for a sports team,
you have to be [F#m] the best at what you do.
So do with [B] passion, do with love.
[E]
It should be [A] a good recipe.
[F#m]
[Bm] Call it a [E] problem or call it a solution.
You gotta love it and you gotta have the soul for it.
Key:
E
Bm
A
F#m
B
E
Bm
A
_ _ [E] _ _ _ [E] _ _ _
_ _ _ _ _ _ _ _
One [Bm] more night, one [E] more down, one [A] more, one [F#m] more round.
First [Bm] one in, last one out.
The first [E] time I ever met Mark, I found myself [A] playing music at a party, [F#m] in a house in Hollywood,
and [Bm] the song I was playing on piano called [E] for a musical measure of no pain.
Thus I dropped trou, did a little [A] thing, I turned around and there was Mark.
Very close [B] to me by the way.
I'm going to do an impression of Mark's face. _ _
Honest to [B] God, that was the first time I ever met Mark.
_ [E] _
He has a broken [D] heart and drank and got blue.
So pullin' my life [C#m] along. _ _ _ _
We all know [Bm] the answer to this I think.
[E] I'd be the mastermind.
What?
Yeah. You're kidding.
Mark's the driver and you're the robber.
[F#m] You're fucking kidding.
I have that connection.
I can see it.
[B] You're the driver, you're the best driver.
Whoa, what?
What are you talking about he's [A] the best driver?
I'm the mastermind because I have [F#m] organizational skills, and Mark is the thief [F#] because he goes
in and he's the least likely [E] to steal your diamonds, and that is why you [Bm] are the thief, dude.
That's how it goes, [E] Jess, that's the answer.
You're the best driver.
I'm in [A] here so I don't have [F#m] to care.
Zane.
[Bm] I grew up watching my dad [E] fight, so I guess my best bar [A] fight is a [B] story of my dad.
Well, I grew up [F#] in a bar in southern Arizona, a little live country music honkytonk called The [Cm] Stakeout.
One particular Saturday night, it was rowdy, it was rodeo [Fm] weekend.
We're sitting in the booth [D#] with the whole family, my mom and all of my five other siblings.
There's six of us.
My brother and I are six years old at this point.
He goes, boys, come here, I want to show you something.
My [G] dad pulls us outside, drunk cowboys, Mexican drug dealers, the whole deal, man.
[C] It's crazy.
My dad is taking off his jewelry and his watch as he's talking to three dudes, local bad
guys, it's like a circle [C#m] fight.
Get him!
Okay, [C#m] first rule is never take your eye off your opponent.
[Bm] Second rule is, and the first guy [Em] goes for my dad, my dad comes through and just [B] knocks
the guy out, teeth, everything.
And then he goes, [F#] the third rule is he goes, always follow [Bm] through.
And then he took the other two guys out.
That was it, we went [F#] back down and had dinner, it was like [A] a normal night.
We are very sorry to those two [F#m] boys, they were 13 years old.
[Bm] _ _ _ _ [E] _ _
_ [Bm] I changed my position because I am the mastermind of this robbery.
We [A] need a better vantage point of what's going on in this room.
There is no rhyme or [Bm] reason to Cameron Dunn.
If you try to understand him, it will perplex you [B] and it'll drive you [E] straight into very
dangerous dead ends.
[F] Thank you for coming.
Thank you to Julia Desheriff for coming all the way out here from Harvard.
_ This is [C#] amazing.
This is what music should be.
This is what every Thursday night should be all around the world.
If people just got together like this, the world would be a better place.
Thank you guys so much.
We hope we get to come back.
Probably not, we'll probably never be invited back, but [E] thank you guys.
_ _ Drinking it [A] up, they keep on talking.
[F#m] Me, Jess and Cameron all [B] had a rehearsal space back in the day.
A little place next to a strip [E] club, there's a hole in the wall.
All of our [F#m] mutual bands practice there and that's where we put our 10 [B],000 hours in.
_ _ [E] _ _ [E] If [Bm] you're an artist and you want to pursue the arts or anything [A] really in your life that you care about,
be very specific [C#] about what you want to do.
There are millions and billions of people in the world [D] trying to do the same thing as you.
You have to be your own person and find your own niche.
[C#m] And when you find it, you have to work harder than anybody else.
Whether it be a [B] computer programmer, a bass player, [E]
or a [G] physical [A] therapist for a sports team,
you have to be [F#m] the best at what you do.
So do with [B] passion, do with love.
[E] _
It should be [A] a good recipe.
_ _ _ _ [F#m] _
_ _ _ [Bm] Call it a [E] problem or call it a solution.
_ You gotta love it and you gotta have the soul for it. _ _ _ _
_ _ _ _ _ _ _ _
One [Bm] more night, one [E] more down, one [A] more, one [F#m] more round.
First [Bm] one in, last one out.
The first [E] time I ever met Mark, I found myself [A] playing music at a party, [F#m] in a house in Hollywood,
and [Bm] the song I was playing on piano called [E] for a musical measure of no pain.
Thus I dropped trou, did a little [A] thing, I turned around and there was Mark.
Very close [B] to me by the way.
I'm going to do an impression of Mark's face. _ _
Honest to [B] God, that was the first time I ever met Mark.
_ [E] _
He has a broken [D] heart and drank and got blue.
So pullin' my life [C#m] along. _ _ _ _
We all know [Bm] the answer to this I think.
[E] I'd be the mastermind.
What?
Yeah. You're kidding.
Mark's the driver and you're the robber.
[F#m] You're fucking kidding.
I have that connection.
I can see it.
[B] You're the driver, you're the best driver.
Whoa, what?
What are you talking about he's [A] the best driver?
I'm the mastermind because I have [F#m] organizational skills, and Mark is the thief [F#] because he goes
in and he's the least likely [E] to steal your diamonds, and that is why you [Bm] are the thief, dude.
That's how it goes, [E] Jess, that's the answer.
You're the best driver.
I'm in [A] here so I don't have [F#m] to care.
Zane.
[Bm] I grew up watching my dad [E] fight, so I guess my best bar [A] fight is a [B] story of my dad.
Well, I grew up [F#] in a bar in southern Arizona, a little live country music honkytonk called The [Cm] Stakeout.
One particular Saturday night, it was rowdy, it was rodeo [Fm] weekend.
We're sitting in the booth [D#] with the whole family, my mom and all of my five other siblings.
There's six of us.
My brother and I are six years old at this point.
He goes, boys, come here, I want to show you something.
My [G] dad pulls us outside, drunk cowboys, Mexican drug dealers, the whole deal, man.
[C] It's crazy.
My dad is taking off his jewelry and his watch as he's talking to three dudes, local bad
guys, it's like a circle [C#m] fight.
Get him!
Okay, [C#m] first rule is never take your eye off your opponent.
[Bm] Second rule is, and the first guy [Em] goes for my dad, my dad comes through and just [B] knocks
the guy out, teeth, everything.
And then he goes, [F#] the third rule is he goes, always follow [Bm] through.
And then he took the other two guys out.
That was it, we went [F#] back down and had dinner, it was like [A] a normal night.
We are very sorry to those two [F#m] boys, they were 13 years old.
[Bm] _ _ _ _ [E] _ _
_ [Bm] I changed my position because I am the mastermind of this robbery.
We [A] need a better vantage point of what's going on in this room.
There is no rhyme or [Bm] reason to Cameron Dunn.
If you try to understand him, it will perplex you [B] and it'll drive you [E] straight into very
dangerous dead ends.
[F] Thank you for coming.
Thank you to Julia Desheriff for coming all the way out here from Harvard.
_ This is [C#] amazing.
This is what music should be.
This is what every Thursday night should be all around the world.
If people just got together like this, the world would be a better place.
Thank you guys so much.
We hope we get to come back.
Probably not, we'll probably never be invited back, but [E] thank you guys.
_ _ Drinking it [A] up, they keep on talking.
[F#m] Me, Jess and Cameron all [B] had a rehearsal space back in the day.
A little place next to a strip [E] club, there's a hole in the wall.
All of our [F#m] mutual bands practice there and that's where we put our 10 [B],000 hours in.
_ _ [E] _ _ [E] If [Bm] you're an artist and you want to pursue the arts or anything [A] really in your life that you care about,
be very specific [C#] about what you want to do.
There are millions and billions of people in the world [D] trying to do the same thing as you.
You have to be your own person and find your own niche.
[C#m] And when you find it, you have to work harder than anybody else.
Whether it be a [B] computer programmer, a bass player, [E]
or a [G] physical [A] therapist for a sports team,
you have to be [F#m] the best at what you do.
So do with [B] passion, do with love.
[E] _
It should be [A] a good recipe.
_ _ _ _ [F#m] _
_ _ _ [Bm] Call it a [E] problem or call it a solution.
_ You gotta love it and you gotta have the soul for it. _ _ _ _