Chords for Men At Work - Who Can It Be Now? / Down Under (Rock The Millennium Live, 1999-2000)
Tempo:
112.95 bpm
Chords used:
Bm
A
D
B
G
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Colin Hay, Minute Work.
Although you're not officially reformed, you still play gigs all around the world.
Is that true?
Yeah, every [D] time I turn around [G] there's someone different standing next to me.
Except he's always standing next to me but [E] I can't see him because he's on my right hand side.
But I always know he's there.
So yeah, we go to lots of different places.
[Bm] South America, the [Dm] States.
[G] It's that guy and three different players.
Whoever's [E] available.
Whoever isn't playing with [Em] Kelly, you know.
Right, I see.
Well, happy new year.
Have a good one.
[D] Have a good time on stage.
[B] Thank you very [F#] much.
Why do they [B] follow me?
[F#] It's not the [B] future that I can see.
[F#]
It's just my [B] fantasy.
[E]
[B]
[E]
[A]
[E]
[B] [C#]
Can't be now.
[B] Can't be now.
[C#m] Can't be now.
[B] Oh,
[A]
[B] [A]
[B]
[A]
[B]
[E] [A]
[G#] hello, how are you?
I like [A] your new song.
Sounds very much like an old song.
[Bm]
[A] [Bm]
[A] [Bm]
[B] Grab a lamb and a firelight.
[Bm]
[A] The trailhead [Bm] follows someday.
I met a strange lady.
She made me nervous.
She [A] took me in [Bm] and gave me breakfast.
[D] She said, you [A] come from a land [Bm] down under.
[D] [A] Open the door [Bm] and then thunder.
[D] Can [A] you hear, can you hear [Bm] the thunder?
[A]
You better run, you better [Bm] take cover.
[A] [Bm]
[A] [Bm]
I [A] met a man in [Bm] Brussels.
He was [A] six foot four, [Bm] all on muscle.
I [A] said, just take my [Bm] leg.
He just [A] smiled and gave me a [Bm] picture of my sandals.
[D] He said, I [A] come from a land down [Bm] under.
[D] [A] Open the door and [Bm] then thunder.
[D] Can you [A] hear, can you hear the [Bm] thunder?
You [D] better run, [A] you better [Bm] take cover.
[A] [Bm]
[A] [Bm]
[A] [Bm] [B]
[D#]
[Bm] [Am]
[B] [G] [Bm] [E]
[Bm] [E] [Bm]
[B] [Bm] [A]
[Bm] [D] [A]
[Bm] [D] [Bm] [A]
[Bm] [A]
[Bm] [D] [Bm] [A]
[Bm] [D] [Bm] [A]
[Bm] [A]
[Bm] [G] [Bm] [A]
[Bm] [A]
[Bm] [G] [Bm] [A] [Bm]
[A] [Bm]
[A] [Bm]
[B] [Am]
[B] [B] [Am] [Bm]
[D] [A]
[Gm] [A] [Bm]
[E] [Bm] [A] I met a man in [Bm] Bombay.
[G] [Bm] [A] He's a black jock [Bm] with a lot to [G] say.
[Bm] [A] [Bm]
[G] [D]
[A] [D] [A] [Bm]
[A] I met a [D] woman [A] in New York.
[Bm] Open the door and then thunder.
[A] [D] Can [A] you hear, can you hear the [Bm] thunder?
[A] [D] You better [A] run, you better [Bm] take cover.
I [D] [A] met a man [Bm] in London.
[G]
[D] [A] Open the door [Bm] and then thunder.
[G]
[D] [A] Can you hear, can you hear [Bm] the thunder?
[D] You better [A] run, you better [Bm] take cover.
[A] [Bm]
[A] [Bm]
[A] [Bm]
[B]
[Bm] [B]
[Bm] [F#]
[B]
[Bm] [Em] [Gm]
Although you're not officially reformed, you still play gigs all around the world.
Is that true?
Yeah, every [D] time I turn around [G] there's someone different standing next to me.
Except he's always standing next to me but [E] I can't see him because he's on my right hand side.
But I always know he's there.
So yeah, we go to lots of different places.
[Bm] South America, the [Dm] States.
[G] It's that guy and three different players.
Whoever's [E] available.
Whoever isn't playing with [Em] Kelly, you know.
Right, I see.
Well, happy new year.
Have a good one.
[D] Have a good time on stage.
[B] Thank you very [F#] much.
Why do they [B] follow me?
[F#] It's not the [B] future that I can see.
[F#]
It's just my [B] fantasy.
[E]
[B]
[E]
[A]
[E]
[B] [C#]
Can't be now.
[B] Can't be now.
[C#m] Can't be now.
[B] Oh,
[A]
[B] [A]
[B]
[A]
[B]
[E] [A]
[G#] hello, how are you?
I like [A] your new song.
Sounds very much like an old song.
[Bm]
[A] [Bm]
[A] [Bm]
[B] Grab a lamb and a firelight.
[Bm]
[A] The trailhead [Bm] follows someday.
I met a strange lady.
She made me nervous.
She [A] took me in [Bm] and gave me breakfast.
[D] She said, you [A] come from a land [Bm] down under.
[D] [A] Open the door [Bm] and then thunder.
[D] Can [A] you hear, can you hear [Bm] the thunder?
[A]
You better run, you better [Bm] take cover.
[A] [Bm]
[A] [Bm]
I [A] met a man in [Bm] Brussels.
He was [A] six foot four, [Bm] all on muscle.
I [A] said, just take my [Bm] leg.
He just [A] smiled and gave me a [Bm] picture of my sandals.
[D] He said, I [A] come from a land down [Bm] under.
[D] [A] Open the door and [Bm] then thunder.
[D] Can you [A] hear, can you hear the [Bm] thunder?
You [D] better run, [A] you better [Bm] take cover.
[A] [Bm]
[A] [Bm]
[A] [Bm] [B]
[D#]
[Bm] [Am]
[B] [G] [Bm] [E]
[Bm] [E] [Bm]
[B] [Bm] [A]
[Bm] [D] [A]
[Bm] [D] [Bm] [A]
[Bm] [A]
[Bm] [D] [Bm] [A]
[Bm] [D] [Bm] [A]
[Bm] [A]
[Bm] [G] [Bm] [A]
[Bm] [A]
[Bm] [G] [Bm] [A] [Bm]
[A] [Bm]
[A] [Bm]
[B] [Am]
[B] [B] [Am] [Bm]
[D] [A]
[Gm] [A] [Bm]
[E] [Bm] [A] I met a man in [Bm] Bombay.
[G] [Bm] [A] He's a black jock [Bm] with a lot to [G] say.
[Bm] [A] [Bm]
[G] [D]
[A] [D] [A] [Bm]
[A] I met a [D] woman [A] in New York.
[Bm] Open the door and then thunder.
[A] [D] Can [A] you hear, can you hear the [Bm] thunder?
[A] [D] You better [A] run, you better [Bm] take cover.
I [D] [A] met a man [Bm] in London.
[G]
[D] [A] Open the door [Bm] and then thunder.
[G]
[D] [A] Can you hear, can you hear [Bm] the thunder?
[D] You better [A] run, you better [Bm] take cover.
[A] [Bm]
[A] [Bm]
[A] [Bm]
[B]
[Bm] [B]
[Bm] [F#]
[B]
[Bm] [Em] [Gm]
Key:
Bm
A
D
B
G
Bm
A
D
_ Colin Hay, Minute Work.
Although you're not officially reformed, you still play gigs all around the world.
Is that true?
Yeah, every [D] time I turn around [G] there's someone different standing next to me.
Except he's always standing next to me but [E] I can't see him because he's on my right hand side.
But I always know he's there.
So yeah, we go to lots of different places.
[Bm] South America, _ the [Dm] States.
_ [G] _ It's that guy and three different players.
Whoever's [E] available.
Whoever isn't playing with [Em] Kelly, you know.
Right, I see.
Well, happy new year.
Have a good one.
[D] Have a good time on stage.
[B] Thank you very [F#] much.
Why do they [B] follow me? _
[F#] It's not the [B] future that I can see.
[F#]
It's just my [B] fantasy. _ _ _ _ _
_ [E] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [B] _ _ _
_ _ _ _ [E] _ _ _ _
_ _ _ [A] _ _ _ _ _
_ _ [E] _ _ _ _ _ _
_ _ _ _ [B] _ _ _ [C#] _
Can't be now.
_ _ [B] Can't be now.
_ [C#m] _ Can't be now.
_ _ [B] Oh, _ _ _
_ _ _ _ _ _ _ _
_ [A] _ _ _ _ _ _ _
[B] _ _ _ _ _ _ [A] _ _
_ _ _ _ _ [B] _ _ _
_ _ _ [A] _ _ _ _ _
_ _ [B] _ _ _ _ _ _
[E] _ _ _ [A] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [G#] _ _ hello, how are you?
I like _ _ [A] your new song. _
Sounds very much like an old song. _ _ _
_ _ _ [Bm] _ _ _ _ _
_ _ [A] _ _ [Bm] _ _ _ _
_ _ [A] _ _ [Bm] _ _ _ _
[B] Grab a lamb and a firelight.
[Bm] _ _ _ _
_ [A] The trailhead [Bm] follows someday. _
_ I met a strange lady.
She made me nervous.
She [A] took me in [Bm] and gave me breakfast.
[D] She said, you [A] come from a land [Bm] down under. _ _
[D] _ [A] Open the door [Bm] and then thunder. _ _
[D] Can [A] you hear, can you hear [Bm] the thunder?
_ _ [A] _
You better run, you better [Bm] take cover. _ _
_ _ [A] _ _ [Bm] _ _ _ _
_ _ [A] _ _ [Bm] _ _ _ _
I [A] met a man in [Bm] Brussels. _
He was [A] six foot four, [Bm] all on muscle. _ _
I [A] said, just take my [Bm] leg. _ _
He just [A] smiled and gave me a [Bm] picture of my sandals.
[D] He said, I [A] come from a land down [Bm] under. _ _
[D] _ [A] Open the door and [Bm] then thunder. _ _ _
[D] Can you [A] hear, can you hear the [Bm] thunder?
_ You [D] better run, [A] you better [Bm] take cover. _ _
_ _ [A] _ _ [Bm] _ _ _ _
_ _ _ _ _ _ _ _
_ _ [A] _ _ [Bm] _ _ _ _
_ _ [A] _ _ [Bm] _ _ _ [B] _
_ _ _ [D#] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [Bm] _ _ [Am] _
_ [B] _ _ [G] _ _ [Bm] _ _ [E] _
_ [Bm] _ _ _ [E] _ [Bm] _ _ _
[B] _ _ _ _ [Bm] _ _ [A] _ _
[Bm] _ _ [D] _ _ _ _ [A] _ _
[Bm] _ _ [D] _ _ [Bm] _ _ [A] _ _
[Bm] _ _ _ _ _ _ [A] _ _
[Bm] _ _ [D] _ _ [Bm] _ _ [A] _ _
[Bm] _ _ [D] _ _ [Bm] _ _ [A] _ _
[Bm] _ _ _ _ _ _ [A] _ _
[Bm] _ _ [G] _ _ [Bm] _ _ [A] _ _
[Bm] _ _ _ _ _ _ [A] _ _
[Bm] _ _ [G] _ _ [Bm] _ [A] _ _ [Bm] _
_ _ _ _ _ [A] _ _ [Bm] _
_ _ _ _ _ _ _ _
_ _ _ _ _ [A] _ _ [Bm] _
_ _ [B] _ _ _ [Am] _ _ _
[B] _ _ _ [B] _ _ [Am] _ _ [Bm] _
_ _ _ _ _ _ _ _
[D] _ _ _ _ [A] _ _ _ _
[Gm] _ _ _ _ [A] _ _ [Bm] _ _
[E] _ _ [Bm] _ [A] I met a man in [Bm] Bombay.
[G] _ _ [Bm] _ [A] He's a black jock [Bm] with a lot to [G] say.
_ [Bm] _ _ [A] _ _ [Bm] _ _
[G] _ _ _ [D] _ _ _ _ _
[A] _ [D] _ _ [A] _ _ [Bm] _ _
[A] I met a [D] woman [A] in New York.
[Bm] Open the door and then thunder. _
[A] _ [D] Can [A] you hear, can you hear the [Bm] thunder? _ _
[A] [D] You better [A] run, you better [Bm] take cover.
I [D] _ [A] met a man _ [Bm] in London.
[G] _ _
[D] _ [A] Open the door [Bm] and then thunder.
[G] _ _
[D] _ [A] Can you hear, can you hear [Bm] the thunder? _ _ _
[D] You better [A] run, you better [Bm] take cover. _ _
_ _ [A] _ _ [Bm] _ _ _ _
_ _ [A] _ _ [Bm] _ _ _ _
_ _ [A] _ _ [Bm] _ _ _ _
_ _ _ _ [B] _ _ _ _
[Bm] _ _ _ [B] _ _ _ _ _
[Bm] _ _ [F#] _ _ _ _ _ _
[B] _ _ _ _ _ _ _ _
[Bm] _ _ [Em] _ _ [Gm] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
Although you're not officially reformed, you still play gigs all around the world.
Is that true?
Yeah, every [D] time I turn around [G] there's someone different standing next to me.
Except he's always standing next to me but [E] I can't see him because he's on my right hand side.
But I always know he's there.
So yeah, we go to lots of different places.
[Bm] South America, _ the [Dm] States.
_ [G] _ It's that guy and three different players.
Whoever's [E] available.
Whoever isn't playing with [Em] Kelly, you know.
Right, I see.
Well, happy new year.
Have a good one.
[D] Have a good time on stage.
[B] Thank you very [F#] much.
Why do they [B] follow me? _
[F#] It's not the [B] future that I can see.
[F#]
It's just my [B] fantasy. _ _ _ _ _
_ [E] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [B] _ _ _
_ _ _ _ [E] _ _ _ _
_ _ _ [A] _ _ _ _ _
_ _ [E] _ _ _ _ _ _
_ _ _ _ [B] _ _ _ [C#] _
Can't be now.
_ _ [B] Can't be now.
_ [C#m] _ Can't be now.
_ _ [B] Oh, _ _ _
_ _ _ _ _ _ _ _
_ [A] _ _ _ _ _ _ _
[B] _ _ _ _ _ _ [A] _ _
_ _ _ _ _ [B] _ _ _
_ _ _ [A] _ _ _ _ _
_ _ [B] _ _ _ _ _ _
[E] _ _ _ [A] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [G#] _ _ hello, how are you?
I like _ _ [A] your new song. _
Sounds very much like an old song. _ _ _
_ _ _ [Bm] _ _ _ _ _
_ _ [A] _ _ [Bm] _ _ _ _
_ _ [A] _ _ [Bm] _ _ _ _
[B] Grab a lamb and a firelight.
[Bm] _ _ _ _
_ [A] The trailhead [Bm] follows someday. _
_ I met a strange lady.
She made me nervous.
She [A] took me in [Bm] and gave me breakfast.
[D] She said, you [A] come from a land [Bm] down under. _ _
[D] _ [A] Open the door [Bm] and then thunder. _ _
[D] Can [A] you hear, can you hear [Bm] the thunder?
_ _ [A] _
You better run, you better [Bm] take cover. _ _
_ _ [A] _ _ [Bm] _ _ _ _
_ _ [A] _ _ [Bm] _ _ _ _
I [A] met a man in [Bm] Brussels. _
He was [A] six foot four, [Bm] all on muscle. _ _
I [A] said, just take my [Bm] leg. _ _
He just [A] smiled and gave me a [Bm] picture of my sandals.
[D] He said, I [A] come from a land down [Bm] under. _ _
[D] _ [A] Open the door and [Bm] then thunder. _ _ _
[D] Can you [A] hear, can you hear the [Bm] thunder?
_ You [D] better run, [A] you better [Bm] take cover. _ _
_ _ [A] _ _ [Bm] _ _ _ _
_ _ _ _ _ _ _ _
_ _ [A] _ _ [Bm] _ _ _ _
_ _ [A] _ _ [Bm] _ _ _ [B] _
_ _ _ [D#] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [Bm] _ _ [Am] _
_ [B] _ _ [G] _ _ [Bm] _ _ [E] _
_ [Bm] _ _ _ [E] _ [Bm] _ _ _
[B] _ _ _ _ [Bm] _ _ [A] _ _
[Bm] _ _ [D] _ _ _ _ [A] _ _
[Bm] _ _ [D] _ _ [Bm] _ _ [A] _ _
[Bm] _ _ _ _ _ _ [A] _ _
[Bm] _ _ [D] _ _ [Bm] _ _ [A] _ _
[Bm] _ _ [D] _ _ [Bm] _ _ [A] _ _
[Bm] _ _ _ _ _ _ [A] _ _
[Bm] _ _ [G] _ _ [Bm] _ _ [A] _ _
[Bm] _ _ _ _ _ _ [A] _ _
[Bm] _ _ [G] _ _ [Bm] _ [A] _ _ [Bm] _
_ _ _ _ _ [A] _ _ [Bm] _
_ _ _ _ _ _ _ _
_ _ _ _ _ [A] _ _ [Bm] _
_ _ [B] _ _ _ [Am] _ _ _
[B] _ _ _ [B] _ _ [Am] _ _ [Bm] _
_ _ _ _ _ _ _ _
[D] _ _ _ _ [A] _ _ _ _
[Gm] _ _ _ _ [A] _ _ [Bm] _ _
[E] _ _ [Bm] _ [A] I met a man in [Bm] Bombay.
[G] _ _ [Bm] _ [A] He's a black jock [Bm] with a lot to [G] say.
_ [Bm] _ _ [A] _ _ [Bm] _ _
[G] _ _ _ [D] _ _ _ _ _
[A] _ [D] _ _ [A] _ _ [Bm] _ _
[A] I met a [D] woman [A] in New York.
[Bm] Open the door and then thunder. _
[A] _ [D] Can [A] you hear, can you hear the [Bm] thunder? _ _
[A] [D] You better [A] run, you better [Bm] take cover.
I [D] _ [A] met a man _ [Bm] in London.
[G] _ _
[D] _ [A] Open the door [Bm] and then thunder.
[G] _ _
[D] _ [A] Can you hear, can you hear [Bm] the thunder? _ _ _
[D] You better [A] run, you better [Bm] take cover. _ _
_ _ [A] _ _ [Bm] _ _ _ _
_ _ [A] _ _ [Bm] _ _ _ _
_ _ [A] _ _ [Bm] _ _ _ _
_ _ _ _ [B] _ _ _ _
[Bm] _ _ _ [B] _ _ _ _ _
[Bm] _ _ [F#] _ _ _ _ _ _
[B] _ _ _ _ _ _ _ _
[Bm] _ _ [Em] _ _ [Gm] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _