Mated - David Grant & Jaki Graham Chords

Tempo:
104.45 bpm
Chords used:

D

Em

C

A

B

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Mated - David Grant & Jaki Graham chords
Start Jamming...
[Em] [D] [C] [G]
[D] [Em] [D] [C] [G]
[D] [C] [D]
Everyone else
Are [F#] we some [Em]
kind of lovers?
[C] [D] Everyone else
[Bm] What you're doing [Em] with me
I know this [C] is not [G]
what [D] they want
[Bm] They're afraid [Em]
you've been lying [C] [D]
[Em]
[A] to me
[Bm] If anyone should ask
[A] See we're mated
As long as [G] it's like that
We [D] are mated
Why else would we be here [F#] right now?
[Bm] And you know we'll still be here tomorrow
[C] [G]
[D] [Em] And what [Bm]
they [Am] hate
[D] No No
[Em] We're acting this way
And because [C] we can't [D] comprehend
What we [Em] mean to each other
They [C] won't leave [D] you alone
So you know [Em] what [A] to say Yeah
[Bm] If [F#m] anyone [D] should ask
[A] See we're mated
[D] As long as it's like that
[Bm] We'll be here [F#] right now
[C#] And you know you'll still be here [Bm] tomorrow
[A] We [G]
[A] [D]
are mated
Why else would I be here [F#] right now?
[A] And you know
[B] [Em]
[C] [Bm] [Em] They'd be [C] beautiful [F] taking [C]
[D] [Em] [D#] off
But it's way beyond [G#m] what they [C#] want
[C#m] If anyone should
[B] ask
[C#m] [B] We [E]
are mated
Why [A]
[G#] else [B] would you know you'll still be here [C#m] tomorrow?
[B] Hold [A] you in my [B] heart and [F#m] mated
In a very [E] sad way
We are mated
Why [B] else [E]
[C] [G#] [D#]
would we be [C#m] here tomorrow?
[B] Mated [C#m] for [G#m] as long [E]
as we are mated
Why else would I be [A]
here [G#] right [B] now?
And you know you'll still be [C#m] here tomorrow
[B] [A] [N]
Key:  
D
1321
Em
121
C
3211
A
1231
B
12341112
D
1321
Em
121
C
3211
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Chords
NotesBeta

To start learning David Grant, Jaki Graham - Mated chords, centre your learning around these elemetal chords sequence: C, G, D, Em, C, D, C, Em and D. Begin your practice at a relaxed 52 BPM, then work your way up to the song's BPM of 104. To match your vocal range and chord inclination, adjust the capo in line with the key: D# Major.

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_ [Em] _ _ _ [D] _ [C] _ _ [G] _
[D] _ _ _ [Em] _ [D] _ [C] _ _ [G] _
_ [D] _ _ _ _ [C] _ [D] _
Everyone else
Are [F#] we some [Em]
kind of lovers?
_ [C] _ [D] Everyone _ else
_ [Bm] What you're doing [Em] with me
I know this [C] is not [G]
what [D] they want
_ [Bm] They're afraid [Em]
you've been lying _ [C] _ _ [D] _
_ _ _ _ _ _ [Em] _ _
[A] to me
_ _ [Bm] If anyone should ask
[A] See we're mated
As long as [G] it's like _ that
We [D] are mated
Why else would we _ be here [F#] right now? _
[Bm] And you know we'll still be here tomorrow _
_ [C] _ _ _ [G] _ _ _ _
[D] _ _ [Em] And what _ _ [Bm]
they [Am] hate
_ _ _ [D] _ No No
_ [Em] _ We're acting this way
And because [C] we can't [D] comprehend _ _
What we [Em] mean to each other
They [C] won't leave [D] you alone
So you know [Em] what [A] to _ _ say Yeah
[Bm] If [F#m] anyone [D] should ask
[A] See we're mated
[D] As long as it's like that
_ _ _ _ _ [Bm] We'll be here [F#] right now
_ [C#] And you know you'll still be here [Bm] tomorrow
[A] We [G] _ _ _
_ [A] _ _ [D] _ _ _ _ _
are mated
Why else would I be here [F#] right now?
_ [A] And you know _
_ [B] _ _ _ _ [Em] _ _ _
_ [C] _ _ _ _ [Bm] _ [Em] They'd be [C] beautiful [F] taking _ [C] _ _ _
_ [D] _ _ [Em] _ [D#] off
But it's way beyond [G#m] what they [C#] want _ _ _ _
_ _ [C#m] If anyone should _ _
_ [B] ask
[C#m] [B] We [E] _ _ _
are mated
Why [A] _ _ _
_ [G#] _ _ else [B] would you know you'll still be here [C#m] tomorrow?
[B] Hold [A] you in my _ _ [B] heart and [F#m] mated
In a very [E] sad _ way
We are mated
Why [B] else [E] _ _ _
_ [C] _ [G#] _ _ _ [D#] _ _
would we be [C#m] here tomorrow? _ _ _ _ _
_ [B] Mated [C#m] for [G#m] as long [E] _ _
as we are mated
Why else would I be [A]
here [G#] right _ _ [B] now?
And you know you'll still be [C#m] here tomorrow
_ _ [B] _ _ [A] _ _ _ _ _ _ _ _ _ [N] _

Facts about this song

Among the tracks on the album The Best of David Grant & Linx, written by Roger Powell, John Willie Wilcox, Todd Rundgren and Kasim Sulton, this one stands out.

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