Chords for Marilyn Manson & Rob Zombie Discuss The First Time They Heard Each Other's Music
Tempo:
67.45 bpm
Chords used:
E
Eb
Ab
G
D
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
I remember distinctly, it was a segue between being a journalist and tricking my way into
being, [Ab]
[E] technically [Eb] stole or embezzled or shoplifted from the Peaches records I was working on,
the first white zombie record.
But then I liked it so much that [E] I bought a [N] 12-inch of, what do you do, God of Thunder?
Oh yeah, that was a feature.
Yeah, but still it was exciting to me, the use of samples and just the riffs and that
it was sort of the bridge between industrial and metal and it was a genre that I think
sort of paved the way for a lot of things, including me, you know, I [Eb] give big credit to.
I'd been into the Chicago music scene and the [G] ministry and the Throco cult and things
and also with Echo and the Bunnymen and The Cure, Jane's Addiction, [E] but I really liked
that white zombies just looked really dirty, like they looked like they didn't wash a lot
and I thought that was a
It was like [D] poor people who were poor people.
[F] And that's what I was too.
So I thought this fits right into my inspiration of if
It just seemed, I mean in the simplest sense, punk rock, in whatever, how you want to define
punk rock, but it seemed very raw and true.
And you know, like when the first time I hear the Stooges or something like that, I think
it's a white zombie and then later raw, so it had a [D] massive impact on music [Eb] that I just
want to throw out thanks [Ab] for.
Oh, wow.
[Bb] I should say welcome, I think.
I don't know.
[N] Thanks for that, man.
Welcome.
I don't know when the first time I heard Nansen was, I remember the first time I heard about
them because we were playing a club in Florida way back when, you know, we were white zombies
and we were still touring in a van, [Ab] I believe.
Or maybe we were in a bus, [Cm] but still it was like a club.
[N] And our drummer, I was on the bus doing something, I didn't see who was playing and I did, you
know, because I would always keep to myself no matter what was going on.
It was just the way I was.
And he came in, oh, I just watched the opening band, this band, Marilyn Manson, they were
so awesome, blah, blah, blah.
And he was going on and on and on about it.
And that was the first time like the name stuck and I thought, oh, what a cool name
and I wish I'd seen it, yada, yada.
And then I don't know, maybe because that was on my radar, what record I first heard,
I heard something, I don't remember, you know, my memory is terrible, but I remember the
first time I saw them, I think you guys were opening for Danzig.
Yeah, it might have been.
Maybe, I don't know.
Was it Danzig?
Yeah, no, [E] it was definitely Danzig and Danzig and Korn was before us.
Yeah, right, I remember that.
I used to piss on their catering.
Well, you gotta do what you gotta do.
No, I just thought it was, but they went on before us.
Wait, Korn's catering or Danzig's catering?
No, no, Korn's.
Danzig's, I would use his bus as a place for sexual liaisons, they probably are the illegal
[G] dimension, but I do remember, I think we played in [N] Tampa together.
Maybe, I don't remember.
I don't remember playing together for so long.
But I just remember, you know, sometimes you'd see bands and it didn't, it never, I always,
when people ask me about like bands, I just think you just see bands and no matter how
rough or raw they are, what's going on, it seems inspired.
You know, you see a million bands, they're super professional and you just go, ah, it's
a bunch of horseshit.
And then you see bands and you can just go, okay, these guys are doing something that's
creatively exciting and different and, you know, obviously [Eb] they were.
And they made a lot of killer records and [C] killer videos and all kinds of great stuff,
you know, just, it was, you know, things stand out, cool things stand out
being, [Ab]
[E] technically [Eb] stole or embezzled or shoplifted from the Peaches records I was working on,
the first white zombie record.
But then I liked it so much that [E] I bought a [N] 12-inch of, what do you do, God of Thunder?
Oh yeah, that was a feature.
Yeah, but still it was exciting to me, the use of samples and just the riffs and that
it was sort of the bridge between industrial and metal and it was a genre that I think
sort of paved the way for a lot of things, including me, you know, I [Eb] give big credit to.
I'd been into the Chicago music scene and the [G] ministry and the Throco cult and things
and also with Echo and the Bunnymen and The Cure, Jane's Addiction, [E] but I really liked
that white zombies just looked really dirty, like they looked like they didn't wash a lot
and I thought that was a
It was like [D] poor people who were poor people.
[F] And that's what I was too.
So I thought this fits right into my inspiration of if
It just seemed, I mean in the simplest sense, punk rock, in whatever, how you want to define
punk rock, but it seemed very raw and true.
And you know, like when the first time I hear the Stooges or something like that, I think
it's a white zombie and then later raw, so it had a [D] massive impact on music [Eb] that I just
want to throw out thanks [Ab] for.
Oh, wow.
[Bb] I should say welcome, I think.
I don't know.
[N] Thanks for that, man.
Welcome.
I don't know when the first time I heard Nansen was, I remember the first time I heard about
them because we were playing a club in Florida way back when, you know, we were white zombies
and we were still touring in a van, [Ab] I believe.
Or maybe we were in a bus, [Cm] but still it was like a club.
[N] And our drummer, I was on the bus doing something, I didn't see who was playing and I did, you
know, because I would always keep to myself no matter what was going on.
It was just the way I was.
And he came in, oh, I just watched the opening band, this band, Marilyn Manson, they were
so awesome, blah, blah, blah.
And he was going on and on and on about it.
And that was the first time like the name stuck and I thought, oh, what a cool name
and I wish I'd seen it, yada, yada.
And then I don't know, maybe because that was on my radar, what record I first heard,
I heard something, I don't remember, you know, my memory is terrible, but I remember the
first time I saw them, I think you guys were opening for Danzig.
Yeah, it might have been.
Maybe, I don't know.
Was it Danzig?
Yeah, no, [E] it was definitely Danzig and Danzig and Korn was before us.
Yeah, right, I remember that.
I used to piss on their catering.
Well, you gotta do what you gotta do.
No, I just thought it was, but they went on before us.
Wait, Korn's catering or Danzig's catering?
No, no, Korn's.
Danzig's, I would use his bus as a place for sexual liaisons, they probably are the illegal
[G] dimension, but I do remember, I think we played in [N] Tampa together.
Maybe, I don't remember.
I don't remember playing together for so long.
But I just remember, you know, sometimes you'd see bands and it didn't, it never, I always,
when people ask me about like bands, I just think you just see bands and no matter how
rough or raw they are, what's going on, it seems inspired.
You know, you see a million bands, they're super professional and you just go, ah, it's
a bunch of horseshit.
And then you see bands and you can just go, okay, these guys are doing something that's
creatively exciting and different and, you know, obviously [Eb] they were.
And they made a lot of killer records and [C] killer videos and all kinds of great stuff,
you know, just, it was, you know, things stand out, cool things stand out
Key:
E
Eb
Ab
G
D
E
Eb
Ab
I remember distinctly, it was a segue between being a journalist and tricking my way into
being, [Ab] _ _ _ _ _
[E] _ technically [Eb] stole or embezzled or shoplifted from the Peaches records I was working on,
the first white zombie record.
But then I liked it so much that [E] I bought a [N] 12-inch of, what do you do, God of Thunder?
Oh yeah, that was a feature.
Yeah, but still it was exciting to me, the use of samples and just the riffs and that
it was sort of the bridge between industrial and metal and it was a genre that I think
sort of paved the way for a lot of things, including me, you know, I [Eb] give big credit to.
I'd been into the Chicago music scene and the [G] ministry and the Throco cult and things
and also with Echo and the Bunnymen and The Cure, Jane's Addiction, [E] but I really liked
that _ white zombies just looked really dirty, like they looked like they didn't wash a lot
and I thought that was a_
It was like [D] poor people who were poor people.
[F] And that's what I was too.
So I thought this fits right into my inspiration of if_
It just seemed, I mean in the simplest sense, punk rock, in whatever, how you want to define
punk rock, but it seemed very _ raw and true.
And you know, like when the first time I hear the Stooges or something like that, I think
it's a white zombie and then later raw, so it had a [D] massive impact on music [Eb] that I just
want to throw out thanks [Ab] for.
Oh, wow.
_ _ [Bb] I should say welcome, I think.
I don't know.
[N] Thanks for that, man.
Welcome.
_ I don't know when the first time I heard Nansen was, I remember the first time I heard about
them because we were playing a club in Florida way back when, you know, we were white zombies
and we were still touring in a van, [Ab] I believe.
Or maybe we were in a bus, [Cm] but still it was like a club.
[N] And our drummer, I was on the bus doing something, I didn't see who was playing and I did, you
know, because I would always keep to myself no matter what was going on.
It was just the way I was.
And he came in, oh, I just watched the opening band, this band, Marilyn Manson, they were
so awesome, blah, blah, blah.
And he was going on and on and on about it.
And that was the first time like the name stuck and I thought, oh, what a cool name
and I wish I'd seen it, yada, yada.
And then I don't know, maybe because that was on my radar, what record I first heard,
I heard something, I don't remember, you know, my memory is terrible, but I remember the
first time I saw them, I think you guys were opening for Danzig.
Yeah, it might have been.
Maybe, I don't know.
Was it Danzig?
Yeah, no, [E] it was definitely Danzig and Danzig and Korn was before us.
Yeah, right, I remember that.
I used to piss on their catering.
Well, you gotta do what you gotta do.
No, I just thought it was, but they went on before us.
Wait, Korn's catering or Danzig's catering?
No, no, Korn's.
Danzig's, I would use his bus as a place for sexual liaisons, they probably are the illegal
[G] dimension, but I do remember, I think we played in [N] Tampa together.
Maybe, I don't remember.
I don't remember playing together for so long.
But I just remember, you know, sometimes you'd see bands and it didn't, it never, I always,
when people ask me about like bands, I just think you just see bands and no matter how
rough or raw they are, what's going on, it seems inspired.
You know, you see a million bands, they're super professional and you just go, ah, it's
a bunch of horseshit.
And then you see bands and you can just go, okay, these guys are doing something that's
creatively exciting and different and, you know, obviously [Eb] they were.
And they made a lot of killer records and [C] killer videos and all kinds of great stuff,
you know, just, it was, you know, things stand out, cool things stand out
being, [Ab] _ _ _ _ _
[E] _ technically [Eb] stole or embezzled or shoplifted from the Peaches records I was working on,
the first white zombie record.
But then I liked it so much that [E] I bought a [N] 12-inch of, what do you do, God of Thunder?
Oh yeah, that was a feature.
Yeah, but still it was exciting to me, the use of samples and just the riffs and that
it was sort of the bridge between industrial and metal and it was a genre that I think
sort of paved the way for a lot of things, including me, you know, I [Eb] give big credit to.
I'd been into the Chicago music scene and the [G] ministry and the Throco cult and things
and also with Echo and the Bunnymen and The Cure, Jane's Addiction, [E] but I really liked
that _ white zombies just looked really dirty, like they looked like they didn't wash a lot
and I thought that was a_
It was like [D] poor people who were poor people.
[F] And that's what I was too.
So I thought this fits right into my inspiration of if_
It just seemed, I mean in the simplest sense, punk rock, in whatever, how you want to define
punk rock, but it seemed very _ raw and true.
And you know, like when the first time I hear the Stooges or something like that, I think
it's a white zombie and then later raw, so it had a [D] massive impact on music [Eb] that I just
want to throw out thanks [Ab] for.
Oh, wow.
_ _ [Bb] I should say welcome, I think.
I don't know.
[N] Thanks for that, man.
Welcome.
_ I don't know when the first time I heard Nansen was, I remember the first time I heard about
them because we were playing a club in Florida way back when, you know, we were white zombies
and we were still touring in a van, [Ab] I believe.
Or maybe we were in a bus, [Cm] but still it was like a club.
[N] And our drummer, I was on the bus doing something, I didn't see who was playing and I did, you
know, because I would always keep to myself no matter what was going on.
It was just the way I was.
And he came in, oh, I just watched the opening band, this band, Marilyn Manson, they were
so awesome, blah, blah, blah.
And he was going on and on and on about it.
And that was the first time like the name stuck and I thought, oh, what a cool name
and I wish I'd seen it, yada, yada.
And then I don't know, maybe because that was on my radar, what record I first heard,
I heard something, I don't remember, you know, my memory is terrible, but I remember the
first time I saw them, I think you guys were opening for Danzig.
Yeah, it might have been.
Maybe, I don't know.
Was it Danzig?
Yeah, no, [E] it was definitely Danzig and Danzig and Korn was before us.
Yeah, right, I remember that.
I used to piss on their catering.
Well, you gotta do what you gotta do.
No, I just thought it was, but they went on before us.
Wait, Korn's catering or Danzig's catering?
No, no, Korn's.
Danzig's, I would use his bus as a place for sexual liaisons, they probably are the illegal
[G] dimension, but I do remember, I think we played in [N] Tampa together.
Maybe, I don't remember.
I don't remember playing together for so long.
But I just remember, you know, sometimes you'd see bands and it didn't, it never, I always,
when people ask me about like bands, I just think you just see bands and no matter how
rough or raw they are, what's going on, it seems inspired.
You know, you see a million bands, they're super professional and you just go, ah, it's
a bunch of horseshit.
And then you see bands and you can just go, okay, these guys are doing something that's
creatively exciting and different and, you know, obviously [Eb] they were.
And they made a lot of killer records and [C] killer videos and all kinds of great stuff,
you know, just, it was, you know, things stand out, cool things stand out