Chords for Malia - Convergence (Albumtrailer)

Are you ready? _ _ _ _
_ [F] _ _ _ _ _
[Am] _ _ _ _ _ _
_ I like the [Am] way _ _ _ you're _ _
[A] a little shy
[Am] _ _
_ _ I've been looking to work with [F] somebody who does like electro music to move a little bit [A] from where I've been to have some new [Am] challenges
and I [A] happen to be close to [Gm] where Boris lived
and he was very open to meet somebody new and we just met up in his studio
and it was very instant, you know, he had his music on, I went in the cabin and put the [D] microphone on
and I just started to sing [A] and fly away with [Cm] the sound
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
[F] [Cm] I thought she has a very unique voice which is kind of very low and almost kind of a smoky, dark voice
and this was catching my ears
It's been nine years, sixteen days of hope
It's been hard times, good times coming home
But still we laugh hard, we play hard [A#] till dawn
[Cm] This [G#] love, an oak tree grows on and on _ _
[Fm] _ _ _ _ _ _
_ [Bm] _ You [C] bring that heat back to my bones
[Cm] Your [Fm]
footsteps are mine, your love so divine
[Cm] Your heart warms me when I'm cold
_ [Gm] And out of my [Fm] dreams you came along
I [Cm] waited so long
For _ [D] me it's electronic gospel in [Am] its sentiment, in its [A] roots, that's how I feel
Boris has this [F] very [A] special way to make electronic music sound emotional
and couple that with what I love to sing, what my history is with music
that really worked very well with kind [Dm] of, yeah, spiritual music
I'm coming from jazz music, I'm coming from the blues
so for me that's all spiritual music, it's music from the heart
I'll be your torch, your [Gm] light, your umbrella
_ _ _ _ [Dm] _
I'll sense your fears, your fight
[Gm] I'm the mad _ _ storyteller
[Dm] The mad storyteller is something dangerous about yourself
You have some [A#] powers and how you use those powers with people around you
can have a huge [F] impact and that power is how you show your love, how you don't show your love
how you treat human [G] beings, how you treat yourself
and I find that the [A] madness of being a human being
[A#] And here I'll _ _ _
_ [Gm] _ _ _ _
show it, _ _ [Dm] _ _
here I am _
_ [A#] I like to make the music very transparent
that you can step into the sound picture like a painter
where he's putting some different colors [Dm] and start with a certain color here
and the green here, the black and the blue one here
and at the end I have a whole, like a patchwork and a [C] sound picture is ready _ _ _ _
_ _ _ _ _ _
_ _ _ _ Never know how much I love you
Never know how much I care
When you put your arms around me
I get a fever that's so hot, baby, give me fever
_ When you kiss me, fever, when you hold me tight
[E] Fever [G#] [C] in the morning, [F#] fever all through the night
_ I think it's very difficult to find the difference between jazz and pop music
I think it's very close anyhow
The way I sing [B] is _ possibly always lending [Dm] itself to that kind of genre
but when you mix it with something different it becomes a rebirth of something different
so that's what I'm interested in
_ [Am] [B] You look in [F] the mirror, does [Am] someone have dead?
_ [A] _ _
_ [Am] _ Tears [G] run dry, [A] what's left to [G] try?
[C] _ [Am] _ Tears [G] run dry, [Am] you lost all [G] your balls
[C] _ [A] _ Tears [D] run dry, [A] what's left to [G] try? _
[C] _ [Am] _ Tears [G] run dry, [Am] you lost all your [G] _
[C] balls
[G] _ _ [B] If a painter is going [F#] on stage, a kind of painting [C] on stage
and people say, [B] yeah, cool, yeah, do the next stroke in [F] here
put some more color here, this is very unusual
but I guess that Malia is [E] kind of transport all the [C] ideas out of [Am] my studio
and she's [F] having a set up of [A] musicians who can [E] replace the [F] sound I have done
Music is [B] so [F] fluid, you can [F#] shape it and direct it in different ways
that's [C] something I'm really looking forward to [C#] actually, [C#m] taking it on stage
I cry cause I miss [E] [D#m] you
_ _ Miss [C#] you cause I cry
[B] _ _ _
_ I look [D#] really forward to sharing it with people
[C#] and I hope that they really receive it well
and that's what I really look forward to, to see how [E] they receive it
and how I hope that they enjoy it
[C#] _ _ _ _ _ _
_ _ _ _ _ [N] _