Chords for Making "While My Guitar Gently Weeps" (LOVE Version)

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We wanted [F] to use George Harrison's song, Why My Guitar Gently Weeps, and the version that
everybody knows, which is on the albums, _ _ was going to be used in the show.
But then Dominic, [E] who has been trawling through the anthology all the time, listened to one
of the tracks [Am] _ where George virtually made a demo, and he liked this [Fm] very much.
And I did agree with him, it had a wistful quality that the master didn't have.
This song is such a tender song for George, and George isn't with [F] us anymore, and _ _ _ _ _
[Bb] _ _ _ it's
weighed [D] very heavily on me.
[G] _ _ _ _ _ [Bm] _ _ _
[Em] _ _ _ _ [Bm] _ _ _ _
[Am] _ _ _ _ _ _ [A] _ _
[D] _ _ _ _ _ _ _ _
[G] _ _ _ _ _ [Bm] _ _ _
[Em] _ _ _ _ [Bm] _ _ _ _
[Am] _ _ _ _ _ _ _ _
[D] _ _ _ _ _ _ _ [Gm] _
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[E] _ _ _ _ [Eb] _ _ _ _
[Gm] _ _ _ _ [F] _ _ _ _
[C] _ _ _ [D] The _ _ _
[Gm] _ _ _ _ _ _ _ _
[E] _ _ _ _ [Eb] _ _ [Gm] string players, they realised the [F] significance of, it'll be your last string session.
[Bb] Yeah, absolutely.
And [D] playing a Beatle string [G] session, and at the end of it, they [Bm] gave you a big bouquet of flowers.
[Em] They gave me two dozen red roses.
[Bm] Normally they hand out invoices.
[A] So there's _ _ [D] a_
I was knocked out by that. _ _ _ _ _ _
[G] _ _ _ _ [Bm] _ _ _ _
[Em] _ _ _ _ [Bm] _ _ We [A] discovered that here, there was a little pearl who had developed [D] over the last year,
since the creation of this show, a very [Gm] talented way of drawing things and playing [Bb] with shadows and light.
And then I [E] met with him, I said, well, what if you would try to [Eb] feed this relationship
in [Gm] between one dancer trying to [F] play with a character that [C] you would draw, so we could
follow [D] the path of her never [Gm]
happened love story. _ _ _ _ _
[E] _ When we were here [Eb] in February, and Danny [Gm] Pong was putting that visual [F] together, between
Apple and Cirque, [Bb] we kind of all agreed that it was [D] unique, and that was fitting so well
[G] with that song, that we should [Bm] do something with it. _
[Em] _ _ _ _ [Bm] It was really important to [Am] me that we captured all the projected animation [Bm] live in camera,
without [D] using any CG effects in post-production.
I was really adamant [Gm] that we had to do that, mainly because it's [Bb] a live show that we're
producing, and [C] I really wanted the audience to know that this [Cm] is something [Eb] that they can
see happen [Gm] live on stage in front of them, and not [F] just some Hollywood trickery.
When [Bb] they asked Andre, Leah and I [D] to direct a music video, we were [Gm] of course honoured,
humbled, and of course we really wanted to do it right by George, [E] his family, and Sir George [Eb] Martin. _ _ _
[Gm] And at the age of 80 or [F] 79, how do we wrap up someone's life?
[Gm] To validate the fact that you're [F] still good at the age of 80 is [Gm] quite an achievement.
Even though he couldn't hear very [F] well, it was him going, wait a [Gm] second, this is how it's done.
[F] And it was beautiful. _ _
_ [Gm] _ _ _ _ _ _ _
_ _ _ Oh, I love it. _ _
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