Chords for Lyle Lovett & Francine Reed on Johnny Carson's show, 2nd appearance 1989
Tempo:
116.5 bpm
Chords used:
G
C
A
D
B
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[N]
[D] [C#] And we could [B] not wait to have him back.
He will be at the [C#] Anaheim Celebrity Theater [B] in Anaheim, [C] California on the 27th of this
[C#] month and at the Wadsworth [A] Theater in UCLA on the 28th.
[G] And I've got a new album here somewhere.
[Dm] [E] Lyle [G#] Lovett and his large band.
And tonight he's going to sing and feature Francine Reed.
Would you [Em] welcome Lyle Lovett.
[D] [G] [F#]
Hello.
[D] [C] I'm a journalist.
He sits next to you and reads [G] the newspaper over your shoulder.
[B] [C#] Wait, don't turn the page.
I'm not finished.
Life [A#] is so uncertain.
[G]
Here I am, can't you [C] just see?
Take [G] my hand, [C] can't you see?
[G] Here I am, can't you [C] just do
[F] All [G] I want, [C] can't you see?
[G]
Given [C] the true intellectual [G#] and emotional [A] compatibility are at the very least difficult
if not [Dm] impossible to come [N] by, we could always [G#] opt for the more temporal gratification of
[C#] sheer physical [N] attraction.
[C] That wouldn't make you a shallow person, [G] would it?
Here I am, yes [C] it's me.
[G] Take my hand, [Dm] and you'll [C] see.
[G] Here I am, [C] yes it's me.
[G] All I want, [C] hell is you.
[G] What Ford is to Chevrolet, what Dodge is [A] to Chrysler, what Corn [B] Flakes are to Post [D] Toasties,
what the clear blue sky [A] is to the deep blue sea, what [C] Hank [A] Williams is to [F#] Neil Armstrong.
[G#] Can you [G] doubt we were made for each [C#] other?
[C] [G] Here I am, yes [C] it's me.
[G] Take my hand, [C] and you'll see.
[G] Here I am, [C] you.
All [G] I want, [C] hell is you.
Look, I understand too little too late.
I realize there are things you [A] say and do you can never take back.
But what would you be [G] if you didn't even try?
You have to try.
[C] So after a lot of thought, [A] I'd like to reconsider.
[E]
Please, if it's not too late, make it a [D] cheeseburger.
[G]
Here I am, [C] yes it's me.
[G] Take my hand, [C] and you'll see.
[G] Here I am, yes [C] it's you.
[G]
[C] All I want, hell is you.
[Gm] Here I [G] am, yes [C] it's me.
[G] Take my hand, and [C] you'll see.
[G] Here I am, [C] yes it's you.
[G] All I want, [C] hell is you.
[A#m]
[G]
[Gm]
[G] Yeah!
[B]
[D] Good [D#] voice, Huck the Gutters.
[Dm] [D] [G]
[D]
[B] [G#]
[C#m]
[B] [E]
[A] [Am]
[B]
[A] Now to find a man [Em] good lovin' [Am] ain't an easy thing to do.
You gotta know just what you're looking for [A] and where to find it too.
[C#] She's hot to go she's [A] ready she's hot to go right now.
She's hot to go you've have to know [C#m] let's hop and do it girls.
[D] I don't have no [Am] lease, you don't have to stand in line.
You don't have to care who sees you here [A] you don't have to waste your time.
[D] She's hot to go [A] she's ready she's hot to go right now.
She's hot to go [G#] you've got to know let's hop and [Bm] do it girls.
[C#] We can stop by [D#] any mall, [F#m] we can stop by Late Night.
[C#] We can stop by if [G#m] you're a good friend or if you look alright.
[D] She's hot to go, she's ready, [A] she's hot to go [Bm] right now.
She's hot to go, you've got to notice.
[C#m]
Good girl.
[G#]
[F#m] [D#]
[A]
[D#]
[D] [G]
[A] [C#]
[A] [B]
[E]
I [F#] grep her from behind, [A] she looked [B] so fine to me.
But when I stepped around her [E] man, my eyes could [A] plainly see.
She was ugly, brum brum, [F#] she was ugly, [D] brum brum, [F#m] she was ugly, brum brum.
[Em] I said ugly, ugly, ugly, ugly, although I can't stand [Am] behind her.
And I like it on the side, [A] don't make me look [B] around her man.
[C] She's ugly, ugly, ugly, ugly, she's [A] [G] ugly, brum brum, she [A] was ugly, brum [D] brum, she [A] was ugly, brum brum.
[E] I said this [D#] girl was so ugly.
Well you [C] ugly too.
[A#]
She's [D] hot to go, she's [Em] ready, she's hot to go right [Bm] now.
She's hot to go, you've [G#] got to notice.
[D] Good girl.
[A]
Oh [G] yeah, Lyle Lovett, Francine Reed.
[F#m]
[D] [C#] And we could [B] not wait to have him back.
He will be at the [C#] Anaheim Celebrity Theater [B] in Anaheim, [C] California on the 27th of this
[C#] month and at the Wadsworth [A] Theater in UCLA on the 28th.
[G] And I've got a new album here somewhere.
[Dm] [E] Lyle [G#] Lovett and his large band.
And tonight he's going to sing and feature Francine Reed.
Would you [Em] welcome Lyle Lovett.
[D] [G] [F#]
Hello.
[D] [C] I'm a journalist.
He sits next to you and reads [G] the newspaper over your shoulder.
[B] [C#] Wait, don't turn the page.
I'm not finished.
Life [A#] is so uncertain.
[G]
Here I am, can't you [C] just see?
Take [G] my hand, [C] can't you see?
[G] Here I am, can't you [C] just do
[F] All [G] I want, [C] can't you see?
[G]
Given [C] the true intellectual [G#] and emotional [A] compatibility are at the very least difficult
if not [Dm] impossible to come [N] by, we could always [G#] opt for the more temporal gratification of
[C#] sheer physical [N] attraction.
[C] That wouldn't make you a shallow person, [G] would it?
Here I am, yes [C] it's me.
[G] Take my hand, [Dm] and you'll [C] see.
[G] Here I am, [C] yes it's me.
[G] All I want, [C] hell is you.
[G] What Ford is to Chevrolet, what Dodge is [A] to Chrysler, what Corn [B] Flakes are to Post [D] Toasties,
what the clear blue sky [A] is to the deep blue sea, what [C] Hank [A] Williams is to [F#] Neil Armstrong.
[G#] Can you [G] doubt we were made for each [C#] other?
[C] [G] Here I am, yes [C] it's me.
[G] Take my hand, [C] and you'll see.
[G] Here I am, [C] you.
All [G] I want, [C] hell is you.
Look, I understand too little too late.
I realize there are things you [A] say and do you can never take back.
But what would you be [G] if you didn't even try?
You have to try.
[C] So after a lot of thought, [A] I'd like to reconsider.
[E]
Please, if it's not too late, make it a [D] cheeseburger.
[G]
Here I am, [C] yes it's me.
[G] Take my hand, [C] and you'll see.
[G] Here I am, yes [C] it's you.
[G]
[C] All I want, hell is you.
[Gm] Here I [G] am, yes [C] it's me.
[G] Take my hand, and [C] you'll see.
[G] Here I am, [C] yes it's you.
[G] All I want, [C] hell is you.
[A#m]
[G]
[Gm]
[G] Yeah!
[B]
[D] Good [D#] voice, Huck the Gutters.
[Dm] [D] [G]
[D]
[B] [G#]
[C#m]
[B] [E]
[A] [Am]
[B]
[A] Now to find a man [Em] good lovin' [Am] ain't an easy thing to do.
You gotta know just what you're looking for [A] and where to find it too.
[C#] She's hot to go she's [A] ready she's hot to go right now.
She's hot to go you've have to know [C#m] let's hop and do it girls.
[D] I don't have no [Am] lease, you don't have to stand in line.
You don't have to care who sees you here [A] you don't have to waste your time.
[D] She's hot to go [A] she's ready she's hot to go right now.
She's hot to go [G#] you've got to know let's hop and [Bm] do it girls.
[C#] We can stop by [D#] any mall, [F#m] we can stop by Late Night.
[C#] We can stop by if [G#m] you're a good friend or if you look alright.
[D] She's hot to go, she's ready, [A] she's hot to go [Bm] right now.
She's hot to go, you've got to notice.
[C#m]
Good girl.
[G#]
[F#m] [D#]
[A]
[D#]
[D] [G]
[A] [C#]
[A] [B]
[E]
I [F#] grep her from behind, [A] she looked [B] so fine to me.
But when I stepped around her [E] man, my eyes could [A] plainly see.
She was ugly, brum brum, [F#] she was ugly, [D] brum brum, [F#m] she was ugly, brum brum.
[Em] I said ugly, ugly, ugly, ugly, although I can't stand [Am] behind her.
And I like it on the side, [A] don't make me look [B] around her man.
[C] She's ugly, ugly, ugly, ugly, she's [A] [G] ugly, brum brum, she [A] was ugly, brum [D] brum, she [A] was ugly, brum brum.
[E] I said this [D#] girl was so ugly.
Well you [C] ugly too.
[A#]
She's [D] hot to go, she's [Em] ready, she's hot to go right [Bm] now.
She's hot to go, you've [G#] got to notice.
[D] Good girl.
[A]
Oh [G] yeah, Lyle Lovett, Francine Reed.
[F#m]
Key:
G
C
A
D
B
G
C
A
[N] _ _ _ _ _ _ _ _
[D] _ [C#] _ _ And we could [B] not wait to have him back.
He will be at the [C#] Anaheim Celebrity Theater [B] in Anaheim, [C] California on the 27th of this
[C#] month and at the Wadsworth [A] Theater in UCLA on the 28th.
[G] And I've got a new album here somewhere.
[Dm] _ _ [E] Lyle [G#] Lovett and his large band.
And tonight he's going to sing and feature Francine Reed.
Would you [Em] welcome Lyle Lovett.
[D] _ _ _ _ [G] _ _ [F#] _ _
_ Hello.
[D] [C] I'm a journalist.
He sits next to you and reads [G] the newspaper over your shoulder.
_ [B] [C#] Wait, don't turn the page.
I'm not finished.
_ Life [A#] is so uncertain.
[G] _ _ _ _
Here I am, can't you [C] just see?
_ _ Take [G] my hand, _ [C] can't you see? _ _
[G] Here I _ am, can't you [C] just do
[F] All [G] I _ _ want, [C] can't you see?
_ _ [G] _
Given [C] the true intellectual [G#] and emotional [A] compatibility are at the very least difficult
if not [Dm] impossible to come [N] by, _ we could always [G#] opt for the more temporal gratification of
[C#] sheer physical [N] attraction.
_ [C] That wouldn't make you a shallow person, [G] would it? _ _ _
_ Here I _ am, yes [C] it's me.
_ _ [G] Take my hand, _ [Dm] and you'll [C] see. _
[G] Here I _ am, [C] yes it's me.
_ _ _ [G] All I _ want, _ [C] hell is you. _ _ _
_ [G] What Ford is to Chevrolet, what Dodge is [A] to Chrysler, what Corn [B] Flakes are to Post [D] Toasties,
what the clear blue sky [A] is to the deep blue sea, what [C] Hank [A] Williams is to [F#] Neil Armstrong.
[G#] Can you [G] doubt we were made for each [C#] other?
_ _ [C] _ _ [G] Here I am, _ yes [C] it's me. _
_ [G] Take my hand, _ [C] and you'll see.
_ _ [G] Here I _ am, _ _ [C] you. _ _
All [G] I want, _ [C] hell is you.
_ _ _ _ Look, I understand too little too late.
I realize there are things you [A] say and do you can never take back.
But what would you be [G] if you didn't even try?
_ You have to try.
[C] So after a lot of thought, [A] I'd like to reconsider.
[E] _
Please, if it's not too late, _ make it a [D] _ cheeseburger.
_ [G] _ _ _ _
Here I am, _ [C] yes it's me.
_ _ [G] Take my _ hand, [C] and you'll see. _ _
[G] Here I _ am, yes [C] it's you.
_ _ _ [G] _ _ _ _ _
[C] All I want, hell is you.
_ _ [Gm] Here I [G] _ _ am, yes [C] it's me. _
_ [G] Take my hand, _ and [C] you'll see.
_ _ [G] Here I _ _ am, [C] yes it's you. _ _
_ [G] All I _ want, _ [C] hell is you. _ _ _ _ _
_ _ _ _ _ _ [A#m] _ _
_ _ _ _ _ [G] _ _ _
_ _ _ _ _ _ [Gm] _ _
_ _ _ _ _ [G] Yeah!
[B] _
_ _ _ [D] _ Good [D#] voice, Huck the Gutters.
[Dm] _ _ _ [D] _ _ [G] _ _
[D] _ _ _ _ _ _ _ _
_ _ _ [B] _ _ _ _ [G#] _
_ _ _ _ _ _ _ [C#m] _
[B] _ _ _ _ [E] _ _ _ _
_ _ [A] _ _ [Am] _ _ _ _
[B] _ _ _ _ _ _ _ _
_ [A] Now to find a man [Em] good lovin' [Am] ain't an easy thing to do.
You gotta know just what you're looking for [A] and where to find it too.
[C#] She's hot to go she's [A] ready she's hot to go right now.
She's hot to go you've have to know [C#m] let's hop and do it girls.
[D] I don't have no [Am] lease, you don't have to stand in line.
You don't have to care who sees you here [A] you don't have to waste your time.
[D] She's hot to go [A] she's ready she's hot to go right now.
She's hot to go [G#] you've got to know let's hop and [Bm] do it girls.
[C#] We can stop by [D#] any mall, [F#m] we can stop by Late Night.
[C#] We can stop by if [G#m] you're a good friend or if you look alright.
[D] She's hot to go, she's ready, [A] she's hot to go [Bm] right now.
She's hot to go, you've got to notice.
[C#m] _
Good girl.
[G#] _ _ _ _ _ _
_ _ [F#m] _ _ _ _ [D#] _ _
_ _ [A] _ _ _ _ _ _
_ _ _ [D#] _ _ _ _ _
_ [D] _ _ _ _ _ _ [G] _
_ _ _ [A] _ _ [C#] _ _ _
_ _ _ [A] _ _ _ _ [B] _
_ _ _ _ _ [E] _ _
I [F#] grep her from behind, [A] she looked [B] so fine to me.
But when I stepped around her [E] man, my eyes could [A] plainly see.
She was ugly, brum brum, [F#] she was ugly, [D] brum brum, [F#m] she was ugly, brum brum.
[Em] I said ugly, ugly, ugly, ugly, although I can't stand [Am] behind her.
And I like it on the side, [A] don't make me look [B] around her man.
[C] She's ugly, ugly, ugly, ugly, she's [A] _ [G] ugly, brum brum, she [A] was ugly, brum [D] brum, she [A] was ugly, brum brum.
[E] I said this [D#] girl was so ugly.
Well you [C] ugly too.
[A#] _ _
She's [D] hot to go, she's [Em] ready, she's hot to go right [Bm] now.
She's hot to go, you've [G#] got to notice.
[D] Good girl. _ _ _ _ _ _
_ [A] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ Oh [G] yeah, Lyle Lovett, Francine Reed.
_ [F#m] _ _ _ _ _
[D] _ [C#] _ _ And we could [B] not wait to have him back.
He will be at the [C#] Anaheim Celebrity Theater [B] in Anaheim, [C] California on the 27th of this
[C#] month and at the Wadsworth [A] Theater in UCLA on the 28th.
[G] And I've got a new album here somewhere.
[Dm] _ _ [E] Lyle [G#] Lovett and his large band.
And tonight he's going to sing and feature Francine Reed.
Would you [Em] welcome Lyle Lovett.
[D] _ _ _ _ [G] _ _ [F#] _ _
_ Hello.
[D] [C] I'm a journalist.
He sits next to you and reads [G] the newspaper over your shoulder.
_ [B] [C#] Wait, don't turn the page.
I'm not finished.
_ Life [A#] is so uncertain.
[G] _ _ _ _
Here I am, can't you [C] just see?
_ _ Take [G] my hand, _ [C] can't you see? _ _
[G] Here I _ am, can't you [C] just do
[F] All [G] I _ _ want, [C] can't you see?
_ _ [G] _
Given [C] the true intellectual [G#] and emotional [A] compatibility are at the very least difficult
if not [Dm] impossible to come [N] by, _ we could always [G#] opt for the more temporal gratification of
[C#] sheer physical [N] attraction.
_ [C] That wouldn't make you a shallow person, [G] would it? _ _ _
_ Here I _ am, yes [C] it's me.
_ _ [G] Take my hand, _ [Dm] and you'll [C] see. _
[G] Here I _ am, [C] yes it's me.
_ _ _ [G] All I _ want, _ [C] hell is you. _ _ _
_ [G] What Ford is to Chevrolet, what Dodge is [A] to Chrysler, what Corn [B] Flakes are to Post [D] Toasties,
what the clear blue sky [A] is to the deep blue sea, what [C] Hank [A] Williams is to [F#] Neil Armstrong.
[G#] Can you [G] doubt we were made for each [C#] other?
_ _ [C] _ _ [G] Here I am, _ yes [C] it's me. _
_ [G] Take my hand, _ [C] and you'll see.
_ _ [G] Here I _ am, _ _ [C] you. _ _
All [G] I want, _ [C] hell is you.
_ _ _ _ Look, I understand too little too late.
I realize there are things you [A] say and do you can never take back.
But what would you be [G] if you didn't even try?
_ You have to try.
[C] So after a lot of thought, [A] I'd like to reconsider.
[E] _
Please, if it's not too late, _ make it a [D] _ cheeseburger.
_ [G] _ _ _ _
Here I am, _ [C] yes it's me.
_ _ [G] Take my _ hand, [C] and you'll see. _ _
[G] Here I _ am, yes [C] it's you.
_ _ _ [G] _ _ _ _ _
[C] All I want, hell is you.
_ _ [Gm] Here I [G] _ _ am, yes [C] it's me. _
_ [G] Take my hand, _ and [C] you'll see.
_ _ [G] Here I _ _ am, [C] yes it's you. _ _
_ [G] All I _ want, _ [C] hell is you. _ _ _ _ _
_ _ _ _ _ _ [A#m] _ _
_ _ _ _ _ [G] _ _ _
_ _ _ _ _ _ [Gm] _ _
_ _ _ _ _ [G] Yeah!
[B] _
_ _ _ [D] _ Good [D#] voice, Huck the Gutters.
[Dm] _ _ _ [D] _ _ [G] _ _
[D] _ _ _ _ _ _ _ _
_ _ _ [B] _ _ _ _ [G#] _
_ _ _ _ _ _ _ [C#m] _
[B] _ _ _ _ [E] _ _ _ _
_ _ [A] _ _ [Am] _ _ _ _
[B] _ _ _ _ _ _ _ _
_ [A] Now to find a man [Em] good lovin' [Am] ain't an easy thing to do.
You gotta know just what you're looking for [A] and where to find it too.
[C#] She's hot to go she's [A] ready she's hot to go right now.
She's hot to go you've have to know [C#m] let's hop and do it girls.
[D] I don't have no [Am] lease, you don't have to stand in line.
You don't have to care who sees you here [A] you don't have to waste your time.
[D] She's hot to go [A] she's ready she's hot to go right now.
She's hot to go [G#] you've got to know let's hop and [Bm] do it girls.
[C#] We can stop by [D#] any mall, [F#m] we can stop by Late Night.
[C#] We can stop by if [G#m] you're a good friend or if you look alright.
[D] She's hot to go, she's ready, [A] she's hot to go [Bm] right now.
She's hot to go, you've got to notice.
[C#m] _
Good girl.
[G#] _ _ _ _ _ _
_ _ [F#m] _ _ _ _ [D#] _ _
_ _ [A] _ _ _ _ _ _
_ _ _ [D#] _ _ _ _ _
_ [D] _ _ _ _ _ _ [G] _
_ _ _ [A] _ _ [C#] _ _ _
_ _ _ [A] _ _ _ _ [B] _
_ _ _ _ _ [E] _ _
I [F#] grep her from behind, [A] she looked [B] so fine to me.
But when I stepped around her [E] man, my eyes could [A] plainly see.
She was ugly, brum brum, [F#] she was ugly, [D] brum brum, [F#m] she was ugly, brum brum.
[Em] I said ugly, ugly, ugly, ugly, although I can't stand [Am] behind her.
And I like it on the side, [A] don't make me look [B] around her man.
[C] She's ugly, ugly, ugly, ugly, she's [A] _ [G] ugly, brum brum, she [A] was ugly, brum [D] brum, she [A] was ugly, brum brum.
[E] I said this [D#] girl was so ugly.
Well you [C] ugly too.
[A#] _ _
She's [D] hot to go, she's [Em] ready, she's hot to go right [Bm] now.
She's hot to go, you've [G#] got to notice.
[D] Good girl. _ _ _ _ _ _
_ [A] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ Oh [G] yeah, Lyle Lovett, Francine Reed.
_ [F#m] _ _ _ _ _