Chords for Live from the factory floor – Chilly Gonzales
Tempo:
147.3 bpm
Chords used:
Ebm
Abm
Eb
Ab
Am
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[F] [Ab]
[D]
[Gm]
Have you ever been in the bathtub and you sort of [Am] catch yourself [Em] looking for the note
[Eb] that's going to make the whole bathroom shake with resonance, like, buh, buh, buh,
and then you hit one note, buh, [E] and all of a sudden your entire bathtub is like a giant tuba.
And that's what you do when you play [D] the piano, right?
You kind of look for the sweet spot.
What kind of piano is this?
I have no idea.
So let's begin.
[Ebm]
[Eb]
[Ab]
[Ebm]
[Eb] [Ab]
[Abm]
[Ebm]
[Db] [B]
[C] [B]
[Bb] The piano [A]
[Abm] is sort of the atomic form of music to me.
It was sort [Ebm] of invented to be able to essentially cover [Abm] the orchestra and be like an orchestra in miniature.
If an opera [Gb] is being rehearsed and they can't afford to [Ebm] have an orchestra there for six
months, the first four [Db] or five months will be with a pianist.
And when I was [Ebm] growing up and learning the piano and I started to hear, like, jazz [Bb] pianists
and then I [B] saw Lionel Richie's playing a [Abm] piano in his video and I thought, that's the same
piano that [Eb] my grandfather was [Ebm] showing me as the main [Abm] motor of classical music.
So I realized that the [Db] piano can do it [Bb] all.
And [B] that's when you don't see the borders of music anymore [Eb] is because [Ebm] you have this
sort of [B] platonic version of a musical instrument [Ab] that is nothing and everything at [Eb] the same time.
[Ab] [Bb]
I'd be really curious to try to spend an evening [Ebm] in their locker.
I think I can sleep well under the piano.
[Eb]
In my tour of [Abm] the Steinway factory, [Gb] my favorite place was the pedal room.
[Em] [Ab] I'm obsessed with pedals.
I feel like when I play the [Db] piano, what I'm doing with my feet is the most important and expressive part.
[E] And this [D] doesn't matter as much, actually, to me.
[Am]
[Dm]
[D]
[Am]
[A]
[G]
[F] [D]
[Dm]
[A] It's strange, this separation, right?
You work on [Am] this machine.
And if this machine didn't exist, then I don't exist, right?
[A] So you have all the power.
But then again, if there wasn't me, [Am] you would have no reason to show up and make the machine.
So you see, we each have the power over each other, and [G] we need each other.
And I wonder if maybe today we can break through this [C] wall, and maybe one of the workers here
from Steinway can come join me for a very short, easy improvisation.
Okay, so here we go.
You start.
Do you remember where it is?
[Bb]
[Dm]
[Gm] [Dm]
Vacation.
[Bb]
[Am]
[Dm]
Black button.
[Abm]
[Bbm]
[B]
[Bbm] How about a hand for [Abm] Daniela, everybody?
Yeah!
[N]
[D]
[Gm]
Have you ever been in the bathtub and you sort of [Am] catch yourself [Em] looking for the note
[Eb] that's going to make the whole bathroom shake with resonance, like, buh, buh, buh,
and then you hit one note, buh, [E] and all of a sudden your entire bathtub is like a giant tuba.
And that's what you do when you play [D] the piano, right?
You kind of look for the sweet spot.
What kind of piano is this?
I have no idea.
So let's begin.
[Ebm]
[Eb]
[Ab]
[Ebm]
[Eb] [Ab]
[Abm]
[Ebm]
[Db] [B]
[C] [B]
[Bb] The piano [A]
[Abm] is sort of the atomic form of music to me.
It was sort [Ebm] of invented to be able to essentially cover [Abm] the orchestra and be like an orchestra in miniature.
If an opera [Gb] is being rehearsed and they can't afford to [Ebm] have an orchestra there for six
months, the first four [Db] or five months will be with a pianist.
And when I was [Ebm] growing up and learning the piano and I started to hear, like, jazz [Bb] pianists
and then I [B] saw Lionel Richie's playing a [Abm] piano in his video and I thought, that's the same
piano that [Eb] my grandfather was [Ebm] showing me as the main [Abm] motor of classical music.
So I realized that the [Db] piano can do it [Bb] all.
And [B] that's when you don't see the borders of music anymore [Eb] is because [Ebm] you have this
sort of [B] platonic version of a musical instrument [Ab] that is nothing and everything at [Eb] the same time.
[Ab] [Bb]
I'd be really curious to try to spend an evening [Ebm] in their locker.
I think I can sleep well under the piano.
[Eb]
In my tour of [Abm] the Steinway factory, [Gb] my favorite place was the pedal room.
[Em] [Ab] I'm obsessed with pedals.
I feel like when I play the [Db] piano, what I'm doing with my feet is the most important and expressive part.
[E] And this [D] doesn't matter as much, actually, to me.
[Am]
[Dm]
[D]
[Am]
[A]
[G]
[F] [D]
[Dm]
[A] It's strange, this separation, right?
You work on [Am] this machine.
And if this machine didn't exist, then I don't exist, right?
[A] So you have all the power.
But then again, if there wasn't me, [Am] you would have no reason to show up and make the machine.
So you see, we each have the power over each other, and [G] we need each other.
And I wonder if maybe today we can break through this [C] wall, and maybe one of the workers here
from Steinway can come join me for a very short, easy improvisation.
Okay, so here we go.
You start.
Do you remember where it is?
[Bb]
[Dm]
[Gm] [Dm]
Vacation.
[Bb]
[Am]
[Dm]
Black button.
[Abm]
[Bbm]
[B]
[Bbm] How about a hand for [Abm] Daniela, everybody?
Yeah!
[N]
Key:
Ebm
Abm
Eb
Ab
Am
Ebm
Abm
Eb
_ _ _ _ _ [F] _ [Ab] _ _
[D] _ _ _ _ _ _ _ _
_ [Gm] _ _ _ _ _ _ _
_ Have you ever been in the bathtub and you sort of [Am] catch yourself [Em] looking for the note
[Eb] that's going to make the whole bathroom shake with resonance, like, buh, buh, buh,
and then you hit one note, buh, [E] and all of a sudden your entire bathtub is like a giant tuba.
And that's what you do when you play [D] the piano, right?
You kind of look for the sweet spot.
What kind of piano is this?
I have no idea.
So let's begin. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Ebm] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [Eb] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [Ab] _ _ _
_ _ _ _ _ _ _ _
_ [Ebm] _ _ _ _ _ _ _
_ [Eb] _ _ _ _ [Ab] _ _ _
_ _ _ _ _ [Abm] _ _ _
_ [Ebm] _ _ _ _ _ _ _
_ _ _ _ _ [Db] _ _ [B] _
_ _ _ [C] _ _ _ _ [B] _
_ _ [Bb] _ _ The piano [A] _ _
_ _ _ _ _ [Abm] is _ sort of _ the atomic form of music to me.
It was sort [Ebm] of invented to be able to essentially _ cover [Abm] the orchestra and be like an orchestra in miniature. _
If an opera [Gb] is being rehearsed and they can't afford to [Ebm] have an orchestra there for six
months, the first four [Db] or five months will be with a pianist.
And when I was [Ebm] growing up and learning the piano and I started to hear, like, jazz [Bb] pianists
and then I [B] saw Lionel Richie's playing a [Abm] piano in his video and I thought, that's the same
piano that [Eb] my grandfather was [Ebm] showing me as the main [Abm] motor of classical music.
So I realized that the [Db] piano can do it [Bb] all.
And [B] that's when you don't see the borders of music anymore [Eb] is because [Ebm] you have this
sort of [B] platonic version of a musical instrument [Ab] that is nothing and everything at [Eb] the same time. _ _ _ _ _
_ _ _ _ _ [Ab] _ _ [Bb] _
_ _ _ _ _ _ I'd _ _ _ _ _ _ be really curious to try to spend an evening [Ebm] in their locker. _ _
I think I can sleep well under the piano.
[Eb] _
In my tour of [Abm] the Steinway factory, _ _ [Gb] my favorite place was the pedal room.
[Em] _ _ [Ab] I'm _ _ obsessed with pedals.
I feel like when I play the [Db] piano, _ _ what I'm doing with my feet is the most important and expressive part.
[E] And this _ [D] _ doesn't matter as much, actually, to me. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Am] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [Dm] _ _
_ _ _ _ _ _ _ [D] _
_ _ _ _ _ [Am] _ _ _
_ _ _ _ _ [A] _ _ _
_ _ _ _ [G] _ _ _ _
_ _ _ _ _ _ _ _
_ [F] _ _ _ _ _ [D] _ _
_ _ _ _ _ _ _ _
_ _ _ [Dm] _ _ _ _ _
_ [A] _ _ _ _ _ It's strange, this separation, right?
You work on [Am] this machine. _
And if this machine didn't exist, then I don't exist, right?
[A] So you have all the power.
But then again, if there wasn't me, [Am] you would have no reason to show up and make the machine.
So you see, we each have the power over each other, and [G] we need each other.
And I wonder if maybe today we can break through this [C] wall, and maybe one of the workers here
from Steinway can come join me for a very short, easy improvisation. _ _
Okay, so here we go.
You start.
Do you remember where it is? _ _
_ _ _ _ _ [Bb] _ _ _
_ _ _ [Dm] _ _ _ _ _
[Gm] _ _ _ _ _ [Dm] _ _ _
_ _ _ _ _ _ _ _
Vacation.
_ _ _ [Bb] _ _ _
_ _ _ _ _ [Am] _ _ _
_ _ _ _ _ [Dm] _ _ _
_ Black button.
_ [Abm] _ _ _
_ _ _ _ _ _ _ _
_ _ _ [Bbm] _ _ _ _ _
_ _ _ [B] _ _ _ _
[Bbm] How about a hand for [Abm] Daniela, everybody?
Yeah! _ _
[N] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[D] _ _ _ _ _ _ _ _
_ [Gm] _ _ _ _ _ _ _
_ Have you ever been in the bathtub and you sort of [Am] catch yourself [Em] looking for the note
[Eb] that's going to make the whole bathroom shake with resonance, like, buh, buh, buh,
and then you hit one note, buh, [E] and all of a sudden your entire bathtub is like a giant tuba.
And that's what you do when you play [D] the piano, right?
You kind of look for the sweet spot.
What kind of piano is this?
I have no idea.
So let's begin. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Ebm] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [Eb] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [Ab] _ _ _
_ _ _ _ _ _ _ _
_ [Ebm] _ _ _ _ _ _ _
_ [Eb] _ _ _ _ [Ab] _ _ _
_ _ _ _ _ [Abm] _ _ _
_ [Ebm] _ _ _ _ _ _ _
_ _ _ _ _ [Db] _ _ [B] _
_ _ _ [C] _ _ _ _ [B] _
_ _ [Bb] _ _ The piano [A] _ _
_ _ _ _ _ [Abm] is _ sort of _ the atomic form of music to me.
It was sort [Ebm] of invented to be able to essentially _ cover [Abm] the orchestra and be like an orchestra in miniature. _
If an opera [Gb] is being rehearsed and they can't afford to [Ebm] have an orchestra there for six
months, the first four [Db] or five months will be with a pianist.
And when I was [Ebm] growing up and learning the piano and I started to hear, like, jazz [Bb] pianists
and then I [B] saw Lionel Richie's playing a [Abm] piano in his video and I thought, that's the same
piano that [Eb] my grandfather was [Ebm] showing me as the main [Abm] motor of classical music.
So I realized that the [Db] piano can do it [Bb] all.
And [B] that's when you don't see the borders of music anymore [Eb] is because [Ebm] you have this
sort of [B] platonic version of a musical instrument [Ab] that is nothing and everything at [Eb] the same time. _ _ _ _ _
_ _ _ _ _ [Ab] _ _ [Bb] _
_ _ _ _ _ _ I'd _ _ _ _ _ _ be really curious to try to spend an evening [Ebm] in their locker. _ _
I think I can sleep well under the piano.
[Eb] _
In my tour of [Abm] the Steinway factory, _ _ [Gb] my favorite place was the pedal room.
[Em] _ _ [Ab] I'm _ _ obsessed with pedals.
I feel like when I play the [Db] piano, _ _ what I'm doing with my feet is the most important and expressive part.
[E] And this _ [D] _ doesn't matter as much, actually, to me. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Am] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [Dm] _ _
_ _ _ _ _ _ _ [D] _
_ _ _ _ _ [Am] _ _ _
_ _ _ _ _ [A] _ _ _
_ _ _ _ [G] _ _ _ _
_ _ _ _ _ _ _ _
_ [F] _ _ _ _ _ [D] _ _
_ _ _ _ _ _ _ _
_ _ _ [Dm] _ _ _ _ _
_ [A] _ _ _ _ _ It's strange, this separation, right?
You work on [Am] this machine. _
And if this machine didn't exist, then I don't exist, right?
[A] So you have all the power.
But then again, if there wasn't me, [Am] you would have no reason to show up and make the machine.
So you see, we each have the power over each other, and [G] we need each other.
And I wonder if maybe today we can break through this [C] wall, and maybe one of the workers here
from Steinway can come join me for a very short, easy improvisation. _ _
Okay, so here we go.
You start.
Do you remember where it is? _ _
_ _ _ _ _ [Bb] _ _ _
_ _ _ [Dm] _ _ _ _ _
[Gm] _ _ _ _ _ [Dm] _ _ _
_ _ _ _ _ _ _ _
Vacation.
_ _ _ [Bb] _ _ _
_ _ _ _ _ [Am] _ _ _
_ _ _ _ _ [Dm] _ _ _
_ Black button.
_ [Abm] _ _ _
_ _ _ _ _ _ _ _
_ _ _ [Bbm] _ _ _ _ _
_ _ _ [B] _ _ _ _
[Bbm] How about a hand for [Abm] Daniela, everybody?
Yeah! _ _
[N] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _