Chords for Limp Bizkit - 9 teen 90 nine

Tempo:
96.95 bpm
Chords used:

C#

D

F#

C

G

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Limp Bizkit - 9 teen 90 nine chords
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[C#]
[N]
[C#]
[D#]
[A]
[G#] I'm claiming [D] is the top of the world.
But [F#] the stage I'm claiming is the top of the [C] world.
And love, I'm feeling when you people connect.
[F#] And if you're out in the crowd, [D] you're getting more than respect.
[F] And if you're wondering, I got [D] plenty of flows.
I'm making plenty of friends, and many of both.
[C] But as the audience grows, security [F#] knows.
Stopping me now is kind of serious.
[C] No use in [D] dreading what they call Armageddon.
[F] I think we made it through the [D] slump.
But who really cares where we're heading?
[D#m] Cause now you motherfuckers got a reason to [C#] jump!
So let's make something out of it.
This way we can all relate.
We collide.
This [D#] is how we communicate.
[C#] So let's make something out of it.
Who am I talking to?
We would save the day.
I can't buy it if we get it.
So let's [D] drift away.
Hate, I'm feeling I don't really [F#] get.
And hate can get you in some [D] serious shit.
Time is [G#] something that may change [F#] me.
But I can't change time.
So fuck it.
[C] I'm dissembling through these [D] thoughts.
And I'm on the fact that I can be delirious.
[C] But as the audience grows, [D] security knows.
Stopping me now is kind of serious.
[F#] No use in dreading what [D] they call [F#] Armageddon.
I think we made it through the slump.
[C] But who really cares where we're heading?
[F#] Cause now your [C] motherfuckers got a reason to [C#] jump!
So let's make something out of it.
This way we can all relate.
We're alright.
We collide.
This is [D#] how we communicate.
[C#] So let's make something out of it.
Who am I talking to?
We would save the day.
I can't buy it if we get it.
So let's drift [D] away. We're alright.
[D#m] [C#m]
[C#] [A]
[C#]
[B] We see good things change and good things go [D] away.
We [C#] see good things waste and we don't.
[G#m] And [C#] what we need is a place to escape from [D] today.
[C#] We're alright.
[D] What [C#] we need is a place to escape from.
[G]
[C#] Yeah!
[G] [C#] Bring it on!
Bring it on!
Bring it on!
Bring it on!
[D] You gotta be down with [C#] the G-Shock.
Fuck the glam rock.
Ass out like it's shamrock.
And she can test me.
What a test to test me.
But I ain't all about that.
You gotta [Bm] be down with [C#] the G-Shock.
Fuck the glam [F#] rock.
Ass out like it's [C#] shamrock.
And she can test me.
What a test to test me.
But you don't want none of [G] [C#]
[G] this.
Yeah!
[C#] Where we at?
Where we at?
Where we at?
Where [G] we at?
Where we at?
Where we at?
[G] Where we at?
Where we at?
[C#] Where we at?
[G]
[C#] [C#] G-Shock!
It's 1999!
G-Shock!
[F#m] [G] It's 1999!
Baby!
[C] [D] [G#]
[N] [C#m]
Key:  
C#
12341114
D
1321
F#
134211112
C
3211
G
2131
C#
12341114
D
1321
F#
134211112
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_ _ _ _ _ _ _ [C#] _
_ _ _ _ [N] _ _ _ _
[C#] _ _ _ _ _ _ _ _
_ _ _ _ _ _ [D#] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [A] _ _
[G#] I'm claiming [D] is the top of the world.
But [F#] the stage I'm claiming is the top of the [C] world.
And love, I'm feeling when you people connect.
[F#] And if you're out in the crowd, [D] you're getting more than respect.
[F] And if you're wondering, I got [D] plenty of flows.
I'm making plenty of friends, and many of both.
[C] But as the audience grows, security [F#] knows.
Stopping me now is kind of serious.
[C] No use in [D] dreading what they call Armageddon.
[F] I think we made it through the [D] slump.
But who really cares where we're heading?
[D#m] Cause now you motherfuckers got a reason to [C#] jump!
So let's make something out of it.
This way we can all relate.
_ We collide.
This [D#] is how we communicate.
[C#] So let's make something out of it.
Who am I talking to?
We would save the day.
I can't buy it if we get it.
So let's [D] drift away.
Hate, I'm feeling I don't really [F#] get.
And hate can get you in some [D] serious shit.
Time is [G#] something that may change [F#] me.
But I can't change time.
So fuck it.
[C] I'm dissembling through these [D] thoughts.
And I'm on the fact that I can be delirious.
[C] But as the audience grows, [D] security knows.
Stopping me now is kind of serious.
[F#] No use in dreading what [D] they call [F#] Armageddon.
I think we made it through the slump.
[C] But who really cares where we're heading?
[F#] Cause now your [C] motherfuckers got a reason to [C#] jump!
So let's make something out of it.
This way we can all relate.
We're alright.
We collide.
This is [D#] how we communicate.
[C#] So let's make something out of it.
Who am I talking to?
We would save the day.
I can't buy it if we get it.
So let's drift [D] away. We're alright.
_ _ _ [D#m] _ _ [C#m] _ _ _
_ _ _ _ [C#] _ _ [A] _ _
[C#] _ _ _ _ _ _ _ _
_ _ _ [B] _ We see good things change and good things go [D] away.
We [C#] see good things waste and we don't.
[G#m] _ And [C#] what we need is a place to escape from [D] today.
_ [C#] We're alright. _ _ _
_ _ _ _ _ _ [D] What [C#] we need is a place to escape from.
_ _ _ _ _ [G] _ _
[C#] Yeah!
_ [G] _ [C#] Bring it on!
Bring it on!
Bring it on!
Bring it on!
[D] _ You gotta be down with [C#] the G-Shock.
Fuck the glam rock.
Ass out like it's shamrock.
And she can test me.
What a test to test me.
But I ain't all about that.
You gotta [Bm] be down with [C#] the G-Shock.
Fuck the glam [F#] rock.
Ass out like it's [C#] shamrock.
And she can test me.
What a test to test me.
But you don't want none of _ _ [G] _ _ [C#] _
[G] this.
Yeah!
[C#] Where we at?
Where we at?
Where we at?
Where [G] we at?
Where we at?
Where we at? _ _ _ _ _ _
[G] _ Where we at?
Where we at?
[C#] Where we at?
[G] _
_ [C#] _ [C#] G-Shock!
It's 1999!
_ G-Shock!
[F#m] _ [G] It's 1999!
Baby!
_ [C] _ _ _ _ _ _ _ _ [D] _ _ _ [G#] _
_ _ _ _ [N] _ _ [C#m] _ _