Chords for Leatherwolf - 1989 Interview On MuchMusic's Power Hour
Tempo:
101.8 bpm
Chords used:
D
F
C
G
A
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[A] [B] [A]
[D] [A] [Eb] [Gb]
[Em]
[E] [Em]
[C] [D] [G] We all three got [Bb] different styles, so [G] none of our [E] styles really clash or anything.
[Fm] You can tell who's going to do a lead over what lead section [D] by, you know,
just kind of you can [Eb] hear what style's going to fit [D] over that.
Or if a triple will fit over it, you know.
It's not much [Gb] competition because we've been jamming together for a while.
Me and Michael were [F] in guitar class in high school together.
[C] And we hooked up with Carrie just [Gm] right out of high school, so we're like [Em] bros.
♪ I [A] know you're [G] gay.
[Em]
That's your love, [D] [C] [E]
[D] [E] babe.
[D] [A] I'd like to [B] stay away.
[E]
[D] [E] I'd [D] [G] like to [Am] stay [G] away from [C] you.
[D] Just to stay.
[Em]
I [A] noticed you went back to your [Ab] first producer, Kevin Beamish.
[Bb] What's he like as a producer?
Is he a person that just goes and gets [A] coffees, or is he really [Ab] involved with the project?
[Bm] He's [Gb] got a great ear.
We like [C] Kevin.
He seems to bring the [Ab] best out of each individual in the band.
[G] And, you know, we get along [Gb] with him.
There's no ego [F] problems, you know.
So we work really well [F] with him, and we felt he brought the best out of [C] each individual.
So we were [Eb] great with vocals.
He's really good with back [C] vocals.
[Ab] Once he gets started on a [Bb] project, he gets attached, you know.
He'll live in the studio for [F] 18, 20 hours at a time.
You guys recorded [Db] in [Bbm] Nassau again.
Come to this point. Yeah.
[Bb]
What draws you there?
The first [D] time, we were kind of sent there.
[Ab] So the next time we went to do [G] the second record, Street Ready,
we had a choice of where to go.
[F] We had a great time there the first time, [E] and, [F] you know,
we want to fix something that already [Gb] works.
The vibe is really good out there, because you're away [G] from all the traffic and hassles like L.A.
You're just there with the five [D] guys, and you can really collaborate on ideas [G] really good.
It's good to just get [Gbm] away from all your friends and family and all the distractions of [E] Los Angeles, you know, just get away.
[D] Would it make you a little lazy, [E] though?
Like, here you are in the sun, it's a [Bb] beach, and [G] stuff like that.
The weather changes every [D] five minutes.
Yeah.
Don't like the weather?
Wait five minutes.
Actually, [Db] last time we were there, [F] it was so hot, it was unbearable to go [Bb] outside.
Yeah.
And then we [F] had a hurricane, Hurricane Gilbert.
[N] I am the thunder.
Serious thunder storm [D] while we were there.
[C] [A]
[Dm] [C] [D]
[Dm]
[C] [A] [F]
[C]
[D] Right [G] now you guys are doing a club [Bbm] headlining tour.
Why haven't [Abm] you jumped on to maybe an opening [Gb] act slot?
One thing [F] we want to do is get on another tour, you know, a big tour.
Of course, you want to play in front [N] of thousands of people every night, but right now there's just so many bands out there [Gb] fighting for the same tours that we are.
It's just really hard to [Gm] get on a tour, so we're just [G] doing clubs, staying [Ab] tight, and hopefully something's going to come our way and we'll be ready to go.
This leg of the tour we [N] played with [Gb] Queens or Ike at Irvine Meadows, 15,000 people, sold out show.
And the next night we're [F] playing the Mason Jar, which holds about [G] 200.
[A] I [F] mean, you get that kind of thing all over the [Bb] place.
Which do you like better, the clubs [Eb] or?
I like them all.
It just depends [F] on the response of the [C] audience.
You know, you can play to 200 people sitting down and it's, [C]
you know, it's [Gb] nothing.
You play to 200 people going mania, [F] you know, and being
[D] [A] [Eb] [Gb]
[Em]
[E] [Em]
[C] [D] [G] We all three got [Bb] different styles, so [G] none of our [E] styles really clash or anything.
[Fm] You can tell who's going to do a lead over what lead section [D] by, you know,
just kind of you can [Eb] hear what style's going to fit [D] over that.
Or if a triple will fit over it, you know.
It's not much [Gb] competition because we've been jamming together for a while.
Me and Michael were [F] in guitar class in high school together.
[C] And we hooked up with Carrie just [Gm] right out of high school, so we're like [Em] bros.
♪ I [A] know you're [G] gay.
[Em]
That's your love, [D] [C] [E]
[D] [E] babe.
[D] [A] I'd like to [B] stay away.
[E]
[D] [E] I'd [D] [G] like to [Am] stay [G] away from [C] you.
[D] Just to stay.
[Em]
I [A] noticed you went back to your [Ab] first producer, Kevin Beamish.
[Bb] What's he like as a producer?
Is he a person that just goes and gets [A] coffees, or is he really [Ab] involved with the project?
[Bm] He's [Gb] got a great ear.
We like [C] Kevin.
He seems to bring the [Ab] best out of each individual in the band.
[G] And, you know, we get along [Gb] with him.
There's no ego [F] problems, you know.
So we work really well [F] with him, and we felt he brought the best out of [C] each individual.
So we were [Eb] great with vocals.
He's really good with back [C] vocals.
[Ab] Once he gets started on a [Bb] project, he gets attached, you know.
He'll live in the studio for [F] 18, 20 hours at a time.
You guys recorded [Db] in [Bbm] Nassau again.
Come to this point. Yeah.
[Bb]
What draws you there?
The first [D] time, we were kind of sent there.
[Ab] So the next time we went to do [G] the second record, Street Ready,
we had a choice of where to go.
[F] We had a great time there the first time, [E] and, [F] you know,
we want to fix something that already [Gb] works.
The vibe is really good out there, because you're away [G] from all the traffic and hassles like L.A.
You're just there with the five [D] guys, and you can really collaborate on ideas [G] really good.
It's good to just get [Gbm] away from all your friends and family and all the distractions of [E] Los Angeles, you know, just get away.
[D] Would it make you a little lazy, [E] though?
Like, here you are in the sun, it's a [Bb] beach, and [G] stuff like that.
The weather changes every [D] five minutes.
Yeah.
Don't like the weather?
Wait five minutes.
Actually, [Db] last time we were there, [F] it was so hot, it was unbearable to go [Bb] outside.
Yeah.
And then we [F] had a hurricane, Hurricane Gilbert.
[N] I am the thunder.
Serious thunder storm [D] while we were there.
[C] [A]
[Dm] [C] [D]
[Dm]
[C] [A] [F]
[C]
[D] Right [G] now you guys are doing a club [Bbm] headlining tour.
Why haven't [Abm] you jumped on to maybe an opening [Gb] act slot?
One thing [F] we want to do is get on another tour, you know, a big tour.
Of course, you want to play in front [N] of thousands of people every night, but right now there's just so many bands out there [Gb] fighting for the same tours that we are.
It's just really hard to [Gm] get on a tour, so we're just [G] doing clubs, staying [Ab] tight, and hopefully something's going to come our way and we'll be ready to go.
This leg of the tour we [N] played with [Gb] Queens or Ike at Irvine Meadows, 15,000 people, sold out show.
And the next night we're [F] playing the Mason Jar, which holds about [G] 200.
[A] I [F] mean, you get that kind of thing all over the [Bb] place.
Which do you like better, the clubs [Eb] or?
I like them all.
It just depends [F] on the response of the [C] audience.
You know, you can play to 200 people sitting down and it's, [C]
you know, it's [Gb] nothing.
You play to 200 people going mania, [F] you know, and being
Key:
D
F
C
G
A
D
F
C
_ _ [A] _ _ [B] _ _ [A] _ _
[D] _ _ [A] _ [Eb] _ _ [Gb] _ _ _
_ _ _ _ [Em] _ _ _ _
[E] _ _ _ _ _ _ _ [Em] _
_ [C] _ _ _ [D] _ [G] We all three got [Bb] different styles, so [G] none of our [E] styles really clash or anything.
[Fm] You can tell who's going to do a lead over what lead section [D] by, you know,
just kind of you can [Eb] hear what style's going to fit [D] over that.
Or if a triple will fit over it, you know.
It's not much [Gb] competition because we've been jamming together for a while.
Me and Michael were [F] in guitar class in high school together.
[C] And we hooked up with Carrie just [Gm] right out of high school, so we're like [Em] bros.
♪ I [A] know you're [G] gay.
_ [Em] _
That's your love, [D] _ _ [C] _ _ _ [E] _
_ _ _ _ [D] _ [E] babe. _
[D] _ [A] I'd like to [B] stay away.
[E] _ _
_ _ _ _ [D] _ _ [E] I'd [D] _ [G] like to [Am] stay [G] away from [C] you.
_ [D] Just to stay.
_ _ [Em] _ _
I [A] noticed you went back to your [Ab] first producer, Kevin Beamish.
[Bb] What's he like as a producer?
Is he a person that just goes and gets [A] coffees, or is he really [Ab] involved with the project?
[Bm] He's [Gb] got a great ear.
We like [C] Kevin.
He seems to bring the [Ab] best out of each individual in the band.
[G] And, you know, we get along [Gb] with him.
There's no ego [F] problems, you know.
So we work really well [F] with him, and we felt he brought the best out of [C] each individual.
So we were [Eb] great with vocals.
He's really good with back [C] vocals.
[Ab] Once he gets started on a [Bb] project, he gets attached, you know.
He'll live in the studio for [F] 18, 20 hours at a time.
You guys recorded [Db] in _ [Bbm] Nassau again.
Come to this point. Yeah.
[Bb] _
What draws you there?
The first [D] time, we were kind of sent there. _
[Ab] So the next time we went to do [G] the second record, Street Ready,
we had a choice of where to go.
[F] We had a great time there the first time, [E] and, [F] you know,
we want to fix something that already [Gb] works.
The vibe is really good out there, because you're away [G] from all the traffic and hassles like L.A.
You're just there with the five [D] guys, and you can really _ collaborate on ideas [G] really good.
It's good to just get [Gbm] away from all your friends and family and all the distractions of [E] Los Angeles, you know, just get away.
[D] Would it make you a little lazy, [E] though?
Like, here you are in the sun, it's a [Bb] beach, and [G] stuff like that.
The weather changes every [D] five minutes.
Yeah.
_ Don't like the weather?
Wait five minutes. _ _
Actually, [Db] last time we were there, [F] it was so hot, it was unbearable to go [Bb] outside.
Yeah.
And then we [F] had a hurricane, Hurricane Gilbert.
_ [N] I am the thunder.
Serious thunder storm [D] while we were there. _
_ _ _ _ [C] _ [A] _ _ _
[Dm] _ _ _ [C] _ [D] _ _ _ _
_ _ _ _ _ _ [Dm] _ _
_ _ [C] _ [A] _ _ [F] _ _ _
_ _ [C] _ _ _ _ _ _
[D] _ _ _ Right [G] now you guys are doing a club [Bbm] headlining tour.
Why haven't [Abm] you jumped on to maybe an opening [Gb] act slot?
One thing [F] we want to do is get on another tour, you know, a big tour.
Of course, you want to play in front [N] of thousands of people every night, but right now there's just so many bands out there [Gb] fighting for the same tours that we are.
It's just really hard to [Gm] get on a tour, so we're just [G] doing clubs, staying [Ab] tight, and hopefully something's going to come our way and we'll be ready to go.
This leg of the tour we [N] played with [Gb] Queens or Ike at Irvine Meadows, 15,000 people, sold out show.
And the next night we're [F] playing the Mason Jar, which holds about [G] 200.
[A] I [F] mean, you get that kind of thing all over the [Bb] place.
Which do you like better, the clubs [Eb] or_?
I like them all.
It just depends [F] on the response of the [C] audience.
You know, you can play to 200 people sitting down and it's, [C]
you know, it's [Gb] nothing.
You play to 200 people going mania, [F] you know, and being
[D] _ _ [A] _ [Eb] _ _ [Gb] _ _ _
_ _ _ _ [Em] _ _ _ _
[E] _ _ _ _ _ _ _ [Em] _
_ [C] _ _ _ [D] _ [G] We all three got [Bb] different styles, so [G] none of our [E] styles really clash or anything.
[Fm] You can tell who's going to do a lead over what lead section [D] by, you know,
just kind of you can [Eb] hear what style's going to fit [D] over that.
Or if a triple will fit over it, you know.
It's not much [Gb] competition because we've been jamming together for a while.
Me and Michael were [F] in guitar class in high school together.
[C] And we hooked up with Carrie just [Gm] right out of high school, so we're like [Em] bros.
♪ I [A] know you're [G] gay.
_ [Em] _
That's your love, [D] _ _ [C] _ _ _ [E] _
_ _ _ _ [D] _ [E] babe. _
[D] _ [A] I'd like to [B] stay away.
[E] _ _
_ _ _ _ [D] _ _ [E] I'd [D] _ [G] like to [Am] stay [G] away from [C] you.
_ [D] Just to stay.
_ _ [Em] _ _
I [A] noticed you went back to your [Ab] first producer, Kevin Beamish.
[Bb] What's he like as a producer?
Is he a person that just goes and gets [A] coffees, or is he really [Ab] involved with the project?
[Bm] He's [Gb] got a great ear.
We like [C] Kevin.
He seems to bring the [Ab] best out of each individual in the band.
[G] And, you know, we get along [Gb] with him.
There's no ego [F] problems, you know.
So we work really well [F] with him, and we felt he brought the best out of [C] each individual.
So we were [Eb] great with vocals.
He's really good with back [C] vocals.
[Ab] Once he gets started on a [Bb] project, he gets attached, you know.
He'll live in the studio for [F] 18, 20 hours at a time.
You guys recorded [Db] in _ [Bbm] Nassau again.
Come to this point. Yeah.
[Bb] _
What draws you there?
The first [D] time, we were kind of sent there. _
[Ab] So the next time we went to do [G] the second record, Street Ready,
we had a choice of where to go.
[F] We had a great time there the first time, [E] and, [F] you know,
we want to fix something that already [Gb] works.
The vibe is really good out there, because you're away [G] from all the traffic and hassles like L.A.
You're just there with the five [D] guys, and you can really _ collaborate on ideas [G] really good.
It's good to just get [Gbm] away from all your friends and family and all the distractions of [E] Los Angeles, you know, just get away.
[D] Would it make you a little lazy, [E] though?
Like, here you are in the sun, it's a [Bb] beach, and [G] stuff like that.
The weather changes every [D] five minutes.
Yeah.
_ Don't like the weather?
Wait five minutes. _ _
Actually, [Db] last time we were there, [F] it was so hot, it was unbearable to go [Bb] outside.
Yeah.
And then we [F] had a hurricane, Hurricane Gilbert.
_ [N] I am the thunder.
Serious thunder storm [D] while we were there. _
_ _ _ _ [C] _ [A] _ _ _
[Dm] _ _ _ [C] _ [D] _ _ _ _
_ _ _ _ _ _ [Dm] _ _
_ _ [C] _ [A] _ _ [F] _ _ _
_ _ [C] _ _ _ _ _ _
[D] _ _ _ Right [G] now you guys are doing a club [Bbm] headlining tour.
Why haven't [Abm] you jumped on to maybe an opening [Gb] act slot?
One thing [F] we want to do is get on another tour, you know, a big tour.
Of course, you want to play in front [N] of thousands of people every night, but right now there's just so many bands out there [Gb] fighting for the same tours that we are.
It's just really hard to [Gm] get on a tour, so we're just [G] doing clubs, staying [Ab] tight, and hopefully something's going to come our way and we'll be ready to go.
This leg of the tour we [N] played with [Gb] Queens or Ike at Irvine Meadows, 15,000 people, sold out show.
And the next night we're [F] playing the Mason Jar, which holds about [G] 200.
[A] I [F] mean, you get that kind of thing all over the [Bb] place.
Which do you like better, the clubs [Eb] or_?
I like them all.
It just depends [F] on the response of the [C] audience.
You know, you can play to 200 people sitting down and it's, [C]
you know, it's [Gb] nothing.
You play to 200 people going mania, [F] you know, and being