Chords for Learn DUB MIXING in 5 Minutes - [w. ANALOG MIXER and Guitar Pedals] - Reggae, Dub Tutorial
Tempo:
140 bpm
Chords used:
Bb
Cm
C
F
G
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Yes, what up, Marc here from Stepaz Division.
In this video [C] I'm going to show you how you can make dub music.
What do we need [E] for that, [Bb] what is it all about,
and we're going to [Cm] make it the analog way, starting [Bbm] right now.
[Db] [D]
So, [F] what is dub music?
Back in the late 60s [F] and early 70s, Jamaican [Bb] sound engineers
took the raw material [Ab] of reggae music and [Bb] transformed it to a complete new [G] style.
They've been using a lot of effects like reverbs and [Bb] delays and phasers and [Cm] stuff like this
and it turned to a complete crazy style, which I absolutely [Gb] love,
so that's why the reason why [Bb] I'm going to show you how it works.
So what are we [G] going to need?
Mixer, audio [F] interface, your computer, [Bb] any kind of DAW,
[C] and a bunch of [F] effects, pedals or raccoons.
Audio interface basics.
An audio interface is a sound card.
It's a device which [N] is communicating with your computer
and it's converting analog [F] input [Bb] signals like [C] microphone or [Ab] keyboard or guitar
and turn it to digital signals in [F] your computer.
Those are the inputs.
It also turns digital signals from your computer [G] to audio signals, [Am] called the outputs.
In [Bb] our case we are using the Focusrite [C] Scarlett 3rd generation
[Cm] with 8 analog inputs [Gb] and 10 analog [Cm] outputs.
Basically you [Bb] can link more interfaces together, [Cm] even if they are not digital,
and the computer [F] can see them as one device.
It's a good [Gb] topic for another [Bb] video.
If you're using a small interface with [C] only 2 inputs and 2 outputs,
dub mixing probably not going [Am] to work out. Mixer basics.
[Bb] A mixer works like this.
A mixer [G] is a device where you plug in [Ab] several different instruments
like microphones [F] or guitars, saxophones, keyboards, bass drums, microphones.
Then you get [C] the ability to set [C] up the levels for each [F] instrument
and the mixer is going to send it out left to right to the speakers.
[F]
Either PA system or studio monitors.
When we are [G] using a mixer in a live situation
and you got a bunch of musicians on stage, [Bb] they need to hear themselves.
[C] That's why we are [F] using the auxiliary [Cm] outputs from the mixer
[F] to send them back their own signal.
It's called monitoring.
If you are [Ab] using a mixer in a studio situation
[C] or let's say a [Gb] control room situation
and you got already [Bb] some pre-recorded instruments,
you don't have to [C] send the monitor signals back to the musicians
because they are not there.
So this [Ebm] is where you can use the auxiliaries [Eb] to put effects on your [Cm] channels.
And this is exactly our situation because we got [G] pre-recorded instruments
and we don't got [Bb] anybody in studio.
This is [C] where we're going to use the interface outputs
and plug it into the mixer.
In the [Gb] main outputs [Bb] left right from the [G] mixer
we're going [C] to plug in [Cm] first and second input channel of the audio interface.
This is how [Eb] we can record the whole thing.
In [F] our dub mixing case we want to set the auxiliaries to post [C] fader.
What does it mean post fader?
[Cm] It works like this.
[Bbm] In our case we [Cm] got a mixer with six auxiliary channels.
Let's say we take a microphone and plug it into the [Eb] mixer.
First it hits the gain knob.
Then [F] it goes through the EQ section
and then it goes to the fader.
On this [Cm] point the mixer splits the signal into seven pieces.
One goes straight to the master fader.
The six spare signals are going to be sent into the [G] auxiliaries
and then out [C] from the mixer [Gb] separately.
And [C] those six [Gb] signals really depend on the position of the fader.
They are [Cm] not working when the fader is not moving.
And exactly those signals we're going to take,
plug [F] into the effects and going to send [Bb] back to the mixer again on a separate channel.
[Cm] So this is the basic theory.
[N] Let's plug everything together.
[Ab] And it sounds like this.
[Bb]
[C] [Cm]
[Bb]
[Cm]
[B] [Ab]
[Cm]
[F] [Bb]
[Cm]
[G] [Bb]
[G] [Bb] [C]
Yeah, it was fun, but it was only one channel.
Let's try it out with more channels at [Cm] the same time.
[Cm]
[F]
And now [C] let's try it out with more auxiliary channels at the same time.
[Cm] [Cm]
[F] [Bb]
[Cm]
[Bb]
[Cm] [C]
[Gbm] [Bb]
[Cm]
[C] You don't need a big setup to be able to do [C] this.
I will link a video in this corner so you can [D] see how we [F] started making our dub [G] mixes
with a [Bb] small mixer and a small interface.
[Cm] And it was so much fun.
Yes, and if you liked the [G] video, make sure to hit the like button,
[Gb] subscribe to [Bb] our channel and see you in the next [G] video.
Booyah!
[C]
In this video [C] I'm going to show you how you can make dub music.
What do we need [E] for that, [Bb] what is it all about,
and we're going to [Cm] make it the analog way, starting [Bbm] right now.
[Db] [D]
So, [F] what is dub music?
Back in the late 60s [F] and early 70s, Jamaican [Bb] sound engineers
took the raw material [Ab] of reggae music and [Bb] transformed it to a complete new [G] style.
They've been using a lot of effects like reverbs and [Bb] delays and phasers and [Cm] stuff like this
and it turned to a complete crazy style, which I absolutely [Gb] love,
so that's why the reason why [Bb] I'm going to show you how it works.
So what are we [G] going to need?
Mixer, audio [F] interface, your computer, [Bb] any kind of DAW,
[C] and a bunch of [F] effects, pedals or raccoons.
Audio interface basics.
An audio interface is a sound card.
It's a device which [N] is communicating with your computer
and it's converting analog [F] input [Bb] signals like [C] microphone or [Ab] keyboard or guitar
and turn it to digital signals in [F] your computer.
Those are the inputs.
It also turns digital signals from your computer [G] to audio signals, [Am] called the outputs.
In [Bb] our case we are using the Focusrite [C] Scarlett 3rd generation
[Cm] with 8 analog inputs [Gb] and 10 analog [Cm] outputs.
Basically you [Bb] can link more interfaces together, [Cm] even if they are not digital,
and the computer [F] can see them as one device.
It's a good [Gb] topic for another [Bb] video.
If you're using a small interface with [C] only 2 inputs and 2 outputs,
dub mixing probably not going [Am] to work out. Mixer basics.
[Bb] A mixer works like this.
A mixer [G] is a device where you plug in [Ab] several different instruments
like microphones [F] or guitars, saxophones, keyboards, bass drums, microphones.
Then you get [C] the ability to set [C] up the levels for each [F] instrument
and the mixer is going to send it out left to right to the speakers.
[F]
Either PA system or studio monitors.
When we are [G] using a mixer in a live situation
and you got a bunch of musicians on stage, [Bb] they need to hear themselves.
[C] That's why we are [F] using the auxiliary [Cm] outputs from the mixer
[F] to send them back their own signal.
It's called monitoring.
If you are [Ab] using a mixer in a studio situation
[C] or let's say a [Gb] control room situation
and you got already [Bb] some pre-recorded instruments,
you don't have to [C] send the monitor signals back to the musicians
because they are not there.
So this [Ebm] is where you can use the auxiliaries [Eb] to put effects on your [Cm] channels.
And this is exactly our situation because we got [G] pre-recorded instruments
and we don't got [Bb] anybody in studio.
This is [C] where we're going to use the interface outputs
and plug it into the mixer.
In the [Gb] main outputs [Bb] left right from the [G] mixer
we're going [C] to plug in [Cm] first and second input channel of the audio interface.
This is how [Eb] we can record the whole thing.
In [F] our dub mixing case we want to set the auxiliaries to post [C] fader.
What does it mean post fader?
[Cm] It works like this.
[Bbm] In our case we [Cm] got a mixer with six auxiliary channels.
Let's say we take a microphone and plug it into the [Eb] mixer.
First it hits the gain knob.
Then [F] it goes through the EQ section
and then it goes to the fader.
On this [Cm] point the mixer splits the signal into seven pieces.
One goes straight to the master fader.
The six spare signals are going to be sent into the [G] auxiliaries
and then out [C] from the mixer [Gb] separately.
And [C] those six [Gb] signals really depend on the position of the fader.
They are [Cm] not working when the fader is not moving.
And exactly those signals we're going to take,
plug [F] into the effects and going to send [Bb] back to the mixer again on a separate channel.
[Cm] So this is the basic theory.
[N] Let's plug everything together.
[Ab] And it sounds like this.
[Bb]
[C] [Cm]
[Bb]
[Cm]
[B] [Ab]
[Cm]
[F] [Bb]
[Cm]
[G] [Bb]
[G] [Bb] [C]
Yeah, it was fun, but it was only one channel.
Let's try it out with more channels at [Cm] the same time.
[Cm]
[F]
And now [C] let's try it out with more auxiliary channels at the same time.
[Cm] [Cm]
[F] [Bb]
[Cm]
[Bb]
[Cm] [C]
[Gbm] [Bb]
[Cm]
[C] You don't need a big setup to be able to do [C] this.
I will link a video in this corner so you can [D] see how we [F] started making our dub [G] mixes
with a [Bb] small mixer and a small interface.
[Cm] And it was so much fun.
Yes, and if you liked the [G] video, make sure to hit the like button,
[Gb] subscribe to [Bb] our channel and see you in the next [G] video.
Booyah!
[C]
Key:
Bb
Cm
C
F
G
Bb
Cm
C
Yes, what up, Marc here from Stepaz Division.
In this video [C] I'm going to show you how you can make dub music.
What do we need [E] for that, [Bb] what is it all about,
and we're going to [Cm] make it the analog way, starting [Bbm] right now.
_ [Db] _ _ _ _ _ [D] _
So, _ _ _ [F] _ _ what is dub music?
Back in the late 60s [F] and early 70s, Jamaican [Bb] sound engineers
took the raw material [Ab] of reggae music and [Bb] transformed it to a complete new [G] style.
They've been using a lot of effects like reverbs and [Bb] delays and phasers and [Cm] stuff like this
and it turned to a complete crazy style, which I absolutely [Gb] love,
so that's why the reason why [Bb] I'm going to show you how it works.
So what are we [G] going to need?
Mixer, _ _ audio [F] interface, _ _ your computer, [Bb] any kind of DAW,
[C] _ _ _ and a bunch of [F] effects, pedals or raccoons.
_ _ Audio interface basics.
An audio interface is a sound card.
It's a device which [N] is communicating with your computer
and it's converting analog [F] input [Bb] signals like [C] microphone or [Ab] keyboard or guitar
and turn it to digital signals in [F] your computer.
Those are the inputs.
_ It also turns digital signals from your computer [G] to audio signals, [Am] called the outputs.
In [Bb] our case we are using the Focusrite [C] Scarlett 3rd generation
[Cm] with 8 analog inputs [Gb] and 10 analog [Cm] outputs.
Basically you [Bb] can link more interfaces together, [Cm] even if they are not digital,
and the computer [F] can see them as one device.
It's a good [Gb] topic for another [Bb] video.
If you're using a small interface with [C] only 2 inputs and 2 outputs,
dub mixing probably not going [Am] to work out. Mixer basics.
[Bb] A mixer works like this.
A mixer [G] is a device where you plug in [Ab] several different instruments
like microphones [F] or guitars, saxophones, keyboards, bass drums, microphones.
Then you get [C] the ability to set [C] up the levels for each [F] instrument
and the mixer is going to send it out left to right to the speakers.
[F]
Either PA system or studio monitors.
When we are [G] using a mixer in a live situation
and you got a bunch of musicians on stage, [Bb] they need to hear themselves.
[C] That's why we are [F] using the auxiliary [Cm] outputs from the mixer
[F] to send them back their own signal.
It's called monitoring.
If you are [Ab] using a mixer in a studio situation
[C] or let's say a [Gb] control room situation
and you got already [Bb] some pre-recorded instruments,
you don't have to [C] send the monitor signals back to the musicians
because they are not there.
So this [Ebm] is where you can use the auxiliaries [Eb] to put effects on your [Cm] channels.
And this is exactly our situation because we got [G] pre-recorded instruments
and we don't got [Bb] anybody in studio.
This is [C] where we're going to use the interface outputs
and plug it into the mixer.
In the [Gb] main outputs [Bb] left right from the [G] mixer
we're going [C] to plug in [Cm] first and second input channel of the audio interface.
This is how [Eb] we can record the whole thing. _
In [F] our dub mixing case we want to set the auxiliaries to post [C] fader.
What does it mean post fader?
[Cm] It works like this.
[Bbm] In our case we [Cm] got a mixer with six auxiliary channels.
Let's say we take a microphone and plug it into the [Eb] mixer.
_ First it hits the gain knob.
Then [F] it goes through the EQ section
and then it goes to the fader.
On this [Cm] point the mixer splits the signal into seven pieces.
One goes straight to the master fader.
The six spare signals are going to be sent into the [G] auxiliaries
and then out [C] from the mixer [Gb] separately.
And [C] those six [Gb] signals really depend on the position of the fader.
They are [Cm] not working when the fader is not moving.
And exactly those signals we're going to take,
plug [F] into the effects and going to send [Bb] back to the mixer again on a separate channel.
[Cm] So this is the basic theory.
[N] Let's plug everything together.
_ _ _ _ _ _ [Ab] And it sounds like this.
_ _ _ _ _ [Bb] _
_ _ _ _ _ _ _ _
_ _ [C] _ _ _ [Cm] _ _ _
_ _ _ _ _ _ [Bb] _ _
_ _ [Cm] _ _ _ _ _ _
_ _ [B] _ _ [Ab] _ _ _ _
_ [Cm] _ _ _ _ _ _ _
[F] _ _ _ _ [Bb] _ _ _ _
[Cm] _ _ _ _ _ _ _ _
_ _ [G] _ _ [Bb] _ _ _ _
[G] _ _ [Bb] _ _ [C] _ _ _
Yeah, it was fun, but it was only one channel.
Let's try it out with more channels at [Cm] the same time. _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [Cm] _ _ _ _
_ _ _ _ _ [F] _ _ _
_ _ _ _ _ _ _ _
_ And now [C] let's try it out with more auxiliary channels at the same time.
[Cm] _ _ _ [Cm] _ _ _
_ _ _ _ [F] _ _ [Bb] _ _
_ _ _ [Cm] _ _ _ _ _
_ _ _ _ _ _ [Bb] _ _
_ _ [Cm] _ _ _ _ [C] _ _
_ [Gbm] _ _ _ _ _ [Bb] _ _
_ _ _ [Cm] _ _ _ _ _
_ _ _ [C] You don't need a big setup to be able to do [C] this.
I will link a video in this corner so you can [D] see how we [F] started making our dub [G] mixes
with a [Bb] small mixer and a small interface.
[Cm] And it was so much fun.
Yes, and if you liked the [G] video, make sure to hit the like button,
[Gb] subscribe to [Bb] our channel and see you in the next [G] video.
Booyah!
_ [C] _ _ _ _
In this video [C] I'm going to show you how you can make dub music.
What do we need [E] for that, [Bb] what is it all about,
and we're going to [Cm] make it the analog way, starting [Bbm] right now.
_ [Db] _ _ _ _ _ [D] _
So, _ _ _ [F] _ _ what is dub music?
Back in the late 60s [F] and early 70s, Jamaican [Bb] sound engineers
took the raw material [Ab] of reggae music and [Bb] transformed it to a complete new [G] style.
They've been using a lot of effects like reverbs and [Bb] delays and phasers and [Cm] stuff like this
and it turned to a complete crazy style, which I absolutely [Gb] love,
so that's why the reason why [Bb] I'm going to show you how it works.
So what are we [G] going to need?
Mixer, _ _ audio [F] interface, _ _ your computer, [Bb] any kind of DAW,
[C] _ _ _ and a bunch of [F] effects, pedals or raccoons.
_ _ Audio interface basics.
An audio interface is a sound card.
It's a device which [N] is communicating with your computer
and it's converting analog [F] input [Bb] signals like [C] microphone or [Ab] keyboard or guitar
and turn it to digital signals in [F] your computer.
Those are the inputs.
_ It also turns digital signals from your computer [G] to audio signals, [Am] called the outputs.
In [Bb] our case we are using the Focusrite [C] Scarlett 3rd generation
[Cm] with 8 analog inputs [Gb] and 10 analog [Cm] outputs.
Basically you [Bb] can link more interfaces together, [Cm] even if they are not digital,
and the computer [F] can see them as one device.
It's a good [Gb] topic for another [Bb] video.
If you're using a small interface with [C] only 2 inputs and 2 outputs,
dub mixing probably not going [Am] to work out. Mixer basics.
[Bb] A mixer works like this.
A mixer [G] is a device where you plug in [Ab] several different instruments
like microphones [F] or guitars, saxophones, keyboards, bass drums, microphones.
Then you get [C] the ability to set [C] up the levels for each [F] instrument
and the mixer is going to send it out left to right to the speakers.
[F]
Either PA system or studio monitors.
When we are [G] using a mixer in a live situation
and you got a bunch of musicians on stage, [Bb] they need to hear themselves.
[C] That's why we are [F] using the auxiliary [Cm] outputs from the mixer
[F] to send them back their own signal.
It's called monitoring.
If you are [Ab] using a mixer in a studio situation
[C] or let's say a [Gb] control room situation
and you got already [Bb] some pre-recorded instruments,
you don't have to [C] send the monitor signals back to the musicians
because they are not there.
So this [Ebm] is where you can use the auxiliaries [Eb] to put effects on your [Cm] channels.
And this is exactly our situation because we got [G] pre-recorded instruments
and we don't got [Bb] anybody in studio.
This is [C] where we're going to use the interface outputs
and plug it into the mixer.
In the [Gb] main outputs [Bb] left right from the [G] mixer
we're going [C] to plug in [Cm] first and second input channel of the audio interface.
This is how [Eb] we can record the whole thing. _
In [F] our dub mixing case we want to set the auxiliaries to post [C] fader.
What does it mean post fader?
[Cm] It works like this.
[Bbm] In our case we [Cm] got a mixer with six auxiliary channels.
Let's say we take a microphone and plug it into the [Eb] mixer.
_ First it hits the gain knob.
Then [F] it goes through the EQ section
and then it goes to the fader.
On this [Cm] point the mixer splits the signal into seven pieces.
One goes straight to the master fader.
The six spare signals are going to be sent into the [G] auxiliaries
and then out [C] from the mixer [Gb] separately.
And [C] those six [Gb] signals really depend on the position of the fader.
They are [Cm] not working when the fader is not moving.
And exactly those signals we're going to take,
plug [F] into the effects and going to send [Bb] back to the mixer again on a separate channel.
[Cm] So this is the basic theory.
[N] Let's plug everything together.
_ _ _ _ _ _ [Ab] And it sounds like this.
_ _ _ _ _ [Bb] _
_ _ _ _ _ _ _ _
_ _ [C] _ _ _ [Cm] _ _ _
_ _ _ _ _ _ [Bb] _ _
_ _ [Cm] _ _ _ _ _ _
_ _ [B] _ _ [Ab] _ _ _ _
_ [Cm] _ _ _ _ _ _ _
[F] _ _ _ _ [Bb] _ _ _ _
[Cm] _ _ _ _ _ _ _ _
_ _ [G] _ _ [Bb] _ _ _ _
[G] _ _ [Bb] _ _ [C] _ _ _
Yeah, it was fun, but it was only one channel.
Let's try it out with more channels at [Cm] the same time. _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [Cm] _ _ _ _
_ _ _ _ _ [F] _ _ _
_ _ _ _ _ _ _ _
_ And now [C] let's try it out with more auxiliary channels at the same time.
[Cm] _ _ _ [Cm] _ _ _
_ _ _ _ [F] _ _ [Bb] _ _
_ _ _ [Cm] _ _ _ _ _
_ _ _ _ _ _ [Bb] _ _
_ _ [Cm] _ _ _ _ [C] _ _
_ [Gbm] _ _ _ _ _ [Bb] _ _
_ _ _ [Cm] _ _ _ _ _
_ _ _ [C] You don't need a big setup to be able to do [C] this.
I will link a video in this corner so you can [D] see how we [F] started making our dub [G] mixes
with a [Bb] small mixer and a small interface.
[Cm] And it was so much fun.
Yes, and if you liked the [G] video, make sure to hit the like button,
[Gb] subscribe to [Bb] our channel and see you in the next [G] video.
Booyah!
_ [C] _ _ _ _