Losing My Edge Chords by Lcd Soundsystem

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[G] _ _ _ _ _ _ _ _
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_ _ _ _ _ _ Yeah, I'm losing my edge. _ _ _ _
I'm losing my edge. _ _ _
The kids are _ _ coming up from behind.
_ _ I'm _ _ losing my edge. _ _ _
I'm losing my edge.
_ _ _ To the kids from _ France _ and from London.
_ _ _ _ But I was [A] there.
_ _ I [D] was there in 1968.
_ _ _ _ I was there at the first Canne Film _ in Cologne.
[G] _ _ _
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I'm losing my edge. _ _ _
I'm losing my edge.
_ [A] _ _ _
[Dm] To the kids whose footsteps _ I hear _ when they get on the decks.
[G] _ _
I'm losing my edge.
_ _ [Cm] _ To the [G] internet seekers _ who can tell me.
_ _ Every member _ of every good group.
From 1962 _ to 1978.
I'm losing my edge.
_ _ _ I'm losing my edge.
To the artists who have Brooklynites and little jackets.
_ And borrowed nostalgia for the unremembered _ 80s.
_ Well, I'm losing my edge. _ _ _ _
I'm losing my edge.
_ _ But I was there. _ _ _ _ _ _ _
_ _ _ _ _ _ I was there.
I was there. _ _
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I'm losing my edge.
_ _ _ [N] I'm losing my edge.
_ [G] _ _ I can hear the footsteps.
_ _ Every night on the decks.
_ _ _ _ _ But I was there.
I was there in 1974. _ _
_ _ In a loft in New York City. _
I was working on the origin sacks. _ _ _
I was there.
_ _ We have a key part. _
_ _ _ I was there.
I told [N] you, don't do it that way.
You'll never make a dent.
_ I was [G] there.
I was the first guy playing that punk to the rock kids.
I played it at CBD.
[Bb] Everybody thought it was crazy.
_ [Cm] We all know.
_ _ [N] I was there.
_ _ [G] _ I was there.
_ _ _ _ _ _ I was there.
I've never been off.
_ I was working at the record store. _
_ _ I was _ _ _ there.
I was there.
_ _ _ I was there in Jamaica. _ _ _ _
I woke up naked on the beach [N] in 1988.
_ _ _ _ But I'm losing my edge.
_ _ [G] _ _ The better people.
The better ideas.
And more talent.
_ And we're actually living in a nice. _
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_ _ _ _ _ _ I'm losing my edge. _ _ _ _ _ _
_ _ _ _ [C] _ _ [G] I heard you have a compilation of every good song ever done by anybody.
_ Every great song by the Beat Spirits.
All the underground hits.
All the modern love and struts.
I heard you have a vinyl of every Niagara record with German imports.
I heard that you have a white label of every seminal Detroit techno hit.
1985, 86, 87.
I heard that you have a CD compilation of every good 60s punk.
And another black set from the 70s.
_ I hear you're buying synthesizer and an arpeggiator and throwing your computer out the window.
Because you want to make something real.
You want to make a jazz record.
I hear that you and your band have sold your guitars and bought turntables.
_ I hear that you and your band have sold your turntables and bought guitars. _
I hear _ everybody that you know is more relevant than everybody [G] I know. _
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_ _ [Bm] _ _ [Ab] _ _ [G] _ _
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[A] _ _ [G] _ _ _ _ _ _
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_ _ _ _ [Gm] I hear that _ _ [C] _ _ _ [Gm] _ you're buying _ _ _ synthesizer _ and _ an arpeggiator and _
_ _ [F] _ _ [A] _ [Gm] _ _ _
throwing your _ _ computer out the window.
Because you want to [Am] _ [Gm] make something real.
I hear that you have a vinyl of _ _ _ every Detroit techno hit.
I hear that you have a vinyl of every 60s punk.
I hear that you and your band have sold your turntables and bought turntables.
You are not what you really _ [D] _ _ [Gm] _ _ _ _
_ _ [Cm] _ _ _ [Gm] _ _ _
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_ want.
[Gb] Okay, stop.
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