Chords for Late Night OTB - Steve Earle and Jerry Jeff Walker
Tempo:
81.35 bpm
Chords used:
G
D
E
A
A#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Now here is Steve Earl with Jerry Jeff Walker Thank you
This is the part where we try to figure out all this business of music coming together
You said earlier that you thought you're the loudest drummer in folk music my you know
I could make I mean my dad we weren't poor, but there was five kids
You know so I never had an electric guitar, and I I couldn't make my guitar listen to you know everything is on the radio
I listened in South Texas a good place to be from as far as music goes you hear a lot of stuff
I don't think you hear any place else in the world with such a mixture of stuff down here
And I like I listen to the radio at night not listen to the Beatles and I listen to Creedence
But I couldn't make my guitar sound like that because I had an acoustic guitar
But I could make my guitar sound like Tim Buckley and Tim Harden and you and you know that's like I got into folk music
And I said also I left home when I was 16, and I wasn't old enough to get into bars
But I could get in coffee houses with the slamming guitar that sort of puts you over into the rockabilly
That's what started because I when I added bass and drums to this one demo that I did somebody said oh, that's a rockabilly yeah, [A#] and
Stray cats were happening so they were sort of like the sweepstakes going on in Nashville to see who could find a rockabilly act for
Country radio, but radio itself
You know I think is you know you would go through cycles and right now radio sort of dictating to the labels
What what kind of records they make and the red and the rock theory is it doesn't have to be that way
But you know what the hell [G] do I know I'm you know hillbilly singer with delusions of grandeur
That's a song damn near damn near so what might have been the first
Glimpse of Steve Earl coming into Nashville trying to get these guys to listen to what you're playing was it more folk or was it?
More what we consider the rock the folk with the heavy hands.
Yeah, well, that's exactly what it was cuz I remember
It's the guy that runs the publish the the Nashville office of the publishing company
That that I'm writing for or actually that co-publishes my songs
I have my own company co-published with another company now
Which is you know all that means is I make more money for my songs
And I used to means I own half of them now and uh
And that which is the whole concept of owning a song has never ceased to amaze me
but [E] the guy that runs the Nashville office has yet to
Admit to his boss in LA who's just had to pay me a whole lot of money to resign me
That he told me to get out of his office
And then I couldn't write and that these were the worst songs he'd ever heard in his life
[G] And they publish all of those songs now
They [A] keep [Am] forgetting that there's more people than just [G] them you know just because one guy doesn't like it doesn't mean that a whole 30
Million other people might not like him and that they get constantly fooled trying to figure out the business.
That's it
[N] [D] All right, well, let's get back to some more of the Steve Earl music, and thank you for the little rap
More [C#m]
[C#] [G#] music from Steve Earl right after this [E]
all day all night
all music
[A] [B] CMT country music television all [E] right
[D]
[G] [D]
[G] [D]
Well, my name's John Lee Pettenmore
Same as my daddy and daddy before
Hi there, it's all granddaddy down here
Only come a ten about [G] twice [D] a year
by a hundred pounds each chance a cop Everybody knew
[G] [D] Now [G] the revenue man on the [D] [G]
[D] granddaddy
And a whiskey in the big black
Ball and not from that the Mason's laughs
Got the canister painted on the side
Shot a [G] cool primer that look inside
[D] Way man, I could put engine down I
Still remember that sound
And in [G] the shirt to Matt [D] my Sutherland rats
[G] Sit down and ukulele, ooh, [D] you can smell a whiskey burning down
By the [G]
[D]
deal oh my birthday
They travel white trash first [G] round here and [D] away
Dummy dude tears a duty in Vietnam
I came home I [G] had a brand new [D] plan
I'll take a seat from Columbia to Mexico
Plant her up a hollow down copperhead road
Now [G] the DA's got a chopper in the air
[D] A wet goat screaming like I'm back home there
[G] I learned a thing or two from Charlie don't you [D] know
[A] You better stay [G] away from [D] Copperhead Road
Hey!
Copperhead Road
Copperhead Road
Copperhead Road
Thank
[N]
This is the part where we try to figure out all this business of music coming together
You said earlier that you thought you're the loudest drummer in folk music my you know
I could make I mean my dad we weren't poor, but there was five kids
You know so I never had an electric guitar, and I I couldn't make my guitar listen to you know everything is on the radio
I listened in South Texas a good place to be from as far as music goes you hear a lot of stuff
I don't think you hear any place else in the world with such a mixture of stuff down here
And I like I listen to the radio at night not listen to the Beatles and I listen to Creedence
But I couldn't make my guitar sound like that because I had an acoustic guitar
But I could make my guitar sound like Tim Buckley and Tim Harden and you and you know that's like I got into folk music
And I said also I left home when I was 16, and I wasn't old enough to get into bars
But I could get in coffee houses with the slamming guitar that sort of puts you over into the rockabilly
That's what started because I when I added bass and drums to this one demo that I did somebody said oh, that's a rockabilly yeah, [A#] and
Stray cats were happening so they were sort of like the sweepstakes going on in Nashville to see who could find a rockabilly act for
Country radio, but radio itself
You know I think is you know you would go through cycles and right now radio sort of dictating to the labels
What what kind of records they make and the red and the rock theory is it doesn't have to be that way
But you know what the hell [G] do I know I'm you know hillbilly singer with delusions of grandeur
That's a song damn near damn near so what might have been the first
Glimpse of Steve Earl coming into Nashville trying to get these guys to listen to what you're playing was it more folk or was it?
More what we consider the rock the folk with the heavy hands.
Yeah, well, that's exactly what it was cuz I remember
It's the guy that runs the publish the the Nashville office of the publishing company
That that I'm writing for or actually that co-publishes my songs
I have my own company co-published with another company now
Which is you know all that means is I make more money for my songs
And I used to means I own half of them now and uh
And that which is the whole concept of owning a song has never ceased to amaze me
but [E] the guy that runs the Nashville office has yet to
Admit to his boss in LA who's just had to pay me a whole lot of money to resign me
That he told me to get out of his office
And then I couldn't write and that these were the worst songs he'd ever heard in his life
[G] And they publish all of those songs now
They [A] keep [Am] forgetting that there's more people than just [G] them you know just because one guy doesn't like it doesn't mean that a whole 30
Million other people might not like him and that they get constantly fooled trying to figure out the business.
That's it
[N] [D] All right, well, let's get back to some more of the Steve Earl music, and thank you for the little rap
More [C#m]
[C#] [G#] music from Steve Earl right after this [E]
all day all night
all music
[A] [B] CMT country music television all [E] right
[D]
[G] [D]
[G] [D]
Well, my name's John Lee Pettenmore
Same as my daddy and daddy before
Hi there, it's all granddaddy down here
Only come a ten about [G] twice [D] a year
by a hundred pounds each chance a cop Everybody knew
[G] [D] Now [G] the revenue man on the [D] [G]
[D] granddaddy
And a whiskey in the big black
Ball and not from that the Mason's laughs
Got the canister painted on the side
Shot a [G] cool primer that look inside
[D] Way man, I could put engine down I
Still remember that sound
And in [G] the shirt to Matt [D] my Sutherland rats
[G] Sit down and ukulele, ooh, [D] you can smell a whiskey burning down
By the [G]
[D]
deal oh my birthday
They travel white trash first [G] round here and [D] away
Dummy dude tears a duty in Vietnam
I came home I [G] had a brand new [D] plan
I'll take a seat from Columbia to Mexico
Plant her up a hollow down copperhead road
Now [G] the DA's got a chopper in the air
[D] A wet goat screaming like I'm back home there
[G] I learned a thing or two from Charlie don't you [D] know
[A] You better stay [G] away from [D] Copperhead Road
Hey!
Copperhead Road
Copperhead Road
Copperhead Road
Thank
[N]
Key:
G
D
E
A
A#
G
D
E
Now here is Steve Earl with Jerry Jeff Walker Thank _ you
This is the part where we try to figure out all this business of music coming together
You said earlier that you thought you're the loudest drummer in folk music my you know
I could make I mean my dad we weren't poor, but there was five kids
You know so I never had an electric guitar, and I I couldn't make my guitar listen to you know everything is on the radio
I listened in South Texas a good place to be from as far as music goes you hear a lot of stuff
I don't think you hear any place else in the world with such a mixture of stuff down here
And I like I listen to the radio at night not listen to the Beatles and I listen to Creedence
But I couldn't make my guitar sound like that because I had an acoustic guitar
But I could make my guitar sound like Tim Buckley and Tim Harden and you and you know that's like I got into folk music
And I said also I left home when I was 16, and I wasn't old enough to get into bars
But I could get in coffee houses with the slamming guitar that sort of puts you over into the rockabilly
That's what started because I when I added bass and drums to this one demo that I did somebody said oh, that's a rockabilly yeah, [A#] and
Stray cats were happening so they were sort of like the sweepstakes going on in Nashville to see who could find a rockabilly act for
Country radio, but radio itself
You know I think is you know you would go through cycles and right now radio sort of dictating to the labels
What what kind of records they make and the red and the rock theory is it doesn't have to be that way
But you know what the hell [G] do I know I'm you know hillbilly singer with delusions of grandeur
_ That's a song damn near damn near so what might have been the first
_ Glimpse of Steve Earl coming into Nashville trying to get these guys to listen to what you're playing was it more folk or was it?
More what we consider the rock the folk with the heavy hands.
Yeah, well, that's exactly what it was cuz I remember
It's the guy that runs the publish the the Nashville office of the publishing company
That that I'm writing for or actually that co-publishes my songs
I have my own company co-published with another company now
Which is you know all that means is I make more money for my songs
And I used to means I own half of them now and uh
And that which is the whole concept of owning a song has never ceased to amaze me
but [E] the guy that runs the Nashville office has yet to
Admit to his boss in LA who's just had to pay me a whole lot of money to resign me
That he told me to get out of his office
And then I couldn't write and that these were the worst songs he'd ever heard in his life
[G] And they publish all of those songs now _
They [A] keep [Am] forgetting that there's more people than just [G] them you know just because one guy doesn't like it doesn't mean that a whole 30
Million other people might not like him and that they get constantly fooled trying to figure out the business.
That's it
[N] _ _ _ _ [D] All right, well, let's get back to some more of the Steve Earl music, and thank you for the little rap
More [C#m] _ _
[C#] _ _ [G#] music from Steve Earl right after this _ [E] _
_ all day all night
all music
_ [A] [B] CMT country music television all [E] right
_ _ _ _ [D] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [G] _ [D] _
_ _ _ _ _ _ _ _
_ [G] _ _ _ [D] _ _ _ _
_ _ _ _ Well, my name's John Lee Pettenmore
Same _ as my daddy and daddy before
_ _ Hi there, it's all granddaddy down here
_ _ _ Only come a ten about [G] twice [D] a year
_ by a hundred pounds each chance a cop _ Everybody _ _ knew
[G] _ _ [D] Now _ [G] the revenue man on the _ [D] _ _ _ _ [G] _ _
_ _ [D] _ _ granddaddy _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ And a whiskey in the big black
_ Ball _ and not from that the Mason's laughs
_ _ Got the canister painted on the side
_ _ Shot a [G] cool primer that look inside
[D] _ _ _ Way man, I could put engine down I
_ Still remember that sound
And in [G] the shirt to Matt [D] my Sutherland rats
[G] Sit down and ukulele, ooh, [D] you can smell a whiskey burning down _ _
By _ _ _ _ _ _ _ _ _ _ _ _ _ the _ _ _ _ _ [G] _ _ _
_ _ [D] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ deal oh my birthday _ _
They travel white trash first [G] round here and [D] away _
_ Dummy dude tears a duty in Vietnam _
I _ came home I [G] had a brand new [D] plan
I'll take a seat from Columbia to Mexico _
Plant her up a hollow down copperhead road
Now _ [G] the DA's got a chopper in the air
[D] A wet goat screaming like I'm back home there
[G] I learned a thing or two from Charlie don't you [D] know
[A] You better stay [G] away from [D] Copperhead Road _ _ _ _
Hey! _ _ _ _ _ _ _
_ Copperhead Road _ _ _ _
Copperhead _ Road _ _ _
Copperhead Road
Thank _ _
_ _ [N] _ _ _ _ _ _
This is the part where we try to figure out all this business of music coming together
You said earlier that you thought you're the loudest drummer in folk music my you know
I could make I mean my dad we weren't poor, but there was five kids
You know so I never had an electric guitar, and I I couldn't make my guitar listen to you know everything is on the radio
I listened in South Texas a good place to be from as far as music goes you hear a lot of stuff
I don't think you hear any place else in the world with such a mixture of stuff down here
And I like I listen to the radio at night not listen to the Beatles and I listen to Creedence
But I couldn't make my guitar sound like that because I had an acoustic guitar
But I could make my guitar sound like Tim Buckley and Tim Harden and you and you know that's like I got into folk music
And I said also I left home when I was 16, and I wasn't old enough to get into bars
But I could get in coffee houses with the slamming guitar that sort of puts you over into the rockabilly
That's what started because I when I added bass and drums to this one demo that I did somebody said oh, that's a rockabilly yeah, [A#] and
Stray cats were happening so they were sort of like the sweepstakes going on in Nashville to see who could find a rockabilly act for
Country radio, but radio itself
You know I think is you know you would go through cycles and right now radio sort of dictating to the labels
What what kind of records they make and the red and the rock theory is it doesn't have to be that way
But you know what the hell [G] do I know I'm you know hillbilly singer with delusions of grandeur
_ That's a song damn near damn near so what might have been the first
_ Glimpse of Steve Earl coming into Nashville trying to get these guys to listen to what you're playing was it more folk or was it?
More what we consider the rock the folk with the heavy hands.
Yeah, well, that's exactly what it was cuz I remember
It's the guy that runs the publish the the Nashville office of the publishing company
That that I'm writing for or actually that co-publishes my songs
I have my own company co-published with another company now
Which is you know all that means is I make more money for my songs
And I used to means I own half of them now and uh
And that which is the whole concept of owning a song has never ceased to amaze me
but [E] the guy that runs the Nashville office has yet to
Admit to his boss in LA who's just had to pay me a whole lot of money to resign me
That he told me to get out of his office
And then I couldn't write and that these were the worst songs he'd ever heard in his life
[G] And they publish all of those songs now _
They [A] keep [Am] forgetting that there's more people than just [G] them you know just because one guy doesn't like it doesn't mean that a whole 30
Million other people might not like him and that they get constantly fooled trying to figure out the business.
That's it
[N] _ _ _ _ [D] All right, well, let's get back to some more of the Steve Earl music, and thank you for the little rap
More [C#m] _ _
[C#] _ _ [G#] music from Steve Earl right after this _ [E] _
_ all day all night
all music
_ [A] [B] CMT country music television all [E] right
_ _ _ _ [D] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [G] _ [D] _
_ _ _ _ _ _ _ _
_ [G] _ _ _ [D] _ _ _ _
_ _ _ _ Well, my name's John Lee Pettenmore
Same _ as my daddy and daddy before
_ _ Hi there, it's all granddaddy down here
_ _ _ Only come a ten about [G] twice [D] a year
_ by a hundred pounds each chance a cop _ Everybody _ _ knew
[G] _ _ [D] Now _ [G] the revenue man on the _ [D] _ _ _ _ [G] _ _
_ _ [D] _ _ granddaddy _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ And a whiskey in the big black
_ Ball _ and not from that the Mason's laughs
_ _ Got the canister painted on the side
_ _ Shot a [G] cool primer that look inside
[D] _ _ _ Way man, I could put engine down I
_ Still remember that sound
And in [G] the shirt to Matt [D] my Sutherland rats
[G] Sit down and ukulele, ooh, [D] you can smell a whiskey burning down _ _
By _ _ _ _ _ _ _ _ _ _ _ _ _ the _ _ _ _ _ [G] _ _ _
_ _ [D] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ deal oh my birthday _ _
They travel white trash first [G] round here and [D] away _
_ Dummy dude tears a duty in Vietnam _
I _ came home I [G] had a brand new [D] plan
I'll take a seat from Columbia to Mexico _
Plant her up a hollow down copperhead road
Now _ [G] the DA's got a chopper in the air
[D] A wet goat screaming like I'm back home there
[G] I learned a thing or two from Charlie don't you [D] know
[A] You better stay [G] away from [D] Copperhead Road _ _ _ _
Hey! _ _ _ _ _ _ _
_ Copperhead Road _ _ _ _
Copperhead _ Road _ _ _
Copperhead Road
Thank _ _
_ _ [N] _ _ _ _ _ _