Chords for KXM - The making of "Noises In The Sky" / George Lynch, dUg Pinnick (King's X), Ray Luzier (Korn)

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[G#m] _ _ _ [G#] _ _ _ _ _
_ _ _ [C#] _ You _ _
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[B] _ _ _ Yeah, yeah, yeah
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_ _ [D#] Yep, _ _ _ [F]
you get [C#] that George [G#] just [F#] fizzle fiddles around guitar.
[F#m] We hurry up and tape it [C#] on a memo
[D#] When we play it loud put it together boom [C#] rocks on
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_ Musically [C#] speaking
It goes [G#m]
from [Em] four four time [C#] to six eight time the choruses [Em] are all in this kind of swing [C#] feel six eight
And [E] the verses go back to four [C#] we did that with a song called sleep [E] on the first record
So to [C#] me, it's kind of cool to have that chemistry [E] between the three of us.
[C#] We subliminally did it
We didn't mean to do it or intended
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[C#] _ _ _ _ [G#] _ _ _
This is [F#] my 12 string bass Tom [B] Peterson a bank on cheap trick with bass player [G#] him and Joel
Ganzi [C#] came up with this concept of a 12 string bass, which is taking the concept of the four string a _
Configuration but putting three strings on the same thing
Yeah, I play 12 string you play 12 you got 24 [C#m] strings with two guys will sound huge.
I [C#] was like six bass drums
It's gonna be [C#m] awesome.
You don't get me part of this.
No, he needs 12
So [C#] basically we got a big [F#] string for the East ring then we got two [C#] little strings which are octave [E] higher
So basically you [Fm] get this course you [G#] affect _ _
[E] So you get [C#] three strings at once? _
You get this humongous sound and I've used this bass on like four songs on the [C#m] KXM record _ _ _
_ [Em] _ _ _ _ [C#] _ _ _
_ [G] _ I
Just let the music take [A] me [F] and I hear the crystals and the notes and the cymbals
Shining in the guitar [F#] parts in the low end and the drums and everything and if you concentrate _ _
There is a melody a constant melody that goes in between at all
And if you'd be quiet, you can hear it and I'll just be [C#] quiet for a while
I'll have said [B] noises in this guy I could hear _ _
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_ [C#] _ We got [E] six songs [F#] and _ [C#] write one in C [E] flat work together so well
[C#] _ the three of us [E] where you know, we [F#] feed off each other [C#] _ and
[E] Advance the ideas into another realm _ which has become kind of KXM's flavor in chemistry
I'm the great timekeeper.
You're the [C#m] vibe player.
Hi.
What am I?
[E] _
Oh [F#m] group killer. _ _ _
Oh
[G#] Dude, I just wrote a new song listen Doug.
Do you have a new song?
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_ _ _ _ [G#] I _
Think _ _ [G#m] _ _ _ _ _
_ [Em] _ to _ [F#] _ _ _
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[C#] _ _ _ [E] _ _ _ _
start off, you know a very [F#m] slow [F#] kind of sexy [G] groove going on in the [C#] verses and
[N] The choruses but the middle [F#] section.
[Em] It's just [G#] this [E] big giant build of
_ [C#] epicness
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_ _ [C#] _ I
Haven't been this excited since dog man
_ [G#] You know
I remember when me and Jerry would come back from the Brendan doing just the takes without vocals and
We'd sit with a ghetto blaster in the room that [C#] we rented and we just sit there and listen and me and Jerry look
each other and go
_ We just didn't know what to think it [G#] was just so brutal and so fat and we just go man
And no you sound [C#] you could sound like that.
You know, we're so excited, but [G#] that's how I feel here
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_ [A#m] _ [D#] Yeah
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