Chords for Keith Richards inducts Johnnie Johnson and James Burton Inductions 2001

Tempo:
137.3 bpm
Chords used:

G

D

Ab

E

Eb

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Keith Richards inducts Johnnie Johnson and James Burton Inductions 2001 chords
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Ladies and gentlemen, please welcome Keith Richards.
Guilty, your honor.
Hello, ladies.
Tonight we're going to
oh.
And gentlemen.
You sure that's right?
Anyway, welcome.
It's only rock and roll.
But as it happens, it seems to be rather important.
Now, side men.
I got to talk about side men.
I guess they chose me because I am one.
And after all, [E] the guy I work with has got more side [G] on him than most put together.
But [N]
the most important thing about [G] being in a band is like
I always thought they should have been called back men.
Because really you're sitting [C]
there
[D] [G] And you're trying to make sure that it doesn't make an ass out of itself.
And that's the gig.
[N] And if you're not mentioned, it means you've done your gig really well.
And if you are, you usually screwed it up.
But it [Ab] is today my pleasure, privilege, [G] really.
And even honor.
God, these words.
[N]
And to introduce you to probably the most
[D] The most [E] incredible side [N] men of all time.
Who [D] never
When [Db] [N] I
let me put it this way.
You're gonna buy
I never bought a Ricky Nelson record.
I bought a James Burton record.
And as far as Johnny Johnson goes, well, it goes beyond even beyond.
We all know who he works with.
And he probably had a harder time as I do with mine.
But it's only rock and roll.
You've got to laugh.
A side man needs humor.
He needs incredible patience.
And usually more money than he ever gets.
[G] Given that [Ab] taken [G] aside, the pleasures of being a side man, I guess, is
That you get to work with the guys you want to work with.
And [B] it's putting the team and the unit together.
[N] So that the guy out in front can do anything he wants to do.
And feel safe and comfortable.
And you know that you catch him if you fall over.
[D] And for the best [G] two side men that I
[D] The reason I'm here, you know, I sprung for this jacket.
[N]
That's [G] how important it is to me.
[A] [G]
One of the best pianos in [Am] the world.
And one of the [Ab] best guitars [B] in the world.
Leo Fender had no idea what [Gb] he was making
[G] For the man that really knows how to play the Telecaster.
And whoever invented the piano, eat your heart out.
[N] My pleasure to bring on Mr.
Johnny Johnson.
And JB, Mr.
James Burton.
[E]
With his unmistakable string bending style
James Burton is one of Rock and Roll's most influential guitar players.
The Louisiana native grabbed attention the first time he ever [Em] recorded
On Dale Hawkins' Suzy Q.
[Bm] When he joined Ricky [D] Nelson's band
Burton [Bm] inspired thousands of young guitar players.
[D]
Oh, I'm [Bm] a traveling man.
[D]
[G] Burton played with a who's who of country and rock artists.
Joni [C] Mitchell to Graham [Bb] Parsons.
[C] Buffalo Springfield to Merle Haggard.
Then he moved on [D] to the king [B] himself.
[A]
[E] From Elvis Presley [A] to Elvis Costello
James Burton [E] is the original guitar man.
[D] [G]
[Ab] [G] Johnny Johnson should be a household name.
Working with Chuck Berry's piano player for 28 years
Johnny Johnson is the foundation for Berry's seminal rock and roll.
Riding on the Kokomo
When dogs are digging the place [Eb] to go.
[Ab] It [Eb] was Berry who originally joined Johnson's [Ab] band
In St.
Louis in 1953.
[Gm] [Fm] And it was [Eb] Johnson who supplied the rollicking boogie-woogie
That drove Rollover [Ebm] Beethoven, Brown Eyed Handsome [Eb] Man
And many more [Ab] Berry [Cm] classics.
[Ab]
[Bb] [Eb]
[Bb] [Eb]
Chuck Berry drove the train in the early days of rock and roll.
But Johnny Johnson was the man who stoked the engine.
[Ab] [Bb] [N]
Ladies and gentlemen
My pleasure [E] to induct
And don't worry Jimmy and Johnny, [G] it doesn't [D] hurt Much.
My pleasure.
[F] Sideman, call them what you will
Best musicians in the world.
James Burton, Johnny [E] Johnson.
Key:  
G
2131
D
1321
Ab
134211114
E
2311
Eb
12341116
G
2131
D
1321
Ab
134211114
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_ _ _ _ Ladies and gentlemen, please welcome Keith Richards. _
_ _ _ _ _ _ _ _
_ _ _ _ Guilty, your honor. _
_ _ _ _ Hello, _ _ _ ladies.
_ _ Tonight we're going to_
oh.
_ _ _ _ And gentlemen.
_ _ _ _ You sure that's right?
_ _ _ _ Anyway, welcome.
It's only rock and roll. _ _ _
_ But as it happens, it seems to be rather important.
Now, side men.
I got to talk about side men.
I guess they chose me because I am one. _ _
_ _ And after all, [E] the guy I work with has got more side [G] on him than most put together. _
_ _ _ But [N] _ _ _
_ the _ most important thing about [G] being in a band is like_
I always thought they should have been called back men. _
Because really you're sitting _ _ _ _ [C] _
there_
_ _ [D] [G] And you're trying to make sure that it doesn't make an ass out of itself. _ _
And that's the gig.
_ _ [N] And if you're not mentioned, it means you've done your gig really well.
And if you are, you usually screwed it up.
But it [Ab] is _ _ today my pleasure, _ _ privilege, [G] really. _ _
And even honor.
_ _ _ God, these words.
_ _ _ _ _ [N] _
_ _ _ _ _ _ _ _
And to introduce you to probably the most_
[D] _ _ _ _ The most [E] incredible side [N] men of all time.
Who _ _ _ [D] never_ _ _
_ _ When [Db] _ [N] I_
let me put it this way.
You're gonna buy_
I never bought a Ricky Nelson record.
I bought a James Burton record. _ _
_ _ _ _ _ _ _ _
_ _ _ _ And as far as Johnny Johnson goes, well, it goes beyond even beyond.
We all know who he works with.
And he probably had a harder time as I do with mine. _ _ _ _ _ _ _
_ But it's only rock and roll.
You've got to laugh.
A side man needs humor.
He needs _ _ incredible patience. _
And _ usually more money than he ever gets. _
_ _ _ _ [G] Given that [Ab] taken [G] aside, the pleasures of being a side man, I guess, is_
That you get to work with the guys you want to work with.
And _ [B] it's putting the team and the unit together.
[N] So that the guy out in front can do anything he wants to do.
And feel safe and comfortable.
And you know that you catch him if you fall over.
[D] And _ for the best [G] two side men that I_
[D] The reason I'm here, you know, I sprung for this jacket.
_ _ [N] _ _
_ That's _ [G] how important it is to me.
[A] _ _ _ [G] _ _ _ _
One of the best pianos in [Am] the world.
And one of the [Ab] best guitars [B] in the world.
Leo Fender had no idea what [Gb] he was making_
[G] For the man that really knows how to play the Telecaster.
_ And whoever invented the piano, eat your heart out.
_ [N] My pleasure _ to bring on Mr.
Johnny Johnson. _ _
_ And JB, Mr.
James Burton. _
_ _ _ _ [E] _ _ _ _
_ _ _ _ _ _ _
With his unmistakable string bending style_
James Burton is one of Rock and Roll's most influential guitar players. _
_ _ The Louisiana native grabbed attention the first time he ever [Em] recorded_
On Dale Hawkins' Suzy Q.
[Bm] _ When he joined Ricky [D] Nelson's band_
Burton [Bm] inspired thousands of young guitar players.
[D] _
Oh, I'm [Bm] a traveling man.
[D] _
[G] Burton played with a who's who of country and rock artists.
Joni [C] Mitchell to Graham [Bb] Parsons.
[C] Buffalo Springfield to Merle Haggard.
Then he moved on [D] to the king [B] himself. _
_ _ _ _ [A] _ _ _ _
_ _ [E] _ _ From Elvis Presley [A] to Elvis Costello_
James Burton [E] is the original guitar man.
_ [D] _ _ _ _ _ [G] _ _
[Ab] _ [G] _ _ Johnny Johnson should be a household name.
Working with Chuck Berry's piano player for 28 years_
Johnny Johnson is the foundation for Berry's seminal rock and roll.
Riding on the _ _ Kokomo_
When dogs are digging the place [Eb] to go.
_ [Ab] It [Eb] was Berry who originally joined Johnson's [Ab] band_
In St.
Louis in 1953.
[Gm] _ _ [Fm] And it was [Eb] Johnson who supplied the rollicking boogie-woogie_
That drove Rollover [Ebm] Beethoven, Brown Eyed Handsome [Eb] Man_
And many more [Ab] Berry [Cm] classics.
_ [Ab] _
_ _ _ [Bb] _ _ _ [Eb] _ _
_ [Bb] _ _ _ [Eb] _ _ _ _
_ Chuck Berry drove the train in the early days of rock and roll.
But Johnny Johnson was the man who stoked the engine.
[Ab] _ _ _ [Bb] _ _ _ [N] _
Ladies and gentlemen_
My pleasure [E] to induct_
And don't worry Jimmy and Johnny, [G] it doesn't _ [D] hurt_ Much.
_ My pleasure.
[F] Sideman, call them what you will_
Best musicians in the world.
James Burton, Johnny [E] Johnson. _ _ _

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