Chords for Junior Brown performs "Hang Up And Drive" Live on the Texas Music Scene
Tempo:
114.1 bpm
Chords used:
A
E
D
B
F#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[E]
[F#]
Throughout his career, Junior Brown has always stretched the boundaries of traditional country
music with his [B] unbelievable guitar chops and his unique vocal delivery.
[F#] Those are both on display here on this performance of Hang Up and [A#] Drive.
[C] [C#] Well, you know, Hang Up [B] and Drive [C] is a song I came [C#] up with and, you know, self-explanatory name.
How many people, we're all guilty of talking on the phone, but we're all mad at everybody
for doing the same thing we do, you know?
So that was the idea of the song.
It was a [B] lot of fun writing it.
[F#] Of course, you know, it's fun to [C#] see people's reaction when I'm doing it.
And, you know, I do a lot of my music is, [C#] I guess what you'd say, it sounds traditional,
it has a traditional [G#] sound [F#] to it, but it has modern subject matter like that.
It's obviously a new song.
You know, I would hate to not be [B] modern or up to date in some way.
And I think that was the [F#] genesis of a lot of my writing, was to kind of [C] be on [C#] the cutting
edge of that rather [C] [B] than just imitating [F#] something that's been done already.
[A]
Hang up, honey, hang up.
You heard me.
Hang up and drive, get off of that telephone.
You are over the road and you ain't looking [E] where you're going.
[D] All you're doing [F#m] is a [D] yakety yak, [A] hanging hanging, looking [E] where you're at.
[A] So honey, hang up and [E] drive, get off of that [A] telephone.
I mean, I [D] just about had it.
All your [A] gadgets and your gadgets, [E] like a warm electric pillow you [Bm] got pushed up tight
[A] against your head.
[C#] You got some good [D] communication, but you ain't got no [Am] concentration.
[B] You look like you could use all the good advice [E] that you could get.
[A] Honey, hang up and drive, get off of that telephone.
You are over the road and you ain't [E] looking where you're going.
[D] All you're doing is a yakety yak, [A] and you got no way to watch your [E] back.
[F#] [A] So honey, hang up and [E] drive, get off of that [A] telephone.
[D] [A]
[Am] [E] [A]
[D] [Em]
[A]
[Em] [D] [Am] [D]
[Am] [A]
[Em]
[Bm] [A] [Am]
[A]
Maybe it looks [D] like you've been napping, the way you're [A] driving when you're yapping.
[E] But it's a big responsibility trying to drive an [A] automobile.
I can see [D] that you're not thinking straight.
The way you took [A] that fella's parking [Fm] space.
[Am] Put that [B] thing up to your face.
You act like you're [E] asleep at the wheel.
[A] So honey, hang up and drive, get off of that telephone.
You are over the road and you ain't looking [E] where you're going.
[D] All you're doing is a yakety yak, [A] and you ain't looking where [E] you're at.
So [A] honey, hang up and drive, [E] get off of that [A] telephone.
[D] Get off that telephone, little girl, [A] and come back to the real [E] world.
[A] And honey, hang up and drive, [E] get off of [A] that telephone.
Honey, hang up and [E] drive, get off of that [A] telephone.
That includes texting.
Honey, hang up and [Em] drive, get off of that [A] telephone.
Your skyping got me griping.
Hang up and [E] drive, get off of that [A] telephone.
[N]
[G] [A]
[B] [Am] [A] Keep
[B] [E]
it on lockdown, y'all.
More great Texas music is [A] on the way.
[B] [E]
[F#]
Throughout his career, Junior Brown has always stretched the boundaries of traditional country
music with his [B] unbelievable guitar chops and his unique vocal delivery.
[F#] Those are both on display here on this performance of Hang Up and [A#] Drive.
[C] [C#] Well, you know, Hang Up [B] and Drive [C] is a song I came [C#] up with and, you know, self-explanatory name.
How many people, we're all guilty of talking on the phone, but we're all mad at everybody
for doing the same thing we do, you know?
So that was the idea of the song.
It was a [B] lot of fun writing it.
[F#] Of course, you know, it's fun to [C#] see people's reaction when I'm doing it.
And, you know, I do a lot of my music is, [C#] I guess what you'd say, it sounds traditional,
it has a traditional [G#] sound [F#] to it, but it has modern subject matter like that.
It's obviously a new song.
You know, I would hate to not be [B] modern or up to date in some way.
And I think that was the [F#] genesis of a lot of my writing, was to kind of [C] be on [C#] the cutting
edge of that rather [C] [B] than just imitating [F#] something that's been done already.
[A]
Hang up, honey, hang up.
You heard me.
Hang up and drive, get off of that telephone.
You are over the road and you ain't looking [E] where you're going.
[D] All you're doing [F#m] is a [D] yakety yak, [A] hanging hanging, looking [E] where you're at.
[A] So honey, hang up and [E] drive, get off of that [A] telephone.
I mean, I [D] just about had it.
All your [A] gadgets and your gadgets, [E] like a warm electric pillow you [Bm] got pushed up tight
[A] against your head.
[C#] You got some good [D] communication, but you ain't got no [Am] concentration.
[B] You look like you could use all the good advice [E] that you could get.
[A] Honey, hang up and drive, get off of that telephone.
You are over the road and you ain't [E] looking where you're going.
[D] All you're doing is a yakety yak, [A] and you got no way to watch your [E] back.
[F#] [A] So honey, hang up and [E] drive, get off of that [A] telephone.
[D] [A]
[Am] [E] [A]
[D] [Em]
[A]
[Em] [D] [Am] [D]
[Am] [A]
[Em]
[Bm] [A] [Am]
[A]
Maybe it looks [D] like you've been napping, the way you're [A] driving when you're yapping.
[E] But it's a big responsibility trying to drive an [A] automobile.
I can see [D] that you're not thinking straight.
The way you took [A] that fella's parking [Fm] space.
[Am] Put that [B] thing up to your face.
You act like you're [E] asleep at the wheel.
[A] So honey, hang up and drive, get off of that telephone.
You are over the road and you ain't looking [E] where you're going.
[D] All you're doing is a yakety yak, [A] and you ain't looking where [E] you're at.
So [A] honey, hang up and drive, [E] get off of that [A] telephone.
[D] Get off that telephone, little girl, [A] and come back to the real [E] world.
[A] And honey, hang up and drive, [E] get off of [A] that telephone.
Honey, hang up and [E] drive, get off of that [A] telephone.
That includes texting.
Honey, hang up and [Em] drive, get off of that [A] telephone.
Your skyping got me griping.
Hang up and [E] drive, get off of that [A] telephone.
[N]
[G] [A]
[B] [Am] [A] Keep
[B] [E]
it on lockdown, y'all.
More great Texas music is [A] on the way.
[B] [E]
Key:
A
E
D
B
F#
A
E
D
_ [E] _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ [F#] _
Throughout his career, Junior Brown has always stretched the boundaries of traditional country
music with his [B] unbelievable guitar chops and his unique vocal delivery.
[F#] Those are both on display here on this performance of Hang Up and [A#] Drive.
[C] _ [C#] Well, you know, Hang Up [B] and Drive [C] is a song I came [C#] up with and, you _ know, self-explanatory name.
How many people, we're all guilty of talking on the phone, but we're all mad at everybody
for doing the same thing we do, you know?
So _ that was the idea of the song.
It was a [B] lot of fun writing it.
[F#] Of course, you know, it's fun to [C#] see people's reaction when I'm doing it.
And, you know, I do a lot of my music is, [C#] I guess what you'd say, it sounds traditional,
it has a traditional [G#] sound [F#] to it, _ _ but it has modern subject matter like that.
It's obviously a new song.
You know, I would hate to not be [B] modern or up to date in some way.
And I think that was the [F#] genesis of a lot of my writing, was to kind of [C] be on [C#] the cutting
edge of that rather [C] [B] than just imitating [F#] something that's been done already. _ _
_ [A] _ _ _ _
Hang up, _ _ _ honey, hang up.
You heard me.
_ _ Hang up and drive, get off of that telephone. _ _
_ _ You are over the road and you ain't looking [E] where you're going. _
_ _ [D] All you're doing [F#m] is a [D] yakety yak, [A] hanging hanging, looking [E] where you're at.
[A] So honey, hang up and [E] drive, get off of that [A] telephone. _ _
I mean, I [D] just about had it.
_ All your [A] gadgets and your gadgets, _ _ _ [E] like a warm electric pillow you [Bm] got pushed up tight
[A] against your head. _
[C#] You got some good [D] communication, _ but you ain't got no [Am] concentration. _
_ _ [B] You look like you could use all the good advice [E] that you could get. _
_ _ [A] Honey, hang up and drive, get off of that telephone. _ _
_ _ You are over the road and you ain't [E] looking where you're going. _
_ _ [D] All you're doing is a yakety yak, _ [A] and you got no way to watch your [E] back.
[F#] [A] So honey, hang up and [E] drive, get off of that [A] telephone. _ _
_ [D] _ [A] _ _ _ _
_ [Am] _ [E] _ [A] _ _ _
_ [D] _ _ [Em] _ _ _
[A] _ _ _ _ _ _
[Em] _ _ _ [D] _ [Am] _ [D] _
_ [Am] _ _ [A] _ _ _
_ _ _ _ _ [Em] _
_ _ [Bm] _ [A] _ [Am] _ _
_ _ [A] _ _ _ _
_ Maybe it looks [D] like you've been napping, _ the way you're [A] driving when you're yapping. _
_ _ [E] But it's a big responsibility trying to drive an [A] automobile. _ _
_ I can see [D] that you're not thinking straight.
The way you took [A] that fella's parking [Fm] space.
_ _ [Am] Put that [B] thing up to your face.
You act like you're [E] asleep at the wheel.
_ [A] So honey, hang up and drive, get off of that telephone. _ _
_ _ You are over the road and you ain't looking [E] where you're going.
_ _ [D] All you're doing is a yakety yak, [A] and you ain't looking where [E] you're at.
So [A] honey, hang up and drive, [E] get off of that [A] telephone. _
_ _ _ [D] Get off that telephone, little girl, [A] and come back to the real [E] world.
[A] And honey, hang up and drive, [E] get off of [A] that telephone. _
_ _ _ Honey, hang up and [E] drive, get off of that [A] telephone. _
That includes texting.
Honey, hang up and [Em] drive, get off of that [A] telephone. _
Your skyping got me griping.
Hang up and [E] drive, get off of that [A] telephone. _
_ [N] _ _ _ _ _
_ [G] _ _ [A] _ _ _
_ [B] _ [Am] _ [A] _ Keep
_ _ _ _ _ _
_ _ _ [B] _ _ [E]
it on lockdown, y'all.
More great Texas music is [A] on the way.
_ _ _ [B] _ _ [E] _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ [F#] _
Throughout his career, Junior Brown has always stretched the boundaries of traditional country
music with his [B] unbelievable guitar chops and his unique vocal delivery.
[F#] Those are both on display here on this performance of Hang Up and [A#] Drive.
[C] _ [C#] Well, you know, Hang Up [B] and Drive [C] is a song I came [C#] up with and, you _ know, self-explanatory name.
How many people, we're all guilty of talking on the phone, but we're all mad at everybody
for doing the same thing we do, you know?
So _ that was the idea of the song.
It was a [B] lot of fun writing it.
[F#] Of course, you know, it's fun to [C#] see people's reaction when I'm doing it.
And, you know, I do a lot of my music is, [C#] I guess what you'd say, it sounds traditional,
it has a traditional [G#] sound [F#] to it, _ _ but it has modern subject matter like that.
It's obviously a new song.
You know, I would hate to not be [B] modern or up to date in some way.
And I think that was the [F#] genesis of a lot of my writing, was to kind of [C] be on [C#] the cutting
edge of that rather [C] [B] than just imitating [F#] something that's been done already. _ _
_ [A] _ _ _ _
Hang up, _ _ _ honey, hang up.
You heard me.
_ _ Hang up and drive, get off of that telephone. _ _
_ _ You are over the road and you ain't looking [E] where you're going. _
_ _ [D] All you're doing [F#m] is a [D] yakety yak, [A] hanging hanging, looking [E] where you're at.
[A] So honey, hang up and [E] drive, get off of that [A] telephone. _ _
I mean, I [D] just about had it.
_ All your [A] gadgets and your gadgets, _ _ _ [E] like a warm electric pillow you [Bm] got pushed up tight
[A] against your head. _
[C#] You got some good [D] communication, _ but you ain't got no [Am] concentration. _
_ _ [B] You look like you could use all the good advice [E] that you could get. _
_ _ [A] Honey, hang up and drive, get off of that telephone. _ _
_ _ You are over the road and you ain't [E] looking where you're going. _
_ _ [D] All you're doing is a yakety yak, _ [A] and you got no way to watch your [E] back.
[F#] [A] So honey, hang up and [E] drive, get off of that [A] telephone. _ _
_ [D] _ [A] _ _ _ _
_ [Am] _ [E] _ [A] _ _ _
_ [D] _ _ [Em] _ _ _
[A] _ _ _ _ _ _
[Em] _ _ _ [D] _ [Am] _ [D] _
_ [Am] _ _ [A] _ _ _
_ _ _ _ _ [Em] _
_ _ [Bm] _ [A] _ [Am] _ _
_ _ [A] _ _ _ _
_ Maybe it looks [D] like you've been napping, _ the way you're [A] driving when you're yapping. _
_ _ [E] But it's a big responsibility trying to drive an [A] automobile. _ _
_ I can see [D] that you're not thinking straight.
The way you took [A] that fella's parking [Fm] space.
_ _ [Am] Put that [B] thing up to your face.
You act like you're [E] asleep at the wheel.
_ [A] So honey, hang up and drive, get off of that telephone. _ _
_ _ You are over the road and you ain't looking [E] where you're going.
_ _ [D] All you're doing is a yakety yak, [A] and you ain't looking where [E] you're at.
So [A] honey, hang up and drive, [E] get off of that [A] telephone. _
_ _ _ [D] Get off that telephone, little girl, [A] and come back to the real [E] world.
[A] And honey, hang up and drive, [E] get off of [A] that telephone. _
_ _ _ Honey, hang up and [E] drive, get off of that [A] telephone. _
That includes texting.
Honey, hang up and [Em] drive, get off of that [A] telephone. _
Your skyping got me griping.
Hang up and [E] drive, get off of that [A] telephone. _
_ [N] _ _ _ _ _
_ [G] _ _ [A] _ _ _
_ [B] _ [Am] _ [A] _ Keep
_ _ _ _ _ _
_ _ _ [B] _ _ [E]
it on lockdown, y'all.
More great Texas music is [A] on the way.
_ _ _ [B] _ _ [E] _ _ _ _ _