Chords for Jon Cleary's "Go Go Juice" Winner of the 2016 Grammy for Best Regional Roots Album
Tempo:
107.8 bpm
Chords used:
C
Bb
F
G
D
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
For Best Regional Roots Music Album, the nominees are John Cleary, Natalie Ayi Kamu, Kay Ali'i-Rachel, The Revelers, Wind Walker, and The MCW.
And the Grammy goes to John Cleary.
Wow,
[F]
[B] [C] [Bb] [C] [Bb]
[G] [F]
[D] [Bb]
[C]
[C] [Gm] [C]
[G] [Gb] well thank you very much.
It's thrilling to be bringing this home to New Orleans.
I want to thank Guy Oldacre at Madison House, Dave [N] Macias at 30 Tigers, Bob Merlis, Shorefire Media, George Gilbert.
A huge debt of gratitude to Bob Cooney and Doug Brown.
Thank you.
And for all the hard work behind the scenes, my management, impact artists, Peter Himberger, Ed Gerard, and Sherry Beth.
And for this record, the credit goes to the great team of musicians who actually played the notes.
And of course my producer, John Porter, who's been such a solid rocker all these years.
Bandmates, Cornell and Big D and the absolute monster Gentleman.
And I really want to thank that large family of New Orleans [Bb] musicians, [Ab] the giants that came before us on whose shoulders we're standing, especially to Alan Tussaint, who did the horn arrangements for this [D] record.
He's very sadly missed.
And my wife, Trish the Dish, chief treasure of FHQ for keeping me together.
My mom and dad for starting me in this game.
And lastly, my darling sweet Dolly Daydream.
Thank you all very much.
Cheers.
[N]
And the Grammy goes to John Cleary.
Wow,
[F]
[B] [C] [Bb] [C] [Bb]
[G] [F]
[D] [Bb]
[C]
[C] [Gm] [C]
[G] [Gb] well thank you very much.
It's thrilling to be bringing this home to New Orleans.
I want to thank Guy Oldacre at Madison House, Dave [N] Macias at 30 Tigers, Bob Merlis, Shorefire Media, George Gilbert.
A huge debt of gratitude to Bob Cooney and Doug Brown.
Thank you.
And for all the hard work behind the scenes, my management, impact artists, Peter Himberger, Ed Gerard, and Sherry Beth.
And for this record, the credit goes to the great team of musicians who actually played the notes.
And of course my producer, John Porter, who's been such a solid rocker all these years.
Bandmates, Cornell and Big D and the absolute monster Gentleman.
And I really want to thank that large family of New Orleans [Bb] musicians, [Ab] the giants that came before us on whose shoulders we're standing, especially to Alan Tussaint, who did the horn arrangements for this [D] record.
He's very sadly missed.
And my wife, Trish the Dish, chief treasure of FHQ for keeping me together.
My mom and dad for starting me in this game.
And lastly, my darling sweet Dolly Daydream.
Thank you all very much.
Cheers.
[N]
Key:
C
Bb
F
G
D
C
Bb
F
_ For Best Regional Roots Music Album, the nominees are John Cleary, Natalie Ayi Kamu, Kay Ali'i-Rachel, The Revelers, Wind Walker, and The MCW. _ _ _ _ _
And the Grammy goes to John Cleary. _ _
_ Wow, _ _ _ _ _
_ _ _ [F] _ _ _ _ _
[B] _ [C] _ _ [Bb] _ _ [C] _ _ [Bb] _
_ [G] _ _ _ _ [F] _ _ _
[D] _ _ _ _ _ _ _ [Bb] _
_ [C] _ _ _ _ _ _ _
[C] _ _ [Gm] _ _ _ [C] _ _ _
_ [G] _ _ [Gb] _ _ well thank you very much.
It's thrilling to be bringing this home to New Orleans. _ _ _
I want to thank Guy Oldacre at Madison House, Dave [N] Macias at 30 Tigers, Bob Merlis, Shorefire Media, George Gilbert.
A huge debt of gratitude to Bob Cooney and Doug Brown.
Thank you.
And for all the hard work behind the scenes, my management, impact artists, Peter Himberger, Ed Gerard, and Sherry Beth.
And for this record, the credit goes to the great team of musicians who actually played the notes.
And of course my producer, John Porter, who's been such a solid rocker all these years.
Bandmates, Cornell and Big D and the absolute monster Gentleman.
_ And I really want to thank that large family of New Orleans [Bb] musicians, _ [Ab] the giants that came before us on whose shoulders we're standing, especially to Alan Tussaint, who did the horn arrangements for this [D] record.
He's very sadly missed.
And my wife, Trish the Dish, chief treasure of FHQ for keeping me together.
My mom and dad for starting me in this game.
And lastly, my darling sweet Dolly Daydream.
Thank you all very much.
Cheers. _ _
_ _ _ _ _ _ _ [N] _
And the Grammy goes to John Cleary. _ _
_ Wow, _ _ _ _ _
_ _ _ [F] _ _ _ _ _
[B] _ [C] _ _ [Bb] _ _ [C] _ _ [Bb] _
_ [G] _ _ _ _ [F] _ _ _
[D] _ _ _ _ _ _ _ [Bb] _
_ [C] _ _ _ _ _ _ _
[C] _ _ [Gm] _ _ _ [C] _ _ _
_ [G] _ _ [Gb] _ _ well thank you very much.
It's thrilling to be bringing this home to New Orleans. _ _ _
I want to thank Guy Oldacre at Madison House, Dave [N] Macias at 30 Tigers, Bob Merlis, Shorefire Media, George Gilbert.
A huge debt of gratitude to Bob Cooney and Doug Brown.
Thank you.
And for all the hard work behind the scenes, my management, impact artists, Peter Himberger, Ed Gerard, and Sherry Beth.
And for this record, the credit goes to the great team of musicians who actually played the notes.
And of course my producer, John Porter, who's been such a solid rocker all these years.
Bandmates, Cornell and Big D and the absolute monster Gentleman.
_ And I really want to thank that large family of New Orleans [Bb] musicians, _ [Ab] the giants that came before us on whose shoulders we're standing, especially to Alan Tussaint, who did the horn arrangements for this [D] record.
He's very sadly missed.
And my wife, Trish the Dish, chief treasure of FHQ for keeping me together.
My mom and dad for starting me in this game.
And lastly, my darling sweet Dolly Daydream.
Thank you all very much.
Cheers. _ _
_ _ _ _ _ _ _ [N] _