Chords for John Williams (Recuerdos de la Alhambra)

Tempo:
161.9 bpm
Chords used:

A

E

F

Dm

D

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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John Williams (Recuerdos de  la Alhambra) chords
Start Jamming...
[A] [Am]
[Dm] [C] [G]
[C] [Dm]
[C]
[F] [Em]
[F] [D]
[E]
[A]
[Dm]
[D]
[F]
[Am] [E]
[Am]
Recredito All'Alambra is really [Dm] almost [C] the standard guitar [G] piece.
I mean, it's [C] a great piece of music.
It's lovely.
It [Em] is only what it is.
It doesn't pretend [F] to be anything more or [G] less [F] than a beautiful evocation [G] of the Alhambra,
[E]
memories of the Alhambra, the old Moorish palace in Granada.
[A]
[Dm]
[D]
[F]
[E]
[A]
[D]
[A]
[F#m]
[G#]
[F#] [C#m]
[B] [D]
[Dm] [E] And it's written in the style of what we call a tremolo study,
[Am] which [A] is to [E]
keep the top strings [A] going.
It's actually a bit of a trick.
It sounds [E] as if you're doing
[D]
[E] like a mandolin.
In [A] fact, you're playing one bass note,
[E] one accompanying bass note and three [A] melodic notes.
So there's a gap, but when you do it really fast, it sounds continuous.
So it [Am]
[B] [A]
[D]
[A]
[F#m]
[G#]
[F#] [C#m]
[B]
[E]
[A]
[F]
[Dm] [A]
[E]
[Bm]
[E] [A] sounds
[F] [D] [F] [A]
[F]
[Dm] [A]
[E]
[F#m] [E]
[A] [F#m] You know, [A] I think that I actually coined that phrase in print some years ago
about John being the prince of the guitar.
But of course I was wrong.
I mean, he's the king.
[N]
Key:  
A
1231
E
2311
F
134211111
Dm
2311
D
1321
A
1231
E
2311
F
134211111
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Chords
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_ [A] _ _ [Am] _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
[Dm] _ _ [C] _ _ _ [G] _
_ _ [C] _ _ _ [Dm] _
_ [C] _ _ _ _ _
_ _ _ _ _ _
_ [F] _ _ _ _ [Em] _
_ [F] _ _ _ _ [D] _
_ _ _ [E] _ _ _
_ _ _ _ _ _
[A] _ _ _ _ _ _
_ _ _ _ _ [Dm] _
_ _ _ _ _ _
_ _ _ _ _ _
_ [D] _ _ _ _ _
[F] _ _ _ _ _ _
_ [Am] _ _ [E] _ _ _
_ _ _ _ _ _
_ [Am] _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _
Recredito All'Alambra is really [Dm] almost [C] the standard guitar [G] piece.
I mean, it's [C] a great piece of music.
It's lovely.
It [Em] is only what it is.
It doesn't pretend [F] to be anything more or [G] less [F] than a beautiful evocation [G] of the Alhambra,
_ [E]
memories of the Alhambra, the old Moorish palace in Granada.
_ _ _ [A] _ _
_ _ _ _ _ _
_ _ [Dm] _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ [D] _
_ _ _ _ [F] _ _
_ _ _ [E] _ _ _
_ _ _ _ _ _
_ _ _ _ [A] _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ [D] _ _ _ _
_ _ _ _ _ _
_ _ _ _ [A] _ _
_ _ _ _ _ _
_ [F#m] _ _ _ _ _
_ [G#] _ _ _ _ _
[F#] _ _ _ [C#m] _ _ _
_ _ _ _ _ _
[B] _ _ _ _ [D] _ _
[Dm] _ _ [E] And it's written in the style of what we call a tremolo study,
[Am] which [A] is to _ _ [E] _
_ keep the top strings [A] going.
_ _ _ _ It's actually a bit of a trick.
It sounds [E] as if you're doing_
_ [D] _ _ _ _
[E] like a mandolin.
In [A] fact, you're playing one bass note, _ _ _
[E] one accompanying bass note and three [A] melodic notes.
So there's a gap, but when you do it really fast, it sounds continuous.
So it _ [Am] _
_ _ _ _ _ _
_ _ [B] _ _ [A] _ _
_ _ _ _ _ _
_ _ [D] _ _ _ _
_ _ _ _ _ _
_ _ _ _ [A] _ _
_ _ _ _ _ _
_ _ [F#m] _ _ _ _
_ _ [G#] _ _ _ _
_ _ [F#] _ _ _ [C#m] _
_ _ _ _ _ _
_ _ _ [B] _ _ _
_ _ _ _ [E] _ _
_ _ _ _ _ _
[A] _ _ _ _ _ _
_ _ _ _ _ [F] _
_ _ _ _ _ _
_ [Dm] _ _ _ [A] _ _
_ _ _ _ _ _
_ _ _ [E] _ _ _
_ _ _ _ _ [Bm] _
[E] _ _ _ _ [A] sounds_
_ [F] _ [D] _ [F] _ _ [A] _
_ _ _ _ _ [F] _
_ _ _ _ _ _
_ _ [Dm] _ _ [A] _ _
_ _ _ _ _ _
_ _ _ _ [E] _ _
_ _ _ _ _ _
[F#m] _ _ _ [E] _ _ _
[A] _ _ _ _ [F#m] You know, [A] I think that I _ actually coined that phrase in print some years ago
about John being the prince of the guitar.
But of course I was wrong.
I mean, he's the king. _ _ _ _ _
_ _ _ _ _ _
_ _ _ [N] _ _ _

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