Chords for John Pisano Plays Brazilian Jazz Guitar
Tempo:
68.25 bpm
Chords used:
Em
G
Eb
Bb
D
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
I used with Diana Krall on the, [Em] of course I haven't changed the strings yet, or since
five years ago.
[A] This is [Em] generally what you'd
[Ebm] [Eb]
[Em]
[Bb] [Eb] [C]
[Ab] [D] [Am]
[Bb] hear.
[E]
But there's an interesting thing about Brazilian music.
A lot of jazz players come in and they
say, well, how do you get that feel?
Well, the difference in the feel is jazz is usually,
you know, like remember it [G] was not hip if you clapped on one and three, you know, like,
you know, you'd see like, you see, it was always a joke.
Well, that guy's like, he's
from Arkansas.
So he's clapping on one and three, you know?
Well, in the red, it's two
and four is the hip thing.
It's like, you know, because the jazz rhythm would be,
[Bm] you
know, one, two, three, [Am] four, one, two, three, four.
Well, Brazilian music is based, [G] the
pulse is on one and three.
And if you listen to this, one, two, three, four, one, two,
three, this is very important to feel it [Em] this way.
[Fm] [G] So you feel this instead of, yeah, anyway.
And the eighth notes are more straight eighth rather than in jazz, you might want to play,
you know, in Brazilian with, [E] you know, [B] straight eighths as opposed to [D] down an eighth and sixteenth.
[G] [Db]
five years ago.
[A] This is [Em] generally what you'd
[Ebm] [Eb]
[Em]
[Bb] [Eb] [C]
[Ab] [D] [Am]
[Bb] hear.
[E]
But there's an interesting thing about Brazilian music.
A lot of jazz players come in and they
say, well, how do you get that feel?
Well, the difference in the feel is jazz is usually,
you know, like remember it [G] was not hip if you clapped on one and three, you know, like,
you know, you'd see like, you see, it was always a joke.
Well, that guy's like, he's
from Arkansas.
So he's clapping on one and three, you know?
Well, in the red, it's two
and four is the hip thing.
It's like, you know, because the jazz rhythm would be,
[Bm] you
know, one, two, three, [Am] four, one, two, three, four.
Well, Brazilian music is based, [G] the
pulse is on one and three.
And if you listen to this, one, two, three, four, one, two,
three, this is very important to feel it [Em] this way.
[Fm] [G] So you feel this instead of, yeah, anyway.
And the eighth notes are more straight eighth rather than in jazz, you might want to play,
you know, in Brazilian with, [E] you know, [B] straight eighths as opposed to [D] down an eighth and sixteenth.
[G] [Db]
Key:
Em
G
Eb
Bb
D
Em
G
Eb
_ _ _ I used with Diana Krall on the, _ _ [Em] of course I haven't changed the strings yet, or since
five years ago.
[A] _ _ This is [Em] generally what you'd _ _
_ _ _ [Ebm] _ _ [Eb] _ _ _
_ [Em] _ _ _ _ _ _ _
_ _ _ [Bb] _ _ [Eb] _ _ [C] _
_ _ [Ab] _ _ _ [D] _ _ [Am] _
_ _ [Bb] _ hear.
[E] _ _ _
But there's an interesting thing about Brazilian music.
A lot of jazz players come in and they
say, well, how do you get that feel?
Well, the difference in the feel is jazz is usually,
you know, like remember it [G] was not hip if you clapped on one and three, you know, like,
you know, you'd see like, you see, it was always a joke.
Well, that guy's like, he's
from Arkansas.
So he's clapping on one and three, you know?
Well, in the red, it's two
and four is the hip thing.
It's like, you know, because the jazz rhythm would be, _ _
_ [Bm] you
know, one, two, three, [Am] four, one, two, three, four.
Well, Brazilian music is based, [G] the
pulse is on one and three.
And if you listen to this, one, two, three, four, one, two,
three, this is very important to feel it [Em] this way. _ _
_ [Fm] _ _ _ _ [G] So you feel this instead of, _ _ yeah, anyway.
And the eighth notes are more straight eighth rather than in jazz, you might want to play,
_ you know, in Brazilian with, [E] _ you know, [B] straight eighths as opposed to [D] down an eighth and sixteenth.
[G] _ [Db] _ _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
five years ago.
[A] _ _ This is [Em] generally what you'd _ _
_ _ _ [Ebm] _ _ [Eb] _ _ _
_ [Em] _ _ _ _ _ _ _
_ _ _ [Bb] _ _ [Eb] _ _ [C] _
_ _ [Ab] _ _ _ [D] _ _ [Am] _
_ _ [Bb] _ hear.
[E] _ _ _
But there's an interesting thing about Brazilian music.
A lot of jazz players come in and they
say, well, how do you get that feel?
Well, the difference in the feel is jazz is usually,
you know, like remember it [G] was not hip if you clapped on one and three, you know, like,
you know, you'd see like, you see, it was always a joke.
Well, that guy's like, he's
from Arkansas.
So he's clapping on one and three, you know?
Well, in the red, it's two
and four is the hip thing.
It's like, you know, because the jazz rhythm would be, _ _
_ [Bm] you
know, one, two, three, [Am] four, one, two, three, four.
Well, Brazilian music is based, [G] the
pulse is on one and three.
And if you listen to this, one, two, three, four, one, two,
three, this is very important to feel it [Em] this way. _ _
_ [Fm] _ _ _ _ [G] So you feel this instead of, _ _ yeah, anyway.
And the eighth notes are more straight eighth rather than in jazz, you might want to play,
_ you know, in Brazilian with, [E] _ you know, [B] straight eighths as opposed to [D] down an eighth and sixteenth.
[G] _ [Db] _ _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _