Chords for Joe Bonamassa at the Todd Sharp Amps
Tempo:
83.25 bpm
Chords used:
E
A
D
G
Em
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[D] [A]
[Am] Do that again.
[D] That's [A]
[E] [Am] all the reverb.
So you can really hear the difference [E] between the EL34 and the EL60.
Yeah.
[D] Hey [A]
[E]
[A]
[D] [A] [E]
[A] [G] [D]
[E] Kevin, why don't you get [Dm] back to Nashville after the [A] turn.
Put me down for one of these if you could stick it in one of those cabinets.
I don't know [Am] if I could fit that in a cabinet, but I could build another cabinet for it.
Yeah, [A] because that head, like with the reverb, is a little bit too young.
[E] Right.
Why?
Right, gotcha.
Because I [Gm] actually, I'll show you in one of those pictures, [E] the reverb tanks are shock mounted,
are floating on top of the chassis.
Yeah.
One of the greatest advantages.
[C] So there's springs in there.
[F#] Right, I'm going to show you.
And that makes it long.
Right.
[E]
[A]
[E] [E]
[A] Right.
Keep practicing that, I'll show you some more later.
Yeah.
[E] That's great.
Are you fucking kidding me?
That's great.
Thank you for plugging into it.
Wow.
The strings are like so light.
Like I said, just follow me for your next lesson and I'll [A] show you.
Right.
I use 11 and, something like that, I [D] use 11 and 52.
[E]
[F#] To me it's ELU.
[Am] To me it's ELU.
To me it's a tetherball.
It [A] helps me.
It's very easy.
[E] Yeah, my combo box is a short, it's a, I don't put the reverb in the combo.
Right.
And the chassis are shorter.
[Em] So far I'm just making a 25.
[E]
[A] [B]
[E] My friend Jason has a bunch, I think two or three of them.
[F#] Well, actually this is a newer [Bm] version.
Right.
[E] Got the origin.
[A] [E]
[Em] So the low cut is what, [E] the
[Gm]
[A] [A#] [D]
[A#] [G]
[Em] [D]
[C] [G]
[Dm] [G] [E]
[Dm] [E]
Normally EL84s I'm not a fan of because they compress too much.
That doesn't really compress.
[Dm] [Gm] [E] Most people, a capoed bias.
I'm running a fixed VAC.
[Cm] [E] [G]
[D] [G]
[E] That amp is huge, Joe, that's all I'm saying.
That sounds great.
What player?
When I get [Em] back there, let me have one of those.
I'll take the head and cabinet honestly.
It needs two 12s to work right, [D] in my opinion.
Yeah.
[E] Whatever that is.
Okay.
That'll be fun to have.
You can do that.
You heard it, right?
You got that in order.
Get that on tape.
You can't back out now.
No, you gotta go.
But Todd has fixed a bunch of my amps and he [D] did a great job.
I have a [E] round-way dumbel that used to belong to Hoyt Axon.
[D] That we just hit the overdrive.
Just went
[Em] So Todd had to [E] painstakingly take this thing apart.
Problem [G] underneath the tone stack.
It was more trouble than it was good.
Well, no, [E] it's just the filament wire [A] had somehow melted to the [Em] extent that it was almost short.
Right.
But not completely.
So it still worked.
[Bm] Yeah.
That was [E] a little
Once we finally figured out, wow, the [C] filaments are
The [E] insulation of the wire was melted.
[D] Yeah.
[Em] Started to pull them apart.
And I was like, oh, that's bare wires.
Right.
So [G] replacing that in a dumbbell was a trick [F#] because
[A] [G] Bill, the choke is in a [C] little circuit board and by the [E] time he gets it all in there, [Em] you can't take it apart.
[G] Right.
It's like there's
I'm not sure how he got it in.
[Em] You know?
[A#] It probably took him three years to get it in.
Built to be taken apart.
But [E] he charged you for five.
Yeah.
No.
Hey, man, [Em] he makes [E] a hell of a
If you ask him, [F#] it's six.
It's probably because [E] three of my [Em] dumbbells, three combos, three of the four are not booped.
[E] Which in theory, you'd go, well, this wouldn't be that hard.
But the way he
Like you said, the way he does stuff
They're all a little different.
Man, they're all
That one you brought in, [G] that's a twin.
[E] It's
We're in [Em] grand form here.
Right.
I remember [E] that.
Right.
And he does his thing.
He optimizes that twin circuit to get it to sound a certain way.
[G] And he just was over-driving it.
Yeah.
[E]
Interesting.
And you know, he's got the little triple [G] box in there.
[E] I was going to tweak on yours, [B] and I thought, oh, I better
[E] I'm going to give it a go this tour.
And then
[Am] Do that again.
[D] That's [A]
[E] [Am] all the reverb.
So you can really hear the difference [E] between the EL34 and the EL60.
Yeah.
[D] Hey [A]
[E]
[A]
[D] [A] [E]
[A] [G] [D]
[E] Kevin, why don't you get [Dm] back to Nashville after the [A] turn.
Put me down for one of these if you could stick it in one of those cabinets.
I don't know [Am] if I could fit that in a cabinet, but I could build another cabinet for it.
Yeah, [A] because that head, like with the reverb, is a little bit too young.
[E] Right.
Why?
Right, gotcha.
Because I [Gm] actually, I'll show you in one of those pictures, [E] the reverb tanks are shock mounted,
are floating on top of the chassis.
Yeah.
One of the greatest advantages.
[C] So there's springs in there.
[F#] Right, I'm going to show you.
And that makes it long.
Right.
[E]
[A]
[E] [E]
[A] Right.
Keep practicing that, I'll show you some more later.
Yeah.
[E] That's great.
Are you fucking kidding me?
That's great.
Thank you for plugging into it.
Wow.
The strings are like so light.
Like I said, just follow me for your next lesson and I'll [A] show you.
Right.
I use 11 and, something like that, I [D] use 11 and 52.
[E]
[F#] To me it's ELU.
[Am] To me it's ELU.
To me it's a tetherball.
It [A] helps me.
It's very easy.
[E] Yeah, my combo box is a short, it's a, I don't put the reverb in the combo.
Right.
And the chassis are shorter.
[Em] So far I'm just making a 25.
[E]
[A] [B]
[E] My friend Jason has a bunch, I think two or three of them.
[F#] Well, actually this is a newer [Bm] version.
Right.
[E] Got the origin.
[A] [E]
[Em] So the low cut is what, [E] the
[Gm]
[A] [A#] [D]
[A#] [G]
[Em] [D]
[C] [G]
[Dm] [G] [E]
[Dm] [E]
Normally EL84s I'm not a fan of because they compress too much.
That doesn't really compress.
[Dm] [Gm] [E] Most people, a capoed bias.
I'm running a fixed VAC.
[Cm] [E] [G]
[D] [G]
[E] That amp is huge, Joe, that's all I'm saying.
That sounds great.
What player?
When I get [Em] back there, let me have one of those.
I'll take the head and cabinet honestly.
It needs two 12s to work right, [D] in my opinion.
Yeah.
[E] Whatever that is.
Okay.
That'll be fun to have.
You can do that.
You heard it, right?
You got that in order.
Get that on tape.
You can't back out now.
No, you gotta go.
But Todd has fixed a bunch of my amps and he [D] did a great job.
I have a [E] round-way dumbel that used to belong to Hoyt Axon.
[D] That we just hit the overdrive.
Just went
[Em] So Todd had to [E] painstakingly take this thing apart.
Problem [G] underneath the tone stack.
It was more trouble than it was good.
Well, no, [E] it's just the filament wire [A] had somehow melted to the [Em] extent that it was almost short.
Right.
But not completely.
So it still worked.
[Bm] Yeah.
That was [E] a little
Once we finally figured out, wow, the [C] filaments are
The [E] insulation of the wire was melted.
[D] Yeah.
[Em] Started to pull them apart.
And I was like, oh, that's bare wires.
Right.
So [G] replacing that in a dumbbell was a trick [F#] because
[A] [G] Bill, the choke is in a [C] little circuit board and by the [E] time he gets it all in there, [Em] you can't take it apart.
[G] Right.
It's like there's
I'm not sure how he got it in.
[Em] You know?
[A#] It probably took him three years to get it in.
Built to be taken apart.
But [E] he charged you for five.
Yeah.
No.
Hey, man, [Em] he makes [E] a hell of a
If you ask him, [F#] it's six.
It's probably because [E] three of my [Em] dumbbells, three combos, three of the four are not booped.
[E] Which in theory, you'd go, well, this wouldn't be that hard.
But the way he
Like you said, the way he does stuff
They're all a little different.
Man, they're all
That one you brought in, [G] that's a twin.
[E] It's
We're in [Em] grand form here.
Right.
I remember [E] that.
Right.
And he does his thing.
He optimizes that twin circuit to get it to sound a certain way.
[G] And he just was over-driving it.
Yeah.
[E]
Interesting.
And you know, he's got the little triple [G] box in there.
[E] I was going to tweak on yours, [B] and I thought, oh, I better
[E] I'm going to give it a go this tour.
And then
Key:
E
A
D
G
Em
E
A
D
_ _ _ _ _ _ _ _
_ _ _ [D] _ _ [A] _ _
[Am] Do that again.
_ [D] That's _ _ [A] _
_ [E] _ _ _ _ [Am] all the reverb.
So you can really hear the difference [E] between the EL34 and the EL60.
Yeah. _ _
_ _ _ _ _ _ _ _
_ _ _ [D] Hey _ [A] _ _
_ _ _ _ _ _ _ [E] _
_ [A] _ _ _ _ _ _ _
[D] _ [A] _ _ _ [E] _ _ _ _
[A] _ _ _ [G] _ _ [D] _ _ _
[E] _ _ _ _ Kevin, why don't you get [Dm] back to Nashville after the [A] turn.
Put me down for one of these if you could stick it in one of those cabinets.
I don't know [Am] if I could fit that in a cabinet, but I could build another cabinet for it.
Yeah, [A] because that head, like with the reverb, is a little bit too young.
[E] Right.
Why?
Right, gotcha.
Because I [Gm] actually, I'll show you in one of those pictures, [E] the reverb tanks are shock mounted,
are floating on top of the chassis.
Yeah.
One of the greatest advantages. _ _ _ _
[C] So there's springs in there.
[F#] Right, I'm going to show you.
And that makes it long.
Right. _
[E] _ _ _ _ _ _ _ _
_ _ _ _ [A] _ _ _ _
[E] _ _ _ [E] _ _ _ _ _
_ _ _ [A] Right.
Keep practicing that, I'll show you some more later.
Yeah.
_ [E] That's great.
Are you fucking kidding me?
That's great.
Thank you for plugging into it.
Wow.
The strings are like so light.
Like I said, just follow me for your next lesson and I'll [A] show you.
Right.
I use 11 and, something like that, I [D] use 11 and 52.
[E] _ _ _ _ _ _
[F#] To me it's ELU.
[Am] To me it's ELU.
To me it's a tetherball.
It [A] helps me.
It's very easy.
[E] _ _ Yeah, my combo box is a short, it's a, I don't put the reverb in the combo.
Right.
And the chassis are shorter.
[Em] So far I'm just making a 25. _ _
_ _ _ _ _ _ _ _
_ _ _ [E] _ _ _ _ _
[A] _ _ _ _ _ [B] _ _ _
[E] My _ _ _ _ _ _ _ _ _ _ _ _ friend Jason has a bunch, I think two or three of them.
[F#] Well, actually this is a newer [Bm] version.
Right.
_ [E] _ _ Got the origin.
_ [A] _ _ _ _ _ [E] _ _
_ _ _ _ _ _ _ _
_ _ [Em] So the low cut is what, [E] the_ _ _
_ _ _ _ _ _ _ _
_ _ [Gm] _ _ _ _ _ _
[A] _ _ _ _ [A#] _ _ _ [D] _
_ _ _ _ _ _ _ _
_ _ [A#] _ _ _ _ _ [G] _
_ _ [Em] _ _ _ [D] _ _ _
_ _ [C] _ _ _ _ [G] _ _
[Dm] _ _ [G] _ _ _ [E] _ _ _
[Dm] _ [E] _ _ _ _ _ _
Normally EL84s I'm not a fan of because they compress too much.
That doesn't really compress.
[Dm] _ _ _ _ [Gm] _ _ [E] Most people, a capoed bias.
_ I'm running a fixed VAC.
[Cm] _ _ _ [E] _ _ [G] _ _ _
_ _ [D] _ _ _ _ [G] _ _
_ _ [E] _ That amp is huge, Joe, that's all I'm saying. _
_ That sounds great.
What player?
When I get [Em] back there, let me have one of those.
I'll take the head and cabinet honestly.
It needs two 12s to work right, [D] in my opinion.
Yeah.
[E] Whatever that is.
Okay. _
That'll be fun to have.
You can do that.
_ You heard it, right?
You got that in order.
Get that on tape.
You can't back out now.
No, you gotta go.
But Todd has fixed a bunch of my amps and he [D] did a great job.
I have a [E] round-way dumbel that used to belong to Hoyt Axon.
[D] That we just hit the overdrive.
Just went_
[Em] So Todd had to [E] painstakingly take this thing apart.
Problem [G] underneath the tone stack.
It was more trouble than it was good.
Well, no, [E] it's just the filament wire [A] had somehow melted to the [Em] extent that it was almost short.
Right.
But not completely.
So it still worked.
[Bm] Yeah.
That was [E] a little_
Once we finally figured out, wow, the [C] filaments are_
The [E] insulation of the wire was melted.
_ [D] _ Yeah.
[Em] Started to pull them apart.
And I was like, oh, that's bare wires.
Right.
So [G] replacing that in a dumbbell was a trick [F#] because_
[A] _ _ [G] Bill, the choke is in a [C] little circuit board and by the [E] time he gets it all in there, [Em] you can't take it apart.
[G] Right.
It's like there's_
I'm not sure how he got it in.
[Em] You know?
[A#] It probably took him three years to get it in.
Built to be taken apart.
But [E] he charged you for five.
Yeah.
No.
Hey, man, [Em] he makes [E] a hell of a_
If you ask him, [F#] it's six.
It's probably because [E] three of my [Em] dumbbells, three combos, three of the four are not booped.
[E] Which in theory, you'd go, well, this wouldn't be that hard.
But the way he_
Like you said, the way he does stuff_
They're all a little different.
Man, they're all_
That one you brought in, [G] that's a twin.
_ [E] It's_
We're in [Em] grand form here.
Right.
I remember [E] that.
Right.
And he does his thing.
He optimizes that twin circuit to get it to sound a certain way.
_ [G] And he just was over-driving it.
Yeah.
[E] _ _
Interesting.
And you know, he's got the little triple [G] box in there.
_ _ [E] I was going to tweak on yours, [B] and I thought, oh, I better_
[E] I'm going to give it a go this tour.
And then
_ _ _ [D] _ _ [A] _ _
[Am] Do that again.
_ [D] That's _ _ [A] _
_ [E] _ _ _ _ [Am] all the reverb.
So you can really hear the difference [E] between the EL34 and the EL60.
Yeah. _ _
_ _ _ _ _ _ _ _
_ _ _ [D] Hey _ [A] _ _
_ _ _ _ _ _ _ [E] _
_ [A] _ _ _ _ _ _ _
[D] _ [A] _ _ _ [E] _ _ _ _
[A] _ _ _ [G] _ _ [D] _ _ _
[E] _ _ _ _ Kevin, why don't you get [Dm] back to Nashville after the [A] turn.
Put me down for one of these if you could stick it in one of those cabinets.
I don't know [Am] if I could fit that in a cabinet, but I could build another cabinet for it.
Yeah, [A] because that head, like with the reverb, is a little bit too young.
[E] Right.
Why?
Right, gotcha.
Because I [Gm] actually, I'll show you in one of those pictures, [E] the reverb tanks are shock mounted,
are floating on top of the chassis.
Yeah.
One of the greatest advantages. _ _ _ _
[C] So there's springs in there.
[F#] Right, I'm going to show you.
And that makes it long.
Right. _
[E] _ _ _ _ _ _ _ _
_ _ _ _ [A] _ _ _ _
[E] _ _ _ [E] _ _ _ _ _
_ _ _ [A] Right.
Keep practicing that, I'll show you some more later.
Yeah.
_ [E] That's great.
Are you fucking kidding me?
That's great.
Thank you for plugging into it.
Wow.
The strings are like so light.
Like I said, just follow me for your next lesson and I'll [A] show you.
Right.
I use 11 and, something like that, I [D] use 11 and 52.
[E] _ _ _ _ _ _
[F#] To me it's ELU.
[Am] To me it's ELU.
To me it's a tetherball.
It [A] helps me.
It's very easy.
[E] _ _ Yeah, my combo box is a short, it's a, I don't put the reverb in the combo.
Right.
And the chassis are shorter.
[Em] So far I'm just making a 25. _ _
_ _ _ _ _ _ _ _
_ _ _ [E] _ _ _ _ _
[A] _ _ _ _ _ [B] _ _ _
[E] My _ _ _ _ _ _ _ _ _ _ _ _ friend Jason has a bunch, I think two or three of them.
[F#] Well, actually this is a newer [Bm] version.
Right.
_ [E] _ _ Got the origin.
_ [A] _ _ _ _ _ [E] _ _
_ _ _ _ _ _ _ _
_ _ [Em] So the low cut is what, [E] the_ _ _
_ _ _ _ _ _ _ _
_ _ [Gm] _ _ _ _ _ _
[A] _ _ _ _ [A#] _ _ _ [D] _
_ _ _ _ _ _ _ _
_ _ [A#] _ _ _ _ _ [G] _
_ _ [Em] _ _ _ [D] _ _ _
_ _ [C] _ _ _ _ [G] _ _
[Dm] _ _ [G] _ _ _ [E] _ _ _
[Dm] _ [E] _ _ _ _ _ _
Normally EL84s I'm not a fan of because they compress too much.
That doesn't really compress.
[Dm] _ _ _ _ [Gm] _ _ [E] Most people, a capoed bias.
_ I'm running a fixed VAC.
[Cm] _ _ _ [E] _ _ [G] _ _ _
_ _ [D] _ _ _ _ [G] _ _
_ _ [E] _ That amp is huge, Joe, that's all I'm saying. _
_ That sounds great.
What player?
When I get [Em] back there, let me have one of those.
I'll take the head and cabinet honestly.
It needs two 12s to work right, [D] in my opinion.
Yeah.
[E] Whatever that is.
Okay. _
That'll be fun to have.
You can do that.
_ You heard it, right?
You got that in order.
Get that on tape.
You can't back out now.
No, you gotta go.
But Todd has fixed a bunch of my amps and he [D] did a great job.
I have a [E] round-way dumbel that used to belong to Hoyt Axon.
[D] That we just hit the overdrive.
Just went_
[Em] So Todd had to [E] painstakingly take this thing apart.
Problem [G] underneath the tone stack.
It was more trouble than it was good.
Well, no, [E] it's just the filament wire [A] had somehow melted to the [Em] extent that it was almost short.
Right.
But not completely.
So it still worked.
[Bm] Yeah.
That was [E] a little_
Once we finally figured out, wow, the [C] filaments are_
The [E] insulation of the wire was melted.
_ [D] _ Yeah.
[Em] Started to pull them apart.
And I was like, oh, that's bare wires.
Right.
So [G] replacing that in a dumbbell was a trick [F#] because_
[A] _ _ [G] Bill, the choke is in a [C] little circuit board and by the [E] time he gets it all in there, [Em] you can't take it apart.
[G] Right.
It's like there's_
I'm not sure how he got it in.
[Em] You know?
[A#] It probably took him three years to get it in.
Built to be taken apart.
But [E] he charged you for five.
Yeah.
No.
Hey, man, [Em] he makes [E] a hell of a_
If you ask him, [F#] it's six.
It's probably because [E] three of my [Em] dumbbells, three combos, three of the four are not booped.
[E] Which in theory, you'd go, well, this wouldn't be that hard.
But the way he_
Like you said, the way he does stuff_
They're all a little different.
Man, they're all_
That one you brought in, [G] that's a twin.
_ [E] It's_
We're in [Em] grand form here.
Right.
I remember [E] that.
Right.
And he does his thing.
He optimizes that twin circuit to get it to sound a certain way.
_ [G] And he just was over-driving it.
Yeah.
[E] _ _
Interesting.
And you know, he's got the little triple [G] box in there.
_ _ [E] I was going to tweak on yours, [B] and I thought, oh, I better_
[E] I'm going to give it a go this tour.
And then