Chords for Isobel Campbell has open relationship with muse Mark Lanegan

Tempo:
119.2 bpm
Chords used:

G

D

B

C

Eb

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Isobel Campbell has open relationship with muse Mark Lanegan chords
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[D]
It's kind of [C] like an open relationship.
And it's like, he's [Db] always collaborating.
I think I was at a stage where, [Eb] you know, he's [G] out there, he's collaborating with other [D] people.
Why shouldn't I? You know?
[Dm] Trying to create [B] this band feel which is like totally fake.
And so it's a complete pain in the ass.
[G] Because I'm like, bringing in all these
it's really [D] expensive, you know.
[C] [G]
[Bb]
I love collaborating with people.
And I love what that brings.
I think a lot of what I've been [G] doing, say, in the past, well, since I left the group, since 2002,
it's been discovering [B] everything and it's been very liberating.
Yeah, [D]
I would.
[G] Maybe I'm a little old now to be in a band.
I'm not sure.
[Bb]
[D]
When I was writing a lot of the songs on the record, I spent [G] most of [D] last year in Arizona.
[Dm] And I was staying in the [G] mountains.
And I'd [D] just be like, having breakfast and the hawks would be like, flying.
So it's kind of like that too.
Because they're kind of magnificent birds and [G] [D] predators.
Just to [Am] survive in the music business, [G] you're hawking yourself all over the
And at what point, to me, it's like, where [E]
[D] do [G] you draw the line?
At [B] what point does it become prostitution?
At what point are you selling [Eb] your soul?
[A] I think about things like that.
[G]
It probably comes a little bit from being [D] demoralized by a lot of things.
[N]
Key:  
G
2131
D
1321
B
12341112
C
3211
Eb
12341116
G
2131
D
1321
B
12341112
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_ _ _ _ _ _ _ _
_ _ _ [D] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ It's kind of [C] like an open relationship.
And it's like, he's [Db] always collaborating.
I think I was at a stage where, [Eb] you know, he's [G] out there, he's collaborating with other [D] people.
_ Why shouldn't I? You know? _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [Dm] Trying to create [B] this band feel which is like totally fake.
And so it's a complete pain in the ass.
[G] Because I'm like, bringing in all these_
it's really [D] expensive, you know. _ _
[C] _ _ _ _ _ [G] _ _ _
_ _ _ _ _ [Bb] _ _ _
_ I love _ collaborating with people.
And I love what that brings. _ _
_ I think a lot of what I've been [G] doing, say, in the past, well, since I left the group, since 2002, _
_ _ it's been _ discovering [B] everything and _ _ _ it's been very liberating.
Yeah, _ _ [D] _ _ _
I would.
[G] _ _ Maybe I'm a little old now to be in a band.
I'm not sure.
_ _ _ [Bb] _
_ _ _ _ [D] _ _ _ _
_ _ _ _ _ _ _ _
When I was writing a lot of the songs on the record, I spent [G] most of [D] last year in Arizona. _ _ _
[Dm] And I was staying in the [G] mountains.
_ And I'd [D] just be like, having breakfast and the hawks would be like, flying.
So it's kind of like that too.
Because they're kind of magnificent birds and [G] _ _ [D] predators. _ _
_ _ _ _ _ Just to [Am] survive in the music business, [G] _ _ _ you're hawking yourself all over the_
And at what point, to me, it's like, _ where [E] _
_ [D] _ do [G] you draw the line?
At _ _ [B] _ what _ point does it _ become prostitution?
At what point are you _ selling [Eb] your soul?
_ [A] I think about things like that.
_ _ _ _ _ [G] _ _
It probably comes a little bit from being [D] demoralized by a lot of things. _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [N] _

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