Chords for Interview with Eloise // Studio V
Tempo:
126.95 bpm
Chords used:
G
Ab
C
Bb
Eb
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[G] [C]
[Eb] [F]
[B] [Cm]
[D]
[Bbm] [Cm]
[Eb] So I [Ab] chose all of the songs because I feel like they were all individual [Fm] landmarks in
my kind of growing process as an artist.
The first song, Subside, is [Eb] kind of about the desire for someone when you feel like
for the first time you've got an indication that [Ab] they just might want you as well.
So it's that kind of excitement and [Fm] anticipation.
[Ab]
[C] [Abm]
[Eb] [G] [Eb]
[G]
[C]
[G] So this, yeah, [Ab] this thing called living is about when you fall in love with someone [C] and
you spend months being this close to like [Bm] telling the person how you feel.
[Bbm] But like you also know that you never will.
And it's about the kind of you miss [Db] your chance and they're now [Bb] somehow removed from your
[Fm] life and you're just kind of left [Dm] with [Db] [Ab] like, well, you know, that person's fine and they're
living their life and [C] I'm without any satisfaction.
I [B] haven't told them how I felt.
I haven't got a response.
I [Bb] have no clarification.
Now I'm waiting for [C] someone who's not in my life anymore.
[Bb] So it's kind of about [Dbm] the, as it says in the lyrics, the shoulda, [Gbm] woulda, couldas and what ifs.
[Ab]
[Gm] [C] [Fm]
[E] [Abm]
[Db] [Ab]
[Gm] [C] [Fm]
Yeah.
[Abm] Somebody
[Db] [Gbm] new is about [Ab] the first [Gb] moment that you feel like you're strong enough to [B] move
on from someone that was a massive part of your [G] life.
It's, yeah, it's about the kind of [Bb] the, that big leap that you [D] make from the morning period
of a relationship to [Am] the [Bm] kind of idea of excitement of [Bb] someone new.
And I wrote it [B] thinking like it would be very convenient to just be like, oh, [Bb] I have fallen
in love with someone new or whatever.
[B] But [Bm] I also thought it was a really nice [Bb] idea to involve the fact that, yeah, my heart [Bm] might get broken.
Yes, I might [Bb] be in more pain [Gm] later on than I am now [Bm] over this relationship, but it's
something new [Bb] and it still means moving on and it still means growing.
So bring it [G] on.
I think that that's a kind of continuity in a lot of my music is I write about the [Ab] kind
of, like it might, it might all turn out wrong and it might not work out [Am] as it's planned.
And I write songs about things that haven't worked out according to plan.
[C] Because I try and write in [Cm] the in-between of [Gm] I [F] hate them and, or [G] I love them.
Like it's, I try and meet the middle point in all my music.
[Ab]
[Am]
[Cm]
[Eb] [A]
[D] So
[Am] [D]
[G] Hey Mister, I was kind of inspired by Breakfast at Tiffany's, [F] but I just really like the idea
[Gbm] of seeing someone [G] and kind of then taking your breath away, straight away upon first
sight [F] and you've never spoken to them because [D] the first time [Dm] [Am] you've ever seen them, you're
so fangirly or whatever.
[Eb] And I really liked the idea [G] of I will love you for the foreseeable future, [D] but I don't
think I'll ever tell you, but I'm okay with that.
The song is just about having a lot of pride [G] and feeling like you've got too much to lose
for not regretting any [F] love for that person.
So like when Freddie moves in and [Gbm] she's like, [G] oh, he's like, oh, I really [Bm] liked that kind
of appreciation [E] and how they probably didn't [Dm] know that the other one [A] noticed it all.
[Am] [Eb]
[D] [Bm]
[D]
[Eb] [F]
[B] [Cm]
[D]
[Bbm] [Cm]
[Eb] So I [Ab] chose all of the songs because I feel like they were all individual [Fm] landmarks in
my kind of growing process as an artist.
The first song, Subside, is [Eb] kind of about the desire for someone when you feel like
for the first time you've got an indication that [Ab] they just might want you as well.
So it's that kind of excitement and [Fm] anticipation.
[Ab]
[C] [Abm]
[Eb] [G] [Eb]
[G]
[C]
[G] So this, yeah, [Ab] this thing called living is about when you fall in love with someone [C] and
you spend months being this close to like [Bm] telling the person how you feel.
[Bbm] But like you also know that you never will.
And it's about the kind of you miss [Db] your chance and they're now [Bb] somehow removed from your
[Fm] life and you're just kind of left [Dm] with [Db] [Ab] like, well, you know, that person's fine and they're
living their life and [C] I'm without any satisfaction.
I [B] haven't told them how I felt.
I haven't got a response.
I [Bb] have no clarification.
Now I'm waiting for [C] someone who's not in my life anymore.
[Bb] So it's kind of about [Dbm] the, as it says in the lyrics, the shoulda, [Gbm] woulda, couldas and what ifs.
[Ab]
[Gm] [C] [Fm]
[E] [Abm]
[Db] [Ab]
[Gm] [C] [Fm]
Yeah.
[Abm] Somebody
[Db] [Gbm] new is about [Ab] the first [Gb] moment that you feel like you're strong enough to [B] move
on from someone that was a massive part of your [G] life.
It's, yeah, it's about the kind of [Bb] the, that big leap that you [D] make from the morning period
of a relationship to [Am] the [Bm] kind of idea of excitement of [Bb] someone new.
And I wrote it [B] thinking like it would be very convenient to just be like, oh, [Bb] I have fallen
in love with someone new or whatever.
[B] But [Bm] I also thought it was a really nice [Bb] idea to involve the fact that, yeah, my heart [Bm] might get broken.
Yes, I might [Bb] be in more pain [Gm] later on than I am now [Bm] over this relationship, but it's
something new [Bb] and it still means moving on and it still means growing.
So bring it [G] on.
I think that that's a kind of continuity in a lot of my music is I write about the [Ab] kind
of, like it might, it might all turn out wrong and it might not work out [Am] as it's planned.
And I write songs about things that haven't worked out according to plan.
[C] Because I try and write in [Cm] the in-between of [Gm] I [F] hate them and, or [G] I love them.
Like it's, I try and meet the middle point in all my music.
[Ab]
[Am]
[Cm]
[Eb] [A]
[D] So
[Am] [D]
[G] Hey Mister, I was kind of inspired by Breakfast at Tiffany's, [F] but I just really like the idea
[Gbm] of seeing someone [G] and kind of then taking your breath away, straight away upon first
sight [F] and you've never spoken to them because [D] the first time [Dm] [Am] you've ever seen them, you're
so fangirly or whatever.
[Eb] And I really liked the idea [G] of I will love you for the foreseeable future, [D] but I don't
think I'll ever tell you, but I'm okay with that.
The song is just about having a lot of pride [G] and feeling like you've got too much to lose
for not regretting any [F] love for that person.
So like when Freddie moves in and [Gbm] she's like, [G] oh, he's like, oh, I really [Bm] liked that kind
of appreciation [E] and how they probably didn't [Dm] know that the other one [A] noticed it all.
[Am] [Eb]
[D] [Bm]
[D]
Key:
G
Ab
C
Bb
Eb
G
Ab
C
[G] _ _ _ [C] _ _ _ _ _
_ _ [Eb] _ _ _ [F] _ _ _
[B] _ _ _ _ _ _ [Cm] _ _
_ _ _ _ _ _ [D] _ _
_ [Bbm] _ _ _ [Cm] _ _ _ _
_ _ [Eb] So I [Ab] chose all of the songs because I feel like they were all individual [Fm] landmarks in _
my kind of growing process as an artist.
The first song, Subside, _ _ is [Eb] kind of about the _ desire for someone when you feel like
for the first time you've got an indication that [Ab] they just might want you as well.
So it's that kind of excitement and [Fm] anticipation.
_ [Ab] _
_ _ [C] _ _ [Abm] _ _ _ _
[Eb] _ _ [G] _ _ _ _ [Eb] _ _
_ _ _ _ [G] _ _ _ _
_ _ _ _ [C] _ _ _ _
_ [G] So this, yeah, [Ab] this thing called living is about _ _ when you fall in love with someone _ [C] and
you spend months being this close to like [Bm] telling the person how you feel.
_ [Bbm] But like you also know that you never will.
And it's about the kind of you miss [Db] your chance and they're now [Bb] somehow removed from your
[Fm] life and you're just kind of left [Dm] with _ [Db] [Ab] like, well, you know, that person's fine and they're
living their life and [C] I'm without any satisfaction.
I [B] haven't told them how I felt.
I haven't got a response.
I [Bb] have no clarification.
Now I'm waiting for [C] someone who's not in my life anymore.
[Bb] So it's kind of about [Dbm] the, as it says in the lyrics, the shoulda, [Gbm] woulda, couldas and what ifs.
_ [Ab] _ _ _ _
_ _ [Gm] _ _ _ [C] _ _ [Fm] _
_ _ _ _ [E] _ [Abm] _ _ _
[Db] _ _ [Ab] _ _ _ _ _ _
[Gm] _ _ _ [C] _ _ _ [Fm] _ _
_ _ Yeah.
[Abm] Somebody _ _
[Db] _ _ _ [Gbm] _ new is about [Ab] the first _ [Gb] moment that you feel like you're strong enough to [B] move
on from someone that was a massive part of your [G] life.
It's, yeah, it's about the kind of [Bb] the, that big leap that you [D] make from the morning period
of a relationship to [Am] the [Bm] kind of idea of excitement of [Bb] someone new.
And I wrote it [B] thinking like it would be very convenient to just be like, oh, [Bb] I have fallen
in love with someone new or whatever.
[B] But [Bm] I also thought it was a really nice [Bb] idea to involve the fact that, yeah, my heart [Bm] might get broken.
Yes, I might [Bb] be in more pain [Gm] later on than I am now [Bm] over this relationship, but it's
something new [Bb] and it still means moving on and it still means growing.
So bring it [G] on.
I think that that's a kind of continuity in a lot of my music is I write about the [Ab] kind
of, like it might, it might all turn out wrong and it might not work out [Am] as it's planned.
And I write songs about things that haven't worked out according to plan.
[C] Because I try and write in [Cm] the in-between of [Gm] I [F] hate them and, or [G] I love them.
Like it's, I try and meet the middle point in all my music. _ _
_ _ [Ab] _ _ _ _ _ _
_ _ _ _ [Am] _ _ _ _
_ _ _ _ _ _ _ [Cm] _
_ _ _ _ [Eb] _ _ _ [A] _
_ [D] So _ _ _ _ _
_ _ _ _ [Am] _ _ _ [D] _
_ _ [G] Hey Mister, I was kind of inspired by Breakfast at Tiffany's, [F] but I just really like the idea
[Gbm] of seeing someone [G] and kind of _ _ then taking your breath away, straight away upon first
sight [F] and you've never spoken to them because [D] the first time [Dm] [Am] you've ever seen them, you're
so _ fangirly or whatever.
_ [Eb] And I really liked the idea [G] of I will love you for the foreseeable future, [D] but I don't
think I'll ever tell you, but I'm okay with that.
The song is just about having a lot of pride [G] and feeling like you've got too much to lose
_ for not regretting any [F] love for that person.
So like when Freddie moves in and [Gbm] she's like, [G] oh, he's like, oh, I really [Bm] liked that kind
of appreciation [E] and how they probably didn't [Dm] know that the other one [A] noticed it all. _
_ _ _ _ _ _ _ _
[Am] _ _ [Eb] _ _ _ _ _ _
[D] _ [Bm] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [D] _ _ _ _ _
_ _ [Eb] _ _ _ [F] _ _ _
[B] _ _ _ _ _ _ [Cm] _ _
_ _ _ _ _ _ [D] _ _
_ [Bbm] _ _ _ [Cm] _ _ _ _
_ _ [Eb] So I [Ab] chose all of the songs because I feel like they were all individual [Fm] landmarks in _
my kind of growing process as an artist.
The first song, Subside, _ _ is [Eb] kind of about the _ desire for someone when you feel like
for the first time you've got an indication that [Ab] they just might want you as well.
So it's that kind of excitement and [Fm] anticipation.
_ [Ab] _
_ _ [C] _ _ [Abm] _ _ _ _
[Eb] _ _ [G] _ _ _ _ [Eb] _ _
_ _ _ _ [G] _ _ _ _
_ _ _ _ [C] _ _ _ _
_ [G] So this, yeah, [Ab] this thing called living is about _ _ when you fall in love with someone _ [C] and
you spend months being this close to like [Bm] telling the person how you feel.
_ [Bbm] But like you also know that you never will.
And it's about the kind of you miss [Db] your chance and they're now [Bb] somehow removed from your
[Fm] life and you're just kind of left [Dm] with _ [Db] [Ab] like, well, you know, that person's fine and they're
living their life and [C] I'm without any satisfaction.
I [B] haven't told them how I felt.
I haven't got a response.
I [Bb] have no clarification.
Now I'm waiting for [C] someone who's not in my life anymore.
[Bb] So it's kind of about [Dbm] the, as it says in the lyrics, the shoulda, [Gbm] woulda, couldas and what ifs.
_ [Ab] _ _ _ _
_ _ [Gm] _ _ _ [C] _ _ [Fm] _
_ _ _ _ [E] _ [Abm] _ _ _
[Db] _ _ [Ab] _ _ _ _ _ _
[Gm] _ _ _ [C] _ _ _ [Fm] _ _
_ _ Yeah.
[Abm] Somebody _ _
[Db] _ _ _ [Gbm] _ new is about [Ab] the first _ [Gb] moment that you feel like you're strong enough to [B] move
on from someone that was a massive part of your [G] life.
It's, yeah, it's about the kind of [Bb] the, that big leap that you [D] make from the morning period
of a relationship to [Am] the [Bm] kind of idea of excitement of [Bb] someone new.
And I wrote it [B] thinking like it would be very convenient to just be like, oh, [Bb] I have fallen
in love with someone new or whatever.
[B] But [Bm] I also thought it was a really nice [Bb] idea to involve the fact that, yeah, my heart [Bm] might get broken.
Yes, I might [Bb] be in more pain [Gm] later on than I am now [Bm] over this relationship, but it's
something new [Bb] and it still means moving on and it still means growing.
So bring it [G] on.
I think that that's a kind of continuity in a lot of my music is I write about the [Ab] kind
of, like it might, it might all turn out wrong and it might not work out [Am] as it's planned.
And I write songs about things that haven't worked out according to plan.
[C] Because I try and write in [Cm] the in-between of [Gm] I [F] hate them and, or [G] I love them.
Like it's, I try and meet the middle point in all my music. _ _
_ _ [Ab] _ _ _ _ _ _
_ _ _ _ [Am] _ _ _ _
_ _ _ _ _ _ _ [Cm] _
_ _ _ _ [Eb] _ _ _ [A] _
_ [D] So _ _ _ _ _
_ _ _ _ [Am] _ _ _ [D] _
_ _ [G] Hey Mister, I was kind of inspired by Breakfast at Tiffany's, [F] but I just really like the idea
[Gbm] of seeing someone [G] and kind of _ _ then taking your breath away, straight away upon first
sight [F] and you've never spoken to them because [D] the first time [Dm] [Am] you've ever seen them, you're
so _ fangirly or whatever.
_ [Eb] And I really liked the idea [G] of I will love you for the foreseeable future, [D] but I don't
think I'll ever tell you, but I'm okay with that.
The song is just about having a lot of pride [G] and feeling like you've got too much to lose
_ for not regretting any [F] love for that person.
So like when Freddie moves in and [Gbm] she's like, [G] oh, he's like, oh, I really [Bm] liked that kind
of appreciation [E] and how they probably didn't [Dm] know that the other one [A] noticed it all. _
_ _ _ _ _ _ _ _
[Am] _ _ [Eb] _ _ _ _ _ _
[D] _ [Bm] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [D] _ _ _ _ _