Chords for Interview with Artimus Pyle & Ed King
Tempo:
68.3 bpm
Chords used:
Bb
Ab
D
Gb
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Artemis Pyle, take 50.
In New York City, out on Long Island, we have some Pennsylvania guys.
And as the band progressed, Ed King became interested.
When you got three guitar players playing the same lead,
[Bb] and you hear all the guitars echoing back and forth,
it sounds very authentic, it sounds like the record, actually.
I thought it would be great if we were to play in this band,
because it was worthy of Ed.
And I think about things that way.
I think if something is worthy of Ed, because he is a consummate master of his instrument.
I love hearing Ed play.
[Ab] So for Saturday Night Special to be together with Ed King and myself on drums,
that was really working.
And these guys play the stuff as close to Ronnie Van Zandt's band as anybody I've played with.
And Ronnie Van Zandt's band was a strong band.
And playing with these guys is incredible.
Then you add to the mix, you've got Leslie Hawkins and JoJo Billingsley,
who I love these girls, and they were the original honkets of the Leonard Skinner band,
handpicked by Ronnie Van Zandt.
[Bb] Artemis met these guys and decided he had to play with them,
and then he grabbed Joe, and then grabbed me, and then we grabbed Ed,
and here we all are.
So we never got to play with Ed before.
So it's real nice to play with him.
And Artie's playing great.
So much energy.
It's just unbelievable.
He's a powerhouse.
Yeah, still.
He is a powerhouse.
And to hear them behind me singing [D] all of that, like on That Smell, the song That Smell,
those vocals are important, and they're integral to the song.
And when the girls sing it, it does give me goosebumps sometimes.
I'll be sitting there playing, and I look over and I see Ed,
and I see the earnestness of the way the band is playing these songs,
really paying particular attention to small nuances of the music,
and then hearing the girls sing it.
And then I look out front, right in front of me, as I did with Ronnie Van Zandt for so many years,
on stages all over the world, gigantic stages, you know, stadiums everywhere,
and I look out and I see that fella with the hair colored yellow.
Well, in this band, that guy's name is Thane.
Thane [Bb] Sharon.
And he's from right here in Nashville, and this guy sings with power, conviction.
Thane sings the songs as good as they've been sung since Ronnie Van Zandt was alive.
With Thane on those strong vocals, it is incredible.
And I do want to share this with everybody.
I want people to know that that 70s classic style, you know, played with intensity, is still there.
[Gb] And people have not lost that.
It's not lost on Ed, it's not lost on the girls, it's not lost on me,
and it's
In New York City, out on Long Island, we have some Pennsylvania guys.
And as the band progressed, Ed King became interested.
When you got three guitar players playing the same lead,
[Bb] and you hear all the guitars echoing back and forth,
it sounds very authentic, it sounds like the record, actually.
I thought it would be great if we were to play in this band,
because it was worthy of Ed.
And I think about things that way.
I think if something is worthy of Ed, because he is a consummate master of his instrument.
I love hearing Ed play.
[Ab] So for Saturday Night Special to be together with Ed King and myself on drums,
that was really working.
And these guys play the stuff as close to Ronnie Van Zandt's band as anybody I've played with.
And Ronnie Van Zandt's band was a strong band.
And playing with these guys is incredible.
Then you add to the mix, you've got Leslie Hawkins and JoJo Billingsley,
who I love these girls, and they were the original honkets of the Leonard Skinner band,
handpicked by Ronnie Van Zandt.
[Bb] Artemis met these guys and decided he had to play with them,
and then he grabbed Joe, and then grabbed me, and then we grabbed Ed,
and here we all are.
So we never got to play with Ed before.
So it's real nice to play with him.
And Artie's playing great.
So much energy.
It's just unbelievable.
He's a powerhouse.
Yeah, still.
He is a powerhouse.
And to hear them behind me singing [D] all of that, like on That Smell, the song That Smell,
those vocals are important, and they're integral to the song.
And when the girls sing it, it does give me goosebumps sometimes.
I'll be sitting there playing, and I look over and I see Ed,
and I see the earnestness of the way the band is playing these songs,
really paying particular attention to small nuances of the music,
and then hearing the girls sing it.
And then I look out front, right in front of me, as I did with Ronnie Van Zandt for so many years,
on stages all over the world, gigantic stages, you know, stadiums everywhere,
and I look out and I see that fella with the hair colored yellow.
Well, in this band, that guy's name is Thane.
Thane [Bb] Sharon.
And he's from right here in Nashville, and this guy sings with power, conviction.
Thane sings the songs as good as they've been sung since Ronnie Van Zandt was alive.
With Thane on those strong vocals, it is incredible.
And I do want to share this with everybody.
I want people to know that that 70s classic style, you know, played with intensity, is still there.
[Gb] And people have not lost that.
It's not lost on Ed, it's not lost on the girls, it's not lost on me,
and it's
Key:
Bb
Ab
D
Gb
Bb
Ab
D
Gb
_ Artemis Pyle, take 50. _ _
In New York City, out on Long Island, we have some Pennsylvania guys.
And as the band progressed, Ed King became interested.
When you got three guitar players playing the same lead,
[Bb] and you hear all the guitars echoing back and forth,
it sounds very authentic, it sounds like the record, actually.
I thought it would be great if we were to play in this band,
because it was worthy of Ed.
And I think about things that way.
I think if something is worthy of Ed, because he is a consummate master of his instrument.
I love hearing Ed play.
[Ab] So for Saturday Night Special to be together with Ed King and myself on drums,
that was really working.
And these guys play the stuff as close to Ronnie Van Zandt's band as anybody I've played with.
And Ronnie Van Zandt's band was a strong band.
And playing with these guys is incredible.
Then you add to the mix, you've got Leslie Hawkins and JoJo Billingsley,
who I love these girls, and they were the original honkets _ of the Leonard Skinner band,
handpicked by Ronnie Van Zandt.
[Bb] Artemis met these guys and decided he had to play with them,
and then he grabbed Joe, and then grabbed me, and then we grabbed Ed,
and here we all are.
So we never got to play with Ed before.
So it's real nice to play with him.
And Artie's playing great.
So much energy.
It's just unbelievable.
He's a powerhouse.
Yeah, still.
He is a powerhouse.
And to hear them behind me singing [D] all of that, like on That Smell, the song That Smell,
those vocals are important, and they're integral to the song.
And when the girls sing it, it does give me goosebumps sometimes.
I'll be sitting there playing, and I look over and I see Ed,
and I see the earnestness of the way the band is playing these songs,
really paying particular attention to small nuances of the music,
and then hearing the girls sing it.
And then I look out front, right in front of me, as I did with Ronnie Van Zandt for so many years,
on stages all over the world, gigantic stages, you know, stadiums everywhere,
and I look out and I see that fella with the hair colored yellow.
Well, in this band, that guy's name is Thane.
Thane [Bb] Sharon.
And he's from right here in Nashville, and this guy sings with power, conviction.
Thane sings the songs as good as they've been sung since Ronnie Van Zandt was alive.
With Thane on those strong vocals, it is incredible.
And I do want to share this with everybody.
I want people to know that that 70s classic style, you know, played with intensity, is still there.
[Gb] And people have not lost that.
It's not lost on Ed, it's not lost on the girls, it's not lost on me,
and it's
In New York City, out on Long Island, we have some Pennsylvania guys.
And as the band progressed, Ed King became interested.
When you got three guitar players playing the same lead,
[Bb] and you hear all the guitars echoing back and forth,
it sounds very authentic, it sounds like the record, actually.
I thought it would be great if we were to play in this band,
because it was worthy of Ed.
And I think about things that way.
I think if something is worthy of Ed, because he is a consummate master of his instrument.
I love hearing Ed play.
[Ab] So for Saturday Night Special to be together with Ed King and myself on drums,
that was really working.
And these guys play the stuff as close to Ronnie Van Zandt's band as anybody I've played with.
And Ronnie Van Zandt's band was a strong band.
And playing with these guys is incredible.
Then you add to the mix, you've got Leslie Hawkins and JoJo Billingsley,
who I love these girls, and they were the original honkets _ of the Leonard Skinner band,
handpicked by Ronnie Van Zandt.
[Bb] Artemis met these guys and decided he had to play with them,
and then he grabbed Joe, and then grabbed me, and then we grabbed Ed,
and here we all are.
So we never got to play with Ed before.
So it's real nice to play with him.
And Artie's playing great.
So much energy.
It's just unbelievable.
He's a powerhouse.
Yeah, still.
He is a powerhouse.
And to hear them behind me singing [D] all of that, like on That Smell, the song That Smell,
those vocals are important, and they're integral to the song.
And when the girls sing it, it does give me goosebumps sometimes.
I'll be sitting there playing, and I look over and I see Ed,
and I see the earnestness of the way the band is playing these songs,
really paying particular attention to small nuances of the music,
and then hearing the girls sing it.
And then I look out front, right in front of me, as I did with Ronnie Van Zandt for so many years,
on stages all over the world, gigantic stages, you know, stadiums everywhere,
and I look out and I see that fella with the hair colored yellow.
Well, in this band, that guy's name is Thane.
Thane [Bb] Sharon.
And he's from right here in Nashville, and this guy sings with power, conviction.
Thane sings the songs as good as they've been sung since Ronnie Van Zandt was alive.
With Thane on those strong vocals, it is incredible.
And I do want to share this with everybody.
I want people to know that that 70s classic style, you know, played with intensity, is still there.
[Gb] And people have not lost that.
It's not lost on Ed, it's not lost on the girls, it's not lost on me,
and it's