Chords for Inside the Taylor T5z with Wayne Johnson

_ _ _ _ _ _ _ _
_ _ _ [Ab] _ _ _ _ [Eb] _
_ _ _ _ _ Hi, this is Wayne Johnson with Taylor Guitars, hanging out with the guys here at Sounds.
[A] _
_ _ [A] _ I'd like [Bm] to take you through the T5Z today and show you [E] all the flexibility and all the
tones [A] we can get for many genres.
[Bm] The T5 is a true hybrid guitar.
[E] It's built in an acoustic manner, so it's totally acoustic, [D] totally hollow, but it has electric pickups.
You can create sounds [A] for all of the electric [E] and all of the acoustic [Db] needs that you have.
A great [D] way to showcase the [E] flexibility of the T5 [A] and the T5Z is [Bm] to use an A-B box, which
can split your signal.
[B] Then you can send one side [A] to an acoustic source and the other [D] side to an electric source.
And you can use [E] them separately or you can use them together.
Let's check out how it [D] sounds.
_ _ _ Position 1 [A] is the most acoustic of all the sounds.
It [D] incorporates the humbucker pickup under the fingerboard and the body [A] sensor that's
behind the bridge.
_ _ [G] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [G] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [A] _ _ [E] Position 2 is just the [Bm] humbucker under the fingerboard [D] all by itself.
This is the [A]
warmest part of the guitar, right at the end of the [Bm] fingerboard.
And it's a great way to [Ab] create a jazz [A] tone by [E] using the treble and the bass knobs, [Bm] which are separate.
You can bring back the [D] treble a little bit and you [B] can boost the bass.
And [E] because of those detent [D] lines that are on the knobs, you'll find that they actually
point at each other.
And that's a great way to remember the jazz or Latin position. _
[E] _ _ _ _ _ _ _ [Am] _
_ _ _ [B] _ _ _ [Am] _ _
[Em] _ _ _ _ _ _ [Am] _ _
[C] _ _ _ _ [Em] _ _ _ _
[C] _ _ _ _ [C] _ _ _ [D] _
_ [Gm] _ _ _ [E] _ _ _ _
[D] _ _ _ _ _ _ _ [Am] _
[E] In this position, you can also just reverse [D] that EQ so the detent lines are pointing away
from each other.
[E] This creates a real [A] interesting little sort [Bm] of strat sound.
And I like to use this with [Ab] the electric amp.
[B] Maybe a little bit of distortion on it.
[A] _ _
_ [E] _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Em] _
_ _ _ _ _ _ _ _
_ _ _ _ _ [Ab] _ _ _
_ _ _ _ [Am] _ Position [E] 3 uses the only [Bm] viewable pickup on [D] the guitar and it's just in front of the bridge.
[E] And this is a fully stacked humbucker pickup.
[Bm] It looks like a single coil, but it's not.
[D] This is [E] such a great, unique sound to the [Bm] T5 all by itself.
But you can do so many things [B] with it through the electric amp.
Really [A] nice, bright [D] rhythm sound, distortion, lead sound, right through [E] the acoustic amp
or PA system.
It's got the [Bm] coolest, like, chicken-picking sound.
So it's a very [B] flexible sound.
One of my favorites, actually.
[E] _ _ _ _ _ [A] _ _ _
_ _ _ _ _ _ _ _
_ _ [E] _ _ _ [A] _ _ _
_ [C] _ _ _ [E] _ _ _ _
[G] _ _ _ _ _ _ _ [Eb] _
_ [Em] _ _ _ _ _ [B] _ _
_ _ [D] _ _ _ _ _ _
Position 4 is [E] another one of my [Bm] favorites.
It incorporates the humbucker [E] under the fingerboard and the visual humbucker.
Both of those pickups are wired [Bm] in parallel.
And this gives you [D] a really cool [E] sound for rockabilly, maybe Chet Atkins [D] kinds of tones.
_ Works great on distortion, too.
[B] _
_ _ [Em] _ _ _ _ [Gb] _ _
_ [Em] _ _ _ [Eb] _ _ _ [G] _
_ _ _ _ _ [Gb] _ _ _
_ [E] _ _ _ [D] _ [Am] _ _ [G] _
_ _ [E] _ _ _ _ _ [Em] _
_ _ _ _ [D] _ _ _ _
_ _ [E] _ _ _ [G] _ _ _
_ [A] _ Position [E] 5 incorporates [Bm] the pickup under the [D] fingerboard and the visual [E] humbucker as well.
This time they're wired in series, [Bm] which is a little beefier, more robust sound.
[A] _ _ _ [G] _ _ _ _ [C] _ _ _ _ _ _ [D] _
_ _ [G] _ _ _ _ _ _
_ _ _ _ [C] _ _ _ _
_ _ [G] _ _ _ [D] _ _ _
[G] _ _ _ _ _ _ _ _
_ _ _ [C] _ _ _ _ [B] _
_ _ _ _ [Em] _ _ _ _
[G] _ _ _ _ _ [C] _ _ _
[Em] _ _ _ _ _ _ [Bm] _ _
[A] _ _ _ _ _ _ _ _
_ _ _ _ _ _ [G] _ _
_ _ _ _ [A] _ _ _ _
_ [A] _ _ _ _ _ _ _
[G] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _