Chords for I Love You Honey - Rachelyn James 'Shotgun Red Show
Tempo:
71.5 bpm
Chords used:
G
D
C
A
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[N] Hey, welcome this week to the Shotgun Red Variety Show, and folks, you probably noticed
we're right here at the Fab Tabulous.
Ernest Tubbs Records Store right next door is the Texas Troubadour Theater, and they
let us play in here with our show while they're fixing the General Dixon Showboat with all
the newest and modern technology stuff.
You smell good, as they say in the South, honey, you stink pretty.
Let's hear it for Miss Sheila.
Give her a nice hand, yeah, she-she.
From Muscle Shoals, Alabama, Steve, you ready for this first act?
I'm ready, because this is fantastic.
She can play, sing several instruments.
Give a nice round of applause to Rachel Lynn James.
Here she is.
[C]
[G] Down in Dallas, near the palace, I met a boy who [D] was so cute.
I loved his hugging, I loved his kissing, as he sat in his [G] little crate-cage.
Said, tell me, confidentially, how much do you [C] love me?
Well, I thought a while, and then I smiled, and this is what I [G] told him, don't you see?
I love you, honey, I love you, money, I love you, [D] automobile, I love you, baby, I don't
mean maybe, because we just [G] think aren't we?
I love you, honey, I love you, automobile, honey kisses, I won't be missing, no matter
how [C] I feel.
I love you, honey, I love you, money, but most of all, I love you, [G] automobile.
Y'all take it away.
[D]
[G]
[C]
[G] Down in Dallas, near the palace, I met a boy who was [D] so cute.
I loved his hugging, I loved his kissing, as he sat in his [G] little crate-cage.
Said, tell me, confidentially, how much do you [C] love me?
Well, I thought a while, and then I smiled, and this is what I [G] told him, don't you see?
I love you, honey, I love you, money, I love you, [D] automobile, I love you, baby, I don't
mean maybe, because we just [G] think aren't we?
I love you, kisses, I wouldn't miss it, no matter how [C] I feel.
I love you, honey, I love you, money, but most of all, I love you, [G] automobile, [A] most of all,
I love you, automobile.
[G] I love you, automobile.
[N]
I love you, automobile.
I love you, automobile.
I love you, automobile.
I love you, automobile.
I worked with the Riviera Band, and I've been with them for about two years now.
I watched so many of your videos, and I said, I hope we can talk her into doing our show.
And the coolest thing, I love that, I love your hugging, I love your kissing, I love your money,
that's the part I didn't like about them.
But you stood there and sang, that's an, for those at home scratching their head, thinking,
where have I heard that song, that's an old Patsy Cline song.
And you stood on the circle that Patsy Cline stood on, when it was down at the original
Ernest Tubbs record shop, and they moved it out here, singing a Patsy Cline song.
And knocked it out of the park, too, I might add.
What do you think?
Wow.
Thank you.
Now on my notes here, you play guitar and you play fiddle also, don't you?
Yes, sir.
Who taught you?
Did you self-teach or what?
Well, I taught myself how to play guitar, but fiddle, well, actually, I used to play a violin instead, I guess.
So I played classical violin for nine years, and then I quit for a long time,
and then once I started singing, I picked up my violin and turned it into a fiddle instead.
Fantastic.
Sheila, come on out here.
We want to show your CD.
Tell us a little bit about this CD and the neat part about this.
As I, you know, they're all younger artists, and you are so young and so talented and so pretty,
you get tugged by the new industry to do more traditional stuff.
But what I like about your CD is it's half traditional and half newer stuff.
Explain some of the songs that are on there.
Well, I think about six or seven of the songs are old classic country songs like –
Old classic country songs.
And then the other ones are more, you know, kind of newer songs, not super recent, but, yeah.
More pop style with going with the times, and we understand that.
But I love the fact that you include some of that traditional stuff.
Now, are you going to play some fiddle for us right now to take us to a commercial break?
Yes, sir.
While you're putting that there and you're switching over to the fiddle,
I'm going to tell you a little bit about how you can get her CD.
First of all, you can go to her website, and there it is across the bottom of the screen,
www .rachellynjamesmusic.com.
It's on the screen.
Of course, if you're at home, just pause it and go get a pencil and write it down.
Phone number is 850.
This is her agency in case you want to book her to do some shows,
and she can come work with your group or bring an entire band with you for your fair festival.
It says 850-266-3618.
And what are you going to play to take us to a break here?
I'm going to be playing Cajun Fiddle.
Oh, wow.
A little Cajun Fiddle.
So ladies and gentlemen, I'm going to get out of the way and let her saw that fiddle in half.
Give a nice round of applause one more time to Rachel Lynn James.
[D] [G] [D]
[A] [D] [G]
[D]
[A] [D] [G]
[A] [D] [G]
[D]
we're right here at the Fab Tabulous.
Ernest Tubbs Records Store right next door is the Texas Troubadour Theater, and they
let us play in here with our show while they're fixing the General Dixon Showboat with all
the newest and modern technology stuff.
You smell good, as they say in the South, honey, you stink pretty.
Let's hear it for Miss Sheila.
Give her a nice hand, yeah, she-she.
From Muscle Shoals, Alabama, Steve, you ready for this first act?
I'm ready, because this is fantastic.
She can play, sing several instruments.
Give a nice round of applause to Rachel Lynn James.
Here she is.
[C]
[G] Down in Dallas, near the palace, I met a boy who [D] was so cute.
I loved his hugging, I loved his kissing, as he sat in his [G] little crate-cage.
Said, tell me, confidentially, how much do you [C] love me?
Well, I thought a while, and then I smiled, and this is what I [G] told him, don't you see?
I love you, honey, I love you, money, I love you, [D] automobile, I love you, baby, I don't
mean maybe, because we just [G] think aren't we?
I love you, honey, I love you, automobile, honey kisses, I won't be missing, no matter
how [C] I feel.
I love you, honey, I love you, money, but most of all, I love you, [G] automobile.
Y'all take it away.
[D]
[G]
[C]
[G] Down in Dallas, near the palace, I met a boy who was [D] so cute.
I loved his hugging, I loved his kissing, as he sat in his [G] little crate-cage.
Said, tell me, confidentially, how much do you [C] love me?
Well, I thought a while, and then I smiled, and this is what I [G] told him, don't you see?
I love you, honey, I love you, money, I love you, [D] automobile, I love you, baby, I don't
mean maybe, because we just [G] think aren't we?
I love you, kisses, I wouldn't miss it, no matter how [C] I feel.
I love you, honey, I love you, money, but most of all, I love you, [G] automobile, [A] most of all,
I love you, automobile.
[G] I love you, automobile.
[N]
I love you, automobile.
I love you, automobile.
I love you, automobile.
I love you, automobile.
I worked with the Riviera Band, and I've been with them for about two years now.
I watched so many of your videos, and I said, I hope we can talk her into doing our show.
And the coolest thing, I love that, I love your hugging, I love your kissing, I love your money,
that's the part I didn't like about them.
But you stood there and sang, that's an, for those at home scratching their head, thinking,
where have I heard that song, that's an old Patsy Cline song.
And you stood on the circle that Patsy Cline stood on, when it was down at the original
Ernest Tubbs record shop, and they moved it out here, singing a Patsy Cline song.
And knocked it out of the park, too, I might add.
What do you think?
Wow.
Thank you.
Now on my notes here, you play guitar and you play fiddle also, don't you?
Yes, sir.
Who taught you?
Did you self-teach or what?
Well, I taught myself how to play guitar, but fiddle, well, actually, I used to play a violin instead, I guess.
So I played classical violin for nine years, and then I quit for a long time,
and then once I started singing, I picked up my violin and turned it into a fiddle instead.
Fantastic.
Sheila, come on out here.
We want to show your CD.
Tell us a little bit about this CD and the neat part about this.
As I, you know, they're all younger artists, and you are so young and so talented and so pretty,
you get tugged by the new industry to do more traditional stuff.
But what I like about your CD is it's half traditional and half newer stuff.
Explain some of the songs that are on there.
Well, I think about six or seven of the songs are old classic country songs like –
Old classic country songs.
And then the other ones are more, you know, kind of newer songs, not super recent, but, yeah.
More pop style with going with the times, and we understand that.
But I love the fact that you include some of that traditional stuff.
Now, are you going to play some fiddle for us right now to take us to a commercial break?
Yes, sir.
While you're putting that there and you're switching over to the fiddle,
I'm going to tell you a little bit about how you can get her CD.
First of all, you can go to her website, and there it is across the bottom of the screen,
www .rachellynjamesmusic.com.
It's on the screen.
Of course, if you're at home, just pause it and go get a pencil and write it down.
Phone number is 850.
This is her agency in case you want to book her to do some shows,
and she can come work with your group or bring an entire band with you for your fair festival.
It says 850-266-3618.
And what are you going to play to take us to a break here?
I'm going to be playing Cajun Fiddle.
Oh, wow.
A little Cajun Fiddle.
So ladies and gentlemen, I'm going to get out of the way and let her saw that fiddle in half.
Give a nice round of applause one more time to Rachel Lynn James.
[D] [G] [D]
[A] [D] [G]
[D]
[A] [D] [G]
[A] [D] [G]
[D]
Key:
G
D
C
A
G
D
C
A
_ _ [N] Hey, welcome this week to the Shotgun Red Variety Show, and folks, you probably noticed
we're right here at the Fab Tabulous.
Ernest Tubbs Records Store right next door is the Texas Troubadour Theater, and they
let us play in here with our show while they're fixing the General Dixon Showboat with all
the newest and modern technology stuff. _
_ _ You smell good, as they say in the South, honey, you stink pretty.
Let's hear it for Miss Sheila.
Give her a nice hand, yeah, she-she.
From Muscle Shoals, Alabama, Steve, you ready for this first act?
I'm ready, because this is fantastic.
She can play, sing several instruments.
Give a nice round of applause to Rachel Lynn James.
Here she is.
[C] _ _ _ _ _
_ [G] _ Down in Dallas, near the palace, I met a boy who [D] was so cute.
I loved his hugging, I loved his kissing, as he sat in his [G] little crate-cage.
Said, tell me, confidentially, how much do you [C] love me?
Well, I thought a while, and then I smiled, and this is what I [G] told him, don't you see?
I love you, honey, I love you, money, I love you, [D] automobile, I love you, baby, I don't
mean maybe, because we just [G] think aren't we?
I love you, honey, I love you, automobile, honey kisses, I won't be missing, no matter
how [C] I feel.
I love you, honey, I love you, money, but most of all, I love you, [G] automobile.
Y'all take it away. _ _ _ _
_ [D] _ _ _ _ _ _ _
_ [G] _ _ _ _ _ _ _
_ [C] _ _ _ _ _ _ _
_ [G] _ Down in Dallas, near the palace, I met a boy who was [D] so cute.
I loved his hugging, I loved his kissing, as he sat in his [G] little crate-cage.
Said, tell me, confidentially, how much do you [C] love me?
Well, I thought a while, and then I smiled, and this is what I [G] told him, don't you see?
I love you, honey, I love you, money, I love you, [D] automobile, I love you, baby, I don't
mean maybe, because we just [G] think aren't we?
I love you, kisses, I wouldn't miss it, no matter how [C] I feel.
I love you, honey, I love you, money, but most of all, I love you, [G] automobile, [A] most of all,
I love you, automobile.
[G] I love you, automobile. _ _ _ _ _ _
_ [N] _ _ _ _ _ _ _
I love you, automobile.
I _ _ love you, _ _ _ _ _ _ _ automobile.
I love you, _ _ _ _ automobile.
I love you, automobile.
I worked with the Riviera Band, and I've been with them for about two years now.
I watched so many of your videos, and I said, I hope we can talk her into doing our show.
And the coolest thing, I love that, I love your hugging, I love your kissing, I love your money,
that's the part I didn't like about them.
But you stood there and sang, that's an, for those at home scratching their head, thinking,
where have I heard that song, that's an old Patsy Cline song.
And you stood on the circle that Patsy Cline stood on, when it was down at the original
Ernest Tubbs record shop, and they moved it out here, singing a Patsy Cline song.
And knocked it out of the park, too, I might add.
What do you think?
Wow.
Thank you.
Now on my notes here, you play guitar and you play fiddle also, don't you?
Yes, sir.
Who taught you?
Did you self-teach or what?
Well, I taught myself how to play guitar, but fiddle, well, actually, I used to play a violin instead, I guess.
So I played classical violin for nine years, and then I quit for a long time,
and then once I started singing, I picked up my violin and turned it into a fiddle instead.
Fantastic.
Sheila, come on out here.
We want to show your CD.
Tell us a little bit about this CD and the neat part about this.
As I, you know, they're all younger artists, and you are so young and so talented and so pretty,
you get tugged by the new industry to do more traditional stuff.
But what I like about your CD is it's half traditional and half newer stuff.
Explain some of the songs that are on there.
Well, I think about six or seven of the songs are old classic country songs like –
Old classic country songs.
And then the other ones are more, you know, kind of newer songs, not super recent, but, yeah.
More pop style with going with the times, and we understand that.
But I love the fact that you include some of that traditional stuff.
Now, are you going to play some fiddle for us right now to take us to a commercial break?
Yes, sir.
While you're putting that there and you're switching over to the fiddle,
I'm going to tell you a little bit about how you can get her CD.
First of all, you can go to her website, and there it is across the bottom of the screen,
www _ .rachellynjamesmusic.com.
It's on the screen.
Of course, if you're at home, just pause it and go get a pencil and write it down.
Phone number is 850.
This is her agency in case you want to book her to do some shows,
and she can come work with your group or bring an entire band with you for your fair festival.
It says 850-266-3618.
And what are you going to play to take us to a break here?
I'm going to be playing Cajun Fiddle.
Oh, wow.
A little Cajun Fiddle.
So ladies and gentlemen, I'm going to get out of the way and let her saw that fiddle in half.
Give a nice round of applause one more time to Rachel Lynn James.
_ _ _ _ _ [D] _ _ _ _ _ [G] _ _ _ [D] _ _
_ [A] _ _ _ [D] _ _ _ [G] _
_ _ [D] _ _ _ _ _ _
[A] _ _ _ [D] _ _ _ [G] _ _
_ [A] _ _ _ [D] _ _ _ [G] _
_ _ [D] _ _ _ _ _ _
we're right here at the Fab Tabulous.
Ernest Tubbs Records Store right next door is the Texas Troubadour Theater, and they
let us play in here with our show while they're fixing the General Dixon Showboat with all
the newest and modern technology stuff. _
_ _ You smell good, as they say in the South, honey, you stink pretty.
Let's hear it for Miss Sheila.
Give her a nice hand, yeah, she-she.
From Muscle Shoals, Alabama, Steve, you ready for this first act?
I'm ready, because this is fantastic.
She can play, sing several instruments.
Give a nice round of applause to Rachel Lynn James.
Here she is.
[C] _ _ _ _ _
_ [G] _ Down in Dallas, near the palace, I met a boy who [D] was so cute.
I loved his hugging, I loved his kissing, as he sat in his [G] little crate-cage.
Said, tell me, confidentially, how much do you [C] love me?
Well, I thought a while, and then I smiled, and this is what I [G] told him, don't you see?
I love you, honey, I love you, money, I love you, [D] automobile, I love you, baby, I don't
mean maybe, because we just [G] think aren't we?
I love you, honey, I love you, automobile, honey kisses, I won't be missing, no matter
how [C] I feel.
I love you, honey, I love you, money, but most of all, I love you, [G] automobile.
Y'all take it away. _ _ _ _
_ [D] _ _ _ _ _ _ _
_ [G] _ _ _ _ _ _ _
_ [C] _ _ _ _ _ _ _
_ [G] _ Down in Dallas, near the palace, I met a boy who was [D] so cute.
I loved his hugging, I loved his kissing, as he sat in his [G] little crate-cage.
Said, tell me, confidentially, how much do you [C] love me?
Well, I thought a while, and then I smiled, and this is what I [G] told him, don't you see?
I love you, honey, I love you, money, I love you, [D] automobile, I love you, baby, I don't
mean maybe, because we just [G] think aren't we?
I love you, kisses, I wouldn't miss it, no matter how [C] I feel.
I love you, honey, I love you, money, but most of all, I love you, [G] automobile, [A] most of all,
I love you, automobile.
[G] I love you, automobile. _ _ _ _ _ _
_ [N] _ _ _ _ _ _ _
I love you, automobile.
I _ _ love you, _ _ _ _ _ _ _ automobile.
I love you, _ _ _ _ automobile.
I love you, automobile.
I worked with the Riviera Band, and I've been with them for about two years now.
I watched so many of your videos, and I said, I hope we can talk her into doing our show.
And the coolest thing, I love that, I love your hugging, I love your kissing, I love your money,
that's the part I didn't like about them.
But you stood there and sang, that's an, for those at home scratching their head, thinking,
where have I heard that song, that's an old Patsy Cline song.
And you stood on the circle that Patsy Cline stood on, when it was down at the original
Ernest Tubbs record shop, and they moved it out here, singing a Patsy Cline song.
And knocked it out of the park, too, I might add.
What do you think?
Wow.
Thank you.
Now on my notes here, you play guitar and you play fiddle also, don't you?
Yes, sir.
Who taught you?
Did you self-teach or what?
Well, I taught myself how to play guitar, but fiddle, well, actually, I used to play a violin instead, I guess.
So I played classical violin for nine years, and then I quit for a long time,
and then once I started singing, I picked up my violin and turned it into a fiddle instead.
Fantastic.
Sheila, come on out here.
We want to show your CD.
Tell us a little bit about this CD and the neat part about this.
As I, you know, they're all younger artists, and you are so young and so talented and so pretty,
you get tugged by the new industry to do more traditional stuff.
But what I like about your CD is it's half traditional and half newer stuff.
Explain some of the songs that are on there.
Well, I think about six or seven of the songs are old classic country songs like –
Old classic country songs.
And then the other ones are more, you know, kind of newer songs, not super recent, but, yeah.
More pop style with going with the times, and we understand that.
But I love the fact that you include some of that traditional stuff.
Now, are you going to play some fiddle for us right now to take us to a commercial break?
Yes, sir.
While you're putting that there and you're switching over to the fiddle,
I'm going to tell you a little bit about how you can get her CD.
First of all, you can go to her website, and there it is across the bottom of the screen,
www _ .rachellynjamesmusic.com.
It's on the screen.
Of course, if you're at home, just pause it and go get a pencil and write it down.
Phone number is 850.
This is her agency in case you want to book her to do some shows,
and she can come work with your group or bring an entire band with you for your fair festival.
It says 850-266-3618.
And what are you going to play to take us to a break here?
I'm going to be playing Cajun Fiddle.
Oh, wow.
A little Cajun Fiddle.
So ladies and gentlemen, I'm going to get out of the way and let her saw that fiddle in half.
Give a nice round of applause one more time to Rachel Lynn James.
_ _ _ _ _ [D] _ _ _ _ _ [G] _ _ _ [D] _ _
_ [A] _ _ _ [D] _ _ _ [G] _
_ _ [D] _ _ _ _ _ _
[A] _ _ _ [D] _ _ _ [G] _ _
_ [A] _ _ _ [D] _ _ _ [G] _
_ _ [D] _ _ _ _ _ _