Chords for I'll Be Around / Ty Taylor / Daryl Hall /"Live From Daryl's House"

Tempo:
115.65 bpm
Chords used:

D

C#m

E

B

A

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
I'll Be Around / Ty Taylor / Daryl Hall /"Live From Daryl's House" chords
Start Jamming...
As far as music goes
We come from a different generation.
I noticed a lot of 16 17 year olds their natural voice
Sounds like they're singing with pro with with auto-tune
[C] No, what [N] happens is there's no bit there's no bending of notes
There's no sliding down the notes.
They sing like the train to the exact no Because
Knocked him for it because it's all they've heard right some people maybe it's a minority but tend to seek out
the good [D#] the good and and and they they don't care what age or error it's from a
Friend of mine was in a cab the other night, right?
[E] He was at uber he shared an uber with this girl and he's a bass player
So he had his bass and the girl goes.
Oh you you're musician.
He goes.
Yeah, I play bass
I just got done with a [B] gig and she goes.
Oh, yeah
Where did you play and she and [D#] she goes?
He goes, yeah, [D#m] I did this gig blah blah [N] blah and he goes
Oh with the DJ and he's like no.
No, I played a gig with a band because with the DJ, right?
No
There was no DJ.
No, it's no DJ in her mind and she's about 17 a
Band means a DJ, you know, there's nothing wrong with a DJ
But that's what I mean, they're growing up thinking that a musician, you know, or my boyfriend's a musician he's a DJ
You know, it's a no
But that's what I'm saying.
That's the generation.
I do I know it's hard
But I think the part of the problem is that people in our generation
Stop seeking heroes that are younger than them
Because when people our age can find who is there younger than them?
Then we can see what they're doing that our heroes and infuse it what what we knew that they don't know
Then we get [G] to enhance [C#] what they're doing.
Does that make any sense?
It's really about meeting meeting in the middle.
Oh, no, anyone gives a [F] but you tell them they [B] Oh
[D#]
[F#] When you tell me when to come in I know it's for this red [A] thing, yeah, it just it [D#] seems longer
That's why yesterday I was wondering what it is.
We got that
[N] It's kind of long.
I mean [D#] we could cut it.
That's what I was saying.
We talked about it
You want me to take it easy to do?
Why don't we do that?
Okay when you hear me go
Once the bands in I'll just go
We'll do it twice, you know, and then I'll go I [D#] don't even have to play that that that that thing
I can just come in with the signature line.
Well, no, but that's a signature that do it
[F#m]
[D#] Okay, that's that's a that's kind of important.
[B] Well, once the bands in I'll start with the first signature, you know, then we'll have both
[G] Yeah, it's like two signatures.
Yeah
[A] They'll be all kinds [E] of sick.
All right.
Well, what do you [D#m] think?
[F#m]
[D#m] [B] [D]
[E]
[A]
[C#m]
[B] [C#m]
[D] [E]
[D] [E]
[D] [B] [E]
[D] [E]
[D] [B] [E]
[D] [C#m]
[D] [B] [E]
[F#m] Here [C#m] we go
[B] [C#m]
[D] [C#m]
[B] [C#m]
[A] [E]
[D] [B] [C#m]
[D] [B] [C#m]
[A] [C#m]
[D] [C#m]
[D] [C#m]
[D] [A] [C#m]
[D] [E]
[D]
[A] [C#m]
[D] [B] [E]
[D] [C#m] Baby
[D] [C#m] [F#m]
[D] [C#m]
[A] [C#m]
[A] [C#m]
[D] [E] [A]
[C#m]
[D] I
[C#m]
[D] Believe me [C#m] I'll [D] be
[B] [C#m]
[B] [E]
[D] [E]
[D] [B] [E]
[D] [E]
[A] [E]
[D] [B] [E]
[A] [C#m]
[D] [C#m]
[D] [E] Never [D] you need [C#m] me.
I'll [D] be around
[C#m]
[D] [C#m]
[D] [B] [C#m]
[D]
[E]
[D] [C#m]
[D] [C#m]
[D] [F#m] Never
[D] you want me
[E]
[D] [C#m]
[D] [C#m]
[D] [A] I
[E]
[D] [E]
[D] [C#m]
[D] [C#m]
[D] [C#m] [A]
[D] [C#m]
[Bm] [E]
[D] [C#m]
[Bm]
[E]
[N] Was great [Cm] man, that [D#] was painless and [G] fun
[D#] Now [B] that was fun
[A] From a person who [E] grew up listening to [B] soul singers and being inspired by soul singers and getting a tour with them was one thing
And then the business room [C#] is another so well same here, man
I mean, [B] it's a pleasure to sing with somebody who [D#] actually gets it.
You know, you got that place.
Thanks for the inspiration
Yeah, yeah completely.
Yeah, and [B] I'm gonna get back [C#m] out my scars to
[G#] [E] [N]
Key:  
D
1321
C#m
13421114
E
2311
B
12341112
A
1231
D
1321
C#m
13421114
E
2311
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As far as music goes
We come from a different generation.
I noticed a lot of 16 17 year olds their natural voice
Sounds like they're singing with pro with with auto-tune
_ _ _ _ [C] No, what [N] happens is there's no bit there's no bending of notes
There's no sliding down the notes.
They sing like the train to the exact no Because
_ _ _ _ _ Knocked him for it because it's all they've heard right some people maybe it's a minority but tend to seek out
the good [D#] the good and and and they they don't care what _ age or error it's from a
Friend of mine was in a cab the other night, right? _ _ _
[E] He was at uber he shared an uber with this girl and he's a bass player
So he had his bass and the girl goes.
Oh you you're musician.
He goes.
Yeah, I play bass
I just got done with a [B] gig and she goes.
Oh, yeah
_ Where did you play and she and [D#] she goes?
He goes, yeah, [D#m] I did this gig blah blah [N] blah and he goes
Oh with the DJ and he's like no.
No, I played a gig with a band because with the DJ, right?
No
There was no DJ.
No, it's no DJ in her mind and she's about 17 a
_ Band means a DJ, you know, there's nothing wrong with a DJ
But that's what I mean, they're growing up thinking that a musician, you know, or my boyfriend's a musician he's a DJ
You know, it's a no
_ But that's what I'm saying.
That's the generation.
I do I know it's hard
But I think the part of the problem is that people in our generation
_ Stop seeking heroes that are younger than them
Because when people our age can find who is there younger than them?
Then we can see what they're doing that our heroes and infuse it what what we knew that they don't know
Then we get [G] to enhance [C#] what they're doing.
Does that make any sense?
It's really about meeting meeting in the middle.
_ Oh, no, anyone gives a [F] but you tell them they [B] Oh _ _ _ _ _
_ _ _ _ [D#] _ _ _ _
_ _ _ [F#] When you tell me when to come in I know it's for this red [A] thing, yeah, it just it [D#] seems longer
That's why yesterday I was wondering what it is.
We got that
[N] _ _ It's kind of long.
I mean [D#] we could cut it.
That's what I was saying.
We talked about it
You want me to take it easy to do?
Why don't we do that?
Okay when you hear me go
Once the bands in I'll just go
_ We'll do it twice, you know, and then I'll go I [D#] don't even have to play that that that that thing
I can just come in with the signature line.
Well, no, but that's a signature that do it
[F#m] _
[D#] Okay, that's that's a that's kind of important.
[B] Well, once the bands in I'll start with the first signature, you know, then we'll have both
[G] Yeah, it's like two signatures.
Yeah
_ [A] They'll be all kinds [E] of sick.
All right.
Well, what do you [D#m] think?
_ _ [F#m] _ _
[D#m] _ _ _ [B] _ _ _ _ [D] _
_ _ _ _ [E] _ _ _ _
[A] _ _ _ _ _ _ _ _
_ _ _ _ [C#m] _ _ _ _
[B] _ _ _ _ [C#m] _ _ _ _
[D] _ _ _ _ [E] _ _ _ _
[D] _ _ _ _ [E] _ _ _ _
[D] _ _ [B] _ _ [E] _ _ _ _
[D] _ _ _ _ [E] _ _ _ _
[D] _ _ [B] _ _ [E] _ _ _ _
[D] _ _ _ _ [C#m] _ _ _ _
[D] _ _ [B] _ _ [E] _ _ _ _
[F#m] _ _ Here [C#m] we go _ _
[B] _ _ _ _ [C#m] _ _ _ _
[D] _ _ _ _ [C#m] _ _ _ _
[B] _ _ _ _ [C#m] _ _ _ _
[A] _ _ _ _ [E] _ _ _ _
[D] _ _ [B] _ _ [C#m] _ _ _ _
[D] _ _ [B] _ _ [C#m] _ _ _ _
[A] _ _ _ _ [C#m] _ _ _ _
[D] _ _ _ _ [C#m] _ _ _ _
[D] _ _ _ _ [C#m] _ _ _ _
[D] _ _ [A] _ _ [C#m] _ _ _ _
[D] _ _ _ _ [E] _ _ _ _
[D] _ _ _ _ _ _ _ _
_ _ [A] _ _ [C#m] _ _ _ _
[D] _ _ [B] _ _ [E] _ _ _ _
[D] _ _ _ _ [C#m] _ Baby _
[D] _ _ _ _ [C#m] _ _ [F#m] _ _
[D] _ _ _ _ [C#m] _ _ _ _
[A] _ _ _ _ [C#m] _ _ _ _
[A] _ _ _ _ [C#m] _ _ _ _
[D] _ _ _ _ [E] _ _ _ [A] _
_ _ _ _ [C#m] _ _ _ _
[D] I
_ _ [C#m] _ _ _ _
[D] _ _ Believe me [C#m] _ _ I'll [D] be _ _ _ _ _ _ _
[B] _ _ [C#m] _ _ _ _ _ _
[B] _ _ _ _ [E] _ _ _ _
[D] _ _ _ _ [E] _ _ _ _
[D] _ _ [B] _ _ [E] _ _ _ _
[D] _ _ _ _ [E] _ _ _ _
_ _ [A] _ _ [E] _ _ _ _
[D] _ _ [B] _ _ [E] _ _ _ _
[A] _ _ _ _ [C#m] _ _ _ _
[D] _ _ _ _ [C#m] _ _ _ _
[D] _ _ _ _ [E] _ _ Never [D] _ you need [C#m] me.
_ I'll [D] be around _ _ _ _ _ _
_ _ _ _ [C#m] _ _ _ _
[D] _ _ _ _ [C#m] _ _ _ _
[D] _ _ [B] _ _ [C#m] _ _ _ _
[D] _ _ _ _ _ _ _ _
_ _ _ _ [E] _ _ _ _
[D] _ _ _ _ [C#m] _ _ _ _
[D] _ _ _ _ [C#m] _ _ _ _
[D] _ _ _ _ [F#m] _ Never _
[D] you want me
_ _ [E] _ _ _ _
[D] _ _ _ _ [C#m] _ _ _ _
[D] _ _ _ _ [C#m] _ _ _ _
[D] _ _ _ _ [A] I
[E] _ _
[D] _ _ _ _ [E] _ _ _ _
[D] _ _ _ _ [C#m] _ _ _ _
_ [D] _ _ _ [C#m] _ _ _ _
[D] _ _ _ _ [C#m] _ _ [A] _ _
[D] _ _ _ _ [C#m] _ _ _ _
[Bm] _ _ _ _ [E] _ _ _ _
_ [D] _ _ _ [C#m] _ _ _ _
_ [Bm] _ _ _ _ _ _ _
[E] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[N] _ _ _ _ _ _ Was _ _ _ _ _ _ great [Cm] man, that [D#] was painless and [G] fun _ _ _
[D#] _ _ Now [B] that was fun _
[A] From a person who [E] grew up listening to [B] soul singers and being inspired by soul singers and getting a tour with them was one thing
And then the business room [C#] is another so well same here, man
I mean, [B] it's a pleasure to sing with somebody who [D#] actually gets it.
You know, you got that place.
Thanks for the inspiration
Yeah, yeah completely.
Yeah, and [B] I'm gonna get back [C#m] out my scars to
[G#] _ _ _ _ _ [E] _ _ _ _ _ _ [N] _ _