Chords for How To Sing Incredible High Notes - Still Loving You - Scorpions - cover - Ken Tamplin Vocal Academy

Tempo:
105 bpm
Chords used:

Gm

Eb

D

Bb

A

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
How To Sing Incredible High Notes - Still Loving You - Scorpions - cover - Ken Tamplin Vocal Academy chords
Start Jamming...
Hey guys, welcome back again to Ken Tamplin Vocal Academy, where the proof is in the singing.
Today we're going to take on another epic classic piece.
The band is the Scorpions, and the song is called Still Loving You, and the lead vocalist's
name is Klaus Meine.
Now Klaus is German, and he uses a lot of German language re-translated into English,
so there's some vowel stuff there.
I'm going to sing it like Ken Tamplin, with some of his influence.
We'll do it [Gm] first, talk about it [Bb] after.
Here we go.
[Eb]
[D]
[Gm] Time, it is time, to win back your love again.
I'll [A] win your love, I'll [D] win your love.
[Gm] Love, only love, can bring back your love someday.
I [A] will be there, I will [D] be there.
[Gm] [Eb]
[D]
[Gm] Try, [Eb]
[D]
[Gm]
baby try, to trust in my love again.
I [A] will be there, I will [D] be there.
[Gm] Love, should it be thrown away, I will [A] be there, I will [D] be there.
[Gm] If [Eb] we go again, [Bb] all the way from [F] the start.
[Gm] I [Eb] would try to change, [Bb] things that killed [F] our love.
[Gm] Pride [Cm] has built a wall, [D] so strong we can't [Gm] get through.
[F] [Eb] Is there really no chance, [F] to start once again?
[Bb] Still [Gm] loving you,
[Eb] I [Bb] need [F] your love.
[Gm] Still loving you, [Eb] I [Bb] need your [F] love.
Still [Gm] loving you,
[Eb] [Bb] I need [F] your love.
Still [Gm] loving you,
[Eb] [Bb] I need your [F] [Gm]
love.
Okay, so [N] great, by the way, awesome song.
These guys turn out a lot of hits.
Klaus Meine is still out there killing it to this day.
So he's one of the few people that have escaped that whole 80s, 90s thing, where a lot of those guys lost his voice.
No, Klaus is still out there killing it to this day.
So kudos to him, man.
So, not claiming to be awesome as Klaus, but I just want to kind of break down some of the stuff that he's done.
So, when I go, time, it needs time.
I'm being real bright on the sound.
I'm using a real bright timbre.
I would say, time, it needs time, baby.
I like more girthy, kind of lower register stuff, but he's not.
He's real pointed in the sound.
Now, other people that use that sound would be guys like Don Dokken, or even Lou Gramm, or Stevie Wonder.
Like, there's a lot of people that use a lot of nasality and a lot of frontal mask in the sound.
But, you know, to win back your love again, he uses like, win back your love.
You know, right.
A love, a love, shouldn't be thrown away.
And, again, remember I said I was going to talk about the translation from German into English.
So, you know, here's a guy, kudos to him, man.
He's German, and he's had a lot of success in music that he's represented his German language into English.
So, he's trying to negotiate these vowel sounds.
I wouldn't be so harsh on the vowels, or hard on them.
I'd be, instead of, shouldn't be thrown away, I'd be, shouldn't be thrown away.
I'd mellow out the sounds themselves.
Now, one real important thing about this.
By the way, if you like this video, please subscribe to my channel.
That'd be awesome, so you can hear more of the tutorials that I have.
But, I wouldn't have been able to do the last note, you know, [G] I wouldn't have been able to do that,
because when you use too much nasality, or the villanasal port in the sound, and mask in the sound,
what happens is you inhibit range.
And when you do that, you can't go up beyond certain notes.
So, I like to keep the sound more open.
I come in from behind the note, and I drop down on the note.
And if I want to bring mask into the sound, I can do that.
Now, I cover all of this in my singing course, How to Sing Better Than Anyone Else.
You can go to KenTamplinVocalAcademy.com.
You can click here and get the information, which is awesome.
And you can also check out my other stuff that I have on YouTube,
because as I walk you through this step by step, you'll see there's a training process.
I don't just walk up and sing this stuff.
No, I have to train my vowels, and I have to train the timbre of the sound, and all that stuff, and diaphragmatic support.
This takes a lot of diaphragmatic support in order to be able to do this stuff effectively.
Okay, guys?
So, if you love what you heard, please subscribe, and we have more coming your way.
And until next time, peace, out.
[D] [Bm] [B]
[A]
[E] [B] [A]
[E] [A] [E]
[B] [A] [E] [G]
Key:  
Gm
123111113
Eb
12341116
D
1321
Bb
12341111
A
1231
Gm
123111113
Eb
12341116
D
1321
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Hey guys, welcome back again to Ken Tamplin Vocal Academy, where the proof is in the singing.
Today we're going to take on another epic classic piece.
The band is the Scorpions, and the song is called Still Loving You, and the lead vocalist's
name is Klaus Meine.
Now Klaus is German, and he uses a lot of German language re-translated into English,
so there's some vowel stuff there.
I'm going to sing it like Ken Tamplin, with some of his influence.
We'll do it [Gm] first, talk about it [Bb] after.
Here we go.
[Eb] _ _ _ _ _ _ _ _
[D] _ _ _ _ _ _ _ _
[Gm] Time, _ it is time, to win back your love again.
I'll [A] win your love, _ _ _ I'll [D] win your love. _ _ _ _ _
[Gm] _ Love, only love, can bring back your love someday.
I [A] will be there, _ _ _ I will [D] be _ there. _ _ _ _
[Gm] _ _ _ _ [Eb] _ _ _ _
_ _ _ _ [D] _ _ _ _
[Gm] _ _ Try, [Eb] _ _ _ _
_ _ _ _ [D] _ _ _ _
_ _ _ _ [Gm] _ _ _
baby try, _ to trust in my love again.
I [A] will be there, _ _ _ I will [D] be _ there.
_ _ _ _ [Gm] Love, _ _ _ _ _ should it be thrown _ away, I will [A] be _ there, _ _ I will [D] be _ there.
_ _ _ _ [Gm] _ _ If [Eb] we go again, [Bb] all the way from [F] the start.
_ [Gm] _ _ I [Eb] would try to change, [Bb] things that killed [F] our love.
_ _ [Gm] _ _ Pride [Cm] has built a wall, [D] so strong we can't [Gm] get through.
[F] _ [Eb] Is there really no _ _ chance, [F] to start once again?
_ [Bb] Still [Gm] loving you, _ _
[Eb] _ _ I [Bb] _ _ need [F] your love.
_ [Gm] Still loving you, _ [Eb] I _ _ _ [Bb] _ need your [F] love.
_ Still [Gm] loving you, _
[Eb] _ _ _ [Bb] I need [F] your love.
Still [Gm] loving you, _ _
[Eb] _ _ _ _ [Bb] _ I need your [F] _ _ _ _ [Gm] _ _ _ _
_ _ _ _ _ love.
Okay, so _ [N] great, by the way, awesome song.
These guys turn out a lot of hits.
Klaus Meine is still out there killing it to this day.
So he's one of the few people that have escaped that whole 80s, 90s thing, where a lot of those guys lost his voice.
No, Klaus is still out there killing it to this day.
So kudos to him, man.
So, not claiming to be awesome as Klaus, but I just want to kind of break down some of the stuff that he's done.
So, when I go, time, it needs time.
I'm being real bright on the sound.
I'm using a real bright timbre.
I would say, time, it needs time, baby.
I like more girthy, kind of lower register stuff, but he's not.
He's real pointed in the sound.
Now, other people that use that sound would be guys like Don Dokken, or even Lou Gramm, or Stevie Wonder.
Like, there's a lot of people that use a lot of nasality and a lot of frontal mask in the sound.
But, you know, to win back your love again, he uses like, win back your love.
You know, right.
A love, a love, shouldn't be thrown away.
And, again, remember I said I was going to talk about the translation from German into English.
So, you know, here's a guy, kudos to him, man.
He's German, and he's had a lot of success in music that he's represented his German language into English.
So, he's trying to negotiate these vowel sounds.
I wouldn't be so harsh on the vowels, or hard on them.
I'd be, instead of, shouldn't be thrown away, I'd be, shouldn't be thrown away.
_ I'd mellow out the sounds themselves.
Now, one real important thing about this.
By the way, if you like this video, please subscribe to my channel.
That'd be awesome, so you can hear more of the tutorials that I have.
But, I wouldn't have been able to do the last note, you know, _ [G] I _ wouldn't have been able to do that,
because when you use too much nasality, or the villanasal port in the sound, and mask in the sound,
what happens is you inhibit range.
And when you do that, you can't go up beyond certain notes.
So, I like to keep the sound more open.
I come in from behind the note, and I drop down on the note.
And if I want to bring mask into the sound, I can do that.
Now, I cover all of this in my singing course, How to Sing Better Than Anyone Else.
You can go to KenTamplinVocalAcademy.com.
You can click here and get the information, which is awesome.
And you can also check out my other stuff that I have on YouTube,
because as I walk you through this step by step, you'll see there's a training process.
I don't just walk up and sing this stuff.
No, I have to train my vowels, and I have to train the timbre of the sound, and all that stuff, and diaphragmatic support.
This takes a lot of diaphragmatic support in order to be able to do this stuff effectively.
Okay, guys?
So, if you love what you heard, please subscribe, and we have more coming your way.
And until next time, peace, out.
[D] _ _ _ _ _ [Bm] _ _ _ _ [B] _ _ _ _ _ _
_ _ _ _ _ _ _ [A] _
_ _ [E] _ _ [B] _ _ [A] _ _
_ [E] _ _ _ [A] _ _ _ [E] _
_ [B] _ [A] _ _ _ _ [E] _ [G] _

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