Chords for How To Play 'Work To Do' Average White Band
Tempo:
92.25 bpm
Chords used:
B
A
F#
C#
G#m
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Here's uh, I got work to do the average white pants
Oh nicely bump from the same time actually I see brothers did it every way been edited
They [B] did it faster than the Isley brothers and longer.
She don't have to know a whole lot to have the whole [F#] entire tune
There's the same tempo throughout and there's a modulate snow
[G#] C section
And it starts they both [A] started actually with this [B] A chord with the B and the treble
Isley brothers might
You know, I just play the B and the treble [B]
and you get four bars of this
[F#] [C#]
[B]
Right that's panned on one side the other [F#] guitar is playing [C#] You
[B] [C#] [F#]
Both offer D flat to a B chord D [E] flat to B
There's a difference though one note in this [A#m] particular shape
This D flat [F] chord for the a flat that stay in the same playing all three [D#m] notes
But the suspension is a E flat and a G flat so
[F#] [N] Now when you come back your second move off this D flat chord is instead [B] of
[C#]
[B] You
Right, so this is gone this finger is gone and then
[C#] [Bm] [B]
[E] Here you starting with [G#m] a flat and E [B] flat and a G flat
here you're [C#] starting with a D [F#m] flat a
G [N] flat and a a [C#] flat so
this starts with a D flat chord or note [N] and this
D flat it starts with a E
flat
[B] Which is right here on the G string difference of one note with [C#] total of four
[A] and then you get
[A] [E]
[G] [A] The intro again
Let's say a major [Bm] seven to a B [A]
a [G#m] to a
There's no sorrow be
flat and a flat and a B
[G#] It is a G short minor to [B] this
Diminished seven chord that's [A] an a flat and F.
Sorry an A flat and D and F and a B
[B] [A]
[B] [A]
[B] [D#m]
[F#] [G#] And you get the idea
The interesting thing about this is because there's so much harmony going on in the AWV [F#] version
You could play it rather than playing a major seven a B to an A and then to a [A] G
Short minor you could play an A
we all could [G#m] an A to a
[F#m] G short minor to an F sharp minor [G#m] back of the G short [B] minor and harmonies in [A] there to the both were
[F#]
[G#m] [D] Sorry, I can't [G#] sing I'm not sorry forgive me for hurting your ears
All [A]
[B] right, that's it work to do if you [N] have any
Oh nicely bump from the same time actually I see brothers did it every way been edited
They [B] did it faster than the Isley brothers and longer.
She don't have to know a whole lot to have the whole [F#] entire tune
There's the same tempo throughout and there's a modulate snow
[G#] C section
And it starts they both [A] started actually with this [B] A chord with the B and the treble
Isley brothers might
You know, I just play the B and the treble [B]
and you get four bars of this
[F#] [C#]
[B]
Right that's panned on one side the other [F#] guitar is playing [C#] You
[B] [C#] [F#]
Both offer D flat to a B chord D [E] flat to B
There's a difference though one note in this [A#m] particular shape
This D flat [F] chord for the a flat that stay in the same playing all three [D#m] notes
But the suspension is a E flat and a G flat so
[F#] [N] Now when you come back your second move off this D flat chord is instead [B] of
[C#]
[B] You
Right, so this is gone this finger is gone and then
[C#] [Bm] [B]
[E] Here you starting with [G#m] a flat and E [B] flat and a G flat
here you're [C#] starting with a D [F#m] flat a
G [N] flat and a a [C#] flat so
this starts with a D flat chord or note [N] and this
D flat it starts with a E
flat
[B] Which is right here on the G string difference of one note with [C#] total of four
[A] and then you get
[A] [E]
[G] [A] The intro again
Let's say a major [Bm] seven to a B [A]
a [G#m] to a
There's no sorrow be
flat and a flat and a B
[G#] It is a G short minor to [B] this
Diminished seven chord that's [A] an a flat and F.
Sorry an A flat and D and F and a B
[B] [A]
[B] [A]
[B] [D#m]
[F#] [G#] And you get the idea
The interesting thing about this is because there's so much harmony going on in the AWV [F#] version
You could play it rather than playing a major seven a B to an A and then to a [A] G
Short minor you could play an A
we all could [G#m] an A to a
[F#m] G short minor to an F sharp minor [G#m] back of the G short [B] minor and harmonies in [A] there to the both were
[F#]
[G#m] [D] Sorry, I can't [G#] sing I'm not sorry forgive me for hurting your ears
All [A]
[B] right, that's it work to do if you [N] have any
Key:
B
A
F#
C#
G#m
B
A
F#
Here's uh, I got work to do the average white pants
Oh nicely bump from the same time actually I see brothers did it every way been edited
They [B] did it faster than the Isley brothers and longer.
She don't have to know a whole lot to have the whole [F#] entire tune
There's the same tempo throughout and there's a modulate snow
[G#] _ C section
And it starts they both [A] started actually with this [B] _ A chord with the B and the treble
_ Isley brothers might _ _
_ You know, I just play the B and the treble [B]
and you get four bars of this _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [F#] _ _ [C#] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [B] _ _
Right that's panned on one side the other [F#] guitar is playing [C#] You _
_ [B] _ _ _ [C#] _ _ _ [F#] _
_ _ _ Both offer D flat to a B chord D [E] flat to B
There's a difference though one note in this [A#m] particular shape
This D flat [F] chord for the a flat that stay in the same playing all three [D#m] notes
But the suspension is a E flat and a G flat so _
_ [F#] _ _ [N] Now when you come back your second move off this D flat chord is instead [B] of _ _ _
_ _ _ _ _ [C#] _ _ _
_ [B] You
Right, so this is gone this finger is gone and then _ _ _ _ _ _
_ [C#] _ _ _ [Bm] _ _ _ [B] _
_ _ [E] _ _ Here you starting with [G#m] a flat and E [B] flat and a G flat
here you're [C#] starting with a D [F#m] flat a
G [N] flat and a a [C#] flat so
this starts with a D flat chord or note [N] and this
D flat it starts with a E
flat
[B] Which is right here on the G string difference of one note with [C#] total of four
[A] and then you get
_ [A] _ _ [E] _
_ [G] _ _ _ [A] _ The intro again
Let's say a major [Bm] seven to a B [A]
a [G#m] to a
There's no sorrow be
flat and a flat and a B
[G#] It is a G short minor to [B] this
_ Diminished seven chord that's [A] an a flat and F.
Sorry an A flat and D and F and a B _ _
_ _ _ _ [B] _ _ _ [A] _
_ [B] _ _ _ _ _ _ [A] _
_ [B] _ _ _ _ _ _ [D#m] _
_ [F#] _ _ [G#] And you get the idea
The interesting thing about this is because there's so much harmony going on in the AWV [F#] version
You could play it rather than playing a major seven a B to an A and then to a [A] G
Short minor you could play an A
we all could [G#m] an A to a
[F#m] G short minor to an F sharp minor [G#m] back of the G short [B] minor and harmonies in [A] there to the both were
_ [F#] _
_ [G#m] _ _ [D] _ Sorry, I can't [G#] sing I'm not sorry forgive me for hurting your ears
All [A] _
_ [B] _ _ _ right, _ that's it work to do if you [N] have any
Oh nicely bump from the same time actually I see brothers did it every way been edited
They [B] did it faster than the Isley brothers and longer.
She don't have to know a whole lot to have the whole [F#] entire tune
There's the same tempo throughout and there's a modulate snow
[G#] _ C section
And it starts they both [A] started actually with this [B] _ A chord with the B and the treble
_ Isley brothers might _ _
_ You know, I just play the B and the treble [B]
and you get four bars of this _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [F#] _ _ [C#] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [B] _ _
Right that's panned on one side the other [F#] guitar is playing [C#] You _
_ [B] _ _ _ [C#] _ _ _ [F#] _
_ _ _ Both offer D flat to a B chord D [E] flat to B
There's a difference though one note in this [A#m] particular shape
This D flat [F] chord for the a flat that stay in the same playing all three [D#m] notes
But the suspension is a E flat and a G flat so _
_ [F#] _ _ [N] Now when you come back your second move off this D flat chord is instead [B] of _ _ _
_ _ _ _ _ [C#] _ _ _
_ [B] You
Right, so this is gone this finger is gone and then _ _ _ _ _ _
_ [C#] _ _ _ [Bm] _ _ _ [B] _
_ _ [E] _ _ Here you starting with [G#m] a flat and E [B] flat and a G flat
here you're [C#] starting with a D [F#m] flat a
G [N] flat and a a [C#] flat so
this starts with a D flat chord or note [N] and this
D flat it starts with a E
flat
[B] Which is right here on the G string difference of one note with [C#] total of four
[A] and then you get
_ [A] _ _ [E] _
_ [G] _ _ _ [A] _ The intro again
Let's say a major [Bm] seven to a B [A]
a [G#m] to a
There's no sorrow be
flat and a flat and a B
[G#] It is a G short minor to [B] this
_ Diminished seven chord that's [A] an a flat and F.
Sorry an A flat and D and F and a B _ _
_ _ _ _ [B] _ _ _ [A] _
_ [B] _ _ _ _ _ _ [A] _
_ [B] _ _ _ _ _ _ [D#m] _
_ [F#] _ _ [G#] And you get the idea
The interesting thing about this is because there's so much harmony going on in the AWV [F#] version
You could play it rather than playing a major seven a B to an A and then to a [A] G
Short minor you could play an A
we all could [G#m] an A to a
[F#m] G short minor to an F sharp minor [G#m] back of the G short [B] minor and harmonies in [A] there to the both were
_ [F#] _
_ [G#m] _ _ [D] _ Sorry, I can't [G#] sing I'm not sorry forgive me for hurting your ears
All [A] _
_ [B] _ _ _ right, _ that's it work to do if you [N] have any