Chords for How to play THEY CALL ME THE BREEZE by J. J. CALE

Tempo:
86.55 bpm
Chords used:

F#

B

E

F#m

C#

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
How to play THEY CALL ME THE BREEZE by J. J. CALE chords
Start Jamming...
[F#] If there's one song that every guitar player should know how to play, it has to be this one.
Call Me The Breeze by JJ Cale.
Absolute brilliant song to play on your electric guitar.
It has a fantastic rhythm guitar part.
[E] [F#m]
[D#] Also, nice little licks you can [A] play in between.
[C#] And what's nice is it's also very easy to sing.
I mean anyone can sing
Call Me The Breeze by JJ Cale.
It's not that [F#] hard.
[E] [F#] [E]
It's not very hard to sing.
You don't have to be Pavarotti to sing that one.
Now that rhythm guitar part on the surface seems quite [F#] easy, but it's gonna make a hell of a difference if it sounds like this.
Or like this.
[E] [F#] Quite a difference, right?
Now how the hell did I do that?
Well, first you need to start as always with the basics.
Now the left hand only plays a couple of notes.
Let's take a look at what they are.
Not too difficult.
But notice I keep pressing down my index finger.
You don't want to do this.
[F#m]
[D#] [F#] It looks kind of awkward.
Keep pressing down the index finger.
If you can do that, let's see if we can do some alternate picking.
A lot better.
Now let's see if we can make the ring finger and the little finger short.
Like that.
Hear the difference?
It's a different sound.
Then let's see if we can add some palm muting with the right hand.
And I have good news.
All you have to do now is simply play faster.
They call me the breeze and that's basically all you need to do.
Grab your guitar and let's see if we can play the verse.
They call me [F#m] the breeze I [F#] keep blowing down.
[E] [F#] [B] They call me the breeze I keep blowing down.
[C#m] [F#] [E] [F#] [C#] I ain't having nobody.
[B] I ain't [A] caring [F#] for nobody.
[B] [F#]
I think the most joyous part of writing songs to me is when I'm through.
And I can actually listen to it like [E] somebody else.
I can [F#m] stand back and listen to my own song.
Go, oh I did that and I don't like it.
Or yeah, I really like that.
The first thing you want to do is to play an up strum on open strings quite loud just before the first beat.
Let me show [F#] you.
[B] [F#] Don't [B] do it too loud.
That's too much.
Just a little bit.
[F#]
The other one is instead of doing the little finger
[E] we can also use the open D string instead.
[F#] Like this.
[B] [E] [F#] And that [E] makes
[F#] [E] It's [N] very subtle but it works really well.
Now mind you these are all pretty much advanced techniques.
So if you're just looking to sing the song and play a bit of guitar you don't really need to do all that stuff.
I don't know whether he approves of what I've done.
I mean it would be great if he did.
I don't expect it but I mean he's given me access to so much success and great music.
Now besides being a great song for the rhythm guitar it's also perfectly suited to play a nice guitar solo or nice lick every now and then.
[F#] So if you want to do that let's first take a look at the scale.
You want the good old minor pentatonic of course.
[A]
[B] [E] [B] [A] [E] [F#m]
And first of all it's important to remember that you want to avoid playing a lick during the vocals.
That simply doesn't work.
They call me the breeze.
I keep blowing [B] down the rain.
[F#m]
That's terrible.
Don't do that.
Instead you want to wait when the vocals are gone and fill in the gap with a lick.
[F#] They call me the [E] breeze.
[F#]
I keep blowing down the [Em] road.
[A#]
[N] And it's also important not to fill the entire space with a barrage of notes.
[F#] I [B] [A] [F#]
[F#] mean you can do [D] that but it's nice to play a bit less than you [G] want.
A bit more precious.
[A]
And when you go [B] to the A chord [F#] when you're doing the solo you can stick to the same notes as before.
[B] They work [Dm] but you don't want to be too predictable.
So it might be nice to play a different scale.
How about the A mixolydian [B] scale here?
[C#] [E]
[G#] [A] [B] And then you can play stuff [Bm] [E] like
[B]
[F#m] And that just gives a bit more variation instead of playing the same old
There's nothing [N] wrong with
You don't want to do it all the time.
And in the blues of [C#] course we have the B.
[G#m] [C#] [B] [E] [F#m]
[B] [F#m] [F#] Hey guys!
To end the video I will play the solo.
Just one verse and see if you can play along.
Taps are available on my Patreon site and I will see you next time.
They [F#m]
[B] [F#]
[B] [F#] call me the breeze.
I keep blowing down the road.
[B] [F#m]
[B] They call me the breeze.
I keep blowing [F#m] down the road.
[C#] I ain't got me nobody.
[G#m] [B] I ain't [E] carrying [F#] me no load.
[F#m] [F#]
Ain't no [F#m] change in the [F#] weather.
Ain't no [B] change [F#m] in [B] me.
[F#] [B] [F#m] [F#]
[B] Ain't no change in the weather.
Ain't no change [F#] in me.
[B] [F#]
[C#] I ain't hiding from [E] nobody.
[B] Ain't nobody hiding [F#m] from me.
[B] [F#] [G]
[C] [C#]
[C] [Am] [C]
[Am] [G] [C]
[C#] [F]
[Dm] [A] [C]
[Fm] [C] [Dm]
Key:  
F#
134211112
B
12341112
E
2311
F#m
123111112
C#
12341114
F#
134211112
B
12341112
E
2311
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[F#] If there's one song that every guitar player should know how to play, it has to be this one. _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ Call Me The Breeze by JJ Cale.
Absolute brilliant song to play on your electric guitar.
It has a fantastic rhythm guitar part.
_ _ [E] _ [F#m]
[D#] Also, nice little licks you can [A] play in between. _ _ _ _
_ [C#] And what's nice is it's also very easy to sing.
I mean anyone can sing
Call Me The Breeze by JJ Cale.
It's not that [F#] hard. _
_ _ _ [E] _ [F#] _ _ [E] _ _
It's not very hard to sing.
You don't have to be Pavarotti to sing that one.
_ Now that rhythm guitar part on the surface seems quite [F#] easy, but it's gonna make a hell of a difference if it sounds like this. _ _
_ _ _ Or like this. _ _
[E] _ [F#] _ Quite a difference, right?
Now how the hell did I do that?
Well, first you need to start as always with the basics.
Now the left hand only plays a couple of notes.
Let's take a look at what they are. _ _ _ _
_ Not too difficult.
But notice I keep pressing down my index finger.
You don't want to do this.
[F#m] _ _
[D#] _ [F#] It looks kind of awkward.
Keep pressing down the index finger.
If you can do that, let's see if we can do some alternate picking. _ _ _ _ _
_ _ A lot better.
Now let's see if we can make the ring finger and the little finger short. _ _ _
Like that.
_ _ _ Hear the difference?
It's a different sound.
Then let's see if we can add some palm muting with the right hand. _ _ _ _ _ _
And I have good news.
All you have to do now is simply play faster.
_ _ _ _ They call me the breeze and that's basically all you need to do.
Grab your guitar and let's see if we can play the verse. _ _ _
They call me [F#m] the breeze I [F#] keep blowing down.
_ _ [E] _ [F#] _ _ _ [B] They call me the breeze I keep blowing down.
[C#m] _ [F#] _ [E] _ [F#] _ _ _ [C#] I ain't having nobody.
[B] _ I ain't [A] caring [F#] for nobody.
_ [B] _ [F#] _ _ _ _
I think the most joyous part of writing songs to me is _ when I'm through.
And I can actually listen to it like [E] somebody else.
I can [F#m] stand back and listen to my own song.
Go, oh I did that and I don't like it.
Or yeah, I really like that. _ _ _
The first thing you want to do is to play an up strum on open strings _ quite loud just before the first beat.
Let me show [F#] you. _
_ [B] _ _ _ _ [F#] Don't _ [B] do it too loud.
That's too much.
Just a little bit.
[F#] _ _
The other one is instead of doing the little finger
[E] we _ _ can also use the open D string instead.
[F#] Like this.
_ [B] _ _ [E] _ _ [F#] And that _ [E] makes_
[F#] _ _ _ [E] It's [N] _ very subtle but it works really well.
Now mind you these are all pretty much advanced techniques.
So if you're just looking to sing the song and play a bit of guitar you don't really need to do all that stuff.
I don't know whether he approves of what I've done.
I mean it would be great if he did.
I don't expect it but I mean he's given me access to so much success and great music.
Now besides being a great song for the rhythm guitar it's also perfectly suited to play a nice guitar solo or nice lick every now and then.
[F#] So if you want to do that let's first take a look at the scale.
You want the good old minor pentatonic of course.
[A] _
[B] _ [E] _ [B] _ [A] _ [E] _ _ [F#m] _ _
_ And first of all it's important to remember that you want to avoid playing a lick during the vocals.
That simply doesn't work.
They call me the breeze.
I keep blowing [B] down the rain.
[F#m] _
That's terrible.
Don't do that.
Instead you want to wait when the vocals are gone and fill in the gap with a lick.
[F#] They call me the [E] breeze.
[F#] _
I keep blowing down the [Em] road.
_ [A#] _ _
[N] _ _ And it's also important not to fill the entire space with a barrage of notes.
[F#] I _ [B] _ [A] _ [F#] _
[F#] _ mean you can do [D] that but it's nice to play a bit less than you [G] want.
A bit more precious.
[A] _
And when you go [B] to the A chord [F#] when you're doing the solo you can stick to the same notes as before.
_ [B] They work [Dm] but you don't want to be too predictable.
So it might be nice to play a different scale.
How about the A mixolydian [B] scale here?
[C#] _ [E] _
[G#] _ [A] _ [B] _ _ _ And then you can play stuff [Bm] [E] like_
[B] _ _ _ _ _
[F#m] And that just gives a bit more variation instead of playing the same old_
There's nothing [N] wrong with_
You don't want to do it all the time.
And in the blues of [C#] course we have the B.
[G#m] _ [C#] _ [B] _ [E] _ _ _ [F#m] _
_ _ _ [B] _ _ [F#m] _ [F#] Hey guys!
To end the video I will play the solo.
Just one verse and see if you can play along.
Taps are available on my Patreon site and I will see you next time. _ _ _
_ They _ [F#m] _ _ _ _
[B] _ _ _ _ [F#] _ _ _ _
[B] [F#] call me the breeze.
_ I keep blowing down the road.
_ _ _ [B] _ [F#m] _
[B] They call me the breeze.
_ I keep blowing [F#m] down the road. _ _ _ _ _
[C#] I ain't got me nobody.
[G#m] _ [B] I ain't [E] carrying [F#] me no load.
_ _ _ [F#m] _ [F#] _
Ain't no [F#m] change in the [F#] weather.
_ Ain't no [B] change [F#m] in [B] me.
[F#] _ [B] _ [F#m] _ _ [F#] _
[B] Ain't no change in the weather.
_ Ain't no change [F#] in me.
_ [B] _ _ [F#] _ _
[C#] I ain't hiding from [E] nobody.
[B] _ Ain't nobody hiding [F#m] from me.
_ _ [B] _ _ [F#] _ _ _ _ _ _ _ [G] _ _ _ _
[C] _ _ _ _ _ [C#] _ _ _
_ _ _ [C] _ _ _ [Am] _ [C] _
_ _ [Am] _ [G] _ [C] _ _ _ _
_ _ _ _ [C#] _ [F] _ _ _
[Dm] _ [A] _ [C] _ _ _ _ _ _
_ _ _ [Fm] _ _ _ [C] _ [Dm] _