Chords for How To Play No Use In Crying by the Rolling Stones
Tempo:
105.35 bpm
Chords used:
E
F#m
B
F#
D
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
So this is a [G] quick look at no use in crime tattooed [F#] by
[C#]
Again you need an F-sharp minor
[E] [F#]
Get yourself in F-sharp minor shape.
I'm not playing the one
Playing the six string F-sharp minor, and I'm not even [C#] playing the top note just
But that's just my preference.
There's a whole lot of guitars
But it's going from F-sharp minor to the E shape that you're familiar with you might play E like this
I play E [E] like this
A minor like this.
[F] I'm gonna let it show you [E] it's the equal
[F#m] [E] Signature lick right [E] if you want to get it off the
[B] Lower register and into the higher register
Why you might want to make this a this [F#m] C sharp and this F sharp right here
that too is a C sharp and
[F] if you [F#m] go
You play that
and then
[B] Take the index finger and play the G sharp and leave the B and E open then you get [G#m] an E
So you're [F#m] going F sharp to E again
[E]
Okay, and then I'm not gonna sing [B] okay that when he starts singing though, it's on an E
[E] [D]
[A] [E]
That would be E
[D]
You know what I can't help myself
[Em] It's not that I think I'm a singer.
[F#] It's just it's necessary to operate in favor of my incapacity
It's a character flaw.
I must sing wherever you know because I have a need for everybody to be sticking their fingers in their ears I guess
But [E] E
[D]
Now the [Dm] picking pattern that I'm using there's a bunch of guitars in [E] there and there's various you could strum
No use in [D] crying
[A] Stay away from me
and then [B] into the
into the
[E] Characteristic
[D] No use
[A]
[E] Okay, and then the other part that's different about that song is
[F#] [F#m] F sharp minor to [E] E
[F#m]
[E] [F#m]
Then ain't training [B] ain't coming [E] baby
E [D] ain't never
coming [E] daddy
You know what I'm talking about and then about 3 fifths of the way through the song it just completely stops and you hear
[F#] [F#m]
[E] I lost my train of thought there
Yeah, you hear
[F#] F sharp minor to E
[E] [F#m] You
[E]
[F#m]
[E] [D]
[E] [B] And at the end he's got that little lick that goes
[E] that [B] would be by making the
person down the F sharp the B and E flat and
[F#] [B]
Then go into the E
[E] [B] [E] [F#]
[B]
That's it And
[F#] That helps hopes that helps have a good one.
Thank you for watching as [N] always
[C#]
Again you need an F-sharp minor
[E] [F#]
Get yourself in F-sharp minor shape.
I'm not playing the one
Playing the six string F-sharp minor, and I'm not even [C#] playing the top note just
But that's just my preference.
There's a whole lot of guitars
But it's going from F-sharp minor to the E shape that you're familiar with you might play E like this
I play E [E] like this
A minor like this.
[F] I'm gonna let it show you [E] it's the equal
[F#m] [E] Signature lick right [E] if you want to get it off the
[B] Lower register and into the higher register
Why you might want to make this a this [F#m] C sharp and this F sharp right here
that too is a C sharp and
[F] if you [F#m] go
You play that
and then
[B] Take the index finger and play the G sharp and leave the B and E open then you get [G#m] an E
So you're [F#m] going F sharp to E again
[E]
Okay, and then I'm not gonna sing [B] okay that when he starts singing though, it's on an E
[E] [D]
[A] [E]
That would be E
[D]
You know what I can't help myself
[Em] It's not that I think I'm a singer.
[F#] It's just it's necessary to operate in favor of my incapacity
It's a character flaw.
I must sing wherever you know because I have a need for everybody to be sticking their fingers in their ears I guess
But [E] E
[D]
Now the [Dm] picking pattern that I'm using there's a bunch of guitars in [E] there and there's various you could strum
No use in [D] crying
[A] Stay away from me
and then [B] into the
into the
[E] Characteristic
[D] No use
[A]
[E] Okay, and then the other part that's different about that song is
[F#] [F#m] F sharp minor to [E] E
[F#m]
[E] [F#m]
Then ain't training [B] ain't coming [E] baby
E [D] ain't never
coming [E] daddy
You know what I'm talking about and then about 3 fifths of the way through the song it just completely stops and you hear
[F#] [F#m]
[E] I lost my train of thought there
Yeah, you hear
[F#] F sharp minor to E
[E] [F#m] You
[E]
[F#m]
[E] [D]
[E] [B] And at the end he's got that little lick that goes
[E] that [B] would be by making the
person down the F sharp the B and E flat and
[F#] [B]
Then go into the E
[E] [B] [E] [F#]
[B]
That's it And
[F#] That helps hopes that helps have a good one.
Thank you for watching as [N] always
Key:
E
F#m
B
F#
D
E
F#m
B
So this is a [G] quick look at no use in crime tattooed [F#] by
_ _ [C#] _ _ _
_ _ _ _ _ Again you need an F-sharp minor
[E] _ _ _ _ _ [F#] _
_ Get yourself in F-sharp minor shape.
I'm not playing the one
_ Playing the six string F-sharp minor, and I'm not even [C#] playing the top note just
But that's just my preference.
There's a whole lot of guitars
_ _ But it's going from F-sharp minor to the E shape that you're familiar with you might play E like this
I play E [E] like this
A minor like this.
[F] I'm gonna let it show you [E] it's the equal _ _
[F#m] _ _ [E] _ Signature lick right [E] if _ you want to get it off the
[B] Lower register and into the higher register
Why you might want to make this a this [F#m] C sharp and this F sharp right here
that too is a C sharp and
[F] if you [F#m] go
You play that
_ and then
[B] Take the index finger and play the G sharp and leave the B and E open then you get [G#m] an E
So you're [F#m] going F sharp to E again
[E] _ _ _ _
_ _ _ _ _ _ Okay, and then I'm not gonna sing [B] okay that when he starts singing though, it's on an E
[E] _ _ _ [D] _ _ _
_ _ [A] _ _ _ _ _ [E] _
That would be E
_ _ _ [D]
You know what I can't help myself
[Em] It's not that I think I'm a singer.
[F#] It's just it's necessary to operate in favor of my incapacity _
It's a character flaw.
I must sing wherever you know because I have a need for everybody to be sticking their fingers in their ears I guess _
But [E] E
_ _ [D] _ _ _ _
Now the [Dm] picking pattern that I'm using there's a bunch of guitars in [E] there and there's various you could strum
No use in [D] crying
_ [A] Stay away from me
and then [B] into the
into the
[E] _ Characteristic _ _
_ _ _ _ _ _ [D] No use
_ _ _ [A] _ _ _ _
[E] _ _ Okay, and then the other part that's different about that song is
_ [F#] _ _ [F#m] F sharp minor to [E] E
_ _ _ _ [F#m] _
_ _ [E] _ _ _ _ _ [F#m]
Then ain't training [B] ain't coming [E] baby
_ E [D] ain't never
_ coming [E] daddy
You know what I'm talking about and then about 3 fifths of the way through the song it just completely stops and you hear
[F#] _ _ [F#m] _ _ _ _
[E] _ _ _ _ _ _ I lost my train of thought there
Yeah, you hear
[F#] F sharp minor to E
[E] _ _ _ [F#m] _ _ You
[E] _
_ _ _ _ [F#m] _ _ _ _
[E] _ _ _ _ [D] _ _ _ _
_ [E] _ _ [B] And at the end he's got that little lick that goes
[E] _ _ that [B] would be by making the
_ _ _ person down the F sharp the B and E flat and _ _ _
[F#] _ _ _ _ [B] _ _ _ _
_ _ _ Then go into the E
_ [E] _ _ _ [B] _ [E] _ _ [F#] _
_ _ [B] _ _ _ _ _ _
_ That's it And
_ [F#] That _ _ helps hopes that helps _ have a good one.
Thank you for watching as [N] always
_ _ [C#] _ _ _
_ _ _ _ _ Again you need an F-sharp minor
[E] _ _ _ _ _ [F#] _
_ Get yourself in F-sharp minor shape.
I'm not playing the one
_ Playing the six string F-sharp minor, and I'm not even [C#] playing the top note just
But that's just my preference.
There's a whole lot of guitars
_ _ But it's going from F-sharp minor to the E shape that you're familiar with you might play E like this
I play E [E] like this
A minor like this.
[F] I'm gonna let it show you [E] it's the equal _ _
[F#m] _ _ [E] _ Signature lick right [E] if _ you want to get it off the
[B] Lower register and into the higher register
Why you might want to make this a this [F#m] C sharp and this F sharp right here
that too is a C sharp and
[F] if you [F#m] go
You play that
_ and then
[B] Take the index finger and play the G sharp and leave the B and E open then you get [G#m] an E
So you're [F#m] going F sharp to E again
[E] _ _ _ _
_ _ _ _ _ _ Okay, and then I'm not gonna sing [B] okay that when he starts singing though, it's on an E
[E] _ _ _ [D] _ _ _
_ _ [A] _ _ _ _ _ [E] _
That would be E
_ _ _ [D]
You know what I can't help myself
[Em] It's not that I think I'm a singer.
[F#] It's just it's necessary to operate in favor of my incapacity _
It's a character flaw.
I must sing wherever you know because I have a need for everybody to be sticking their fingers in their ears I guess _
But [E] E
_ _ [D] _ _ _ _
Now the [Dm] picking pattern that I'm using there's a bunch of guitars in [E] there and there's various you could strum
No use in [D] crying
_ [A] Stay away from me
and then [B] into the
into the
[E] _ Characteristic _ _
_ _ _ _ _ _ [D] No use
_ _ _ [A] _ _ _ _
[E] _ _ Okay, and then the other part that's different about that song is
_ [F#] _ _ [F#m] F sharp minor to [E] E
_ _ _ _ [F#m] _
_ _ [E] _ _ _ _ _ [F#m]
Then ain't training [B] ain't coming [E] baby
_ E [D] ain't never
_ coming [E] daddy
You know what I'm talking about and then about 3 fifths of the way through the song it just completely stops and you hear
[F#] _ _ [F#m] _ _ _ _
[E] _ _ _ _ _ _ I lost my train of thought there
Yeah, you hear
[F#] F sharp minor to E
[E] _ _ _ [F#m] _ _ You
[E] _
_ _ _ _ [F#m] _ _ _ _
[E] _ _ _ _ [D] _ _ _ _
_ [E] _ _ [B] And at the end he's got that little lick that goes
[E] _ _ that [B] would be by making the
_ _ _ person down the F sharp the B and E flat and _ _ _
[F#] _ _ _ _ [B] _ _ _ _
_ _ _ Then go into the E
_ [E] _ _ _ [B] _ [E] _ _ [F#] _
_ _ [B] _ _ _ _ _ _
_ That's it And
_ [F#] That _ _ helps hopes that helps _ have a good one.
Thank you for watching as [N] always