Chords for How To Play 'I'm In Love' Wilson Pickett

Tempo:
197.2 bpm
Chords used:

B

C#m

G#m

A

F#m

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
How To Play 'I'm In Love' Wilson Pickett chords
Start Jamming...
How are ya?
So lookit, I'm in love.
Wilson Pickett.
That would be Reggie Young and Bobby Womack playing guitars on this.
Reggie Young plays
Huh.
Yeah.
And then Reggie said, take two.
[D#m] [C#m]
[E] [A]
[G#] [F#m]
[E]
[D#] [C#m]
[F#m] [G#m]
[F#m]
[B] [N] So on.
And then Bobby Womack is playing the
By the way, Reggie Young probably didn't need a take two.
And if he would have played a take two,
it would have been every bit as stellar, but slightly different than take one.
But that's Reggie Young.
So anyway, Bobby Womack is [Cm] [C#m] playing
[B] [C#m]
[F#] [C#m]
[B] [A]
[F#m] [G#m]
[A] [F#] More on that in a second.
He plays that throughout the song,
and he also plays the solo and a couple, two, three very sweet licks.
So, outside the pickup notes, you don't see them again.
And it's an E,
[B] an F, a G-sharp minor 7,
to a [C#] C-sharp minor, C-sharp minor 7,
when you lift your little finger up.
That's where a lot of [C#m] the
[G#m] [B] [N]
Reggie Young licks are played. And then
[F#m]
[G#m] The A chord, a G-sharp minor, [F#] an F-sharp minor,
lift your little [B] finger off a minor 7 to a B.
Lift your [A] little finger off.
That's a minor 7.
F-sharp minor.
F-sharp minor 7.
[N] On the fourth time, the song goes
And it doesn't always
I should backtrack.
When it goes from the [A#] E to the [F#] G-sharp minor 7,
it doesn't always hit this note here.
[E] Sometimes he just plays
[B]
[C#] [C#m] And you can, [C#] too.
[G#m] [F#] [G#m]
And then on the fourth time,
the A, the G-sharp [F#] minor, and then
These three notes.
That's a B, an E, and an A.
From there
[G] Bom, [A] bom, bom.
My friends all wonder what's come over me.
I'm as happy [B] as a man can be.
So that is this chord, or if you [C#] like,
F-sharp minor, F-sharp minor [G] 7,
G-minor [F#] 7, G-sharp [G] minor 7.
Wonder [G#] what's come over [A] me.
And A, I'm as happy [B] as a man can be.
And [E] then E, [G#m] G-sharp minor,
[A]
A, I mean, low, low, low.
[F#m] And then F-sharp [B] minor, low, [F#]
low.
And the
[E] [A]
that lick.
[C#] Uh-huh.
[B]
[C#m]
[A] [C]
[F#m]
[G#m] [E]
[B] [C#m]
[A] [G#]
[F#m] [B] And [F] the bom, [G#m] bom, bom. Same thing.
[A] From Christmas [B] morning, brand new tour,
I'm in love, love, [A] love.
[B]
And then from the E [G] chord,
bom, [G#m] bom, bom, the solo.
[F#] [D#m]
[G#] And then [B]
the
[G] All that stuff.
[A] And Bobby Womack's playing that.
[G#m] Da -da-da-da [B]-da-da-da-da.
It's the same structure as, you know,
previously with the A and the B.
And then it [E] goes out on [B] this, [C#m] this, this,
to [G#m] this, [C#] this, [B] this,
and then always the B chord.
[C#m]
[G#m] [E]
[B] [C#m]
[A]
[G#m] [F#m]
[G#m] [B]
[C#]
[N] And there you have it.
A couple of the Reggie [E] Young licks.
[C#m] [G#m]
So that's
exaggerating this.
[D#m] [F#] Double stops.
[E] [C#]
[G#m] [E]
Wow.
[Em] [N]
And another one.
All the ones on C-sharp minor
are relatively the same thing,
but they're not, because it's Reggie Young,
and he puts them in there in different points of the groove.
And then he alters them, just slightly.
The first one you [C#m] hear is something along the lines of
[B] [E] [G#] [B]
[C#m] [F#]
[G] Sounds like a [E] slowdown.
[C#m]
[F#] [E]
It goes right to an A.
[C#m]
[F#m] [G#]
[F#m]
[B] [Em]
[N] And then the Bobby Womack part.
[C#m] It's a C-sharp minor, three [B] notes.
A B, three notes.
[C#m] [B]
[C#m] Another C-sharp minor, but don't play the top string.
These three.
Then this double [F#] stop, or these double stops,
on the G and the B strings.
[Bm]
[C#m] Then back to the C-sharp minor.
The [B] B, [A] the A,
and then add the F-sharp to the A note,
take it [F#m] off,
[A]
and [B] then there's the G-sharp minor triad.
[G#m]
Same as
[F#m]
[C#m] slowly.
[B]
[E] [C#m]
[B] [C#m]
[B]
[A]
[F#m] [G#m]
[A]
Of [Gm] course, those guys didn't play it like that.
[A#] They played with the A1.
[Cm] Slides.
I'll exaggerate this.
[C#m] [B]
[C#m]
[Fm] Right here [C] in the double stops,
[Bm] [C]
[Bm] slides,
[C] [Bm] [C#m]
[B]
[F#m]
[D#]
[F#m] [Cm] slides,
[C#m] [B] [C#m]
[F#] [C#m]
[B] [A]
[F#m] [G#m]
[F#m] [C#m] [B]
[C#m] [F#]
[Bm] [C#m]
[B] [F#m]
[G#m] [A]
[E]
Key:  
B
12341112
C#m
13421114
G#m
123111114
A
1231
F#m
123111112
B
12341112
C#m
13421114
G#m
123111114
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_ _ How are ya?
_ So lookit, I'm in love.
_ Wilson Pickett.
That would be Reggie Young and Bobby Womack playing guitars on this.
Reggie Young _ plays_
_ _ _ Huh.
_ Yeah.
And then Reggie said, take two. _ _ _ _ _ _
_ [D#m] _ _ _ [C#m] _ _ _ _
_ _ _ [E] _ _ _ _ [A] _
_ _ [G#] _ _ _ _ [F#m] _ _
_ _ _ _ [E] _ _ _ _
_ _ _ [D#] _ _ _ [C#m] _ _
_ _ _ _ _ _ _ _
_ [F#m] _ _ _ _ [G#m] _ _ _
[F#m] _ _ _ _ _ _ _ _
_ _ _ [B] _ _ [N] So on.
_ _ And then Bobby Womack is playing the_
By the way, Reggie Young probably didn't need a take two.
_ _ And if he would have played a take two,
it would have been every bit as stellar, but slightly different than take one.
But that's Reggie Young.
So _ anyway, Bobby Womack is [Cm] [C#m] playing_
_ [B] _ _ _ [C#m] _ _ _ _
_ [F#] _ _ _ _ _ [C#m] _ _
_ _ _ _ [B] _ _ [A] _ _
_ _ _ [F#m] _ _ _ [G#m] _ _
_ [A] _ _ _ [F#] More on that in a second.
_ He plays that throughout the song,
and he also plays the solo and a couple, two, three very sweet licks. _ _ _ _
So, outside the pickup notes, you don't see them again.
And it's an E, _
_ [B] _ an F, a G-sharp minor 7,
_ _ to a [C#] C-sharp minor, C-sharp minor 7,
when you lift your little finger up.
That's where a lot of [C#m] the_
_ [G#m] _ _ [B] _ _ [N] _ _
Reggie Young licks are played. And _ then_
_ _ _ [F#m] _ _
_ [G#m] The A chord, a G-sharp _ minor, [F#] an F-sharp minor,
lift your little [B] finger off a minor 7 to a B. _
Lift your [A] little finger off.
That's a minor 7.
F-sharp minor.
_ F-sharp minor 7.
_ _ [N] On the fourth time, the song _ _ _ goes_
And it doesn't _ always_
I should backtrack.
When it goes from the [A#] E to the [F#] G-sharp minor 7,
it doesn't always hit this note here.
_ [E] Sometimes he just _ plays_
_ _ [B] _ _ _ _ _
[C#] _ _ [C#m] _ _ And you can, [C#] too. _ _ _ _ _ _ _
_ [G#m] _ _ [F#] _ _ _ [G#m] _
And then on the fourth time,
the A, the G-sharp [F#] minor, and then_ _
_ _ These three notes.
That's a B, an E, and an A.
From _ there_
[G] Bom, _ [A] bom, bom.
_ _ _ _ _ My friends all wonder what's come over me.
I'm as happy [B] as a man can be.
_ So that is this chord, or if you [C#] like,
_ _ F-sharp minor, F-sharp minor [G] 7,
_ G-minor [F#] 7, G-sharp [G] minor 7.
Wonder [G#] _ what's come over [A] me.
And A, I'm as happy [B] as a man can be.
_ And [E] then E, _ [G#m] G-sharp minor,
[A] _
A, I mean, low, low, low.
[F#m] And then F-sharp [B] minor, low, [F#] _
low.
_ And _ the_ _
_ _ [E] _ _ _ _ [A] _
that lick.
_ [C#] Uh-huh. _ _
_ _ _ _ _ _ [B] _ _
[C#m] _ _ _ _ _ _ _ _
_ _ _ [A] _ _ _ [C] _ _
_ [F#m] _ _ _ _ _ _ _
_ _ _ _ [G#m] _ _ _ [E] _
_ _ _ [B] _ _ _ [C#m] _ _
_ _ _ _ _ _ _ _
_ _ [A] _ _ _ [G#] _ _ _
[F#m] _ _ _ _ _ [B] And [F] the bom, [G#m] bom, bom. Same thing. _
_ _ [A] _ _ From Christmas [B] morning, brand new tour,
I'm in love, love, [A] _ love. _ _
[B] _ _ _ _ _ _ _
And then from the E [G] chord,
_ bom, [G#m] bom, bom, the solo.
_ [F#] _ _ [D#m] _ _
_ _ [G#] _ _ And then [B] _
the_
[G] All that stuff.
[A] And Bobby Womack's playing that.
[G#m] Da _ -da-da-da [B]-da-da-da-da.
It's the same structure as, _ you know,
previously with the A and the B.
And then _ _ _ it [E] goes out on [B] this, _ [C#m] this, this,
to [G#m] this, [C#] this, [B] this,
and then always the B chord.
_ [C#m] _ _ _
_ [G#m] _ _ _ _ [E] _ _ _
[B] _ _ _ _ _ [C#m] _ _ _
_ _ _ _ _ _ _ [A] _
_ _ [G#m] _ _ _ [F#m] _ _ _
_ _ _ _ [G#m] _ _ [B] _ _
_ _ _ _ _ _ [C#] _ _
_ [N] _ And there you have it. _ _
_ _ A couple of the Reggie [E] Young licks.
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [C#m] _ _ [G#m] _ _ _ _ _
So _ that's_ _ _ _
_ _ _ _ exaggerating this. _
_ [D#m] _ _ [F#] _ _ Double stops.
_ [E] _ _ _ _ [C#] _ _
[G#m] _ _ _ _ _ _ [E] _ _
_ _ Wow. _ _ _ _
_ [Em] _ _ _ _ _ _ [N] _
And another one.
All the ones on C-sharp minor
are relatively the same thing,
but they're not, because it's Reggie Young,
and he puts them in there in different points of the _ _ _ groove. _ _ _ _ _ _
And then he alters them, just slightly.
The first one you [C#m] hear is something along the lines _ _ of_ _ _ _ _
[B] _ _ [E] _ _ [G#] _ _ [B] _ _
_ [C#m] _ _ _ _ _ [F#] _ _
[G] Sounds like a [E] slowdown.
_ _ [C#m] _ _
_ _ [F#] _ _ _ [E] _ _ _
It goes right to an A.
_ [C#m] _ _
_ [F#m] _ _ _ _ [G#] _ _ _
[F#m] _ _ _ _ _ _ _ _
[B] _ _ _ _ _ [Em] _ _ _
_ _ _ _ _ [N] And then the _ _ _ Bobby Womack part.
[C#m] _ _ _ It's a C-sharp minor, three [B] notes. _ _
A B, _ three notes.
_ [C#m] _ _ _ _ [B] _ _ _
_ _ [C#m] Another C-sharp minor, but don't play the top string. _ _ _ _
These three.
_ _ Then this double [F#] stop, or these double stops,
on the G and the B strings.
_ _ _ _ [Bm] _ _ _ _
[C#m] _ _ _ _ Then back to the C-sharp minor.
_ _ The [B] B, _ _ _ [A] the A, _
and then add the F-sharp to the A note,
take it [F#m] off,
_ _ [A] _ _
_ and [B] then there's the G-sharp minor triad.
[G#m] _ _ _
_ Same as_ _ _ _
_ _ _ _ _ _ [F#m] _ _
_ _ _ [C#m] slowly. _ _ _
_ [B] _ _ _ _ _ _ _
[E] _ _ _ _ [C#m] _ _ _ _
_ _ _ [B] _ _ _ [C#m] _ _
_ _ _ _ _ _ _ [B] _
_ _ _ _ [A] _ _ _ _
_ _ [F#m] _ _ _ [G#m] _ _ _
_ _ [A] _ _ _ _ _
Of [Gm] course, those guys didn't play it like that.
[A#] They _ played with the _ _ _ A1.
_ [Cm] _ _ Slides.
I'll exaggerate this.
[C#m] _ _ _ [B] _ _ _
_ _ _ _ _ _ [C#m] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [Fm] Right here [C] in the double stops,
_ [Bm] _ _ [C] _
_ [Bm] _ _ _ _ slides, _
_ [C] _ _ [Bm] _ _ _ [C#m] _ _
_ _ _ _ _ _ _ [B] _
_ _ _ _ [F#m] _ _ _ _
_ _ _ _ _ _ [D#] _ _
_ [F#m] _ _ _ _ [Cm] slides, _
[C#m] _ _ [B] _ _ _ [C#m] _ _ _
_ _ [F#] _ _ _ _ [C#m] _ _
_ _ _ _ _ [B] _ _ [A] _
_ _ _ _ [F#m] _ _ [G#m] _ _
[F#m] _ _ _ [C#m] _ _ _ [B] _ _
_ [C#m] _ _ _ _ _ [F#] _ _
[Bm] _ _ _ [C#m] _ _ _ _ _
_ [B] _ _ _ [F#m] _ _ _ _
_ _ _ [G#m] _ _ _ [A] _ _
_ _ [E] _ _ _ _ _

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