Chords for How to play Acoustic Bluegrass guitar easy beginner lesson
Tempo:
141.3 bpm
Chords used:
G
D
C
B
A
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[D]
[G] [C]
[G] [A] [G]
Hey, what's up?
Marty Schwartz here, NextLevelGuitar.com.
Stoked to be here.
I'm having a great time doing these videos and just passing on information, you know?
[B] Handing it off like a quarterback hands off to a [G] fullback.
That's right, that's right.
And it's my pleasure to do so.
So what I'm trying to do is just diversify some of these styles that I've been talking
about and I'm kind of like entering into my fringe of knowledge.
So I'm kind of leaving my core, which is kind of like blues, rock, and funk, and wanted
to talk about the most standard bluegrass progression.
In other words, this is kind of like learning the bluegrass equivalent of the 12-bar blues.
So the chords that we need are a G major, and then let's see, one, two, three, and on
the fourth measure, or the fourth time you've [D] counted through one, two, three, four, you
go to a D chord for one measure.
[G] Then we're going to play G to G7.
So I'm playing G with this particular [Em] voicing with my ring finger on the third fret of the
E string and the middle finger here on the second fret of the A string and then my [G] pinky
on the third fret on the high E.
Then I go to G7 [Em] with my first finger on the [G] first fret.
Then I go to a C [C] major chord to C7, [B] so I'm putting my pinky on the third fret of the
G string with the C chord.
And then a G, [G]
[D] D, [E]
G with a little bluegrass tag that you hear all the time if you listen
to that sort of thing.
Okay, so here it is [Fm] without any fancy [Bb] [G] percussiveness.
[D]
[G] [C]
[G] [D] [G]
Then it starts over, and then [B] it repeats, and then it repeats, and then everyone takes a solo.
So it's very much, bluegrass is very much like the blues.
[G] You sing a couple of lines, and then everyone takes their turn at the solo, and you're jamming.
It's a real improvised jamming kind of music.
Okay, so basically the other thing I was doing was I'm kind of aiming for the roots of the
chord, so like on the G chord, be the third fret on the E string.
And I kind of hit down on that, and then immediately [N]
hit the rest of the chord, but I'm letting
my palm kind of hit the strings first.
[G] So it gives me like that.
And you have to go, it's pretty fast music, so it's like
Okay, so then we just keep that idea.
It's going to take a little work if you've never done it before.
Just like anything, you just got to work at it.
Go real slow.
Okay, so here it is again with that rhythm.
[D]
[G] [C]
[G] [D]
[G] Okay, and so some of the other, when [F] I get into the changes, I'm not [D] really doing that
Chuck kind of sound quite as much.
I kind of open it up a little bit.
But that's what's nice.
You can get both sounds, and when guys are doing that, it's kind of like a little bit
So when guys start soloing, you kind of want to get back into that percussive thing.
And I think that really came from the fact that in traditional bluegrass, there's no drums.
So the guitar player especially, and usually there's mandolin, they're really doing that
a lot because they're literally the drummer.
They're keeping that rhythm down.
So here it is one more time, and then I'll play that little [G] tag.
[D]
[G] [C]
[G] [D] [G]
[Em] [G]
Okay, so here's that tag real quick.
Ring finger on the third fret of the E string.
Then hammer on the second fret [E] of the A string.
[B]
Then the open [D] D string.
[G] [B]
[C] [G] [Bm]
Then hammer on and pull off on that D string.
[E] [D] [B] Then the open G string.
[G]
Then the whole thing starts all over again.
Then second verse, same as the first.
And so forth and so on.
[D] [G]
[C] [A]
[G]
Yeah, alright!
Cool, I hope that was something different and interesting to you.
Marty Schwartz with NextLevelGuitar.com.
If you're digging the world of NextLevelGuitar.com, let's take it to the next level.
You can click a little thing right there, sign the mailing list for a bunch of free
content that's not on YouTube.
Go to the site and you can just pick and choose all the things that are interesting to you.
That's a really cool thing to be able to do is just kind of pick the lessons that most
pertain to what you're trying to do or what you're trying to accomplish.
I think that's a really good way to go.
Hopefully I'll see you on the flip side there.
[B] Alright, see you next time.
[Bb] [G] [D]
[G] [C]
[G] [A]
[G]
[G] [C]
[G] [A] [G]
Hey, what's up?
Marty Schwartz here, NextLevelGuitar.com.
Stoked to be here.
I'm having a great time doing these videos and just passing on information, you know?
[B] Handing it off like a quarterback hands off to a [G] fullback.
That's right, that's right.
And it's my pleasure to do so.
So what I'm trying to do is just diversify some of these styles that I've been talking
about and I'm kind of like entering into my fringe of knowledge.
So I'm kind of leaving my core, which is kind of like blues, rock, and funk, and wanted
to talk about the most standard bluegrass progression.
In other words, this is kind of like learning the bluegrass equivalent of the 12-bar blues.
So the chords that we need are a G major, and then let's see, one, two, three, and on
the fourth measure, or the fourth time you've [D] counted through one, two, three, four, you
go to a D chord for one measure.
[G] Then we're going to play G to G7.
So I'm playing G with this particular [Em] voicing with my ring finger on the third fret of the
E string and the middle finger here on the second fret of the A string and then my [G] pinky
on the third fret on the high E.
Then I go to G7 [Em] with my first finger on the [G] first fret.
Then I go to a C [C] major chord to C7, [B] so I'm putting my pinky on the third fret of the
G string with the C chord.
And then a G, [G]
[D] D, [E]
G with a little bluegrass tag that you hear all the time if you listen
to that sort of thing.
Okay, so here it is [Fm] without any fancy [Bb] [G] percussiveness.
[D]
[G] [C]
[G] [D] [G]
Then it starts over, and then [B] it repeats, and then it repeats, and then everyone takes a solo.
So it's very much, bluegrass is very much like the blues.
[G] You sing a couple of lines, and then everyone takes their turn at the solo, and you're jamming.
It's a real improvised jamming kind of music.
Okay, so basically the other thing I was doing was I'm kind of aiming for the roots of the
chord, so like on the G chord, be the third fret on the E string.
And I kind of hit down on that, and then immediately [N]
hit the rest of the chord, but I'm letting
my palm kind of hit the strings first.
[G] So it gives me like that.
And you have to go, it's pretty fast music, so it's like
Okay, so then we just keep that idea.
It's going to take a little work if you've never done it before.
Just like anything, you just got to work at it.
Go real slow.
Okay, so here it is again with that rhythm.
[D]
[G] [C]
[G] [D]
[G] Okay, and so some of the other, when [F] I get into the changes, I'm not [D] really doing that
Chuck kind of sound quite as much.
I kind of open it up a little bit.
But that's what's nice.
You can get both sounds, and when guys are doing that, it's kind of like a little bit
So when guys start soloing, you kind of want to get back into that percussive thing.
And I think that really came from the fact that in traditional bluegrass, there's no drums.
So the guitar player especially, and usually there's mandolin, they're really doing that
a lot because they're literally the drummer.
They're keeping that rhythm down.
So here it is one more time, and then I'll play that little [G] tag.
[D]
[G] [C]
[G] [D] [G]
[Em] [G]
Okay, so here's that tag real quick.
Ring finger on the third fret of the E string.
Then hammer on the second fret [E] of the A string.
[B]
Then the open [D] D string.
[G] [B]
[C] [G] [Bm]
Then hammer on and pull off on that D string.
[E] [D] [B] Then the open G string.
[G]
Then the whole thing starts all over again.
Then second verse, same as the first.
And so forth and so on.
[D] [G]
[C] [A]
[G]
Yeah, alright!
Cool, I hope that was something different and interesting to you.
Marty Schwartz with NextLevelGuitar.com.
If you're digging the world of NextLevelGuitar.com, let's take it to the next level.
You can click a little thing right there, sign the mailing list for a bunch of free
content that's not on YouTube.
Go to the site and you can just pick and choose all the things that are interesting to you.
That's a really cool thing to be able to do is just kind of pick the lessons that most
pertain to what you're trying to do or what you're trying to accomplish.
I think that's a really good way to go.
Hopefully I'll see you on the flip side there.
[B] Alright, see you next time.
[Bb] [G] [D]
[G] [C]
[G] [A]
[G]
Key:
G
D
C
B
A
G
D
C
_ _ _ _ _ _ _ _
_ _ _ _ [D] _ _ _ _
[G] _ _ _ _ [C] _ _ _ _
[G] _ _ [A] _ _ _ _ [G] _ _
_ Hey, what's up?
Marty Schwartz here, _ _ NextLevelGuitar.com. _ _
Stoked to be here.
I'm having a great time doing these videos _ _ and just passing on information, you know?
_ _ [B] Handing it off like a quarterback hands off to a [G] fullback.
That's right, that's right.
_ And it's my pleasure to do so.
So what I'm trying to do is _ just diversify some of these styles that I've been talking
about and I'm kind of like entering into my fringe _ of knowledge.
So _ _ I'm kind of leaving my _ core, which is kind of like blues, rock, and funk, and wanted
to talk about the most standard _ bluegrass _ progression. _ _ _ _
In other words, this is kind of like learning the bluegrass _ equivalent of the 12-bar blues. _
So the chords that we need are a G major, _ _ _ _ _ _ _ _
_ _ _ and then _ let's see, one, _ _ _ _ _ two, _ _ _ _ _ three, _ _ _ _ and on
the fourth measure, or the fourth time you've [D] counted through one, two, three, four, _ you
go to a D chord _ _ _ _ _ for one measure. _
_ _ [G] Then we're going to play G _ to _ _ _ _ _ _ _ _ _ _ G7.
So I'm playing G with this particular [Em] voicing with my ring finger on the third fret of the
E string and the middle finger here on the second fret of the A string and then my [G] pinky
on the third fret on the high E.
_ _ _ Then I go to G7 [Em] with my first finger on the [G] first fret. _ _ _ _ _ _
Then I go to a C [C] major chord _ _ _ _ to C7, [B] so I'm putting my pinky on the third fret of the
G string with the C chord.
_ _ _ _ And then a G, [G] _ _ _ _ _ _ _
[D] D, _ _ _ _ [E] _ _
G _ with a little bluegrass tag _ that you hear all the time if you listen
to that sort of thing.
Okay, so here it is [Fm] without any fancy _ [Bb] _ [G] percussiveness. _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [D] _ _ _ _
[G] _ _ _ _ _ [C] _ _ _
_ [G] _ _ _ [D] _ _ [G] _ _
_ _ _ _ _ Then it starts over, and then [B] it repeats, and then it repeats, and then _ _ everyone takes a solo.
So it's very much, _ bluegrass is very much like the blues.
[G] You sing a couple of lines, and then everyone takes their turn at the solo, _ and you're jamming.
It's a real improvised jamming kind of music.
Okay, so basically the other thing I was doing was I'm kind of aiming for the roots of the
chord, so like on the G chord, be the third fret on the E string.
And I kind of hit down on that, and then immediately [N] _ _
hit the rest of the chord, but I'm letting
my palm kind of hit the strings first.
[G] So it gives me _ _ _ _ _ _ _ _ like that.
And you have to go, it's pretty fast music, so it's like_ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
Okay, so then we just keep that idea.
It's going to take a little work if you've never done it before.
Just like anything, _ _ you just got to work at it.
Go real slow.
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ Okay, so here it is again with that rhythm. _ _ _ _ _ _
_ _ _ _ _ _ [D] _ _
_ _ [G] _ _ _ _ [C] _ _
_ _ [G] _ _ [D] _ _ _ _
[G] _ _ _ Okay, and so some of the other, when [F] I get into the changes, I'm not [D] really doing that
_ _ Chuck kind of sound quite as much.
I kind of open it up a little bit.
But that's what's nice.
You can get both sounds, and when guys are doing that, it's kind of like a little bit
So when guys start soloing, you kind of want to get back into that percussive thing.
And I think that really came from the fact that in _ traditional bluegrass, there's no drums.
So the guitar player especially, and usually there's mandolin, they're really doing that
a lot because they're literally _ the drummer.
_ They're keeping that rhythm down.
So here it is one more time, and then I'll play that little [G] tag. _ _ _ _ _
_ _ _ _ _ _ [D] _ _
_ _ [G] _ _ _ _ [C] _ _
_ _ [G] _ _ [D] _ _ [G] _ _
_ _ _ _ _ _ _ _
_ _ _ _ [Em] _ _ [G] _ _
_ _ _ _ _ _ _
Okay, so here's that tag real quick.
_ Ring finger on the third fret of the E string. _ _
_ _ _ Then hammer on the second fret [E] of the A string.
_ [B] _ _
Then the open [D] D string.
_ [G] _ _ [B] _ _
[C] _ _ [G] _ _ _ [Bm] _ _ _
Then hammer on and pull off on that D string.
[E] _ _ [D] _ _ [B] _ Then the open G string.
_ _ [G] _ _ _ _
_ _ _ _ Then the whole thing starts all over again.
Then second verse, same as the first.
And so forth and so on. _ _
_ _ _ _ _ _ _ _
_ [D] _ _ _ _ [G] _ _ _
[C] _ _ _ _ _ _ [A] _ _
_ _ [G] _ _ _ _ _
Yeah, alright!
_ _ Cool, I hope that was something different and interesting to you.
_ Marty Schwartz with NextLevelGuitar.com.
_ If you're digging the world of NextLevelGuitar.com, let's take it to the next level.
You can click a little thing right there, _ _ sign the mailing list for a bunch of free
content that's not on YouTube. _ _ _
_ Go to the site and you can just pick and choose all the things that are interesting to you. _ _ _
That's a really cool thing to be able to do is just kind of pick the lessons that most
pertain to what you're trying to do or what you're trying to accomplish.
I think that's a really good way to go.
_ _ _ _ _ _ Hopefully I'll see you on the flip side there.
[B] Alright, see you next time.
_ [Bb] _ _ [G] _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [D] _ _ _
_ [G] _ _ _ _ _ [C] _ _
_ _ [G] _ _ [A] _ _ _ _
_ _ _ _ [G] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [D] _ _ _ _
[G] _ _ _ _ [C] _ _ _ _
[G] _ _ [A] _ _ _ _ [G] _ _
_ Hey, what's up?
Marty Schwartz here, _ _ NextLevelGuitar.com. _ _
Stoked to be here.
I'm having a great time doing these videos _ _ and just passing on information, you know?
_ _ [B] Handing it off like a quarterback hands off to a [G] fullback.
That's right, that's right.
_ And it's my pleasure to do so.
So what I'm trying to do is _ just diversify some of these styles that I've been talking
about and I'm kind of like entering into my fringe _ of knowledge.
So _ _ I'm kind of leaving my _ core, which is kind of like blues, rock, and funk, and wanted
to talk about the most standard _ bluegrass _ progression. _ _ _ _
In other words, this is kind of like learning the bluegrass _ equivalent of the 12-bar blues. _
So the chords that we need are a G major, _ _ _ _ _ _ _ _
_ _ _ and then _ let's see, one, _ _ _ _ _ two, _ _ _ _ _ three, _ _ _ _ and on
the fourth measure, or the fourth time you've [D] counted through one, two, three, four, _ you
go to a D chord _ _ _ _ _ for one measure. _
_ _ [G] Then we're going to play G _ to _ _ _ _ _ _ _ _ _ _ G7.
So I'm playing G with this particular [Em] voicing with my ring finger on the third fret of the
E string and the middle finger here on the second fret of the A string and then my [G] pinky
on the third fret on the high E.
_ _ _ Then I go to G7 [Em] with my first finger on the [G] first fret. _ _ _ _ _ _
Then I go to a C [C] major chord _ _ _ _ to C7, [B] so I'm putting my pinky on the third fret of the
G string with the C chord.
_ _ _ _ And then a G, [G] _ _ _ _ _ _ _
[D] D, _ _ _ _ [E] _ _
G _ with a little bluegrass tag _ that you hear all the time if you listen
to that sort of thing.
Okay, so here it is [Fm] without any fancy _ [Bb] _ [G] percussiveness. _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [D] _ _ _ _
[G] _ _ _ _ _ [C] _ _ _
_ [G] _ _ _ [D] _ _ [G] _ _
_ _ _ _ _ Then it starts over, and then [B] it repeats, and then it repeats, and then _ _ everyone takes a solo.
So it's very much, _ bluegrass is very much like the blues.
[G] You sing a couple of lines, and then everyone takes their turn at the solo, _ and you're jamming.
It's a real improvised jamming kind of music.
Okay, so basically the other thing I was doing was I'm kind of aiming for the roots of the
chord, so like on the G chord, be the third fret on the E string.
And I kind of hit down on that, and then immediately [N] _ _
hit the rest of the chord, but I'm letting
my palm kind of hit the strings first.
[G] So it gives me _ _ _ _ _ _ _ _ like that.
And you have to go, it's pretty fast music, so it's like_ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
Okay, so then we just keep that idea.
It's going to take a little work if you've never done it before.
Just like anything, _ _ you just got to work at it.
Go real slow.
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ Okay, so here it is again with that rhythm. _ _ _ _ _ _
_ _ _ _ _ _ [D] _ _
_ _ [G] _ _ _ _ [C] _ _
_ _ [G] _ _ [D] _ _ _ _
[G] _ _ _ Okay, and so some of the other, when [F] I get into the changes, I'm not [D] really doing that
_ _ Chuck kind of sound quite as much.
I kind of open it up a little bit.
But that's what's nice.
You can get both sounds, and when guys are doing that, it's kind of like a little bit
So when guys start soloing, you kind of want to get back into that percussive thing.
And I think that really came from the fact that in _ traditional bluegrass, there's no drums.
So the guitar player especially, and usually there's mandolin, they're really doing that
a lot because they're literally _ the drummer.
_ They're keeping that rhythm down.
So here it is one more time, and then I'll play that little [G] tag. _ _ _ _ _
_ _ _ _ _ _ [D] _ _
_ _ [G] _ _ _ _ [C] _ _
_ _ [G] _ _ [D] _ _ [G] _ _
_ _ _ _ _ _ _ _
_ _ _ _ [Em] _ _ [G] _ _
_ _ _ _ _ _ _
Okay, so here's that tag real quick.
_ Ring finger on the third fret of the E string. _ _
_ _ _ Then hammer on the second fret [E] of the A string.
_ [B] _ _
Then the open [D] D string.
_ [G] _ _ [B] _ _
[C] _ _ [G] _ _ _ [Bm] _ _ _
Then hammer on and pull off on that D string.
[E] _ _ [D] _ _ [B] _ Then the open G string.
_ _ [G] _ _ _ _
_ _ _ _ Then the whole thing starts all over again.
Then second verse, same as the first.
And so forth and so on. _ _
_ _ _ _ _ _ _ _
_ [D] _ _ _ _ [G] _ _ _
[C] _ _ _ _ _ _ [A] _ _
_ _ [G] _ _ _ _ _
Yeah, alright!
_ _ Cool, I hope that was something different and interesting to you.
_ Marty Schwartz with NextLevelGuitar.com.
_ If you're digging the world of NextLevelGuitar.com, let's take it to the next level.
You can click a little thing right there, _ _ sign the mailing list for a bunch of free
content that's not on YouTube. _ _ _
_ Go to the site and you can just pick and choose all the things that are interesting to you. _ _ _
That's a really cool thing to be able to do is just kind of pick the lessons that most
pertain to what you're trying to do or what you're trying to accomplish.
I think that's a really good way to go.
_ _ _ _ _ _ Hopefully I'll see you on the flip side there.
[B] Alright, see you next time.
_ [Bb] _ _ [G] _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [D] _ _ _
_ [G] _ _ _ _ _ [C] _ _
_ _ [G] _ _ [A] _ _ _ _
_ _ _ _ [G] _ _ _ _
_ _ _ _ _ _ _ _