Chords for Hoobastank - Live at Atrium Studio - What I Meant To Say

_ _ _ _ _ _ _ _
_ _ _ One, two, three, four. _
_ _ _ _ _ _ _ [A] _
_ _ _ [E] _ _ _ _ [B] _
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_ _ _ [A] _ _ _ _ [B] _
_ _ _ _ _ _ _ _
_ _ _ [A] _ _ _ _ [G] _
_ _ _ [E] _ _ _ _ [B] _
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_ _ _ _ _ _ _ [D] _
_ _ _ [A] _ _ _ _ [B] _
_ _ _ _ _ _ _ [D] _
_ _ _ [A] _ _ _ _ [B] _
_ _ _ _ _ _ _ [D] _
_ _ _ [A] _ _ _ _ [G] _
_ _ _ [A] _ _ _ _ [B] _
_ _ _ _ _ _ _ [E] _
_ _ _ [G] _ _ _ _ [A] _
_ _ _ [B] _ _ _ _ [G]
Oh, that's [A] _ what I'm meant [B] to say.
_ When _ _ _ [E] _
you walked [G] away last night, [A] I knew I couldn't make it [B] without you.
_ [G]
That's what I'm meant [A] to say.
_ _ [B]
No, it's not the first time that I've drove [D] you crazy.
_ _ [A] _ _ _ _ [B]
Probably not the last time that you'll want [D] me.
_ _ _ [A] _ _ _ _ [B]
I can say some dumb things, some fucking dumb [D] things too.
_ _ [A] _ _ _ _ [G]
Sometimes what I say [A] _ isn't how I really feel.
_ _ [E] _ What I meant [D] to say last night [A] is I never want to be [B] without you.
_ [G] Oh, _ _ [A] _
that's what I'm meant [B] to say. _ _
_ _ _ [E] _ When you walked [G]
away last [A] night, I knew I couldn't make it [B] without you.
_ [G] _ That's what I'm meant [A] to say.
That's what [G] I'm meant to say.
_ [A]
I _ _ [B] can say some dumb things, some fucking [G] dumb things.
Oh, _ [A] _
that's what I'm [B] meant to say.
I can say some dumb things, some fucking [G] dumb.
Oh, _ [A] _
_ _ _ [F#m] _ _ _ _ [Bm] _
_ _ [G] that's what I'm _ _ _ [A] _
_ meant to [B] _ say. _
_ _ _ _ [E] What I meant [G] to say last night is [A] I never want to be [B]
without you.
_ [G] Oh, _ _ [A] _
that's what I'm meant to [B] say. _ _
_ _ _ [E] _ When you [G] walked away last night, [A] I knew I couldn't make [B] it without you.
[G] _ That's what I'm [A] meant to say.
That's what I'm meant to [B] say. _ _
_ _ _ I can say some dumb things, some fucking dumb _ things. _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [A] _ _
_ _ _ Here it is.
[Em] All right.
_ _ Eli is a friend of ours that we've been working for a while.
[E] He's been playing piano with us for a while, and we started playing [G] some shows.
It sounded so cool, and it was such a different way to do it for us.
_ _ [E] I don't know.
He's such a great player.
It just made us sound that much better.
Seriously, [G] play piano over a turd, and it would sound amazing.
These guys right here, these three [Em] guys are in the street drum corps,
and we've known some of them for years.
I've been hearing about [G] you guys more and more, and I knew you guys anyways.
I called you.
We were sitting there.
When you called, we [Em] were on tour in Kentucky.
You played The Message.
We were like, this would be amazing.
It's just a [G] timeless song, and we think we can do something cool.
When I told you that we wanted [Em] you guys to play on The Reason,
I think you thought maybe it was a new song or something.
But I said, we want you to play on The Reason if that's cool.
You're like, [C] oh, gosh, dude, [C] that's like a journey to heaven.
[G] I was like, what?
[D] I was like, that's not lame.
It's like a journey [Em] to heaven.
But I was stoked.
I was like, yeah.
_ It's always good to collaborate with other people
and get _ [C] different perspectives on probably the [G] same song
that you [Am] would do one way and have a [E] different spin on it.
We showed up to Chris' [C] house with kegs in his beautiful house with kegs
and [E] garbage cans.
With all this shit right here.
[Em]
His wife walked in the house and [A] was slamming the floor,
[E] popping her hands, lots of hands on the floor.
[C] It was really cool.
It was a fun thing. _
_ It came out cool.
It just adds a nice different texture