Holding On To You (Live) - Sananda Maitreya & The Sugar Plum Pharaohs Chords
Tempo:
62.125 bpm
Chords used:
C#
F#
D#m
D#
E
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[C#] [F] [A#] [D#]
[C#] [B]
[E] [C#m] I left the [A] East Side [C#] for a West [D#m] Coast beauty, a girl who burned my thoughts like kisses.
She was down by street decree.
She swore [C#] she'd pull my [F#] best years out of me.
[C#] Foul painted lips on a lava beauty, [D#m] a tangerine girl with tambourine eyes.
Her face was my favorite magazine.
[C#] Her body was [F#] my favorite book to read.
They say that all poets must have [D#m] an unrequited [C#] love.
[F#] All lovers must have [D#m] thought-provoking [F#] fear.
But holding on [C#] to you and letting go [F#] of pain and letting go [C#] of tears and letting go [F#] of
pain and letting go [D#m] of [Fm] what's [C#] not [F#] real, holding [C#] on to you.
[G#m] [E] [C#] I'm up in Rossa for a seaside baby, [D#m] a chamomile smile that pouts on cue.
But every moment I breathe a sigh, her bosom [F#] could chase my sweet alibi.
[C#] An emotional mist, she breathes in fog [D#m] and breathes it out as garden flowers.
Why me of all the tough-talking boys?
I don't know.
I guess you [C#] heard my heart beat [F#] through the noise.
They say that all poets [C#] must [D#m] have an unrequited [C#] love.
[D#m] As all lovers [F#] must [D#m] have thought-provoking [F#] dreams.
But holding [C#] on to you and letting [F#] go of pain and letting [C#] go of tears and letting [F#] go of pain
Holding [C#] on to you means letting [F#] some feel.
And letting go [D#m] of [C#] what's not [F#] real.
Holding on to [D#m] you.
And letting go of [G#m] what's not real.
[E] [C#] [A#]
[D#] [C#] [D] [C#]
[C#m] They [D#m]
say
[C#] [F#m] [C#] [D#m]
[C#] [F#] that all poets [C#] must [D#m] have an [C#] unrequited love.
As all lovers must have [D#] thought-provoking [F#] dreams.
Holding on to [C#] you.
Letting go [F#] of pain.
Letting go of [D#m] [C#] what's not [F#]
real.
[F] [C#] Holding on to you.
I left these coasts for West Coast [D#m] beauty.
I wouldn't go burn my thoughts like she was down by Sweet Decree.
[C#] So she put [F#] my best years out of me.
[C#] Fired with lips on a see-saw canvas.
[D#m]
Goodbye Picasso.
Hello Dolly.
Soil is fertile where her footsteps try.
She's [C#] my new religion.
[F#] She's all I've got.
They say that all [C#] poets must [D#m] have an unrequited [C#] love.
As [D#m] all [C#] lovers must [D#m] have thought-provoking [F#]
dreams.
Holding [C#] on to you.
[F#] Letting go of pain.
[C#] Means letting go of tears.
Means [F#] letting go of rain.
[C#] Holding on to you.
[F#] Means letting some feel.
Means [C#] letting some feel.
Means letting go of [F#] what's not real.
Holding [C#] on to you.
[F#] Means letting go of pain.
Means [C#] letting go of tears.
Means letting [F#] go of rain.
Holding [C#] on to you.
[F#]
[C#] [F#]
Hold on to
[C#] you.
[G#]
[N]
[C#] [B]
[E] [C#m] I left the [A] East Side [C#] for a West [D#m] Coast beauty, a girl who burned my thoughts like kisses.
She was down by street decree.
She swore [C#] she'd pull my [F#] best years out of me.
[C#] Foul painted lips on a lava beauty, [D#m] a tangerine girl with tambourine eyes.
Her face was my favorite magazine.
[C#] Her body was [F#] my favorite book to read.
They say that all poets must have [D#m] an unrequited [C#] love.
[F#] All lovers must have [D#m] thought-provoking [F#] fear.
But holding on [C#] to you and letting go [F#] of pain and letting go [C#] of tears and letting go [F#] of
pain and letting go [D#m] of [Fm] what's [C#] not [F#] real, holding [C#] on to you.
[G#m] [E] [C#] I'm up in Rossa for a seaside baby, [D#m] a chamomile smile that pouts on cue.
But every moment I breathe a sigh, her bosom [F#] could chase my sweet alibi.
[C#] An emotional mist, she breathes in fog [D#m] and breathes it out as garden flowers.
Why me of all the tough-talking boys?
I don't know.
I guess you [C#] heard my heart beat [F#] through the noise.
They say that all poets [C#] must [D#m] have an unrequited [C#] love.
[D#m] As all lovers [F#] must [D#m] have thought-provoking [F#] dreams.
But holding [C#] on to you and letting [F#] go of pain and letting [C#] go of tears and letting [F#] go of pain
Holding [C#] on to you means letting [F#] some feel.
And letting go [D#m] of [C#] what's not [F#] real.
Holding on to [D#m] you.
And letting go of [G#m] what's not real.
[E] [C#] [A#]
[D#] [C#] [D] [C#]
[C#m] They [D#m]
say
[C#] [F#m] [C#] [D#m]
[C#] [F#] that all poets [C#] must [D#m] have an [C#] unrequited love.
As all lovers must have [D#] thought-provoking [F#] dreams.
Holding on to [C#] you.
Letting go [F#] of pain.
Letting go of [D#m] [C#] what's not [F#]
real.
[F] [C#] Holding on to you.
I left these coasts for West Coast [D#m] beauty.
I wouldn't go burn my thoughts like she was down by Sweet Decree.
[C#] So she put [F#] my best years out of me.
[C#] Fired with lips on a see-saw canvas.
[D#m]
Goodbye Picasso.
Hello Dolly.
Soil is fertile where her footsteps try.
She's [C#] my new religion.
[F#] She's all I've got.
They say that all [C#] poets must [D#m] have an unrequited [C#] love.
As [D#m] all [C#] lovers must [D#m] have thought-provoking [F#]
dreams.
Holding [C#] on to you.
[F#] Letting go of pain.
[C#] Means letting go of tears.
Means [F#] letting go of rain.
[C#] Holding on to you.
[F#] Means letting some feel.
Means [C#] letting some feel.
Means letting go of [F#] what's not real.
Holding [C#] on to you.
[F#] Means letting go of pain.
Means [C#] letting go of tears.
Means letting [F#] go of rain.
Holding [C#] on to you.
[F#]
[C#] [F#]
Hold on to
[C#] you.
[G#]
[N]
Key:
C#
F#
D#m
D#
E
C#
F#
D#m
[C#] _ _ _ _ [F] _ [A#] _ _ [D#] _
_ [C#] _ _ _ _ _ _ [B] _
[E] [C#m] I left the [A] East Side [C#] for a West [D#m] Coast beauty, a girl who burned my thoughts like kisses.
She was down by street decree.
She swore [C#] she'd pull my [F#] best years out of me.
[C#] Foul painted lips on a lava beauty, [D#m] a tangerine girl with tambourine eyes.
Her face was my favorite magazine.
[C#] Her body was [F#] my favorite book to read.
They say that all poets must have [D#m] an unrequited [C#] _ love.
_ [F#] All lovers must have [D#m] thought-provoking [F#] fear.
But holding on [C#] to you and letting go [F#] of pain and letting go [C#] of tears and letting go [F#] of
pain and letting go [D#m] of [Fm] what's [C#] not [F#] real, holding [C#] on to you.
[G#m] _ [E] _ [C#] I'm up in Rossa for a seaside baby, [D#m] a chamomile smile that pouts on cue.
But every moment I breathe a sigh, her bosom [F#] could chase my sweet alibi.
[C#] An emotional mist, she breathes in fog [D#m] and breathes it out as garden flowers.
Why me of all the tough-talking boys?
I don't know.
I guess you [C#] heard my heart beat [F#] through the noise.
They say that all poets [C#] must [D#m] have an unrequited [C#] love.
_ [D#m] As all lovers [F#] must [D#m] have thought-provoking [F#] dreams.
But holding [C#] on to you and letting [F#] go of pain and letting [C#] go of tears and letting [F#] go of pain
Holding [C#] on to you means letting [F#] some feel.
And letting go [D#m] of [C#] what's not [F#] _ real.
Holding on to [D#m] you.
And letting go of [G#m] what's not real.
[E] _ [C#] _ _ _ _ [A#] _
_ _ [D#] _ [C#] _ [D] _ [C#] _ _ _
_ _ [C#m] _ _ _ They [D#m] _
say _ _ _ _ _ _
[C#] _ [F#m] _ [C#] _ _ _ _ _ [D#m] _
_ _ _ _ _ _ _ _
[C#] _ [F#] _ that all poets [C#] must [D#m] have an [C#] unrequited love.
As all lovers must have [D#] thought-provoking [F#] dreams.
_ Holding on to [C#] you.
Letting go [F#] of pain.
_ Letting go of [D#m] _ [C#] what's not [F#]
real.
[F] [C#] Holding on to you.
I left these coasts for West Coast [D#m] beauty.
I wouldn't go burn my thoughts like she was down by Sweet Decree.
[C#] So she put [F#] my best years out of me.
[C#] Fired with lips on a see-saw canvas.
[D#m]
Goodbye Picasso.
Hello Dolly.
Soil is fertile where her footsteps try.
She's [C#] my new religion.
[F#] She's all I've got.
They say that all [C#] poets must [D#m] have an unrequited [C#] love.
As [D#m] all [C#] lovers must [D#m] have thought-provoking [F#]
dreams.
Holding [C#] on to you.
_ [F#] Letting go of pain.
[C#] Means letting go of tears.
Means [F#] letting go of rain.
_ [C#] Holding on to you.
[F#] Means letting some feel.
Means [C#] letting some feel.
Means letting go of [F#] what's not real.
Holding [C#] on to you.
_ [F#] Means letting go of pain.
Means [C#] letting go of tears.
Means letting [F#] go of rain.
Holding [C#] on to you.
_ [F#] _
_ _ _ [C#] _ _ _ _ [F#] _
_ _ _ Hold on to _
_ [C#] _ _ _ you. _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [G#] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [N] _
_ [C#] _ _ _ _ _ _ [B] _
[E] [C#m] I left the [A] East Side [C#] for a West [D#m] Coast beauty, a girl who burned my thoughts like kisses.
She was down by street decree.
She swore [C#] she'd pull my [F#] best years out of me.
[C#] Foul painted lips on a lava beauty, [D#m] a tangerine girl with tambourine eyes.
Her face was my favorite magazine.
[C#] Her body was [F#] my favorite book to read.
They say that all poets must have [D#m] an unrequited [C#] _ love.
_ [F#] All lovers must have [D#m] thought-provoking [F#] fear.
But holding on [C#] to you and letting go [F#] of pain and letting go [C#] of tears and letting go [F#] of
pain and letting go [D#m] of [Fm] what's [C#] not [F#] real, holding [C#] on to you.
[G#m] _ [E] _ [C#] I'm up in Rossa for a seaside baby, [D#m] a chamomile smile that pouts on cue.
But every moment I breathe a sigh, her bosom [F#] could chase my sweet alibi.
[C#] An emotional mist, she breathes in fog [D#m] and breathes it out as garden flowers.
Why me of all the tough-talking boys?
I don't know.
I guess you [C#] heard my heart beat [F#] through the noise.
They say that all poets [C#] must [D#m] have an unrequited [C#] love.
_ [D#m] As all lovers [F#] must [D#m] have thought-provoking [F#] dreams.
But holding [C#] on to you and letting [F#] go of pain and letting [C#] go of tears and letting [F#] go of pain
Holding [C#] on to you means letting [F#] some feel.
And letting go [D#m] of [C#] what's not [F#] _ real.
Holding on to [D#m] you.
And letting go of [G#m] what's not real.
[E] _ [C#] _ _ _ _ [A#] _
_ _ [D#] _ [C#] _ [D] _ [C#] _ _ _
_ _ [C#m] _ _ _ They [D#m] _
say _ _ _ _ _ _
[C#] _ [F#m] _ [C#] _ _ _ _ _ [D#m] _
_ _ _ _ _ _ _ _
[C#] _ [F#] _ that all poets [C#] must [D#m] have an [C#] unrequited love.
As all lovers must have [D#] thought-provoking [F#] dreams.
_ Holding on to [C#] you.
Letting go [F#] of pain.
_ Letting go of [D#m] _ [C#] what's not [F#]
real.
[F] [C#] Holding on to you.
I left these coasts for West Coast [D#m] beauty.
I wouldn't go burn my thoughts like she was down by Sweet Decree.
[C#] So she put [F#] my best years out of me.
[C#] Fired with lips on a see-saw canvas.
[D#m]
Goodbye Picasso.
Hello Dolly.
Soil is fertile where her footsteps try.
She's [C#] my new religion.
[F#] She's all I've got.
They say that all [C#] poets must [D#m] have an unrequited [C#] love.
As [D#m] all [C#] lovers must [D#m] have thought-provoking [F#]
dreams.
Holding [C#] on to you.
_ [F#] Letting go of pain.
[C#] Means letting go of tears.
Means [F#] letting go of rain.
_ [C#] Holding on to you.
[F#] Means letting some feel.
Means [C#] letting some feel.
Means letting go of [F#] what's not real.
Holding [C#] on to you.
_ [F#] Means letting go of pain.
Means [C#] letting go of tears.
Means letting [F#] go of rain.
Holding [C#] on to you.
_ [F#] _
_ _ _ [C#] _ _ _ _ [F#] _
_ _ _ Hold on to _
_ [C#] _ _ _ you. _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [G#] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [N] _