Chords for Hiatus Kaiyote - Shaolin Monk Motherfunk
Tempo:
102.95 bpm
Chords used:
D
C#
C#m
G#m
E
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Hey, I'm Erica Olson and on this Music Minute we are at El Rey Theatre featuring Australian-based band Hiatus [D] Coyote.
To drop in to [Fm] dance, to drop [A] in to [C#] dance.
Alright, I'm with the band [F#] Hiatus Coyote.
Welcome [C#] guys.
Thank you.
[D] Let's talk about the name [C#] first.
Where did it come from?
We wanted a word that was made [C#m] up that triggers the [C#] imagination of our [F#m] listeners because that's what we intend to do with our music.
So [C#] Hiatus is like a pause to absorb your surroundings and then Coyote is similar to coyote and peyote but it's [D] not quite either.
[C#m]
[D] [E] [C#] [C#]
[D] [C#m] [G#]
[E] [D] [E] [D]
[E] [D]
[C#]
[D] [C#]
[D] [C#]
[C#m] [D]
[C#m] [D]
[C#m] [D]
[G#] [D] [G]
[C] [E] [C#] [E]
[D] [E] [D]
[C#] [G] [C#m]
[D]
[G#m] [D] [C#m]
To drop in to [G#m] dance, drop in to dance.
[E]
[G#m] Oh I've been [F#m] swinging it so low.
[C#]
[A] Lying on your palm, [C#] cry out to be [D] low.
[G#m]
With [D] a steady [C#m] compass of my [D] own.
[G#m]
My [D] [G#m] constellations burn to be strong through [D] yours.
[G]
I'm a [D] mighty goddess.
[G#m]
[F#] To drop in to [G#m] dance, to drop in to dance.
To drop in [C#m] to dance.
Oh I've been swinging it so low.
To drop in to dance.
[G#] Honey help me swim [D] right through [C#m] this.
To drop in to dance.
[G#m] Oh I've been swinging it so low.
[C#] Tell us [G#] about the song you're performing for [B] Music Minute.
[E] I'm a Shaolin monk mother [C#] funk.
It's one [G#m] of the first songs we wrote [C#m] from scratch.
There's many [D] layers lyrically [E] to it and [A#] then you know it's inspired [C#] by a kung fu [G#m] film.
And then sonically [F#] like you have these [C#m] themes that you can play on.
Wind does [D] keep [C#m] blowing [G#m] out of [C#] the hour.
[G#m] While old [C#m] child [D] howling as [C#m] it [G#m] falls.
To [C#] find the [G#m] form of dust.
[F#] [C#m] Wind [D] does [C#m] keep blowing out [C#] of the hour.
[G#m] While old [C#m] child [E]
[D] howling as [C#m] it falls.
[G#] To find the form [G#m] of [F#] dust.
Wind [C#m] does keep blowing
[A] [C#m] out [C#] of [G#m] the hour.
[F#] While old child [G#m]
howling as it [E] falls.
To [C#] find the [G#m] form of dust.
[A] Wind [C#m] does keep blowing out of the hour.
[G#m] [C#m] [B]
[E] [D] [C#m]
[G#m] [C#m] While [E] old child [D] [C#m] [G#m]
[C#m] howling [E]
as [D] it falls.
To find the form [C#m] of dust.
While [G#m] old child howling as it falls.
To find [C#m] the form of dust.
Wind does keep blowing out of the hour.
While [E] old child howling as it falls.
While old child howling [D] as it falls.
[G#m] [C#]
[D#]
[F#] [D#] How would you define and [D#] describe your sound?
Well it's kind of [F#] cinematic [G#] and reflexive.
I guess it's just a [D#m] process of [E] when you combine all the things that we love [D#] together in the ways that we [F#m] do.
You [A#] know it kind of creates something that maybe people [D] haven't heard before.
To drop into [C#] this.
To [A] drop into this.
[C#] To drop [F#m] into this.
[G#] Oh I've been swinging [D] it so low.
[C#] To drop [F#m] into this.
[C#] Honey I've been to [D] drop into [Fm] this.
To [F#m] drop into with this.
Oh I've been swinging it so low.
Ha ha ha hey hey.
[G#] [F#m] [C#] Ha ha hey [F#m] hey.
Ha [Fm] ha hey [F#m] hey.
[G#] Ha ha hey [F#m] hey.
[Fm] Ha ha hey [F#m] hey.
[G#] Ha ha hey [F#m] hey.
Ha [A] ha hey hey.
Ha ha hey hey.
[C#] Ha ha hey hey.
Ha ha hey hey.
Let's talk [D] about the artwork on this because it's [G#] pretty fierce.
It was [D] done by a friend of ours [C#] Lachlan [F#m] Mitchell.
He did the artwork for Tom [G#] Tomahawk as well.
And I put, [D] it was like [C#] copper leafing through it [A] because it's a very [G#] intense and [C#m] masculine image.
[G#] So I just kind of [D] thought I'd stop and [G#] I'd do [D] Lady Juju.
[C#] [D]
[C#] [F#m] [C#] [A]
[Fm] [D#] [A]
[N]
So what's in store for the rest of the year for you guys?
Touring.
Touring [G#] yeah.
Touring a [F] couple months.
And then are you back in the studio?
[B] Oh.
We're going to have a good lie down.
[Cm] Time off.
Fair enough.
Lie down, [B] you know maybe read some books.
Doing regular, you know
To drop in to [Fm] dance, to drop [A] in to [C#] dance.
Alright, I'm with the band [F#] Hiatus Coyote.
Welcome [C#] guys.
Thank you.
[D] Let's talk about the name [C#] first.
Where did it come from?
We wanted a word that was made [C#m] up that triggers the [C#] imagination of our [F#m] listeners because that's what we intend to do with our music.
So [C#] Hiatus is like a pause to absorb your surroundings and then Coyote is similar to coyote and peyote but it's [D] not quite either.
[C#m]
[D] [E] [C#] [C#]
[D] [C#m] [G#]
[E] [D] [E] [D]
[E] [D]
[C#]
[D] [C#]
[D] [C#]
[C#m] [D]
[C#m] [D]
[C#m] [D]
[G#] [D] [G]
[C] [E] [C#] [E]
[D] [E] [D]
[C#] [G] [C#m]
[D]
[G#m] [D] [C#m]
To drop in to [G#m] dance, drop in to dance.
[E]
[G#m] Oh I've been [F#m] swinging it so low.
[C#]
[A] Lying on your palm, [C#] cry out to be [D] low.
[G#m]
With [D] a steady [C#m] compass of my [D] own.
[G#m]
My [D] [G#m] constellations burn to be strong through [D] yours.
[G]
I'm a [D] mighty goddess.
[G#m]
[F#] To drop in to [G#m] dance, to drop in to dance.
To drop in [C#m] to dance.
Oh I've been swinging it so low.
To drop in to dance.
[G#] Honey help me swim [D] right through [C#m] this.
To drop in to dance.
[G#m] Oh I've been swinging it so low.
[C#] Tell us [G#] about the song you're performing for [B] Music Minute.
[E] I'm a Shaolin monk mother [C#] funk.
It's one [G#m] of the first songs we wrote [C#m] from scratch.
There's many [D] layers lyrically [E] to it and [A#] then you know it's inspired [C#] by a kung fu [G#m] film.
And then sonically [F#] like you have these [C#m] themes that you can play on.
Wind does [D] keep [C#m] blowing [G#m] out of [C#] the hour.
[G#m] While old [C#m] child [D] howling as [C#m] it [G#m] falls.
To [C#] find the [G#m] form of dust.
[F#] [C#m] Wind [D] does [C#m] keep blowing out [C#] of the hour.
[G#m] While old [C#m] child [E]
[D] howling as [C#m] it falls.
[G#] To find the form [G#m] of [F#] dust.
Wind [C#m] does keep blowing
[A] [C#m] out [C#] of [G#m] the hour.
[F#] While old child [G#m]
howling as it [E] falls.
To [C#] find the [G#m] form of dust.
[A] Wind [C#m] does keep blowing out of the hour.
[G#m] [C#m] [B]
[E] [D] [C#m]
[G#m] [C#m] While [E] old child [D] [C#m] [G#m]
[C#m] howling [E]
as [D] it falls.
To find the form [C#m] of dust.
While [G#m] old child howling as it falls.
To find [C#m] the form of dust.
Wind does keep blowing out of the hour.
While [E] old child howling as it falls.
While old child howling [D] as it falls.
[G#m] [C#]
[D#]
[F#] [D#] How would you define and [D#] describe your sound?
Well it's kind of [F#] cinematic [G#] and reflexive.
I guess it's just a [D#m] process of [E] when you combine all the things that we love [D#] together in the ways that we [F#m] do.
You [A#] know it kind of creates something that maybe people [D] haven't heard before.
To drop into [C#] this.
To [A] drop into this.
[C#] To drop [F#m] into this.
[G#] Oh I've been swinging [D] it so low.
[C#] To drop [F#m] into this.
[C#] Honey I've been to [D] drop into [Fm] this.
To [F#m] drop into with this.
Oh I've been swinging it so low.
Ha ha ha hey hey.
[G#] [F#m] [C#] Ha ha hey [F#m] hey.
Ha [Fm] ha hey [F#m] hey.
[G#] Ha ha hey [F#m] hey.
[Fm] Ha ha hey [F#m] hey.
[G#] Ha ha hey [F#m] hey.
Ha [A] ha hey hey.
Ha ha hey hey.
[C#] Ha ha hey hey.
Ha ha hey hey.
Let's talk [D] about the artwork on this because it's [G#] pretty fierce.
It was [D] done by a friend of ours [C#] Lachlan [F#m] Mitchell.
He did the artwork for Tom [G#] Tomahawk as well.
And I put, [D] it was like [C#] copper leafing through it [A] because it's a very [G#] intense and [C#m] masculine image.
[G#] So I just kind of [D] thought I'd stop and [G#] I'd do [D] Lady Juju.
[C#] [D]
[C#] [F#m] [C#] [A]
[Fm] [D#] [A]
[N]
So what's in store for the rest of the year for you guys?
Touring.
Touring [G#] yeah.
Touring a [F] couple months.
And then are you back in the studio?
[B] Oh.
We're going to have a good lie down.
[Cm] Time off.
Fair enough.
Lie down, [B] you know maybe read some books.
Doing regular, you know
Key:
D
C#
C#m
G#m
E
D
C#
C#m
Hey, I'm Erica Olson and on this Music Minute we are at El Rey Theatre featuring Australian-based band Hiatus [D] Coyote.
To drop in to [Fm] dance, to drop [A] in to [C#] dance.
Alright, I'm with the band [F#] Hiatus Coyote.
Welcome [C#] guys.
Thank you.
[D] Let's talk about the name [C#] first.
Where did it come from?
We wanted a word that was made [C#m] up that triggers the [C#] imagination of our [F#m] listeners because that's what we intend to do with our music.
So [C#] Hiatus is like a pause to absorb your surroundings and then Coyote is similar to coyote and peyote but it's [D] not quite either.
[C#m] _
_ [D] _ _ [E] _ _ [C#] _ _ [C#] _
_ _ [D] _ _ _ [C#m] _ _ [G#] _
_ [E] _ _ [D] _ _ [E] _ _ [D] _
_ [E] _ _ [D] _ _ _ _ _
_ [C#] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [D] _ _ _ _ [C#] _ _ _
_ [D] _ [C#] _ _ _ _ _ _
_ [C#m] _ _ _ _ _ _ [D] _
_ [C#m] _ _ [D] _ _ _ _ _
_ _ _ _ _ [C#m] _ _ [D] _
_ [G#] _ _ [D] _ _ _ _ [G] _
_ [C] _ _ [E] _ _ [C#] _ _ [E] _
_ _ [D] _ _ [E] _ _ [D] _ _
_ [C#] _ _ [G] _ _ [C#m] _ _ _
_ _ _ _ _ _ _ [D] _
_ [G#m] _ _ [D] _ _ [C#m] _ _
To drop in to [G#m] dance, drop in to dance.
_ [E] _
_ [G#m] Oh I've been [F#m] swinging it so low.
[C#] _ _
[A] Lying on your palm, [C#] cry out to be [D] low.
[G#m]
With [D] a steady [C#m] compass of my [D] own.
_ [G#m]
My [D] [G#m] constellations burn to be strong through [D] yours.
[G]
I'm a [D] mighty goddess.
_ _ [G#m] _ _ _
[F#] To drop in to [G#m] dance, to drop in to dance.
To drop in [C#m] to dance.
Oh I've been swinging it so low.
To drop in to dance.
[G#] Honey help me swim [D] right through [C#m] this.
To drop in to dance.
[G#m] Oh I've been swinging it so low.
[C#] Tell us [G#] about the song you're performing for [B] Music Minute.
[E] I'm a Shaolin monk mother [C#] funk.
It's one [G#m] of the first songs we wrote [C#m] from scratch.
There's many [D] layers lyrically [E] to it and [A#] then you know it's inspired [C#] by a kung fu [G#m] film.
And then sonically [F#] like you have these [C#m] themes that you can play on.
Wind does [D] keep [C#m] blowing [G#m] out of [C#] the hour.
[G#m] While old [C#m] child _ _ [D] howling as [C#m] it [G#m] falls.
To [C#] find the [G#m] form of dust.
[F#] _ _ [C#m] Wind [D] does [C#m] keep blowing out [C#] of the hour.
[G#m] While old [C#m] child _ [E] _
[D] howling as [C#m] it falls.
[G#] To find the form [G#m] of [F#] dust.
Wind [C#m] does keep blowing _ _
_ [A] _ _ [C#m] out _ [C#] of _ [G#m] the hour.
[F#] While old child _ [G#m] _ _
howling as it [E] falls.
To [C#] find the [G#m] form of dust.
[A] Wind [C#m] does keep blowing out of the hour.
_ [G#m] _ _ _ [C#m] _ _ _ [B] _
_ [E] _ _ [D] _ _ [C#m] _ _ _
[G#m] _ _ _ [C#m] _ _ While [E] old child [D] _ _ [C#m] _ _ _ [G#m] _
[C#m] howling _ _ _ _ [E] _
as [D] it falls.
To find the form [C#m] of dust.
While [G#m] old child howling as it falls.
To find [C#m] the form of dust.
Wind does keep blowing out of the hour.
While [E] old child howling as it falls.
While old child howling [D] as it falls.
[G#m] _ _ _ _ [C#] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [D#] _
_ [F#] _ [D#] How would you define and [D#] describe your sound?
Well it's kind of [F#] cinematic _ [G#] and reflexive.
I guess it's just a [D#m] process of [E] _ when you combine all the things that we love [D#] together in the ways that we [F#m] do.
You [A#] know it kind of creates something that maybe people [D] haven't heard before.
To drop into [C#] this.
To [A] drop into this.
[C#] To drop [F#m] into this.
[G#] Oh I've been swinging [D] it so low.
[C#] To drop [F#m] into this.
[C#] Honey I've been to [D] drop into [Fm] this.
To [F#m] drop into with this.
Oh I've been swinging it so low.
Ha ha ha hey hey. _
[G#] _ _ [F#m] _ [C#] Ha ha hey [F#m] hey.
Ha [Fm] ha hey [F#m] hey.
[G#] Ha ha hey [F#m] hey.
[Fm] Ha ha hey [F#m] hey.
[G#] Ha ha hey [F#m] hey.
Ha [A] ha hey hey.
Ha ha hey hey.
[C#] Ha ha hey hey.
Ha ha hey hey.
Let's talk [D] about the artwork on this because it's [G#] pretty fierce.
It was [D] done by a friend of ours [C#] Lachlan [F#m] Mitchell.
He did the artwork for Tom [G#] Tomahawk as well.
And I put, [D] it was like [C#] copper leafing through it [A] because it's a very [G#] intense and [C#m] masculine image.
[G#] So I just kind of [D] thought I'd stop and [G#] I'd do [D] Lady Juju.
_ [C#] _ _ [D] _
_ [C#] _ [F#m] _ _ _ [C#] _ _ [A] _
_ [Fm] _ _ _ [D#] _ _ _ [A] _
_ _ _ _ [N] _ _ _ _
_ _ _ _ _ So what's in store for the rest of the year for you guys?
Touring.
Touring [G#] yeah.
Touring a [F] couple months.
And then are you back in the studio?
[B] Oh.
We're going to have a good lie down.
[Cm] Time off.
Fair enough.
Lie down, [B] you know maybe read some books.
Doing regular, you know
To drop in to [Fm] dance, to drop [A] in to [C#] dance.
Alright, I'm with the band [F#] Hiatus Coyote.
Welcome [C#] guys.
Thank you.
[D] Let's talk about the name [C#] first.
Where did it come from?
We wanted a word that was made [C#m] up that triggers the [C#] imagination of our [F#m] listeners because that's what we intend to do with our music.
So [C#] Hiatus is like a pause to absorb your surroundings and then Coyote is similar to coyote and peyote but it's [D] not quite either.
[C#m] _
_ [D] _ _ [E] _ _ [C#] _ _ [C#] _
_ _ [D] _ _ _ [C#m] _ _ [G#] _
_ [E] _ _ [D] _ _ [E] _ _ [D] _
_ [E] _ _ [D] _ _ _ _ _
_ [C#] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [D] _ _ _ _ [C#] _ _ _
_ [D] _ [C#] _ _ _ _ _ _
_ [C#m] _ _ _ _ _ _ [D] _
_ [C#m] _ _ [D] _ _ _ _ _
_ _ _ _ _ [C#m] _ _ [D] _
_ [G#] _ _ [D] _ _ _ _ [G] _
_ [C] _ _ [E] _ _ [C#] _ _ [E] _
_ _ [D] _ _ [E] _ _ [D] _ _
_ [C#] _ _ [G] _ _ [C#m] _ _ _
_ _ _ _ _ _ _ [D] _
_ [G#m] _ _ [D] _ _ [C#m] _ _
To drop in to [G#m] dance, drop in to dance.
_ [E] _
_ [G#m] Oh I've been [F#m] swinging it so low.
[C#] _ _
[A] Lying on your palm, [C#] cry out to be [D] low.
[G#m]
With [D] a steady [C#m] compass of my [D] own.
_ [G#m]
My [D] [G#m] constellations burn to be strong through [D] yours.
[G]
I'm a [D] mighty goddess.
_ _ [G#m] _ _ _
[F#] To drop in to [G#m] dance, to drop in to dance.
To drop in [C#m] to dance.
Oh I've been swinging it so low.
To drop in to dance.
[G#] Honey help me swim [D] right through [C#m] this.
To drop in to dance.
[G#m] Oh I've been swinging it so low.
[C#] Tell us [G#] about the song you're performing for [B] Music Minute.
[E] I'm a Shaolin monk mother [C#] funk.
It's one [G#m] of the first songs we wrote [C#m] from scratch.
There's many [D] layers lyrically [E] to it and [A#] then you know it's inspired [C#] by a kung fu [G#m] film.
And then sonically [F#] like you have these [C#m] themes that you can play on.
Wind does [D] keep [C#m] blowing [G#m] out of [C#] the hour.
[G#m] While old [C#m] child _ _ [D] howling as [C#m] it [G#m] falls.
To [C#] find the [G#m] form of dust.
[F#] _ _ [C#m] Wind [D] does [C#m] keep blowing out [C#] of the hour.
[G#m] While old [C#m] child _ [E] _
[D] howling as [C#m] it falls.
[G#] To find the form [G#m] of [F#] dust.
Wind [C#m] does keep blowing _ _
_ [A] _ _ [C#m] out _ [C#] of _ [G#m] the hour.
[F#] While old child _ [G#m] _ _
howling as it [E] falls.
To [C#] find the [G#m] form of dust.
[A] Wind [C#m] does keep blowing out of the hour.
_ [G#m] _ _ _ [C#m] _ _ _ [B] _
_ [E] _ _ [D] _ _ [C#m] _ _ _
[G#m] _ _ _ [C#m] _ _ While [E] old child [D] _ _ [C#m] _ _ _ [G#m] _
[C#m] howling _ _ _ _ [E] _
as [D] it falls.
To find the form [C#m] of dust.
While [G#m] old child howling as it falls.
To find [C#m] the form of dust.
Wind does keep blowing out of the hour.
While [E] old child howling as it falls.
While old child howling [D] as it falls.
[G#m] _ _ _ _ [C#] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [D#] _
_ [F#] _ [D#] How would you define and [D#] describe your sound?
Well it's kind of [F#] cinematic _ [G#] and reflexive.
I guess it's just a [D#m] process of [E] _ when you combine all the things that we love [D#] together in the ways that we [F#m] do.
You [A#] know it kind of creates something that maybe people [D] haven't heard before.
To drop into [C#] this.
To [A] drop into this.
[C#] To drop [F#m] into this.
[G#] Oh I've been swinging [D] it so low.
[C#] To drop [F#m] into this.
[C#] Honey I've been to [D] drop into [Fm] this.
To [F#m] drop into with this.
Oh I've been swinging it so low.
Ha ha ha hey hey. _
[G#] _ _ [F#m] _ [C#] Ha ha hey [F#m] hey.
Ha [Fm] ha hey [F#m] hey.
[G#] Ha ha hey [F#m] hey.
[Fm] Ha ha hey [F#m] hey.
[G#] Ha ha hey [F#m] hey.
Ha [A] ha hey hey.
Ha ha hey hey.
[C#] Ha ha hey hey.
Ha ha hey hey.
Let's talk [D] about the artwork on this because it's [G#] pretty fierce.
It was [D] done by a friend of ours [C#] Lachlan [F#m] Mitchell.
He did the artwork for Tom [G#] Tomahawk as well.
And I put, [D] it was like [C#] copper leafing through it [A] because it's a very [G#] intense and [C#m] masculine image.
[G#] So I just kind of [D] thought I'd stop and [G#] I'd do [D] Lady Juju.
_ [C#] _ _ [D] _
_ [C#] _ [F#m] _ _ _ [C#] _ _ [A] _
_ [Fm] _ _ _ [D#] _ _ _ [A] _
_ _ _ _ [N] _ _ _ _
_ _ _ _ _ So what's in store for the rest of the year for you guys?
Touring.
Touring [G#] yeah.
Touring a [F] couple months.
And then are you back in the studio?
[B] Oh.
We're going to have a good lie down.
[Cm] Time off.
Fair enough.
Lie down, [B] you know maybe read some books.
Doing regular, you know